| Cowboy Bebop | |
Cowboy Bebop DVD Box Set |
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| カウボーイビバップ (Kaubōi Bibappu) |
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|---|---|
| Genre | Crime fiction, Science fiction Film Noir, Space Western |
| TV anime | |
| Directed by | Shinichirō Watanabe |
| Written by | Keiko Nobumoto |
| Studio | Sunrise |
| Licensed by | Madman Entertainment Bandai Entertainment |
| Network | TV Tokyo, WOWOW, Animax |
| English network | Razer Adult Swim Sci Fi Channel, SBS One, ABC2, Cartoon Network |
| Original run | April 3, 1998 – April 23, 1999 |
| Episodes | 26 |
| Manga | |
| Cowboy Bebop: Shooting Star | |
| Written by | Hajime Yatate |
| Illustrated by | Cain Kuga |
| Published by | Kadokawa Shoten |
| English publisher | Tokyopop |
| Demographic | Shōjo |
| Magazine | Asuka Fantasy DX |
| Original run | May 1998 – October 1998 |
| Volumes | 2 |
| Manga | |
| Cowboy Bebop: A New Story | |
| Written by | Hajime Yatate |
| Illustrated by | Yutaka Nanten |
| Published by | Kadokawa Shoten |
| English publisher | Madman Entertainment Tokyopop |
| Demographic | Shōjo |
| Magazine | Asuka Fantasy DX |
| Original run | April 1998 – April 2000 |
| Volumes | 3 |
| Movies | |
Cowboy Bebop (カウボーイビバップ Kaubōi Bibappu) is a critically acclaimed and award-winning 1998 Japanese anime series written by Keiko Nobumoto, directed by Shinichirō Watanabe, and produced by Sunrise. Its 26 episodes (“sessions”) comprise a complete storyline: set in 2071, the series follows the adventures, misadventures and tragedies of five bounty hunters, or “cowboys”, travelling on their spaceship, the Bebop. The series explores several concepts involving philosophy, including existentialism, loneliness, and existential ennui.
The series' art direction centers on American music and counterculture, especially the beat and jazz movements of the 1940s–1960s and the early rock era of the 1950s–1970s, which the original soundtrack by Yoko Kanno and the Seatbelts recreates.[1]
Cowboy Bebop was a commercial success both in Japan and international markets, notably in the United States. After this reception, Sony Pictures released a feature film, Knockin' on Heaven's Door (2001), to theaters worldwide and followed up with an international DVD release. Two manga adaptations were serialized in Kadokawa Shoten's Asuka Fantasy DX.
Contents |
In 2022, the explosion of an experimental hyperspace gateway severely damaged the Moon, resulting in a debris ring and meteor bombardments that eradicated a large portion of the population. As a result, many survivors abandoned the barely habitable Earth to colonize the inner planets, the asteroid belt and the moons of Jupiter.
The series is set in the year 2071, when the entire Solar System has been made accessible through reliable hyperspace gates. Mars has become the new central hub of human civilization, and interplanetary crime syndicates exert influence over the government and the Inter-Solar System Police (ISSP), limiting their effectiveness in dealing with crime. As a result, a bounty system similar to that in the Old West is established to deal with fugitives, terrorists, and other criminals; the bounty hunters involved are frequently termed "cowboys."
Cowboy Bebop revolves around a crew of bounty hunters living in the spaceship named Bebop. They are a team of bounty hunters who travel the Solar System trying to apprehend bounties. Jet Black, the ship's captain and owner, partnered with Spike Spiegel for his diverse combat skills. During their travels, the Bebop gains new crew members; Faye Valentine, a woman with a mysterious past, Edward, an eccentric girl who also happens to be a cyber hacking genius, and Ein, a normal dog who becomes highly intelligent due to the experimentation he had undergone (though this is rarely shown).
Throughout the series, Bebop crew members' pasts catch up with them, and the show regularly utilizes flashbacks to illustrate the history of the main characters. Spike's past as a syndicate enforcer is a major element of the series, while other episodes deal with Jet's previous occupation as an ISSP officer on Ganymede, and Faye's mysterious origins and significant debt problems. The day-to-day life of the crew is also explored throughout the series.
Spike Spiegel is a former member of the Red Dragon Crime Syndicate. Spike is a master in firearms and hand-to-hand combat, practicing Jeet Kune Do, and is also a skilled pilot. He flies a sleek custom-designed Mono Racer, red-painted, atmosphere-capable spacecraft called Swordfish II. His right eye is cybernetic. Despite his outwardly carefree attitude, he is haunted by the memory of his time in the syndicate, particularly of his romantic relationship with a mysterious woman named Julia, and his conflict with arch-rival and former syndicate partner, Vicious. He is also an accomplished pickpocket. The first bounty hunter to debut.
