| Arike | |
|---|---|
| Directed by | Shyamaprasad |
| Produced by | T. K. Suresh Babu |
| Screenplay by | Shyamaprasad |
| Story by | Sunil Gangopadhyay |
| Starring | Dileep Samvrutha Sunil Mamta Mohandas Urmila Unni |
| Music by | Ouseppachan |
| Cinematography | Azhagappan |
| Studio | Picture Perfect |
| Release date(s) | March 2012 |
| Country | India |
| Language | Malayalam |
Arike is an upcoming film by Shyamaprasad starring Dileep, Samvrutha Sunil, Mamta Mohandas and Urmila Unni. The film, based on a Bengali short story by Sunil Gangopadhyay, is produced under the banner of Picture Perfect by T. K .Suresh Babu and has script by Shyamaprasad himself, cinematography by Alagappan and music by Ouseppachan.
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The film tells the story of Shantanu (Dileep), a researcher in Linguistics, and his two friends, Kalpana (Samvritha) and Anuradha (Mamta). Anuradha is the sensitive type who has gone through certain bitter experiences in love. Kalpana is the more capricious one, who is changeable and loves being in love. Anuradha wants to play Cupid and bring Shantanu and Kalpana together; she knows that they care a lot for each other, but for some reason or the other are hesitant to take the next step.
Shyamaprasad has adapted several classics on celluloid so far. Arike is the latest in that list and is based on a Bengali short story by Sunil Gangopadhyay, whose novel was also the base for the director's Ore Kadal.[1] Says the director, "I don’t think adapting stories from other languages is an issue at all, because human emotions are universal and can be told without linguistic barriers. I am fond of adapting literature, since writing a story is not my forte and I do not believe in concocting a story for the sake of filmmaking."[2] He also adds that Basu Chatterjee, noted Bollywood director who portrayed the middle-class in many films, proved to be his guiding force while making Arike.[2]
Like all of Shyamaprasad's previous films, Arike too is about the quest for love.[1] Talking about the theme of Arike, the director says, "There is an obsessive quest for love in each one of us. We have illusions and inhibitions about love, yet we have an irrepressible thirst for it. We all want to find happiness in love. But whether we get that happiness is the question which I want to delve through this film."[2]
Compared to the dark themes he took up earlier, Arike's tone is relatively lighter. Shyamaprasad says, "In Ore Kadal, the subject had an shadow of gloom and depression, Ritu was about the aspirations and attitude of the young working population. Arike has a breezy feel, and the story is told in a lighthearted and realistic way. I have also taken efforts to avoid cliches such as rain, sea, train that are common motifs in romantic films."[2]
The film has only a handful of characters. Shyamaprasad wanted to use live sound recording and hence he chose actors who could emote dialogues perfectly while shooting itself.[1] Shyamaprasad says he selected Dileep to play the protagonist because he feels the actor has the look and feel of the character.[2] This is the first time Shyamaprasad is casting Dileep in the lead role, though the actor had earlier done a role in the director's 1998 film Kallu Kondoru Pennu.[3][4] The film's production started in late November 2011.[5] The director had given all the actors a copy of the script so that they could practice their parts well.[6]
The film uses sync sound recording or live sound recording. Shyamaprasad brought in Soheil Sanwari from Bollywood to record the sound. Says Shyamaprasad, "This is something I’ve always wanted to do. The early talkies had speech recorded live but the change to outdoor locations made carrying recording cameras cumbersome. Added to this was the fact that technicians and stars started travelling and this started the trend of dubbing. I feel that we lose 50 to 60 per cent of the performance when we post-synchronise voices. Take for example a scene on the seashore — our body, voice modulation and mannerisms are in sync with the surroundings. Dubbing in a studio means that a lot of vocal nuances get lost!"[7] Lead player Dileep describes the sync sound recording experience, "I had to memorise the entire dialogues beforehand and deliver them at one go after umpteen rehearsals. It was a very novel experience for me and I personally feel that it increases one’s memory power."[7] Samvrutha Sunil says, "This is my first film where our voices have been recorded live during our respective performances. The sync sound recording actually threw open many challenges - one, you can't console yourself for a not-upto-the-mark performance saying that you can cover it up with a good dubbing and two, you have to byheart the dialogues thoroughly as there is no prompting."[6]
The film was shot completely from Kozhikode. It was Shyamaprasad's first film to be filmed from the city. He says it was his emotional relationship with the city and its calm nature which helped live recording to a great extent, that inspired him to choose Kozhikode as the main locale.[8] Filming was completed in late December 2011.[6] Cinematographer Alagappan says he has experimented a lot with the film, and the film was made in a special "visual tone." The film was shot using a Sony F3 Camera.[8] Sakhi Thomas, who worked with Shyamaprasad in Ritu and Elektra, was the costume designer for this film.[8]
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