Flanders and Swann
Flanders and Swann were a British comedy duo. The actor and singer Michael Flanders (1922–1975) and the composer, pianist and linguist Donald Swann (1923–1994) collaborated in writing and performing comic songs. Between 1956 and 1967 they performed some of their songs in their long-running two-man revues At the Drop of a Hat and At the Drop of Another Hat. Both revues were recorded in concert, and the duo also made several studio-based recordings. They first worked together at a school revue in 1939.[1]
Musical partnership
Flanders and Swann both attended Westminster School, where in July and August 1940 they staged a revue called Go To It,[2] and Christ Church, Oxford, two institutions linked by ancient tradition. The pair went their separate ways during World War II, but a chance meeting in 1948 led to a musical partnership writing songs and light opera, Flanders providing the words and Swann composing the music. Their songs have been sung by performers such as Ian Wallace and Joyce Grenfell.
In December 1956, Flanders and Swann hired the New Lindsey Theatre, Notting Hill, to perform their own two-man revue At the Drop of a Hat, which opened on New Year's Eve. Flanders sang a selection of the songs that they had written, interspersed with comic monologues, and accompanied by Swann on the piano. An unusual feature of their act was that, due to Flanders' having contracted poliomyelitis in 1943, both men remained seated for their shows: Swann behind his piano, and Flanders in a wheelchair.
The show was successful and transferred the next month to the Fortune Theatre, where it ran for over two years, before touring in the UK, the United States, Canada and Switzerland.
In 1963 Flanders and Swann opened in a second revue, At the Drop of Another Hat. Over the next four years they toured a combination of the two shows in the UK, Australia, New Zealand, Hong Kong, the United States and Canada, before finishing up at the Booth Theatre on Broadway. On 9 April 1967, they performed their last live show together. Ten days later, they moved into a studio and recorded the show for television.
Over the course of eleven years, Flanders and Swann gave nearly 2,000 live performances. Although their performing partnership ended in 1967, they remained friends afterwards and collaborated on occasional projects.
Timeline
| Date[3] |
Venue[3] |
| 1956 |
New Lindsey Theatre, Notting Hill |
| 1957–59 |
Fortune Theatre (suspended one month because of Flanders' pneumonia) |
| 1959 |
Edinburgh Festival "At the Drop of a Kilt" |
| 1959–60 |
Golden Theater, New York |
| 1960–61 |
12-city tour of USA, plus Toronto |
| 1961 |
Switzerland |
| 1962 |
9-city tour of UK, plus Toronto |
| 1963 |
9-city tour of UK |
| 1963 |
Haymarket Theatre |
| 1964 |
4-city tour of Australia, 5 NZ, plus Hong Kong |
| 1965 |
3-city tour of UK |
| 1965 |
Globe Theatre (now the Gielgud) |
| 1966 |
9-city tour of USA, plus Toronto |
| 1966–67 |
New York |
Discography
Their records were originally released on the Parlophone label; CD reissues are on EMI.
EPs
- 1957 - Excerpts from At The Drop of a Hat (EP)
- 1957 - More Excerpts from At The Drop of a Hat (EP)
- 1957 - More out of the Hat! (EP)
- 1959 - Little Drummer Boy/The Storke Carol (EP)
- 1961 - The Bestiary of Flanders & Swann (EP)
- 1964 - Favourites from At The Drop of Another Hat (EP)
- 1964 - More out of the New Hat (EP)
LPs
- 1957 - At The Drop of a Hat (50th performance and one a few days later, PMC 1033)
- 1960 - At The Drop of a Hat (Final performance produced by George Martin)
- 1964 - At The Drop of Another Hat (produced by George Martin)
- 1967 - The Bestiary of Flanders & Swann (produced by George Martin)
- 1975 - And Then We Wrote...