Jet Black is a former ISSP (Inter-Solar System Police) officer and the owner of the Bebop. Once called "The Black Dog" by his fellow officers for his relentless nature, he left the ISSP after becoming fed up with the corruption and red tape of the organization, and turned to bounty hunting as a way to pursue justice. Despite the ability to have it replaced, he voluntarily bears a cybernetic arm as a reminder of what happened when he rushed into trouble without looking first. He owns both their main ship, Bebop, and his own small yellow ship called Hammerhead. The Hammerhead has been equipped with a claw and harpoon that can be used as a tow cable. Like Spike, he too is haunted by the memory of a woman, Alisa, his longtime girlfriend who left him without giving a reason. The second bounty hunter to debut.
Faye Valentine is a novice bounty hunter with a persistent gambling addiction. She joins the crew of the Bebop uninvited, to the consternation of Jet and Spike. Though she abandons the ship several times during the course of the series, her attachment to the crew always brings her back. These feelings are apparently reciprocated, as Jet and Spike always allow her to return despite claiming they're pleased to see her leave. She pilots a generic heavy spacecraft called Red Tail which is pale blue despite the name and has been heavily modified with armament and tracking sensors. Her gambling, cheating, and competitive skills are unrivaled except by Spike. Much of her past and her real last name are a mystery, however it appears that she was severely injured in a space shuttle accident and was then cryogenically frozen until she could be healed, this expensive medical procedure is one of the two major causes of her large debt (the other being the adoption of the debt of a man she married months after waking, who appeared to have died in a car explosion but was later proven to have survived). She emerges from the cryo sleep without her memories, which she eventually recovers. She finds her old house which was a large mansion, but it has since burnt down. The fourth bounty hunter to debut.
Edward is a young, eccentric computer genius and master hacker. She goes by the name "Radical Edward" when hacking. Ed is a girl, though her name and androgynous appearance suggest otherwise. She had followed the travels of the Bebop before encountering the ship, and agrees to help the crew track down a bounty-head in exchange for becoming a member of the crew. Although extremely intelligent, Ed is still a young child, and looks up to the crew of the Bebop as members of her family. She gave herself the fanciful name "Edward Wong Hau Pepelu Tivruskii IV" after running away to an orphanage, but after an odd run in with her father, it is revealed that her real name is Françoise Appledelhi. She spends much of her time with Ein. The fifth and last bounty hunter to debut.
Ein is a Pembroke Welsh Corgi and former lab animal identified as a "data dog" by the scientists who created him. The reason for this title is that the scientists used him for unspecified experiments, cyber-enhancing him to give him extraordinary data-sniffing and pattern-recognition abilities. It is suggested that he possesses enhanced intelligence, which he displays in subtle ways throughout the series, including showing the ability to speak to other animals, and possibly Ed, and perfectly hacking the 'Scratch' website in session #23. Despite his enhanced capabilities, the rest of the Bebop crew, with the exception of Ed, often fail to notice these qualities and treat Ein as an average pet. The third bounty hunter to debut.
The other major characters are -
Vicious – grim enforcer of the Red Dragon Crime Syndicate, a former friend of Spike's and now his sworn nemesis. Vicious sports an emaciated, embittered look, wields a katana for a weapon and is always accompanied by a strange, crow-like bird perched on his shoulder. He lives up to his name both through his violent actions and his two-timing scheming within the syndicate. Despite only five appearances throughout the entire show, Vicious is arguably the series' main antagonist, or at any rate the only recurring one.
