Constant Q transform

In mathematics and signal processing, the Constant Q Transform transforms a data series to the frequency domain, and is related to the Fourier Transform [1].

The transform can be thought of as a series of logarithmically spaced filters, with the k-th filter having a spectral width some multiple of the previous filter's width, i.e.

\delta f_k = 2^{ \frac {1}{n} } * \delta f_{k-1}

Where we have n filters per octave of frequency. This recursive relationship can be rewritten as:

\delta f_k = \left ( {2^{ \frac {1}{n} }} \right ) ^{k} * \delta f_{min}

where fmin is the centre frequency of the first bin used.

Contents

Calculation of the Transform

The short-time Fourier Transform is calculated as follows:

X \left[ k \right] = \sum_{n=0}^{N-1} W[n] x[n] e^ { \frac{-j2 \pi kn}{N}}

Given a data series, sampled at f_s = \frac {1}{T}, T being the sampling period of our data, for each frequency bin we can define the following:

Q = \frac{f_k}{\delta f_k}

N[k] = \left( \frac {f_s}{\delta f_k} \right) = \left( \frac {S}{f_k} \right) Q

As \frac {S}{f_k} is the number of samples processed per cycle at frequency fk, Q is the number of integer cycles processed at this center frequency.

The equivalent transform kernel can be found by using the following substitutions:

N = N[k] = Q \frac {f_s}{f_k}

W[k,n] = \alpha - \left(1 - \alpha \right) cos \left( \frac {2 \pi n}{N[k]} \right), \alpha = 25/46 , 0 \leqslant n \leqslant N[k] - 1

After these modifications, we are left with:

X \left[ k \right] = \frac {1}{N[k]} \sum_{n=0}^{N[k]-1} W[k,n] x[n] e^ { \frac{-j2 \pi Qn}{N[k]}}

Fast calculation using FFT

The direct calculation of the Constant Q transform is slow when compared against the Fast Fourier Transform (FFT). However, the FFT can itself be employed, in conjunction with the use of a kernel, to perform the equivalent calculation but much faster [2].

Comparison with the Fourier Transform

In general, the transform is well suited to musical data, and this can be seen in some of its advantages compared to the Fast Fourier Transform. As the output of the transform is effectively amplitude/phase against log frequency, fewer frequency bins are required to cover a given range effectively, and this proves useful where frequencies span several octaves. As the range of human hearing covers approximately ten octaves from 20 Hz to around 20 kHz, this reduction in output data is significant. The downside of this is a reduction in frequency resolution with higher frequency bins.

The transform mirrors the human auditory system, whereby at lower frequencies spectral resolution is better, whereas temporal resolution improves at higher frequencies, and so for musical data this is a reasonable trade off.

In addition, the harmonics of musical notes form a pattern characteristic of the timbre of the instrument in this transform. Assuming the same relative strengths of each harmonic, as the fundamental frequency changes, the relative position of these harmonics remains constant. This can make identification of instruments much easier.

Relative to the Fourier Transform, implementation of this transform is more tricky. This is due to the varying number of samples used in the calculation of each frequency bin, which also affects the length of any windowing function implemented.

Also note that because the frequency scale is logarithmic, there is no true zero-frequency / DC term present, perhaps limiting possible utility of the transform.

References

  1. ^ Judith C. Brown, Calculation of a constant Q spectral transform, J. Acoust. Soc. Am., 89(1):425–434, 1991.
  2. ^ Judith C. Brown and Miller S. Puckette, An efficient algorithm for the calculation of a constant Q transform, J. Acoust. Soc. Am., 92(5):2698–2701, 1992.