| An American Tail | |
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Theatrical release poster |
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| Directed by | Don Bluth |
| Produced by | Don Bluth Gary Goldman John Pomeroy |
| Screenplay by | Judy Freudberg Tony Geiss |
| Story by | David Kirschner Judy Freudberg Tony Geiss |
| Starring | Phillip Glasser Dom DeLuise Nehemiah Persoff Erica Yohn |
| Music by | James Horner |
| Studio | Amblin Entertainment Sullivan Bluth Studios |
| Distributed by | Universal Pictures |
| Release date(s) | November 21, 1986 |
| Running time | 80 minutes |
| Country | United States |
| Language | English |
| Box office | $84,542,002 |
An American Tail is a 1986 American animated adventure film directed by Don Bluth and produced by Sullivan Bluth Studios and Amblin Entertainment. The film tells the story of Fievel Mouskewitz and his family as they immigrate from Russia to America for freedom. However, Fievel gets lost and must find a way to help his family. The film was released on November 21, 1986.
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In 1885 Shostka, Russia, the Mousekewitzes — a Russian-Jewish family of mice — decide to immigrate to the United States after an army of cruel cats that belong to the Cossacks (a reference to actual pogroms occurring in Russia at the time) destroy their village. During the trip overseas, the family's young son, Fievel, gets separated from the others and washes overboard in a storm. They arrive sadly in America, believing they've lost their son.
Fievel, however, floats to America in a bottle, and after a pep talk from a French pigeon named Henri, embarks on a quest to find his family. He is waylaid by conman Warren T. Rat, who gains his trust and then sells him to a sweatshop. He escapes with Tony, a street-smart Italian mouse, and they join up with Bridget, an Irish mouse trying to rouse her fellow mice to stand up to cats. When a gang of some called the Mott Street Maulers attacks a mouse marketplace, the immigrant mice learn that the tales of a no-cat country is not true.
Bridget takes Fievel and Tony to see Honest John, a drunk (but reliable) politician who knows all the voting mice in New York City. But as the Mousekewitzes have not yet registered to vote, he can't help Fievel find them. Meanwhile, his sister, Tanya, tells her gloomy parents she has a feeling that he is still alive, but they urged her that the feeling would soon go away.
Led by the rich and powerful Gussie Mausheimer, the mice hold a rally to decide what to do about the cats. Warren T. Rat is extorting them all for protection that he never provides. No one has any idea what to do about it, until Fievel whispers a plan to Gussie.
The mice take over an abandoned building on Chelsea Pier and begin constructing their plan. On the day of launch, Fievel gets lost and stumbles upon Warren T.'s lair. He discovers that he is actually a cat in disguise and the leader of the Maulers. They capture Fievel, but a goofy, soft-hearted orange cat named Tiger takes a liking to him and sets him free.
Fievel races back to the pier with the cats in hot pursuit when Gussie orders the mice to release the secret weapon. A huge mechanical mouse, inspired by the bedtime tales Papa told to Fievel of the "Giant Mouse of Minsk", chases the cats down the pier and into the water. A tramp steamer bound for Hong Kong picks them up and carries them away.
During the battle, Fievel is once again separated from those he loves and falls into despair when a group of orphans tell him that he should have given up a long time ago. Papa Mouskewitz overhears Bridget and Tony calling out to Fievel, but is sure that there may be another "Fievel" somewhere, until he sees Mama picking up his son's hat. They team up for a final effort to find him, and in the end, Papa's violin playing leads Fievel back into the arms of his family. The journey ends with Henri taking everyone to see his newly completed project — the Statue of Liberty, and the Mouskewitzes' new life in America begins.
While all of the animal characters were animated from scratch, the human characters were animated using the rotoscoping technique, in which sequences were shot in live action and then traced onto animation cels. This provides a realistic look for human characters, and distinguishes the cartoonish animal characters from the more realistically animated humans. Rotoscoping is frequently employed in Don Bluth films, including The Secret of NIMH and Anastasia.
The musical score for the film was composed by James Horner. The song "Somewhere Out There", composed by Horner and written by Barry Mann, won a Grammy Award. One scene incorporates the John Phillip Sousa march Stars and Stripes Forever.
At the time of its release, An American Tail became the highest grossing non-Disney produced animated feature, drawing over $47 million USD. It was also one of the first animated films to outdraw a Disney film, beating out The Great Mouse Detective (also released in 1986 but four months earlier) by over $22 million USD. It would later be outgrossed by the next Bluth film, 1988's The Land Before Time, which marginally outperformed Oliver and Company. The record would quickly be shattered with the release of The Little Mermaid three years later.
The film was released on VHS in the same year by CIC Video, with a Spanish dubbed version separately released on VHS as Un cuento americano (An American Tale, dropping the pun inherent in the English title), and is now available on a DVD that contains the main English track, as well as dubbing for French and Spanish.
An American Tail was a box office success, the first among Universal's animated releases to do so. The film has grossed up to $47 million in the United States and $84 million worldwide.
Currently, An American Tail has a "B" rating at Box Office Mojo. After years of its Rotten Tomatoes score going back and forth between "fresh" and "rotten", it has managed to settle above the line at 63%. Its score among the website "community" is more secure at 84%.[4]
The staff of Halliwell's Film Guide gave it one star out of four. "[This] expensive cartoon feature," they wrote, "[has] not much in the way of narrative interest or indeed humor."[5] Roger Ebert of the Chicago Sun-Times gave the film two stars out of four, calling it a "dark and gloomy story," adding that "only a few children will understand or care that the Mousekewitzes are Jewish."
The film was followed by its theatrical sequel An American Tail: Fievel Goes West (1991), the television series Fievel's American Tails, and two direct-to-video sequels: An American Tail: The Treasure of Manhattan Island and An American Tail: The Mystery of the Night Monster, none of which Don Bluth had any involvement with.
Fievel later served as the mascot for Steven Spielberg's Amblimation animation studio, appearing in its production logo. Also, as reported on the official An American Tail website, Fievel has become the mascot for UNICEF as well. There is also a Fievel-themed playground at Universal Studios Florida, featuring a large water slide and many over-sized objects such as books, glasses, cowboy boots, and more. It is the only such playground at any of NBC Universal's theme parks.
Art Spiegelman suspected Spielberg of plagiarism due to the fact the Jews are depicted as mice in An American Tail just as in Spiegelman's earlier Maus, a metaphor Spiegelman had adopted from Nazi propaganda. Instead of pursuing copyright litigation, Spiegelman opted to beat the movie's release date by convincing his publishers to split Maus into two volumes and publish the first before he even finished the second.[8]
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