| Catherine Wheel | |
|---|---|
L-R: Dave Hawes, Brian Futter, Neil Sims, and Rob Dickinson. |
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| Background information | |
| Origin | Great Yarmouth, England |
| Genres | Alternative rock Shoegazing |
| Years active | 1990–2000 |
| Labels | Wilde Club Fontana Mercury Columbia |
| Website | Official site |
| Past members | |
| Rob Dickinson Brian Futter Dave Hawes Neil Sims Ben Ellis |
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Catherine Wheel were a four-piece alternative rock band from Great Yarmouth, England. The band was active from 1990 to 2000, experiencing fluctuating levels of commercial success, and embarking on many lengthy tours.
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Catherine Wheel formed in 1990, comprising singer/guitarist Rob Dickinson, guitarist Brian Futter, bassist Dave Hawes, and drummer Neil Sims. Hawes had previously played in a Joy Division-influenced band called Eternal. They took their moniker from the firework known as the Catherine wheel, which in turn had taken its name from the medieval torture device of the same name. The band was sometimes included in the shoegazing scene, characterized by bands that made extensive use of guitar feedback and droning washes of noise, as well as their continuous interaction with extensive amounts of effects pedals on the stage floor. However, Catherine Wheel had a more song oriented style than their peers.[1]The band was influenced by 1970s rock bands such as Pink Floyd, Queen, Black Sabbath and Rush as well as 1980s alternative such as The House of Love and Talk Talk.[2]
The band performed a Peel session in early 1991 while still unsigned; two 12" vinyl EPs were released on the Norwich based Wilde Club Records, named after the regular weekly Wilde Club gigs run by Barry Newman at Norwich Arts Centre. They signed to major-label Fontana Records after being courted by both Creation Records and the Brian Eno-run label Opal Records. The band's debut album, 1991/92's Ferment, made an immediate impression on the music press and introduced Catherine Wheel's biggest U.S. hit, "Black Metallic," as well as moderate hit "I Want To Touch You".[3] The album features re-recorded versions of some of the Wilde Club-issued EPs.
The more aggressive Chrome followed in 1993, produced by Gil Norton. With this album, the band began to shed its original shoegazing tag, while still making skillful use of atmospherics, such as on the song "Fripp." In a 2007 interview, Rob Dickinson said that members of Death Cab for Cutie and Interpol told him that without this album, their bands "wouldn't exist."[4]
1995's Happy Days saw the band delving further into metallic hard rock, which alienated a portion of their fanbase, even as it increased their exposure in the United States during the post-grunge era.[5] The single "Waydown," and especially its plane-crash themed video, received heavy play in the U.S. A more sedate strain of rock known as Britpop was taking over in the UK, causing C.W. to continue to have greater success abroad than at home.
The B-sides and outtakes collection, Like Cats and Dogs, came out the following year, revealing a quieter, more contemplative side of the band, spanning the previous five years. This carried over into Adam and Eve in 1997, wherein the band scaled back the sonic force of their sound from its Happy Days levels, with clean playing on some songs that featured extensive use of keyboards and acoustic guitars. Alternately, songs like "Satellite" and "Here Comes the Fat Controller" were lush and orchestral in scope.
In 2000, Catherine Wheel re-emerged with a new record label, a new bassist (Ben Ellis); a modified name (The Catherine Wheel); and a new album, Wishville. After mixed reviews, record company turmoil[6] and lacklustre sales, the band went on a still-continuing hiatus.
In March 2010, Ferment was re-released, containing bonus tracks and extensive sleeve notes.
The song 'Texture' was featured in the episode 'model behaviour' in the first season of new american drama series Blue Bloods (aired US 2010 and UK 2011). The song is played as detective Danny Reagan discovers a suicide in a bath.
Futter and Sims have an ongoing project called 50 ft Monster. Ellis is in a new band called Serafin. After working with/ playing live with Tracy Bonham for several years, Dickinson released a solo album in 2005 called Fresh Wine for the Horses. Dickinson continues to perform live and has recently signed a recording contract with Universal Music Canada. Dickinson is also now behind a new Car venture "Singer Vehicle Design" and produces the Singer 911 http://singervehicledesign.com/
| Year | Song | Director | Notes |
|---|---|---|---|
| 1992 | "Black Metallic" | Barry Magurie | 7" version |
| "I Want To Touch You" | Miles Aldridge | Tim Palmer remix | |
| 1993 | "Crank" | Geoff Everson | 2 versions: towards the end of the original version Rob is spinning on a spiked wheel while the censored version cuts away to shots of Brian and Dave |
| "Show Me Mary" | Melodie McDaniel | Scott Litt remix | |
| 1994 | "The Nude" | Elizabeth Baily | Scott Litt remix |
| 1995 | "Waydown" | Mark Pellington | |
| "Eat My Dust You Insensitive Fuck" | Stephen Dorff | LP version; starring Summer Phoenix | |
| "Judy Staring at the Sun" | Nick Egan | featuring Tanya Donelly; MTV edited the words "smacked" and "vein" | |
| 1997 | "Delicious" | Mark Adcock | |
| 1998 | "Ma Solituda" | Karen Lamond | |
| 2000 | "Sparks are Gonna Fly" | Dean Karr |
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