Gofer

A gofer or go-fer ( /ˈɡfər/) is an employee who is often sent on errands. "Gofer" reflects the likelihood of instructions to go for coffee, dry cleaning, or stamps, or to make other straightforward or familiar procurements. The term gofer originated in North America. Another similar-meaning expression, of military derivation, is dog-rober (or dogsbody in British usage).

While often regarded by employers as a menial position, many gofers view the job not only as an achievable position (similar to "working in the mailroom") for "starting at the bottom" of an industry, but also (especially in the entertainment industries) as a means of gaining the attention of influential figures who may be dramatically helpful to the gofer: Edward Burns's submission of his first self-financed production to Robert Redford is described as a successful use of the strategy. Stan Lee of Marvel comics fame also started his professional career as a gofer for Martin Goodman's comic book office in the years before World War II.

Likewise gofer may refer to a junior member of an organisation who generally receive the most vexing and thankless work. Law firms with a top-heavy management structure, having not enough junior lawyers to take care of menial yet necessary tasks, can be referred to as having "too many loafers and not enough gophers [sic]".[1]

One early reference to the term gofer as an occupation was made in Season 1 of the television series The Muppet Show when Scooter was given the job because his uncle owned the theater where the Muppets performed. The pun was that Muppets were based on animals and a Gopher is also an animal.

Also in his 1976 memoir Blind Ambition John Dean, the White House Counsel at the time of the Watergate scandal, uses it when he indicates his initial reluctance to take a White House appointment as he did not believe it would carry any significant responsibilities but he spells it after the animal ‘gopher’.

See also

References

  1. ^ Larry Fazio (2000). Stage Manager: The Professional Experience. Focal Press. p. 310. ISBN 0240803361.