Achille Emperaire (16 September 1829 - 8 January 1898) was a French painter and a friend of Paul Cézanne's.
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Achille Emperaire was born as a dwarf and a hunchback, in Aix-en-Provence in 1829.[1]
His friend Paul Cézanne once said, 'Well, he didn't make it. Still, he was a lot more of a painter than all those dripping with medals and honours.'[2].
Emperaire took drawing lessons in Aix from 1844 to 1856[3], whilst Cézanne only started attending the school in 1858. Therefore the two men only met in Paris in 1861, at the Académie Suisse[4].
After graduating from the drawing school, Emperaire decided to go to Paris. From 1857 onwards, he would often go to Paris and started attending Thomas Couture's school there[3]. Adamant to make the grade, he would ask for help anywhere, undaunted by the prospect of living in the streets. He even wrote in his letters, 'When occasionally I can spend 80 centimes on a meal, it feels like an orgy. [...] The rest of the time, to skip a meal, I quell my hunger by eating bread crumbs with wine and sugar.'[3]. Also, 'Paris is a massive tomb, an unquestionable and awful mirage for most people. While a few get along, most of us fail, believe me.'[3]
On the eve of his first exhibition in Paris, he applied varnish on his canvas. The next day, the painting was in pieces. Traumatised, he would never use varnish again, which explains why a lot of his paintings have vanished.[5]. It is only thanks to Joseph Ravaisou's son that some paintings are still there to be seen.
By serendipity, he was commissioned a painting for the Louvre Museum and earned 1.000 francs for it, a hefty sum at the time. This money enabled him to pay for some debts and for his trip back to Aix in October 1873.[6]. It was only in 1873 that he met Joachim Gasquet in Aix, who would turn out to be Emperaire's best friend up until his death.
Although he went back to Paris in 1881 and again in 1882, when he was honoured with becoming a member of the Société libre des Artistes français, he would hardly leave Aix from 1873 onwards, living at 2, place des Prêcheurs[7].
While in Aix, Emperaire liked to go painting in the Tholonet.[3]
He was known for being headstrong; Gasquet once mentioned his 'unwavering bravery and unquestioning pride'[8], someone who, on his deathbed, still had faith in « the beauty, the art and the genius of the world ».
He died in his flat at 16, rue Émeric-David in Aix, on 8 January 1898.[9]
Although he was friends with Paul Cézanne, whom he met through Charles Suisse in the early 1860s[4], he rejected his style.[1] Indeed, for his nudes and landscapes, he preferred to use thick material.[1]
For John Rewald, Emperaire, 'was able to loop out of Cézanne's influence, and his work denotes a surprising personality and a most peculiar strand.'[10]. »
He had a passion for Titian and Edouard Manet.[2]