Culture of Iran

To best understand Iran, their related societies and their people, one must first attempt to acquire an understanding of their culture. It is in the study of this area where the Iranian people's identity optimally expresses itself. Hence the first sentence of prominent Iranologist Richard Nelson Frye's latest book on Persia reads:

"Iran's prize presetion has been its culture." [1]

Thus an eclectic cultural elasticity has been said to be one of the key defining characteristics of the Persian spirit and a clue to its historic longevity.[2] Furthermore, Iran's culture has manifested itself in several facets throughout the history of Iran as well as that of Central Asia.

The article uses the words Persian and Iranian interchangeably, sometimes referring to the language and its speakers, and other times referring to the name of pre-20th century Iran, a nomenclature which survives from western explorers and orientalists. Both are not the same however, and the cultures of the peoples of Greater Persia are the focus of this article.

Persian Arts
Visual Arts
Painting Miniatures
Calligraphy
Decorative Arts
Jewellery Metalworks
Embroidery Motifs
Tileworks Handicrafts
Pottery Mirrorworks
Literature
Literature Mythology
Folklore Philosophy
Other
Architecture Cuisine
Carpets Gardens
Performance Arts
Dance Music
Cinema Theatre

Contents

Art

Iranian art has gone through numerous phases of evolution. The unique aesthetics of Iran is evident from the Achaemenid reliefs in Persepolis to the mosaic paintings of Bishapur. The Islamic era drastically brought changes to the styles and practice of the arts, each dynasty with its own particular foci. The Qajarid era was the last stage of classical Persian art, before modernism was imported and suffused into elements of traditionalist schools of aesthetics.

Language and literature

There are several languages spoken in different parts of Iran. Mainly Persian across the country, Azerbaijani in northwest and central Iran, Kurdish in west part, Arabic in south west, Balochi in east and Turkmen mainly in north of Iran. Among these, the Turkish language's subsets is the largest group comparing others which covers all the northwest, main part of central and north east part of Iran. This is of course the effect of the multiethnic culture of Iran due to the extension of the previous Aryan (Iranian) empires. This is because Iranians by tradition are culturally tolerant (e.g. The Cyrus Cylinder) being described since the time of Herodotus as internalizing the best traits of outsiders. A reason for the Turkmen qualitative dominance among Iranian ethnic minorities is a result of the great Turkmen migration from the Altay which led to the coming of e.g. The Seljuq Empire, The Mongolian Empire, The Ottoman Empire to mention a few.

Ancient literature and historical records (with the exception of archaeological observations) are poorly preserved (e.g. the first national epos of Iran was first written by Ferdowsi in the First Millennium A.D. Over 1,500 years after the founding of the Hakhamaniyan Empire by Cyrus the Great the first Zoroastrian empire). This is an effect of the Arabian expansion which began with the Islamic prophet Muhammad. While the Mongols are often blamed for the destruction of Persian cultural dominance in the area, the Arabs and their allies were known to have destroyed libraries, historical sources, Zoroastrian fire temples and sculptures. These actions were a result of efforts to bring about the Arabification of Greater Iran, arguably doing more damage to Persian cultural integrity than the Mongol invasions.

Persian literature inspired Goethe, Ralph Waldo Emerson and many others, and it has been often dubbed as a most worthy language to serve as a conduit for poetry. Dialects of Persian are sporadically spoken throughout the region from China to Syria, though mainly in Iranian Plateau. Two important dialects of Persian serving as languages are Tajiki and Dari respectively spoken in Tajikistan and Afghanistan as official languages.

Contemporary Iranian literature is influenced by classical Persian poetry, but also reflects the particularities of modern day Iran, through writers such as Houshang Moradi-Kermani, the most translated modern Iranian author, and poet Ahmad Shamlou.[3]

Cinema

With 300 international awards in the past 10 years, films from Iran continue to be celebrated worldwide. Perhaps the best known director is Abbas Kiarostami.

Music

The music of Persia goes back to before the days of Barbod in the royal Sassanid courts. This is where many music cultures trace back their distant origins.

Architecture

Traditional teahouses of Iran

There are nearly countless numbers of traditional teahouses (chai khoneh) throughout Iran, and each province features its own unique cultural presentation of this ancient tradition. However, there are certain traits which are common to all teahouses, especially the most visible aspects, strong chai (tea) and the ever-present ghalyan hookah. Almost all teahouses serve baqleh, steam boiled fava beans (in the pod), served with salt and vinegar, as well as a variety of desserts and pastries. Many teahouses also serve full meals, typically a variety of kababs as well as regional specialities.

Persian gardens

The Persian Garden was designed as a reflection of paradise on earth; the word "garden" itself coming from Persian roots. The special place of the garden in the Iranian heart can be seen in their architecture, in the ruins of Iran, and in their paintings.

