| Exile | |
|---|---|
| Format | Psychological thriller |
| Created by | Danny Brocklehurst |
| Starring | John Simm Jim Broadbent |
| Country of origin | United Kingdom |
| Language(s) | English |
| No. of series | 1 |
| No. of episodes | 3 (List of episodes) |
| Production | |
| Running time | 60 minutes |
| Broadcast | |
| Original channel | BBC One |
| Original run | 1 May 2011 – 3 May 2011 |
| External links | |
| Website | |
Exile is a British psychological thriller television series dealing with the topic of Alzheimer's disease against a background of corruption.[1] It stars John Simm and Jim Broadbent and was broadcast on BBC One. The series received varyingly positive reviews.
Contents |
The first episode, aired on 1 May 2011, begins with Tom Ronstadt (John Simm) being escorted from his media job in London, which he hates anyway as his role has drifted away from real journalism and towards malicious, hatchet-job sensationalism. Although it is not explained why he has been sacked, Tom is a heavy user of cocaine and is having an affair with the wife of his boss, who makes it clear to him that their relationship is purely sexual (which results in Tom striking her).
With nothing to stay for in London, Tom moves to the home he used to live in, in Ramsbottom, Lancashire, where his sister Nancy (Olivia Colman) cares for their dad Samuel (Jim Broadbent), who has Alzheimer’s disease. Nancy explains to Tom that Samuel, a former newspaper journalist, mostly lives his life as if it is still the early 90s, for example often calling out for Wendy, the secretary that he had then.
It then emerges that Tom has had very little contact with his dad since he left home in the early 90s, because Samuel severely beat him when he caught Tom rummaging through his files. The only thing Tom found of note in the files at the time were a series of negative photographs with the name 'Metzler' on them - and the surname of the leader of the local council today is Metzler. (Tom knows this because his old friend Mike tells him this, and Tom has had a one night stand with Mike's wife, Mandy). Keen to find out what Samuel had been hiding, Tom discovers that Samuel has a bank account with over £150,000 in it - even though Nancy has been struggling financially; the money paid in monthly by 'J Cleaver' from the 90s up to 2002. (During his first visit to the bar where Mandy works, the television in the background is showing Nick Griffin on Question Time, so the series can be assumed to be set in winter 2009)
Tom finds an old tape of his with 90s music on it to play so that he can question his dad about his old job. However, having only found out that Samuel didn't like his old boss, the tape cuts to an interview between Samuel and another man, in which Samuel is told that he will bring the both of them down if he publishes whatever information he has discovered. Samuel reacts angrily at hearing this, and pulls the tape out of the player and destroys it. When Tom peels back the music label on the tape he finds another label underneath, stating 'Metzler'.
The second episode, aired on 2 May 2011 sees Tom trying to find out more about Metzler. At a charity fundraiser in which Tom reintroduces his dad with Metzler (and both act as if they can barely remember the other), he speaks to Samuel's old editor and discovers that Samuel was obsessed with Metzler for years, and that Metzler was a doctor at a local mental institution in the 1970s that has now shut down. Using a source at the Inland Revenue, Tom then tracks down Wendy, and although she seems too frightened to reveal anything about Metzler, she does disclose that a 'Jonathan Cleaver' was a patient at the mental institution at the time Metzler was a doctor there.
Tom discloses to Nancy that the last time Samuel was happy was when his wife (and Tom's mother), who died in the early 90s, was still alive, which was shortly before Samuel's violent outburst against Tom which he now blames for the problems in his own life.
As Tom continues to dig for information, it becomes clear that some people do not want him to find what he is looking for. While walking on his own at night, the police beat, threaten and detain him, while Nancy finds Samuel distressed because he believes he caught an intruder in their home. Tom decides to take Samuel to a football match to see if a day out will jog his memory, and in the car journey home this appears to work. Samuel states that Metzler knew that he couldn't 'buy' him, so he approached Samuel's wife instead, and she 'let him into our home'. At that point a car drives into Tom's car and the driver runs off. The incident upsets Samuel and he is unable to finish his story.
With Nancy caring for a distraught Samuel, Tom wanders through the house and finds a letter addressed to him. He opens it to discover a note stating 'something you ought to know' and a copy of his own birth certificate, in which his birth name was 'Tom Cleaver'.
The final episode, aired on 3 May 2011, After Tom has shown Nancy his discovery they return to see Wendy,who sent the envelope. She reveals that Sam and his wife Edith,believing themselves unable to have children,adopted Tom. The siblings manage to get Sam to say that Metzler gave them a baby but Mandy's mother,a former nurse at Greenlake,believes that a ward orderly named Ricky Tulse,not Metzler,was the truly sinister figure who encouraged vulnerable patients to have sex whilst he watched. Tom tracks down Tulse,dying of cancer,who admits,before killing himself,that he is Tom's father,having raped his mother. He claims that Metzler was aware that patients were being sexually abused and their babies sold - Metzler being the man who paid Sam the money. Tom now has his evidence to bring down Metzler,do what is best for Sam and start a new life back home with Mandy and Nancy,following his exile.Source IMDB http://www.imdb.com/title/tt1800493/episodes
In mostly positive reviews, script and performances were praised, with criticism directed toward cliched elements of the story. Reviewing the first episode, Amol Rajan of The Independent found the storytelling "glorious", and that "it engaged very directly with highly topical issues." He stated that Broadbent confirmed "his position alongside Ian McKellen, John Hurt and Michael Gambon as one of the greatest English actors of his generation", and praised the "outstanding performances, from a bewitching John Simm (playing his son Tom) and the reliably wonderful Olivia Colman (his daughter Nancy)."[2]
The Daily Telegraph referred to the series as "a powerful family drama trapped inside a clichéd tabloid thriller", and "so close to being brilliant. Instead, it was more of the same." But the review praised the "magnificent performances by Broadbent as a man in the grip of Alzheimer's, and Olivia Colman as the daughter left alone to cope with it, seeing her life passing before her, and Simm's Tom driving back into their lives cursing the emptiness of his London media career [...]".[3]
The Guardian review found "only a few missteps in Danny Brocklehurst's otherwise impeccable script", and part of the series "too pat", with "by-numbers triumphalism", but praised "the ingenious conceit of a mystery story in which the quest for the truth is foiled by an Alzheimer's sufferer catalysed a well-plotted drama, executed without exploitativeness and, in Simm's case, played more tenderly than I'd have thought him capable."[4]
Radio Times' Alison Graham wrote, "A tremendous piece of drama; subtle, intelligent, powerful and adult. Writer Danny Brocklehurst and creator Paul Abbott have achieved something wonderful by blending a touching human story with a riveting thriller. This is as good as TV drama can be.. On every level Exile delivers."
The ingeniously plotted Exile is over - steel yourself for a Hollywood remake,The Guardian,4-May-2011, page 25; "The ingenious conceit of a mystery story in which the quest for the truth is foiled by an Alzheimer's sufferer catalysed a well-plotted drama, executed without exploitativeness and, in Simm's case, played more tenderly that I'd have thought him capable".
Caitlin Moran, The Times, May 7th, On TV. "Danny brocklehurst's script shamed most of his peers - keeping the dialogue real, yet without pouring out the can marked Genuine Real Northern Dialogue. Minute by minute this was exhilaratingly good television. It's hard to know at whom to throw the greatest plaudits. There wasn't a single thing wrong with this programme."