Aaliyah | ||||
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Studio album by Aaliyah | ||||
Released | July 17, 2001 (see release history) |
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Recorded |
August 1996–March 9, 2001[1][1] Murlyn Studios Flyte Tyme Studios The Record Plant |
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Genre | R&B, soul, pop, neo soul | |||
Length | 65:40 | |||
Label | Blackground, Virgin, EMI | |||
Producer | Aaliyah, Barry Hankerson (exec.), Bud'da, J-Dub, Rapture, E. Seats, Timbaland | |||
Aaliyah chronology | ||||
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Singles from Aaliyah | ||||
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Aaliyah (stylized as ΛΛLIYΛH) is the self-titled third and final studio album by American R&B singer Aaliyah, released by Blackground and Virgin Records on July 17, 2001, in the United States. The album has sometimes been referred to as "The Red Album."[2] It was primarily produced by Keybeats, with additional production by Timbaland, Bud'da, Jeffrey "J-Dub" Walker and Static Major, with lyrics by Static Major and Missy Elliott. Aaliyah features soul, pop, and neo soul styles in its sound, as well as elements of funk, hip hop and electronica.[3][4][5][6][7]
It was nominated for a 2002 Grammy Award for Best R&B Album, among other honors. In April 2001, Aaliyah spoke highly of the album saying, "It is my version of Control."[8] Recent reception has also been positive. The album was listed as one of the best releases of the 2000's by Slant Magazine. [9]
Contents |
Preparation for the album started in 1998 but, with the filming of martial arts film Romeo Must Die (2000), Aaliyah postponed the recording of the album. Artists Timbaland and Missy Elliott, who were both major contributors on previous album One in a Million, were involved in disagreements with Aaliyah's label Blackground Records at the time and did not work on the project. Blackground owner Barry Hankerson envisioned another label similar to Bad Boy on the West Coast, and consulted lesser known writers and producers signed to his publishing company. These artists included Bud'da, Jeffrey "J-Dub" Walker, and Rapture, and E. Seats of Keybeats.[10] Stephen "Static Major" Garrett of the R&B trio Playa, who had penned the singer's previous hit singles "Are You That Somebody? and "Try Again," became involved in the project.[10]
Much of the album was completed in various studios throughout New York City prior to Aaliyah's trip to Australia for the filming of Queen of the Damned (2002).[10] While recording process lasted more than a year, most of the tracks were completed by early 2000, when the production team and songwriters had secured recording time at New York Sound King Studios to work on the album together.[10] In September 2000, Virgin Records flew the group out to Australia, where it spent a month recording the majority of the album at the Sing Sing Studio in Melbourne with Aaliyah.[10] With three recording studios going simultaneously, producers J-Dub, Bud’da and Keybeats each worked in separate rooms.[10] During the sessions, Garrett and co-writer Digital Black would move from studio to studio to check each producers' progress.[10] At peak periods, they would work on 10 songs at the same time.[10] With filming ending in Australia in December 2000, production of the album went into full-force in America and Europe.
The first single from the album was intended to be "Loose Rap",[11] with a dance-oriented video to accompany. However, in the last week before picking songs, Timbaland started to work on material for the project. With Timbaland involved, the team decided the first single should be a Timbaland record and "We Need a Resolution" was released as the lead single.[12]
The sixth track, titled "I Care 4 U", was initially recorded in 1996 for the album One in a Million, but had not been completed in time for mastering.[1] Aaliyah approached Trent Reznor to produce a song for the album.[13]
Aaliyah was released through Blackground on July 17, 2001. Aaliyah co-hosted MTV’s Total Request Live in July 2001 to promote the album. She performed the expected second single "More Than a Woman" on Live with Regis & Kelly, The View and The Tonight Show with Jay Leno in July 2001. Aaliyah also went to France to promote the single More Than a Woman on GermanTV. At the time of her death, she had more concerts scheduled in different countries such as Canada, United Kingdom, Australia, Russia, China and the Middle East.[14][15]
Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | [3] |
The A.V. Club | (favorable)[24] |
Entertainment Weekly | (B+)[25] |
Los Angeles Times | [26] |
NME | (7/10)[27] |
Q | [7] |
Rolling Stone | [28] |
Slant Magazine | [6] |
Spin | (8/10)[29] |
Yahoo! Music | (favorable)[30] |
