| The Choral Arts Society of Washington | |
|---|---|
| Also known as | CASW, Choral Arts |
| Origin | Washington, D.C., United States |
| Genres | Classical, Choral, A cappella, Contemporary |
| Occupations | Choir |
| Years active | 1965-present |
| Website | Official website |
| Members | |
| Artistic Director Norman Scribner |
|
The Choral Arts Society of Washington is a major choral organization based in Washington, D.C. Founded in 1965 by Norman Scribner, it is regarded as one of the premier symphonic choruses in Washington and the United States.
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The Choral Arts Society features a symphonic chorus of approximately 180 volunteer singers. It produces an annual series of subscription concerts, typically presented at the John F. Kennedy Center for the Performing Arts and the National Presbyterian Church.
The chorus also regularly performs with the National Symphony Orchestra, both at the Kennedy Center and at the Wolf Trap National Park for the Performing Arts. Of the NSO’s guest artists, the CASW Chorus leads the list, having performed with the NSO more frequently than any other guest. The chorus has also performed with the Atlanta Symphony Orchestra, Baltimore Symphony Orchestra, BBC Symphony, London Symphony Orchestra, Mariinsky Theatre Orchestra, New York Philharmonic, Paris Opera Orchestra, and Prague Symphony Orchestra, among others.
The chorus has performed with many notable conductors, including Leonard Bernstein, Christoph Eschenbach, Leon Fleisher, Valery Gergiev, Lorin Maazel, Helmuth Rilling, Mstislav Rostropovich, Robert Shaw, and Leonard Slatkin.[1]
In recent years, the chorus has made regular annual television appearances, including A Capitol Fourth (Washington's annual Independence Day celebration), and the Kennedy Center Honors. The chorus has also occasionally appeared in the televised gala at Ford's Theatre. In 2000, the chorus appeared in an episode of The West Wing involving a major character's recovery from music-induced post-traumatic stress disorder.
The Society maintains an active community outreach program, including an annual Christmas concert designed for families with young children, and an annual choral tribute concert dedicated to Martin Luther King, Jr. Since 2004, the Society has presented an annual Humanitarian Award honoring individuals who have furthered Dr. King's legacy. Honorees have included Dorothy Height, Congressman John Lewis, and Marian Wright Edelman.[2]
The Society's educational programs reach K-12 teachers and students, including students in the District of Columbia Public Schools, through in-school programming, a partner high school program, and specially designed curricular materials. The educational programs also reach prospective arts professionals at the university level through the Society's arts administration internships.[3] In 2008, the programs won the District of Columbia Mayor's Arts Award for Outstanding Contribution to Arts Education.[4]
The Choral Arts Society has toured both domestically and internationally. Previous international tours have taken the chorus to:
The Society's chorus (or subgroups of the chorus) has appeared on at least sixteen commercially released recordings since 1971. The Chorus has recorded under the batons of notable conductors including Antal Doráti, Valery Gergiev, Mstislav Rostropovich, Norman Scribner, and Leonard Slatkin.[20]
On January 19, 1973, the chorus appeared (as the "Norman Scribner Singers") in A Concert for Peace at the Washington National Cathedral. The program featured the Mass in Time of War by Joseph Haydn. A recording of the performance received a 1973 Grammy Award Nomination for Best Choral Recording, with Scribner and Leonard Bernstein as co-nominees. (The concert was intended as a protest of the Vietnam War, and of the official Kennedy Center concert that same evening celebrating the second inauguration of Richard Nixon.)[21][22]
A 1996 recording of John Corigliano's Of Rage And Remembrance received the 1996 Grammy Award for Best Classical Recording, with a certificate awarded to the men of the Choral Arts Society.[22]
Norman Scribner arrived on the Washington music scene in 1960, accepting a position as musical staff assistant for the Washington National Cathedral, choirmaster of St. Alban's Episcopal Church, and chapel organist for the St. Albans School for Boys.[23] In 1963, he was appointed as staff keyboard artist for the National Symphony Orchestra,[24] and that fall he conducted - and recruited a choir for - the Symphony's annual production of Handel's Messiah after conductor Howard Mitchell "was impressed by his ability and intensity."[25] The choir was reassembled for subsequent Messiah performances (appearing as the "National Symphony Orchestra Chorus"), but in 1965 it was decided to form an independent organization under Scribner's direction. The first concert on February 9, 1966 was a performance of Zoltán Kodály's Missa Brevis on an evening that also featured the Limón Dance Company.[26]
