| Crosstrap | |
|---|---|
| Directed by | Robert Hartford-Davis |
| Produced by | Michael Deeley George Mills |
| Written by | Philip Wrestler John Newton Chance |
| Starring | Laurence Payne Jill Adams Gary Cockrell |
| Music by | Steve Race |
| Cinematography | Eric Cross |
| Editing by | Harry Booth |
| Distributed by | Unifilms Ltd. |
| Release date(s) | January 1962 |
| Running time | 62 minutes |
| Country | United Kingdom |
| Language | English |
Crosstrap is a 1962 British B-movie crime film starring Laurence Payne, Jill Adams and Gary Cockrell and marking the directorial debut of Robert Hartford-Davis. The screenplay was adapted from a novel by John Newton Chance and the film was reportedly unusually graphic for its time in its depiction of on-screen violence, with one reviewer describing a "climactic blood-bath where corpses bite the dust as freely as Indians in a John Ford western".[1]
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Novelist Geoff (Cockrell) and his wife Sally (Adams) rent an isolated countyside bungalow to enable Geoff to finish his latest book without the distractions of life in London. On their arrival, they are horrified to find a dead man in the property and before they can report the discovery they are confronted by Duke (Payne), a gangland boss, and his henchmen who have, it transipres, been using the empty property as a hide-out for stolen valuables which they are planning to smuggle out of the country. A rival gangster, Juan (Derek Sydney), also has his eye on the goods and has discovered their whereabouts. The dead man is one of his minions.
Geoff and Sally find themselves being held captive, and matters take a turn for the worse when Juan and his men also arrive on the scene, forcing a stand-off between the two factions during which Geoff and Sally are roughly-treated by both sides. Duke starts to fall for Sally, and his obvious interest in her antagonises his girlfriend Rina (Zena Marshall). Eventually there is a bloody shoot-out between the rival gangs, with Duke's men getting the better of the exchange. Duke boards a plane to make good his escape with the valuables, but the plane is shot down by the jealous and vengeful Rina.
Crosstrap appears to have received a mainly negative critical reception, with verdicts such as "overacted, ludicrous and amateurish" (Monthly Film Bulletin) and "brawny but brainless" (Kine Weekly). The Daily Cinema was less dismissive, labelling it an "incredible but lively tale of gang-warfare, packed with hearty action and intrigue, plus a spot of sex for flavour" offering "robust...programme support".[1]
Crosstrap was originally released to cinemas as a supporting film in January 1962 by Unifilms Ltd. Unusually for a supporting feature, it was later picked up by Monarch Films for another cinema outing as a double-bill feature in 1967, possibly as a result of the success of that year's Night of the Big Heat, another film adapted from a Newton Chance novel. There is no record of the film after this point. There is no indication that it was ever shown on television in the UK, and attempts to trace a print of the film have proved fruitless. The film is not held in the BFI National Archive and, unusually, the BFI has been unable even to locate any stills or other publicity material.
Crosstrap is regarded as being of great interest by film historians as the debut of Hartford-Davis, who would go on to direct a number of cult 1960s films which pushed the boundaries of what was acceptable at the time in terms of sexual content (That Kind of Girl, The Yellow Teddy Bears) or violence (Corruption), alongside others which provide a very time-specific depiction of Swinging London (Saturday Night Out, The Sandwich Man). It is one of two Hartford-Davis films (with Nobody Ordered Love from 1971) which the BFI includes on its "75 Most Wanted" list of missing British feature films.[1]
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