The balances of the atmospheres of the planets and the racial groups of the people in Cowboy Bebop mostly originate from Shinichiro Watanabe's ideas, with some collaboration from set designer Isamu Imakake, Shoji Kawamori, and Dai Satou. The staff of Cowboy Bebop established the particular atmospheres early in the production. Initially in the production, the ethnic groups were not solidly established. Watanabe wanted to have many racial groups appear in Cowboy Bebop.[2]
Mars was the planet most often used in storylines in Cowboy Bebop. Satoshi Toba, the cultural and setting producer, explained that other planets "were unexpectedly difficult to use." Toba explained that each planet in Cowboy Bebop has unique features, and in the plotlines the producers had to take into account the characteristics of each planet. Toba explained that it was not possible for the staff of Cowboy Bebop to have a dramatic rooftop scene occur on Venus, so "we ended up normally falling back to Mars."[2]
In the United States, on September 2, 2001, Cowboy Bebop became the first anime title to be shown as part of the U.S. Cartoon Network's Adult Swim programming block.[3] It was successful enough to be broadcast repeatedly for four years. It was rerun again in 2007, 2008, 2009, 2010, and 2011.. It is currently being shown on Adult Swim Video and on Adult Swim on Saturday nights. In the United Kingdom, Cowboy Bebop was first broadcast in 2002 as one of the highlights of the ill-fated "cartoon network for adults", CNX. From November 6, 2007, it was being repeated on AnimeCentral until the channel's closure in August 2008. In Australia, Cowboy Bebop was first broadcast on pay-TV in 2002 on Cartoon Network's Adult Swim. It has recently started broadcasting on the Sci Fi Channel on Foxtel. In Australia, Cowboy Bebop TV series was first broadcast on free-to-air-TV on ABC2 (the national digital public television channel) on January 2, 2007.[4] It has been repeated several times, most recently starting from Monday, December 29, 2008[5] and finishing on Monday, June 22, 2009.[6] Cowboy Bebop: The Movie also aired again on February 23, 2009, on SBS (a hybrid-funded Australian public broadcasting television network). In Canada, Cowboy Bebop was first broadcast on December 24, 2006, on Razer.
Cowboy Bebop almost did not appear on Japanese broadcast television due to its depictions of graphic violence. It was first sent to TV Tokyo, one of the main broadcasters of anime in Japan. The show had an aborted first run from April 3, 1998, until June 19, 1998, on TV Tokyo, broadcasting only episodes 2, 3, 7 to 15, and 18.
Later that year, the series was shown in its entirety from October 23 until April 23, 1999, on the satellite network WOWOW. Because of the TV Tokyo broadcast slot fiasco, the production schedule was disrupted to the extent that the last episode was delivered to WOWOW on the day of its broadcast. The full series has also been broadcast across Japan by the anime television network Animax, which has also aired the series via its respective networks across Southeast Asia, South Asia and East Asia.
Cowboy Bebop won the Seiun Award in 2000, a Japanese science fiction award for the best science fiction published in Japan during the preceding year, as voted by attendees of the Japan Science Fiction Convention. It was named Best Media of the Year by the Science Fiction Convention.
Cowboy Bebop was so commercially successful that a movie, Cowboy Bebop: Tengoku no Tobira (Knockin' on Heaven's Door), was commissioned and released in Japan in 2001, and later released in the United States as Cowboy Bebop: The Movie in 2003.
Considered by many to be an anime masterpiece, a 2004 poll in Newtype USA, the US edition of the Japanese magazine Newtype, asked its readers to rank the "Top 25 Anime Titles of All Time"; Cowboy Bebop placed second on the list (after Neon Genesis Evangelion), placing it among the most socially relevant and influential anime series ever created.[7][8]
The American Anime magazine Anime Insider (No. 50, November 2007) ranked the 50 Best Anime by compiling lists of industry regulars and magazine staff, with Cowboy Bebop ranked as #1 of all time.
In 2009, IGN published a list of the "Top 100 Animated Series", on which Cowboy Bebop placed 14th, making it the second highest ranking anime on the list and one of the most influential series of the 1990's, alongside Neon Genesis Evangelion.[9]
In 2006, the Japanese MiniTokyo review site claimed, "To say nothing more, it is a masterpiece, a genre defining series that has a right to be held in such high confidence. Not many series can do even one of the elements as well as Cowboy Bebop does, and even fewer can actually get every single solitary aspect of themselves to such a high degree of excellence. Everything in this anime falls into place with such perfection that makes it all organic and real and following to the extent that they do. From the full gamut of emotions to the roughs and roughnecks of the Bebop, to the masterful soundtrack that gives life to many of the episodes themselves, to the art that so perfectly conveys the mood and atmosphere of the entire work. Cowboy Bebop is not an anime to be missed, and not to be forgotten."[10]
T.H.E.M Anime Reviews rated the series five stars and said the series has "sophistication and subtlety that is practically one-of-a-kind", touting it as a masterpiece that "puts most anime...and Hollywood, to shame."[11]
On May 16, 2006, IGN listed Cowboy Bebop in its article "Top Ten Anime Themes and Soundtracks of All-Time," as the number one soundtrack: "Yoko Kanno strikes again. From beginning to end this may be one of the best anime ever and certainly is tops when it comes to music. Kanno's brilliant songwriting is on display from the beginning to the end of this soundtrack."[12]
In March 2009, the print and web editions of The Onion's A.V. Club called Cowboy Bebop "rightly a huge hit", and listed it as a gateway series to understanding the medium of anime as a whole.[13]
The series is continually ranked among the "Top 10" animes of all time on the Anime News Network's Encyclopedia of industry titles.