Cuisine

Examples of traditional Iranian food include chelo kabaab, khoreshte sabzi, dolmeh, and cotlet. Today in Iran you can find fast food restaurants serving pizza, hamburgers, chicken burgers, etc.

Sports

Women in Persian culture

In the tales of the 1001 Nights, it is a woman, Scheherazade, who is the protagonist and heroine of the frame tale.

Traditional important days

Iranians celebrate the following days based on a Solar calendar, in addition to important religious days of Islamic and Shia calendars, which are based on a lunar calendar.

Traditional cultural inheritors of the old Persia

Like the Persian carpet that exhibits numerous colors and forms in a dazzling display of warmth and creativity, Persian culture is the glue that bonds the peoples of western and central Asia. The Caucasus and Central Asia "occupy an important place in the historical geography of Persian civilization. Much of the region was included in the Pre-Islamic Persian empires, and many of its ancient peoples either belonged to the Iranian branch of the Indo-European peoples (e.g. Medes and Soghdians), or were in close cultural contact with them (e.g. the Armenians).[4] In the words of Iranologist Richard Nelson Frye:

"Many times I have emphasized that the present peoples of central Asia, whether Iranian or Turkic speaking, have one culture, one religion, one set of social values and traditions with only language separating them."

The Culture of Persia has thus developed over several thousand years. But historically, the peoples of Iran, Armenia , Azerbaijan, Turkey, Georgia , Tajikistan , Afghanistan, and Uzbekistan originate from the same or similar stock, and are related to one another as part of the larger group of peoples of Greater Iran. Southwestern Russia is well within the sphere of influence of Persian culture as well, as can be seen from the many remaining relics, ruins, and works of literature from that region.(e.g. 1) (e.g. 2)

In particular, Iran, Afghanistan, and Tajikistan have been able to almost fully retain their Persian identity, while the other aforementioned entities still exhibit considerable traces of their Iranian past.

Contributions to humanity in ancient history

From the humble brick, to the windmill, Persians have mixed creativity with art and offered the world numerous contributions.[5][6] What follows is a list of just a few examples of the cultural contributions of Greater Persia.

See also

References

  1. ^ Greater Iran, Mazda Publishers, 2005. ISBN 1568591772 xi
  2. ^ Milani, A. Lost Wisdom. 2004.ISBN 0934211906 p.15
  3. ^ HOUSHMAND, Zara, "Iran", in Literature from the "Axis of Evil" (a Words Without Borders anthology), ISBN 978-1-59558-205-8, 2006, pp.1-3
  4. ^ Edmund Herzing, Iran and the former Soviet South, The Royal Institute of International Affairs, 1995, ISBN 1899658041 p.48
  5. ^ Iran's contribution to the world civilization. A.H. Nayer-Nouri. 1969. Tehran, General Dept. of Publications, Ministry of Culture and Arts. OCLC number: 29858074 Perry-Castañeda Library Reprinted in 1996 under the title: سهم ارزشمند ایران در فرهنگ جهان
  6. ^ "The effect of Persia's culture and civilization on the world" (Taʼ̲sīr-i farhang va tamaddun-i Īrān dar jahān). Abbās Qadiyānī (عباس قدياني). Tehran. 2005. Intishārāt-i Farhang-i Maktūb. ISBN 9649422447 OCLC 70237532
  7. ^ Link: http://web.utk.edu/~persian/goat.htm
  8. ^ Arthur Upham Pope, Persian Architecture, 1965, New York, p.15
  9. ^ Link: University of Pennsylvania http://www.museum.upenn.edu/new/research/Exp_Rese_Disc/NearEast/wine.shtml
  10. ^ Link: http://www.birdnature.com/nov1899/peach.html
  11. ^ Links:
  12. ^ Abbas Milani. Lost Wisdom. 2004. Mage Publishers. p.12. ISBN 0934211906
  13. ^ Mary Boyce, "Zoroastrians", London, 1979, 1.
  14. ^ Notes:
  15. ^ Link: BBC http://news.bbc.co.uk/2/hi/middle_east/4272210.stm
  16. ^ Links:
  17. ^ Links:
  18. ^ Links:
  19. ^ Links:
  20. ^ Link: http://www.free-definition.com/Abu-Bakr-Mohammad-Ibn-Zakariya-al-Razi.html
  21. ^ Link: http://web.utk.edu/~persian/paper.htm
  22. ^ Refer to article by the Christian Science Monitor - http://www.csmonitor.com/1997/1125/112597.us.us.3.html.
  23. ^ See:
    • Hill, Donald. Islamic Science and Engineering. May 1994. Edinburgh University Press. p.10
    • Sardar, Ziauddin. Introducing Mathematics. Totem Books. 1999.
  24. ^ The Golden Age of the Moor. By Ivan van Sertima. 1992. Transaction Publishers. ISBN 1560005815. p.17

Further reading

External links