| Colma | ||||
|---|---|---|---|---|
| Studio album by Buckethead | ||||
| Released | March 24, 1998 | |||
| Genre | Ambient, experimental rock | |||
| Length | 54:27 | |||
| Label | CyberOctave, Higher Octave Music, Virgin, EMI | |||
| Producer | Buckethead, Extrakd and Bill Laswell | |||
| Buckethead chronology | ||||
|
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| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | [1] |
| Wilson & Alroy | [2] |
Colma is the fourth studio album by guitarist Buckethead. It was released on March 24, 1998, on CyberOctave records. The album was recorded for Buckethead's mother because she was sick with colon cancer, and he wanted to make an album which she would enjoy listening to while recovering.[3]
The title of the album makes reference to the small town of Colma near San Francisco, California, where the dead population outnumber the living by thousands to one.[4]
Berklee College of Music alumnus Teri Untalan appeared as a guest musician on two tracks of the album. In a 2009 interview, she recalled Buckethead as being "an odd one, an elusive character."[5]
Colma is listed in the German National Library's catalog.[6]
Contents |
In contrast to Buckethead's earlier and subsequent albums Colma is an acoustic album.[7] Most of the tracks are composed on acoustic guitar. Additionally, Colma mostly contains simple bass guitar, lead guitar, and drum playing parts.[8] James Lien of CMJ New Music Monthly writes that Colma's melodies are "geometric and mathematical-sounding, almost like Bach or modern classical music."[8] Andy Gill of The Independent describes the mood of the album as "reflective" saying, "[Buckethead uses] the dry, neutral tone favoured by jazz guitarists on a series of discreet instrumentals."[9]
Furthermore, Gill describes the tracks "Ghost" and "Hills of Eternity" as being "ruminative, sluggish pieces sprinkled with limpid droplets of guitar."[9] He also thought the title-track, "Colma", closed the album "like the twinkle of a long-dead star."[9] Reviewer Jeff Clutterbuck of The Daily Vault considers "Watching the Boats With My Dad" to be an authentic, emotional track writing that "[It] is so wistful and flows so gently, you have to believe it was inspired by a real moment."[10] On the other hand, "Big Sur Moon" offers a change of style in guitar playing showcasing Buckethead's consistent quick rhythmic ability on acoustic guitar.[10]
All songs written and composed by Buckethead.
| No. | Title | Length |
|---|---|---|
| 1. | "Whitewash" | 4:44 |
| 2. | "For Mom" | 5:10 |
| 3. | "Ghost" | 5:29 |
| 4. | "Hills of Eternity" | 5:07 |
| 5. | "Big Sur Moon" | 1:13 |
| 6. | "Machete" | 6:18 |
| 7. | "Wishing Well" | 4:03 |
| 8. | "Lone Sal Bug" | 5:32 |
| 9. | "Sanctum" | 3:42 |
| 10. | "Wondering" | 2:16 |
| 11. | "Watching the Boats with My Dad" | 5:07 |
| 12. | "Ghost/Part 2" | 2:31 |
| 13. | "Colma" | 3:15 |
|
Total length:
|
54:27 | |
| "Big Sur Moon" | |
|---|---|
| Song by Buckethead from the album Colma | |
| Released | March 24, 1998 |
| Recorded | Embalming Plant, Oakland, CA. |
| Genre | Progressive rock, art rock, experimental rock |
| Length | 1:13 |
| Label | CyberOctave |
| Producer | Buckethead and Xtrakd |
"Big Sur Moon", named after the region of Big Sur in California, is played solely on an acoustic guitar with a delay pedal effect. While being a member of Guns N' Roses from 2000 to 2004, Buckethead included the song to the band's setlist as part of his solo.
The piece has been described as a surf-rock ditty,[11] a cool solo guitar piece[1] with waves of delayed, fast-picked acoustic[12] hammering technique,[13] being fun, simultaneously soothing and energetic.[2] Jeff Clutterbuck wrote for The Daily Vault: "Hearing Buckethead pull off the blisteringly fast acoustic piece "Big Sur Moon" is just as astounding as his electric solos anywhere else."[14]