60x60

60x60 is a collection of 60 electroacoustic or acousmatic works from 60 different composers/artists, each work 60 seconds or less in duration. 60x60 project showcases sixty new works, each sixty seconds or less, by sixty composers in a continuous sixty minute concert, for a one-hour cross-section of contemporary music. The 60x60 project was conceived and developed by the new music consortium, Vox Novus[1] and its founder, Robert Voisey.[2][3][4][5] Since the project's inception in 2003, the 60x60 project puts out a yearly call for submissions[6] for recorded media 60 seconds or less in length (also known as signature works.)[7][8][9]

There is a history of electroacoustic "shorts." In 1982, Elliott Sharp created an album of shorts called "State of the Union" to accompany an issue of Zone Magazine.[10] In the mid-1980s when the Association pour la création et recherches en électroacoustique de Québec (Acreq) launched an annual competition for "Electroclips", most pieces being between one and three minutes in duration. In the late 1980s, Jean-François Denis and Claude Schryer of Montreal, commissioned 25 three-minute pieces for the "25 instantanés électroacoustiques", Électro Clips, published by empreinted DIGITALes in 1990, IMED 9004. In 1998, Larry Polansky created "The Frog Peak Collaborations Project" a double album of shorts based on an audio sound file from Chris Mann.[10]

Contents

Performance, Participants and Purpose

The performance of 60x60 consists of the 60 works played over loudspeakers in succession without pause for 1 hour.[11] It is played in conjunction with a synchronized analog clock. Works less than 60 seconds are artistically placed within a minute timeframe; the rest of the minute is filled with silence until the next minute begins.[12]

60x60’s primary focus is to create an artistic representation of the electronic music being created in society today and to present that music to a large audience, "to represent diverse composers from all walks of life"[13] Each 60x60 performance mix contains a wide variety of musical styles and aesthetics. "Founder Robert Voisey said the 60-centric format – inspired by other intermission-free performances in New York – is designed to retain audiences' attention. And through "60x60," he hopes to expose newcomers to electronic music."[14]

More than 1000 composers have been included in the project. A few notable composers in the 60x60 project include: Liana Alexandra, Ernst Bacon, Dennis Bathory-Kitsz, Eve Beglarian, Stephen Betts, Colin Black, James Brody, George Brunner, Warren Burt, Monique Buzzarté, Christian Calon, David Campbell, Robert Carl, Gustav Ciamaga, fr:Paul Clouvel, Noah Creshevsky, Francis Dhomont, Robert Dick, Emma Lou Diemer, Moritz Eggert, Arne Eigenfeldt, Karlheinz Essl, David Gamper, J. Ryan Garber, Robert Gluck, Daniel Goode, David Gunn, James Harley, Richard Kostelanetz, Gintas K, Joan La Barbara, Le Tuan Hung, Mary Jane Leach, John Link, Guy Livingston, Annea Lockwood, Chris Mann, Al Margolis, Mike McFerron, Diana McIntosh, Christian McLeer, David Morneau, John Oliver, Pauline Oliveros, Marco Oppedisano, Cezary Ostrowski, Frank J. Oteri, Robert W. Parker, Maggi Payne, Sarah Peebles, Anne van Schothorst, Daria Semegen, Alex Shapiro, Judith Shatin, Alice Shields, Juan Maria Solare, Laurie Spiegel, Allen Strange, Barry Truax, Eldad Tsabary, Robert Voisey, Jane Wang, and Rodney Waschka II

60x60 is a project in which promotes both established and emerging composers and artists alike. 60x60 is a platform for the contemporary composer to promote his or her career and expose their style and aesthetic to audiences around the world. Some of the emerging composers include: John Akins,[15] Christopher Ariza,[16] Jason Bolte[17][18][19] Mikel Butler,[20] Russel Cannon,[21] Maurilio Cacciatore,[22] Dan Sedgwick, Marji Gere, Nicholas Chase[23] Brad Decker, Kevin Lewis[24] Noah Meites,[25] Mason Leiberman,[26] Michael Pounds,[27] Garry Wickliffe,[21] Greg Yasinitsky[28][29] Bruce Hamilton[30][31][32] Aaron Krister Johnson, Mark Eden, Robert Fleisher,[33] Tova Kardonne[34] Mason Leiberman.[26] Molly Crain, Joey Perkins and Nadia Smith[35]

A complete list of composers who participated in the 60x60 project can be found on the 60x60 website

The 60x60 project is more than just a single performance. It is a venue where a large community of composers and sound artists come together to present their music. Each year after the call for works a Radio Request Extravaganza is held. This is a radio show where any work submitted to the project may be requested for airplay. Afterwards, a selection panels finds 60 works for the 60x60 International mix for that year; when 60 composers of a particular region or style are found an alternate mix is created to represent them. When this happens the project presents the alternate mix as well as the International mix in its concert season. After the project has presented the audio mixes,usually presented with an analog clock, 60x60 collaborates with an artist in a different media. A second performance season is held promoting the multimedia collaboration. In conjunction to the performances of the project a CD is made each year to represent the submissions sent to the project.

