The Five Civilized Tribes Museum is a museum in Muskogee, Oklahoma that houses the art, history and culture of the Cherokee, Chickasaw, Choctaw, Muscogee Creek, and Seminole tribes. Housed in the historic Union Indian Agency building[1], the museum was opened in 1966.[2]
The museum holds an extensive collection of traditional art by artists of the Five Civilized Tribes and has the world’s largest collection of Jerome Tiger originals.
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The museum originates with the Da-Cot-Tah Indian Club, who began campaigning to use the Union Indian Agency building to house it in September 1951.[2] In 1954, the club sponsored legislation, H.R. Bill No. 8983 by U.S. Representative Ed Edmondson, that petitioned the return of the building to the municipal government of Muskogee, Oklahoma.[2]
The legislation was passed and signed by Dwight D. Eisenhower and the museum was incorporated on November 19, 1955.[2] Two years later Marie L. Wadley became the first president of the museum.[3] The building opened its doors as the Five Civilized Tribes Museum on April 26, 1966.[2]
The Union Indian Agency Building is listed in the National Register of Historic Places and was constructed by the Bureau of Indian Affairs in the 1870s to house the Superintendent of the Five Civilized Tribes. Until this point, each tribe had their own agency, except for the Chickasaws and Choctaws who shared one at Boggy Depot. The term, "Five Civilized Tribes", was coined around the same time as the opening of the consolidated agency building. The building was used for the offices and residence of the Indian Agency Superintendent and his family.
The building was owned by the Creek Nation and served as a school and orphanage for the Creek Freedmen. In 1909, the ownership of the building was transferred to the municipal government of Muskogee, Oklahoma. The city passed ownership to the United States government in 1944 to aid the Veterans Hospital facilities, but it was left unused. After World War I it began a new life as “The Chateau” where area residents came to listen and dance to live bands. After World War II, the building fell into disrepair until the city and Da-Co-Tah Indian Club.
On April 16, 1966,[4] the Da-Co-Tah Indian Club opened the doors to the Five Civilized Tribes Museum. The funds used for the restoration of the Old Agency Building had been raised from individual donors, without any federal, state or municipal aid. Since that time the Museum has been following the goals set forth by the Club. The museum helps share the stories of the Five Tribes’ with guided tours of the facility. Exhibits featuring various aspects of their lives, history and culture are displayed downstairs, and are changed quite frequently. Upstairs one can find many artifacts mixed in with art from either the current competition, or from the Museum’s permanent collection. Several pieces, including Willard Stone’s “Rebirth,” are on permanent display in the Museum.
The museum holds an extensive collection of traditional art produced by artists of Cherokee, Chickasaw, Choctaw, Muscogee (Creek) and Seminole descent, such as Solomon McCombs, Fred Beaver, Willard Stone, Bert Seabourn, Troy Anderson, Johnny Tiger, Michael J. Narcomey, Terry Saul, Joan Hill and many more. The museum also has the world’s largest collection of Jerome Tiger originals, including “Stickballer”, his only major sculpture, which is on permanent display in the gallery.
The goal of the Da-Co-Tah Indian Club was stated in their Bylaws. “The object of this organization shall be to bring members of the various Indian tribes into closer communications for acquaintance, mutual helpfulness, inter-tribal social activities, and to promote awareness of tribal history and accomplishments throughout the greater community area. The club shall be non-sectarian and non-political.” Those founding women, all of Native American ancestry, chose the name “Da-co-tah” for their club, taken from the Sioux language, because it means “Circle of Friends.” They met the second and fourth Tuesday of every month. Red and gold were chosen for the club colors, being they were the symbols of friendship, of steadfast ideals and of ambition for the future. In the fall of 1930, the Da-Co-Tah Indian Club was federated.
To those pioneer Indians whose courage and fortitude, perseverance and achievement sustained them through travail and disaster and earned for them the name of The Five Civilized Tribes, and who laid the foundation for the State of Oklahoma. - These words by Grant Foreman were printed at the beginning of a letter postmarked April 15, 1966, which was sent out in preparation for the opening of the Five Civilized Tribes Museum.
They participated in many charitable acts, such as donating canned foods, clothes and shoes to the Murrow Orphanage, as well as making sure they were taken to barber shops for their haircuts. They also took the children to attend the Free State Fair once a year and to go see movies, as well as many other activities. The Club raised funds to provide charitable services to poor Indian families, and to make donations to the Salvation Army. They also helped raise money for the Drought Relief Fund and the Unemployment Fund.
Each year competitions are held where tribal members can compete in painting, pottery, gourd art, sculpture and more. The student art show is also held each year, where students with descent from one of the Five Tribes, who are in grades seventh through twelfth, are allowed to compete.
To celebrate tribal art and culture, the museum dedicates to each of the five civilized tribes one week out of every year. The museum displays art from its permanent collection done by members of that particular tribe, while the tribe puts on cultural displays throughout the week. In April, the museum is host to Art Under The Oaks, an art market held on the grounds during the weekend. This gives visitors a chance to buy directly from the vendors, all members of one of the five tribes, as well as see traditional singing and dancing.