- 1977 - Tried by the Centre Court
Cassettes
- 1996 - EMI Comedy Classics (Hat and Another Hat on two cassettes)
- 1997 - More out of the Drop of a Hat - Again! (double cassette)
CDs
- 1994 - The Complete Flanders & Swann (first three albums in a boxed set)
- 1994 - A Transport of Delight: The Best of Flanders & Swann
- 1999 - The Flanders and Swann Collection
- 2000 - A Drop of Hilarity from Flanders & Swann
- 2007 - Hat Trick: Flanders & Swann Collector's Edition
Donald Swann solo
- 1951 - The Youth of the Heart (78 rpm)
- 1958 - London Sketches (Donald Swann & Sebastian Shaw)
- 1963 - Festival Matins (EP)
- 1964 - Songs of Faith & Doubt (EP)
- 1965 - For The Love of Betjeman (Donald Swann & Sir John Betjeman, EP)
- 1966 - Donald Swann & the Choir of the Friends' School, Saffron Walden (EP)
- 1967 - Tolkien: Poems & Songs of Middle Earth (Donald Swann & William Elvin)
- 1968 - Sing Round The Year (Boys of Westminster School and Girls of Mayfield Putney)
- 1970 - An Evening in Crete (Donald Swann & Lilli Malandraki)
- 1971 - The Song of Caedmon (Donald Swann & Arthur Scholey, EP)
- 1973 - A Crack in Time (The Swann Singers)
- 1973 - Wacky & His Fuddlejig (Donald Swann & Arthur Scholey, narrated by Peter Ustinov, EP)
- 1973 - The Rope of Love (The Swann Singers)
- 1975 - The Parable of the Lost Sons (Donald Swann & The Nairobi Youth Choir, EP)
- 1980 - Radio Orwell (The Olive Quantrill Singers)
- 1981 - Swann with Topping (Donald Swann & Frank Topping)
- 1984 - Requiem for the Living (Donald Swann & Cecil Day-Lewis)
- 1989 - Alphabetaphon (Donald Swann, 3 cassettes)
- 1992 - Amiscelleny (Donald Swann & John Amis)
- 1994 - Swann in Jazz
- 1999 - The Isles of Greece
Michael Flanders solo
- 1953 - Three's Company (Michael Flanders & Anthony Hopkins)
- 1954 - The Soldier's Tale (Michael Flanders & Sergei Prokofiev)
- 1959 - The Christmas Story (Michael Flanders & the Mike Sammes Singers)
- 1960 - Peter and the Wolf (Prokofiev, Michael Flanders narrator)
- 1962 - Touches of Sweet Harmony (Michael Flanders, reader)
- 1962 - Mark's Gospel (Michael Flanders, reader)
- 1963 - The Comedy of Errors (Michael Flanders, actor)
- 1963 - Elizabeth the Great (Michael Flanders, actor)
- 1972 - Captain Noah & His Floating Zoo (Michael Flanders & Joseph Horovitz)
Bibliography
- 1965 - Sing Round The Year (Donald Swann, children's book)
- 1968 - The Space Between The Bars (Donald Swann)
- 1975 - Swann's Way Out: A Posthumous Adventure (Donald Swann)
- 1977 - Songs of Michael Flanders and Donald Swann (Michael Flanders & Donald Swann, scores)
- 1983 - Alphabetaphon (Donald Swann & Natasha Swann)
- 1991 - The Hippopotamus Song: A Muddy Love Story (Michael Flanders & Donald Swann, children's book)
- 1991 - Swann's Way: A Life in Song (Donald Swann)
- 2002 - The Road Goes Ever On: A Song Cycle (Donald Swann & J.R.R. Tolkien)
Videography
- 1992 - The Only Flanders & Swann Video (recorded New York, 19 April 1967, 10 days after the close of At The Drop of Another Hat)
- 1998 - Flanders & Swann (recorded in New York, 1962 & 1967)
Songs of Flanders and Swann
Flanders and Swann's songs are characterised by wit, gentle satire, complex rhyming schemes, and memorable choruses. Flanders commented during the recorded performance of At the Drop of Another Hat,
| “ |
The purpose of satire, it has been rightly said, is to strip off the veneer of comforting illusion and cosy half-truth. And our job, as I see it, is to put it back again.[4] |
” |
They wrote over a hundred comic songs together. The following selection gives an indication of their range.
- "All Gall"—a political satire based on the long career of Charles de Gaulle. At the time of writing, de Gaulle had recently vetoed the UK's first application to join the European Economic Community. Sung to the tune of "This Old Man."
- "Bedstead Men," a wry explanation for the rusty bedsteads dumped in ponds and lakes in the UK.
- "First and Second Law"—a jazzy setting of the first and second laws of thermodynamics.
- "The Gasman Cometh"—a verse-and-chorus song in which a householder finds that no tradesman ever completes a job without creating another, related job for another tradesman.
