| Dr. M | |
|---|---|
French theatrical release poster |
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| Directed by | Claude Chabrol |
| Produced by | Hans Brockmann François Duplat Christoph Holch |
| Screenplay by | Claude Chabrol Sollace Mitchell |
| Story by | Thomas Bauermeister |
| Based on | Mabuse der Spieler by Norbert Jacques |
| Starring | Sandrine Bonnaire Jacques Gamblin |
| Music by | Mekong Delta Paul Hindemith |
| Cinematography | Jean Rabier |
| Editing by | Monique Fardoulis |
| Studio | N.E.F. Filmproduktion und Vertriebs Ellepi Films Italian International Film Cléa Productions Solyfic ZDF Telefilm Saar GmbH La Sept |
| Release date(s) | 24 May 1990 |
| Running time | 111 minutes |
| Country | Germany France Italy |
| Language | English |
Dr. M. is a 1990 film co-written and directed by Claude Chabrol. The film is a remake of 1922's Fritz Lang's Dr. Mabuse the Gambler, which was in turn based on Mabuse der Spieler by Norbert Jacques.[1]
Contents |
In the near future, a deadly epidemic is infecting people throughout West Berlin, leading to people taking their own lives to avoid catching it. All the media reports seem like unusual propaganda. No one knows what to do or how to help, except for one police officer who suspects that the suicides are really caused by a lone madman. His investigations lead him to a beautiful, enigmatic woman and the revelation of a sinister plot to manipulate the population through mass hypnosis.
| Actor | Role |
|---|---|
| Alan Bates | Dr. Marsfeldt / Guru]] |
| Jennifer Beals | Sonja Vogler |
| Jan Niklas | Lt. Claus Hartman |
| Isolde Barth | Mrs. Sehr |
| Andrew McCarthy | Assassin |
| Hanns Zischler | Moser |
| Benoît Régent | Stieglitz |
| Alexander Radszun | Engler |
| Jean Benguigui | Rolf |
Steve Simels of Entertainment Weekly gave the film a C-:
| “ | [T]his is a standard-grade, low-budget European B movie. The plotting is absurd (with anachronistic elements; though the film is set in the future, the Berlin Wall has not yet come down); the stars — including the still fetching Jennifer Beals and the usually cool Alan Bates (doing what seems like an eccentric imitation of Albert Finney doing Hercule Poirot) — either overact or sleepwalk; and the pacing is lethargic verging on comatose.[2] | ” |
Jackson Adler of TV Guide gave the film 3 out of 4 stars:
| “ | Club Extinction is something of a mishmash. But it's a mostly engaging mishmash with Chabrol operating in a satirically sinister mode that should come as no surprise to his devotees... In contrast to many American genre pictures, the problems with Club Extinction stem from aiming too high rather than too low... [M]ostly to Chabrol's credit, the going never gets boring, no matter how many times one views it. Club Extinction is an absorbing and even amusing thriller with brains--even if it does take more brains than should be necessary to follow its helter-skelter plot.[3] | ” |
The film was released in the United States as Club Extinction on VHS.[4]
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