The Choral Arts Society of Washington was formally incorporated on November 23, 1966.[27] In 1968, the still-new group participated in the funeral procession of Robert F. Kennedy.[23] By 1970, the chorus was composed of 100 voices and the organization had "both broadened and deepened its contacts with the community of greater Washington." That September, it received a $5,000 matching grant from the National Endowment for the Arts - the first ever given directly to a performing chorus, and given with the "personal imprimatur" of NEA chairman Nancy Hanks. Aided by this and other funding, the Society was able to extend its concert season, expand its public service programming, and "retain Scribner on an annual salary for the first time," allowing him "to devote his full time to the post." The funding also allowed the group to "try more diversified programs, ranging from symphonic assignments to small chamber appearances using only a fraction of the entire 100-voice ensemble."[28]
On September 8, 1971, members of the chorus participated (as the professional "Norman Scribner Choir") in the world premiere of Bernstein's MASS. The performance was part of the opening festivities for the Kennedy Center. Following its opening, Scribner was credited with "mov[ing] effectively to take advantage of the resources of the Kennedy Center, making it the central performing platform for his chorus."[29] On October 29, 1974, the chorus performed underground for a ceremony during the construction of the Washington Metro, in the Metro Center station.[30]
In 1981, the New York TImes characterized the Choral Arts Society as "an excellent chorus of the type found today in many large American cities, with solid musicianship, smooth tone and competence in a wide range of choral repertory."[31] The choir often collaborated with the NSO under Mstislav Rostropovich during his tenure as NSO music director (1977–94), and he independently led the chorus in performances of Rachmaninoff's Vespers on several occasions during the 1980s.[26] A landmark 1987 recording of the Vespers - the first by an American chorus - significantly increased interest in recording the work among other choirs in the United States and elsewhere.
In 1990, Rostropovich would state that "[t]he existence of this wonderful group ... has completely changed the life of Washington, D.C." By then, the organization - "long a mom-and-pop operation" - had "metamorphosed into a highly professional enterprise" that included a full-time administrative staff, a "new and very active board," an endowment campaign, and a program devoted to minority participation in choral music in Washington.[23] In 1993, the chorus would embark on its first two international tours - a summer tour to Italy, and a fall tour with the NSO to Russia that received world media attention (see Tours, above).
In August 2010, Scribner announced that he will retire as artistic director on August 31, 2012. The Society is currently in a search process for a new director for the 2012-13 season and beyond.[32][33]
The Society operates with an annual budget of approximately $2 million,[34] with income derived from ticket revenues, individual and corporate donations, and government grants.[35] During its 25th anniversary season in 1989-1990, the Society held a $2.5 million campaign to raise $2 million for an endowment fund and $500,000 for current expenses.[36]
In recent years, the Society has reduced its operating budget by 20 percent in response to the late-2000s recession.[37] The Society received over $300,000 from the National Capital Arts and Cultural Affairs program in 2010, but a reduction in funding for that program in the enacted 2011 United States federal budget was expected to impact the Society's operations.[38] However, the Society remains one of about 32 choruses in the United States (and three in Washington) with annual budgets exceeding $1 million.[39]
The Society holds an annual black-tie holiday benefit concert and gala, an event described as "a highlight of the holiday social season" in Washington.[40] The funds raised by the gala account for 30 percent of the Society's annual budget.[41]