| Henning Carlsen | |
|---|---|
| Born | 4 July 1927 Ålborg, Denmark |
| Occupation | Director Screenwriter Producer |
| Years active | 1950–present |
| Awards | Bodil Award 1966 Sult Bodil Award 1967 Mennesker mødes og sød musik opstår i hjertet |
Henning Carlsen (born 4 July 1927) is a Danish film director, screenwriter, and producer most noted for his documentaries and his contributions to the style of Cinéma vérité.[1] Carlsen's 1966 social-realistic drama Hunger (Sult) was nominated for the Palme D'Or and won the Bodil Award for Best Danish Film. Carlsen also won the Bodil Award the following year for the comedy People Meet and Sweet Music Fills the Heart. Acting as his own producer since 1960, Carlsen has directed more than 25 films, 19 for which he wrote the screenplay. In 2006, he received the Golden Swan Lifetime Achievement Award at the Copenhagen International Film Festival.[2]
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Henning Carlsen was born on 4 June 1927 in Aalborg, Denmark. Carlsen became an assistant director at Minerva Film in 1948 and received his on-the-job training there. He was attached with Minerva until 1953 when he shifted to Nordisk Film. Carlsen began by writing and directing short documentaries and industry films, and with this background he flourished in the production of the cinema verite style.[3] His documentary trilogy, De Gamle (The Elderly – 1961)), Familiebilleder (Family pictures- 1964) and Ung (Youth – 1965), created a classic portrait of 1960s Denmark as the nation revolutionized and transformed into a modern welfare society[4][5] Especially noted was Carlsen's technique of rhythmic editing in De Gamle which produced a lyrical portrait of retirees without any needed commentary.[4]
In 1962, Carlsen continued in cinema verite style with his first feature film, the harsh social drama A World of Strangers (Dilemma). Based upon the 1958 novel about apartheid by Nadine Gordimer, Carlsen filmed illegally on location in South Africa with use of a hidden camera.[5] He followed this effort with the 1966 drama Hunger (Sult) based upon the autobiographical novel of Norwegian author Knut Hamsun. With its stark focus on a life of poverty and desperation, the film is considered a masterpiece of social realism and is one of the ten films listed in Denmark's cultural canon by the Danish Ministry of Culture.[6] Carlsen was nominated for the Palme D'Or and won the Bodil Award for Best Danish Film.
The following year, Carlsen changed pace from his realistic dramas and made the comedy People Meet and Sweet Music Fills the Heart (Mennesker mødes og sød musik opstår i hjertet) based on the work of Jens August Schade. Again, he was awarded the Bodil Award for Best Danish Film. During his career, Carlsen has maintained interest in popular comedies with such films as Oh, to Be on the Bandwagon! (Man sku være noget ved musikken), in collaboration with Benny Andersen, and I Wonder Who's Kissing You Now?. In 1967, Carlsen returned to the same format of social realism he used in Sult with the drama We are All Demons (Klaubauterman), a story based upon a novel by Axel Sandemose.
In 1986, Carlsen filmed the international production Wolf at the Door starring Donald Sutherland. During his career, Carlsen has written 19 films and directed 21. He has also directed for both theater and television. Since 1966, Carlsen has been a teacher and member of the advisory council for the National Film School in Denmark. In 2006, Carlsen was the recipient of the Golden Swan Lifetime Achievement Award at the Copenhagen Film Festival.[2]
Carlsen Henning was married the first time to Hjørdis Wirth Jensen. In 1975 he married a second time with film consultant Else Heidary.
| Year | Original Title | English Title | Notes |
|---|---|---|---|
| 2005 | Springet | Springet | |
| 1998 | I Wonder Who's Kissing You Now | I Wonder Who's Kissing You Now | |
| 1995 | Pan | Two Green Feathers | |
| 1986 | Oviri | The Wolf at the Door' | |
| 1982 | Pengene eller livet | Your Money or Your Life | |
| 1978 | Hør, var der ikke en som lo? | Did Somebody Laugh? | |
| 1975 | Da Svante forsvandt | When Svante Disappeared | |
| 1975 | En Lykkelig skilsmisse | A Happy Divorce | |
| 1972 | Man sku være noget ved musikken | Oh, to Be on the Bandwagon! | Entered into the 22nd Berlin International Film Festival |
| 1971 | Er i bange? | Are You Afraid? | |
| 1969 | Klabautermannen | We Are All Demons | Entered into the 19th Berlin International Film Festival |
| 1967 | Mennesker mødes og sød musik opstår i hjertet | People Meet and Sweet Music Fills the Heart | Bodil Award for Best Danish Film |
| 1966 | Sult | Hunger | Bodil Award for Best Danish Film |
| 1965 | Kattorna | The Cats | |
| 1965 | Ung | Youth | |
| 1964 | Familebilleder | Family Pictures | |
| 1963 | Hvad med os? | How About Us? | |
| 1962 | Dilemma | A World of Strangers | Grand Prize at Mannheim-Heidelberg International Filmfestival |
| 1961 | De Gamle | The Elderly | |
| 1960 | Souvenirs from Sweden | Souvenirs from Sweden | |
| 1959 | Et Knudeproblem | ||
| 1958 | Cyklisten | The Bicyclist | |
| 1950 | Civilforsvaret | The Civil Defense | |
| 1950 | Dukkestuen |
Wakeman, John. "World Film Directors, Volume Two, 1945-1985". Pages 180–184. New York: The H.W. Wilson Company, 1988. ISBN 978-0-8242-0757-1