The album received generally positive reviews from music critics.[7] At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, the album received an average score of 76 based on 14 reviews, which indicates "generally favorable reviews".[7] Rolling Stone's Ernest Hardy described it as a "near-flawless declaration of strength and independence" and noted Janet Jackson and Alanis Morissette as musical influences on the album.[28] Chicago Tribune writer Brad Cawn called it "cool and glittery neo-soul music, equal parts attitude and harmony, and all urban music perfection".[4] Simon Price of The Independent complimented Timbaland's production and stated "In many ways, this album is the true successor to Destiny's Child's Writing on the Wall (rather than their own Survivor); so much so, in fact, that you could choose to hear it as an 'answer record'. Further evidence that black pop is the avant garde".[31] Jam! writer Darryl Sterdan commended Timbaland's "kinetic, high-tech slap 'n' bump soul-hop grooves" and called the songs "immaculately produced".[5] The A.V. Club's Nathan Rabin noted that the album "feels surprisingly cohesive" and viewed that it establishes Aaliyah as "a major artist in her own right".[24] Joshua Clover of Spin stated "Deeper than anything she's delivered before, Aaliyah's a hard record; almost never does a song roll over and beg to be loved".[29] Slant Magazine's Sal Cinquemani wrote that it "provides a missing link between hip-hop and electronica" and found Aaliyah's metaphors "more fully-developed and far sexier".[6]
Craig Seymour of Entertainment Weekly gave Aaliyah a B+, saying it "creates a largely, up-tempo thrillingly melodramatic set" that "takes a melancholy—at times sinister—view of matters of the heart".[25] However, Seymour also stated that Aaliyah "missteps when she tries to stretch outside of her musical comfort zones", specifically mentioning the Latin pop "Read Between the Lines" and the nu metal "What If".[25] Similarly, some critics have dismissed "What If" as being too technical, calling it the R&B version of King Crimson.[32] Los Angeles Times writer Connie Johnson perceived a lack of songwriting depth, stating "everything is light, pleasing and image-conscious, but lacking the personal revelation that gives music some immediacy".[26] John Mulvey of NME gave the album a 7/10 rating and called it a "tasteful album fails to transcend 'satisfying'".[27] Yahoo! Music's Dan Leroy noted that its "mature, midtempo funk can't quite keep down Aaliyah's still-kittenish vocals".[30] In his consumer guide for The Village Voice, critic Robert Christgau gave Aaliyah a rating of () honorable mention,[33] indicating "an enjoyable effort consumers attuned to its overriding aesthetic or individual vision may well treasure".[34] Time magazine named Aaliyah one of the ten best albums of 2001. The magazine wrote of the album, "A siren of subtlety, never wailing when a whisper would do, Aaliyah blended genres with alluring ease. For her, hip-hop/soul and muted alternative rock came together as easily as lovers interlocking fingers. A plane crash claimed Aaliyah's life in August, but on her last CD her soul is forever in flight."
In a retrospective review, Allmusic writer Stephen Thomas Erlewine called it one of the "strongest urban soul records of its time".[3] Christian Hoard of Rolling Stone gave the album 4 out of 5 stars in its 2004 The Rolling Stone Album Guide publication and viewed it as significant to her legacy, stating "Aaliyah had grown from studio puppet to a powerful R&B archetype—a more self-aware Ronnie Spector for a time that requires more self-awareness of its young adults. Sure, Timbaland sculpted her sound throughout, but Aaliyah imprinted herself upon those beats—as a catalyst, she's equaled only by Missy Elliot herself".[35]
Aaliyah entered the US Billboard 200 and the R&B/Hip-Hop Albums at number two, with 190,000 copies sold in the first week.[36] Within 5 weeks of the album release it was certified Gold for sales/shipments 500,000 copies in the United States.[37] In the week of her death (seventh week) the album rose to number one on the Billboard 200 and two on the R&B/Hip-Hop Albums with 337,073 copies sold and more than 1,000,000 shipments in the total. As a percentage of sales increased 800%, making the biggest increase in sales in history.[38][39][40] The album was certified double platinum by the Recording Industry Association of America, for shipments of 2,000,000 copies in the US.[39] It also became the third album from Aaliyah to receive the award of multi-platinum.[39] The album has sold more 2.95 million copies in the US.[41][42][43][44][45][46] The album spent 188 weeks on the Billboard 200, making it one of the longest stays in the Billboard 200 albums chart. The record has since been surpassed by Taylor Swift, whose self-titled first album stayed for 189 weeks.[47][48] Physical copies of the album are out of print in the United States, but there have been rumors that the album is scheduled for a special edition tenth anniversary re-release in 2011. It is available for download in iTunes.
