Gnomon

The gnomon is the part of a sundial that casts the shadow. Gnomon (γνώμων) is an ancient Greek word meaning "indicator", "one who discerns," or "that which reveals."

It has come to be used for a variety of purposes in mathematics and other fields.

Contents

Uses of the term

Sundials

The Chinese also used the gnomon, mentioned in the 2nd century Nine Chapters on the Mathematical Art as being used much earlier by the Duke of Zhou (11th century BC).

In the northern hemisphere, the shadow-casting edge is normally oriented so that it points north and is parallel to the rotation axis of the Earth. That is, it is inclined to the horizontal at an angle that equals the latitude of the sundial's location. At present, such a gnomon should thus point almost precisely at Polaris, as this is within a degree of the North celestial pole.

On some sundials, the gnomon is vertical. These were usually used in former times for observing the altitude of the Sun, especially when on the meridian. The style is the part of the gnomon that casts the shadow. This can change as the sun moves. For example, the upper west edge of the gnomon might be the style in the morning and the upper east edge might be the style in the afternoon.

The art of constructing a gnomon sundial is sometimes termed gnomonics. One so skilled would be referred to as a gnomonist.

Other uses of the term

Gnomon is the name given to an aesthetic process utilized by James Joyce in his set of short stories Dubliners, whereby the whole of the character is revealed by a single part.

In a recent book Gazalé, Midhat J. coined the term gnomonicity as a synonym for the contemporary idea of Self-similarity both in the increasing and decreasing scale as in fractals.

In popular culture

In the book The Tower at the End of the World by Brad Strickland, a giant tower and thin stairs turn out to be the gnomon of a giant sundial. The island the tower is found on is often called "Gnomon Island".

The Gnomon of Saint-Sulpice inside the church of Saint Sulpice in Paris, France, built to assist in determining the date of Easter, was fictionalized as a "Rose Line" in the novel The Da Vinci Code.[3]

Footnotes

  1. ^ Laertius, Diogenes. "Life of Anaximander".
  2. ^ Heath (1981) pp. 78-79
  3. ^ Sharan Newman, The Real History Behind The Da Vinci Code (Berkley Publishing Group, 2005, p. 268).

References