- "The Hippopotamus"—one of Flanders and Swann's best known songs ("Mud, mud, glorious mud"), and one of a range of songs that they wrote about different beasts, including "The Gnu", "The Warthog" and "The Armadillo". It is among those Ian Wallace included in his repertoire.
- "Ill Wind"—Flanders's words sung to a slightly cut version, with cadenza, of the rondo finale of Mozart's Horn Concerto No. 4 in E flat major, K. 495. It has to be sung since Flanders's French horn was apparently stolen.
- "In The Desert" ("Верблюды", lit. "camels")—a "traditional Russian" song, performed by Donald Swann. He provides an English-language translation after every line. The song is extremely repetitive, rendering the translation largely redundant.
- "In the D'Oyly Cart"—a satire about the D'Oyly Carte Opera Company. It was first performed in the revue Oranges and Lemons (1948) and revived in Penny Plain (1951). It was included as the first track on Flanders and Swann's 1974 album, And Then We Wrote.[5]
- "Have Some Madeira M'Dear"—an old roué sings to an ingénue about the merits of that wine, hinting that he has seduction in mind, with complex word-play, including three oft-quoted examples of syllepsis.
- "Misalliance"—a political allegory concerning a love affair between a honeysuckle and a bindweed.
- "P** P* B**** B** D******" or "Pee Po Belly Bum Drawers"—a song comparing the use of profanity among the intelligentsia to playground swearing.
- "The Reluctant Cannibal"—an argument between father and son, on the topic of cannibalism (Son: "Eating people is wrong", Father: "Must have been someone he ate"—"he used to be a regular anthropophaguy") The father says you might as well say "Don't fight people" and they agree: "Ridiculous!".
- "Slow Train"—a nostalgic song about the railway stations on lines scheduled for closure by the Beeching Axe in 1963.
- "A Song of Patriotic Prejudice"—a Little Englander's song ("The English, the English, the English are best,/ I wouldn't give tuppence for all of the rest")
- "A Song of Reproduction"—about the then topical mania for do-it-yourself hi-fi as an end in itself. (Making much of the jargon of the hobby - "woofer" "tweeter" "wow on your top" "flutter on your bottom" and in a line added for the stereo remake: "Raise the ceiling four feet, move the fireplace from that wall to that wall, you'll still only get the stereophonic effect if you sit in the bottom of that cupboard.")
- "A Song of the Weather"—a parody of the 1834 poem "January Brings the Snow" by Sara Coleridge
- "To Kokoraki" (Το Κοκοράκι, lit. "The Cockerel")—a modern-Greek children's song, something like "Old McDonald Had a Farm", in which a different animal noise is added in each verse. Flanders, feigning impatience with it as Swann sings several more verses than strictly necessary, remarks sarcastically "We must have it in full some night. Alternate it with The Ring Cycle."
- "A Transport of Delight"—with an increasing refrain about the "Big six-wheeler, scarlet-painted, London Transport, diesel-engined, ninety-seven–horse-power omnibus".
- "20 Tons of TNT"—a song about thermonuclear weapons.
- "The War of 14–18"—a translation of a French song by Georges Brassens, this song 'celebrates' World War I.
- "The Wompon"—a tale about a fictitious all-purpose creature/plant/raw material.
- "Twosome: Kang & Jag" (Kangaroo and Jaguar)—two more animal songs sung as a pair. The title recalls "Cav and Pag" i.e. Cavalleria rusticana and I Pagliacci, which are often performed together.
A very rare song, "Vendor Librorum Floreat" (Let the bookseller flourish), was released as a single in 1960. It was written for the annual American Booksellers Association, the only known time Flanders & Swann accepted a private commission.
Monologues
Flanders' comic monologues include:
- "By Air"—about the vogue for air travel. "I agree with the old lady who said, 'If God had intended us to fly, He would never have given us the railways.'"
- "Tried by the Centre Court"—a Wimbledon match between Miss L. Hammerfest and Miss Joan Hunter-Dunn. "They are bashing a ball with the gut of a cat".
- "Greensleeves"—about the background to the composition of the famous English air. An annotated version, explaining all the jokes, is available online.[6]
- Los Olividados—describing a festival akin to bullfighting, where the bull is replaced with an olive. The title is a reference to Los Olvidados, or The Forgotten Ones, a 1950 movie by the director Luis Buñuel.
- "Built-up Area"—a prehistoric inhabitant of Salisbury Plain complains about a new development: Stonehenge.
See also
References
External links
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Flanders and Swann
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