60x60 has been presented in various types of venues throughout the world from concert halls to classrooms; from contemporary museums to art galleries; from projections on building walls to installations in storefront windows; from large public atriums to bars and nightclubs. 60x60 uses "guerrilla" production tactics to bring it to the broadest audience possible. Some notable venues include: the World Financial Center Winter Garden Atrium,[36][37][38] Stratford Circus,[39] The Sheldon[40] the Essl Museum,[41] the Kemper Museum,[42] the Weisman Art Museum,[43] storefront window at chashama,[44] and Galapagos Art Space.[45] 2010 sees the European debut of 60x60 Dance in London at Stratford Circus.

Other performances include: A*Devantgarde festival, Arts NOW Series, eArts at Mansfield University,[46] Electronic Music Midwest (EMM) festival,[47] International Electroacoustic Music Festival,[48][49] EuCuE Free Play: Listening chamber, The Fresno New Music Festival,[50] Kentucky New Music Festival, New Music Days festival, Outside the Box New Music Festival, Spark Festival, Oklahoma Panhandle State University[51] Dance Parade,[52][53] Sedbergh Music Festival,[54] Minifest[30]

Multimedia Collaboration

"Robert Voisey collected and culled 60 musical arrangements from many more submissions, all to inspire the performers and stimulate the audience." -Minute to Win It, Alison Sieloff[55]

Embracing its vision to reach a diverse audience 60x60 has collaborated with artists outside the acoustic medium to create multimedia performances. 60x60 has collaborated with experimental film makers, photographers, improvisational videographers, sculptors, choreographers and dancers. Some of the artists the project has worked with include Adriana Pegorer, Erin Bomboy, Amiti Perry,[56] Patrick Liddell, Zlatko Ćosić,[57][58][59] Jeramy Zimmerman, Gisela Gamper, Shimpei Takeda,[60] and Nick Zedd.

60x60 Dance

60x60 Dance is a collaboration pairing the 60 audio works with 60 different dances.[61] Exactly like the audio performances, the 60 dances are performed continuously back to back for an hour synchronized with an analog clock. While the music of 60x60 Dance can be from any of the 60x60 mixes, the dancers and choreographers are pooled from the local area where the performance is being held. This creates a "grassroots" touring show which is community based utilizing the dancers from the immediate region. 60x60 Dance has had performances at churches, performance art spaces, art galleries, dance clubs, theaters, The Sheldon, and the World Financial Center Winter Garden Atrium[62] where it was described by the New York Times as a "masterpiece of organization"[63]

60x60 Dance embraces the same philosophy for its dance performances as it does with its music productions. It is specifically designed to promote and expose to audiences around the world to many different choreographers and dancers with the vast wealth of vary styles and aesthetics that present day dance has to offer. A few of the choreographers who have participated in 60x60 Dance include: Germaul Barnes, Hettie Barnhill, Rob Bettmann,[98] Mary Cochran, Tina Croll, Erin Jennings, Jason Dietz Marchant, Vivien Moore, Adriana Pegorer, Amiti Perry, Sasha Soreff, Jessica Stack,[99] Alicia Walsh, Rachel Wynne, Jeramy Zimmerman as well as dance companies: Columbus Movement Movement, Midwest Dance Theater, First Dance Saint Louis, Kari James Dance Network, Stardance, aTrek Dance Collective, and Ashleyliane Dance.[23][98][100][101][102][103][104]

60x60 Video

60x60 Video is an hour of video which is synchronized to the audio mixes of 60x60. 60x60 Video has collaborated with video artists, experimental filmmakers, and VJ's to pair the 60 different audio compositions with video.

60x60 Images

60x60 Images is a 60x60 multimedia collaboration based on fine art works that are 60 centimeters in length and 60 centimeters in width and then paired with a 60 second audio work in an art installation or performance. the project first started in Teatro Nuovo Giovanni in Udine, Italy with an idea by Vittorio Vella, and Francesca Agostinelli[123] and Taukay Edizioni Musicali[124] The project has since be reproduced in Mexico and in Cincinnati, Ohio.[125][126][127]

Radio Request Extravaganza

In the beginning of each 60x60 concert season, the project holds a Radio Request Extravaganza. This is an all request radio show where composers and their fans call in to the hosting radio station request works that have been submitted to the 60x60 project that year. Different new music radio programs and radio stations host the Extravaganza. In the past the 60x60 Radio Request Extravaganza has been hosted on the Afternoon New Music on WKCR New York, New York; Martian Gardens Radio Show on WMUA Amherst, Massachusetts;[128] Kalvos & Damian New Music Bazaar on WGDR Plainfield, Vermont;[129] Foldover, on WOBC-FM Oberlin, Ohio; and Sculpted Word on WBAR in New York, New York.[130]