| DVD name | Ep # | Release date | Additional information |
|---|---|---|---|
| Session One | 1–5 | April 4, 2000 | |
| Session Two | 6–10 | May 2, 2000 | |
| Session Three | 11–14 | July 13, 2000 | |
| Session Four | 15–18 | April 4, 2000 | |
| Session Five | 19–22 | May 2, 2000 | |
| Session Six | 23–26 | July 13, 2000 | |
| Best Sessions | Various | Nov 19, 2002 | |
| The Perfect Sessions | 1–26 | November 6, 2001 |
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Cowboy Bebop has been released in three separate editions in North America.
The first release was sold in 2000 individually, and featured uncut versions of the original 26 episodes. In 2001, these DVDs were collected in the special edition Perfect Sessions which included the first 6 DVDs, the first Cowboy Bebop soundtrack, and a collector's box. At the time of release, the art box from the Perfect Sessions was made available for purchase on The Right Stuff International as a solo item for collectors who already owned the series.[14]
The second release, The Best Sessions, was sold in 2002 and featured what Bandai considered to be the best 6 episodes of the series remastered in Dolby Digital 5.1 and DTS surround sound.[15]
The third release, Cowboy Bebop Remix, was also distributed on 6 discs and included the original 26 episodes uncut, with sound remastered in Dolby Digital 5.1 and video remastered under the supervision of Shinichiro Watanabe. This release also included various extras that were not present in the original release.[16] Cowboy Bebop Remix was itself collected as the Cowboy Bebop Remix DVD Collection in 2008.
One of the most notable elements of Cowboy Bebop is its music. Episodes are called "sessions", each of which follows a different musical theme,[13] and episode titles are borrowed from notable album or song names (i.e. "Sympathy for the Devil", "Bohemian Rhapsody", "Honky Tonk Women", "My Funny Valentine") or make use of a genre name ("Mushroom Samba", "Heavy Metal Queen").
Performed by Yoko Kanno and The Seatbelts, a band Kanno assembled to perform music for the series, the jazz and blues themed soundtrack helps to define the show as much as the characters, writing, and animation. Cowboy Bebop was voted by IGN in 2006 as having the greatest soundtrack for an anime.[17]
| Opening themes | |||
| # | Transcription/Translation | Performed by | Episodes |
| 1 | "Tank!" | The Seatbelts | 1–25 |
| Ending themes | |||
| # | Transcription/Translation | Performed by | Episodes |
| 1 | "The Real Folk Blues" | The Seatbelts feat. Mai Yamane | 1–12, 14–25 |
| 2 | "Space Lion" | The Seatbelts | 13 |
| 3 | "Blue" | The Seatbelts feat. Mai Yamane | 26 |
Tim Jensen produced lyrics on some songs:
On July 22, 2008, IF Magazine published an article on its website regarding a rumor of a live-action Cowboy Bebop movie in development by 20th Century Fox. Producer Erwin Stoff said that the film's development was in the early stages, and that they had "just signed it".[20][21] Keanu Reeves had been confirmed as playing the role of Spike Spiegel.[22][23] Variety confirmed on January 15, 2009, that the production company Sunrise Animation would be "closely involved with the development of the English language project." The site also confirmed Kenji Uchida, Shinichiro Watanabe, and series writer Keiko Nobumoto as associate producers, series producer Masahiko Minami as a production consultant, and Peter Craig as screenwriter. This has been lauded by various netizens, as a promising move for the potential quality of the film[24] At the time it was slated to release in 2011, but problems with the budget delayed its production. The script that was submitted was sent back for rewrite to reduce the cost and little has been heard about it since an interview with producer Joshua Long on October 15, 2010.[25]
After the creation of the series, an interviewer asked Watanabe if he had any plans to create more Cowboy Bebop material. Watanabe responded by saying that he does not believe that he "should just keep on making Cowboy Bebop sequels for the sake of it." Watanabe added that ending production and "to quit while we're ahead when people still want more" is more "in keeping with the Bebop spirit".[26] In a more recent interview from 2006 with The Daily Texan Watanabe was asked if there would ever be more Cowboy Bebop. Watanabe's answer was "someday...maybe, someday."[27]
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