The album debuted at number two on the charts worldwide, with more than 330,000 copies sold. In the week of her death the album rose from number 25 to number 1, with more than 888,000 copies sold.[39][41][42] Until the release of I Care 4 U (December 2002), the album had sold in excess of 9 million copies worldwide.[39][41][42] As of December 2008, the album sold more than 13 million copies worldwide (12 million physical copies and 1 million downloads via the Internet). The album is Aaliyah's highest-selling in the world.[43][44][45][46][49][50]
No. | Title | Writer(s) | Producer(s) | Length |
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1. | "We Need a Resolution" (featuring Timbaland) | Timothy Mosley, Steve Garrett | Timbaland | 4:03 |
2. | "Loose Rap" (featuring Static Major) | Garrett, Rapture Stewart, Eric Seats | Rapture, E. Seats | 3:52 |
3. | "Rock the Boat" | Garrett, Stewart, Seats | Rapture, E. Seats | 4:35 |
4. | "More Than a Woman" | Mosley, Garrett | Timbaland | 3:49 |
5. | "Never No More" | Garrett, Stephen Anderson | Bud'da | 3:58 |
6. | "I Care 4 U" | Missy Elliott, Mosley | Timbaland | 4:33 |
7. | "Extra Smooth" | Garrett, Stewart, Seats | Rapture, E. Seats | 3:55 |
8. | "Read Between the Lines" | Garrett, Anderson | Bud'da | 4:20 |
9. | "U Got Nerve" | Stewart, Seats, Ben Bush | Rapture, E. Seats | 3:43 |
10. | "I Refuse" | Garrett, Jeffrey "J-Dub" Walker | Rockstar | 5:57 |
11. | "It's Whatever" | Garrett, Stewart, Seats | Rapture, E. Seats | 4:08 |
12. | "I Can Be" | Durrell Babbs, Anderson | Bud'da | 2:59 |
13. | "Those Were the Days" | Garrett, Stewart, Seats | Rapture, E. Seats | 3:24 |
14. | "What If" | Babbs, Walker | Rockstar | 4:25 |
International bonus track | |||||||||
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No. | Title | Writer(s) | Producer(s) | Length | |||||
15. | "Try Again" | Garrett, Mosley | Timbaland | 4:44 |
North American hidden track | |||||||||
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No. | Title | Writer(s) | Producer(s) | Length | |||||
15. | "Messed Up" | Garrett, Stewart, Seats | Rapture, E. Seats | 3:24 |
In 2004, a special edition called "Aaliyah: Edition 2004" was released in Germany. It featured a slightly altered cover, replacing the red background with brown or gold, and the liner notes were in sepia rather than in color. Its track listing added "Try Again" and three bonus tracks.[51] In 2005, the same version was released in Japan under the title "Aaliyah: Limited Edition" and kept the red cover.[52] In 2007, it was released again in Germany with a white cover instead of red or gold, and it also dropped the "2004 Edition" subtitle. It will be released again in 2011 as new editions.[53]
Chart positions
End of decade charts
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Certifications
Sales
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The album received numerous nominations and awards, mostly contributing to the single "More Than a Woman". The album also received three Grammy Award nominations, including Best R&B Album, Best Female R&B Vocal Performance for "Rock the Boat" and Best Female R&B Vocal Performance for "More Than a Woman".
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Region | Date[14] | Format |
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Philippines | June 15, 2001 | Standard edition |
Germany | June 18, 2001 | Standard edition |
Denmark | June 19, 2001 | Standard edition |
South Africa | ||
Japan | July 7, 2001 | Standard edition |
Australia | July 16, 2001 | Standard edition, Bonus track edition |
Austria | ||
Finland | ||
Netherlands | ||
Hong Kong | ||
India | ||
Indonesia | ||
Italy | ||
Maylasia | ||
Norway | ||
Singapore | ||
Taiwan | ||
Canada | July 17, 2001 | Standard edition |
France | ||
United States | ||
South Korea | July 19, 2001 | Standard edition, Bonus track edition |
United Kingdom | July 21, 2001 | Standard edition, Bonus track edition |
New Zealand | July 23, 2001 | Standard edition, Bonus track edition |
Thailand | ||
Brazil | July 27, 2001 | Standard edition, Bonus track edition, DVD edition |
Canada | ||
Sweden | ||
Switzerland | ||
United States | ||
Turkey | August 6, 2001 | Standard edition, Bonus track edition, DVD edition |
Germany | August 21, 2001 | Standard edition, Bonus track edition, DVD edition |
Denmark | August 25, 2001 | Standard edition, Bonus track edition, DVD edition |
South Africa |
Region | Date[14] | Format |
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Worldwide | August 25, 2002 | Standard edition, Bonus track edition, DVD edition, CD-ROM |
France | March 16, 2004 | Aaliyah 2004: Standard edition, Bonus track edition, DVD edition, CD-ROM |
Germany | ||
United Kingdom | ||
Japan | January 16, 2005 | Aaliyah: Platinum edition: Standard edition, Bonus track edition, DVD edition, CD-ROM |
Australia | July 17, 2006 | Aaliyah: 5 years: Standard edition, Bonus track edition, DVD edition, CD-ROM |
Europe | ||
Latin America | ||
Oceania | ||
USA | April 26, 2009 | iTunes: Standard edition (download) |
USA | June 23, 2009 | Amazon :Standard edition (download) |
Preceded by Now by Maxwell |
Billboard 200 number-one album September 15, 2001 – September 21, 2001 |
Succeeded by Toxicity by System of a Down |
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