Alternate Mixes

The project uses grassroots ideology to grow and promote its mission to expose electroacoustic music.[131] When the project receives more than 60 compositions of a particular theme or from a particular region, the project creates a themed mix to be represent that subsection of its submissions.[132] The project has created many different mixes besides its main "International Mix" which is a representative selection of the entire submissions made to the project for that year. Alternate Mixes created by the 60x60 project include: the Athena Mix,[133] the Canada Mix,[134][135][136][137][138][139] the UnTwelve Mix, the Pacific Rim Mix,[140][141][142] Midwest Minutes Mix,[143][144][145] New York Minutes Mix,[146] UK Mix,[147] Munich Mix. ,[148] the Order of Magnitude Mix[149][150] (a special 10 hour installation mix of 60x60 containing 600 one minute works each by different composers and was named the Most Composers Programmed In A Single Show by The Universal Record Database[151]) and the 2010 ICMC RED Mixes.

360 degrees of 60x60

360 degrees of 60x60 was a special project of 60x60 created specifically for the International Computer Music Conference at Stony Brook University in 2010.[152][153] ICMC 2010 was dubbed the "RED" edition as an acronym for research, education, and discovery and the 60x60 mixes were named shades of red to commemorate it.[154] The "RED" Mixes are a special 60x60 project containing 6 different mixes with 360 different one-minute audio pieces by different composers. Each of the 6 different 1 hour 60x60 mixes are named a shade of red titling the mix: including the Burgundy Mix, Crimson Mix, Magenta Mix, Sanguine Mix, Scarlet Mix, and the Vermilion Mix.[155] The 60x60 "RED" mixes have received close to 100 performances in around the world. Patrick Liddell created video for all 6 hours of 360 degrees of 60x60.

The UnTwelve Mix

The 60x60 Untwelve Mix contains 60 second audio works with tonal systems that go beyond the traditional tonality in Western music and twelve tone music. Started in 2010 in collaboration with UnTwelve, the UnTwelve mix captures the work of composers in the same format as the classic 60x60 concert, however, the emphasis is on pieces whose pitch content is of interest in that it goes beyond the bounds of the traditional 12-tone equal tempered system.[156] Aaron Kirster Johnson is the "macro-composer" or music coordinator of the 60x60 UnTwelve Mix and co-produced the mix with Robert Voisey at Vox Novus.[157] was The UnTwelve mix had a proto-premiere in Istanbul, Turkey, on April 14, and the official premiere was April 27, 2010 at the Museum of Contemporary Art in Chicago.[34] It has since had performances in Kansas City, Missouri (July 23, 2010), Charlestown, Massachusetts (June 9, 2010) and is slated to have a performance at Slippery Rock University, Slippery Rock, PA, on October 7, 2010 and a Chicago repeat performance on October 20, 2010, with video art by Patrick Liddell.

Canada Mix

The 60x60 Canada mix contains works from composers from and currently living in Canada. The 60x60 Canada mix started in 2008 with Eldad Tsabary as the macro-composer/music coordinator and co-producer. Two Canadian mixes were created in 2008: a concert version[158] which was premiered at Concordia University as part of the ÉuCuE performance series[158] and a “SONUS Gallery” mix that was published in the CEC’s (Canadian Electroacoustic Community) electronic journal of electroacoustics, eContact![159]

Macro vs Micro

Micro

60x60 is a collection of miniatures or "signature" works from 60 different composers/sound artists. Each work is 60 seconds (or less) in length and are sequenced in order to fit neatly within each minute of the hour; each new minute is a different piece from a different artist. 60x60 creates a unique challenge for the composer/sound artist to express themselves in the concise time frame of one minute. Besides that one restriction, artists are free and specifically encouraged to express themselves in any way that they wish.

Macro

60x60 is much more than a collection of short works played one after another. The entire hour of 60 on-minute works is specifically curated or composed as a one hour long "macro-composition" containing the 60 works. All 60x60 mixes are put together by artists to create an artistic hour for audiences to enjoy. As the creator and leader of 60x60, Robert Voisey has created and "macro-composed" the most mixes and is responsible for the "main" annual 60x60 International mix since 2003. He has put together several other 60x60 mixes including: Pacific Rim mixes, Midwest mixes, New York Minutes Mix, Munich Mix, Evolution Mixes, the UK Mix, the Burgundy Mix, the Magenta Mix, the Sanguine Mix and the Scarlet Mix.

Several other composers have put together different mixes. Eldad Tsabary has been responsible for putting together the Canadian Mixes as well as the Vermillion mix and the Order of Magnitude Mix. Aaron Kirster Johnson was responsible for the UnTwelve Mix and the Crimson Mix. Sabina Pena Young was responsible for putting together the Athena mix.

History

2011

2010

2009

2008

2007

2006

2005

2004

2003

Listing of performances

60x60 Events and Performances

Discography

Articles and reviews

References

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  7. ^ UMFK professor has second composition released on CD to present around the world.
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External links

Further reading