Leo Tolstoy

Leo Tolstoy

Only known color photograph of the novelist, shot at his Yasnaya Polyana estate in 1908 by Prokudin-Gorskii, a pioneer of color photography
Born September 9, 1828(1828-09-09)
Yasnaya Polyana, Russia
Died November 20, 1910(1910-11-20) (aged 82)
Astapovo, Russia
Occupation Novelist
Genres Realist
Notable work(s) War and Peace
Anna Karenina
Signature

Leo Tolstoy, or Count Lyev Nikolayevich Tolstoy (Russian: Лeв Никола́евич Толсто́й, Russian pronunciation: [lʲev nʲɪkɐˈlaɪvʲɪtɕ tɐlˈstoj]; September 9 [O.S. August 28] 1828 – November 20 [O.S. November 7] 1910), was a Russian writer widely regarded as one the greatest of novelists.[1][2] His masterpieces War and Peace and Anna Karenina represent in their scope, breadth and vivid depiction of 19th-century Russian life and attitudes, the peak of realist fiction.[3]

Tolstoy's further talents as essayist, dramatist, and educational reformer made him the most influential member of the aristocratic Tolstoy family. His literal interpretation of the ethical teachings of Jesus, centering on the Sermon on the Mount, caused him in later life to become a fervent Christian anarchist and pacifist. His ideas on nonviolent resistance, expressed in such works as The Kingdom of God Is Within You, were to have a profound impact on such pivotal twentieth-century figures as Mahatma Gandhi[4] and Martin Luther King, Jr.

Contents

Early life

Tolstoy in military uniform, by Sergei Lvovich Levitsky, 1856

Tolstoy was born in Yasnaya Polyana, the family estate in the Tula region of Russia. The Tolstoys were a well-known family of old Russian nobility.

He was the fourth of five children of Count Nikolai Ilyich Tolstoy, a veteran of the crusade of 1812, and countess Mariya Tolstaya (Volkonskaya). Tolstoy's parents died when he was young, so he and his siblings were brought up by relatives. In 1844, he began studying law and oriental languages at Kazan University. His teachers described him as "both unable and unwilling to learn." Tolstoy left university in the middle of his studies, returned to Yasnaya Polyana and then spent much of his time in Moscow and Saint Petersburg. In 1851, after running up heavy gambling debts, he went with his elder brother to the Caucasus and joined the army. Around this time, he started writing.

His conversion from a dissolute and privileged society author to the non-violent and spiritual anarchist of his latter days was brought about by two trips around Europe in 1857 and 1860–61, a period when many liberal-leaning Russian aristocrats escaped the stifling political repression in Russia; others who followed the same path were Alexander Herzen, Mikhail Bakunin, and Peter Kropotkin. During his 1857 visit, Tolstoy witnessed a public execution in Paris, a traumatic experience that would mark the rest of his life. Writing in a letter to his friend V. P. Botkin:

The truth is that the State is a conspiracy designed not only to exploit, but above all to corrupt its citizens ... Henceforth, I shall never serve any government anywhere.

A portrait of Tolstoy's wife Sophia and their daughter Alexandra

His European trip in 1860–61 shaped both his political and literary transformation when he met Victor Hugo, whose literary talents Tolstoy praised after reading Hugo's newly finished Les Miserables. A comparison of Hugo's novel and Tolstoy's War and Peace shows the influence of the evocation of its battle scenes. Tolstoy's political philosophy was also influenced by a March 1861 visit to French anarchist Pierre-Joseph Proudhon, then living in exile under an assumed name in Brussels. Apart from reviewing Proudhon's forthcoming publication, La Guerre et la Paix, whose title Tolstoy would borrow for his masterpiece, the two men discussed education, as Tolstoy wrote in his educational notebooks:

If I recount this conversation with Proudhon, it is to show that, in my personal experience, he was the only man who understood the significance of education and of the printing press in our time.

Fired by enthusiasm, Tolstoy returned to Yasnaya Polyana and founded thirteen schools for his serfs' children, based on the principles Tolstoy described in his 1862 essay "The School at Yasnaya Polyana". Tolstoy's educational experiments were short-lived due to harassment by the Tsarist secret police, but as a direct forerunner to A. S. Neill's Summerhill School, the school at Yasnaya Polyana can justifiably be claimed to be the first example of a coherent theory of democratic education.

Personal life

On 23 September 1862, Tolstoy married Sophia Andreevna Bers, the daughter of a court physician, who was 16 years his junior. (Sonya, the Russian dimunitive of Sofya, is the name that was used by her family and friends)[5] They had thirteen children, five of whom died during childhood.[6] The marriage was marked from the outset by sexual passion and emotional insensitivity when Tolstoy, on the eve of their marriage, gave her his diaries detailing his extensive sexual past and the fact that one of the serfs on his estate had borne him a son.[5] Even so, their early married life was ostensibly happy and allowed Tolstoy much freedom to compose the literary masterpieces War and Peace and Anna Karenina with Sonya acting as his secretary, proof-reader and financial manager.[5] However, their later life together has been described by A. N. Wilson as one of the unhappiest in literary history. His relationship with his wife deteriorated as his beliefs became increasingly radical and he sought to reject his inherited and earned wealth, including the renunciation of the copyrights on his earlier works.

Novels and fictional works

Tolstoy is one of the giants of Russian literature. His most famous works include the novels War and Peace and Anna Karenina and novellas such as Hadji Murad and The Death of Ivan Ilyich.

His contemporaries paid him lofty tributes. Dostoevsky thought him the greatest of all living novelists, while Flaubert exclaimed, "What an artist and what a psychologist!". Chekhov, who often visited Tolstoy at his country estate, wrote, "When literature possesses a Tolstoy, it is easy and pleasant to be a writer; even when you know you have achieved nothing yourself and are still achieving nothing, this is not as terrible as it might otherwise be, because Tolstoy achieves for everyone. What he does serves to justify all the hopes and aspirations invested in literature."

Later critics and novelists continue to bear testament to Tolstoy's art. Virginia Woolf declared him the greatest of all novelists. James Joyce noted that, "He is never dull, never stupid, never tired, never pedantic, never theatrical!". Thomas Mann wrote of Tolstoy's seemingly guileless artistry: "Seldom did art work so much like nature". Such sentiments were shared by the likes of Proust, Faulkner and Nabokov. The latter heaped superlatives upon The Death of Ivan Ilyich and Anna Karenina; he questioned, however, the reputation of War and Peace, and sharply criticized Resurrection and The Kreutzer Sonata.

Tolstoy's earliest works, the autobiographical novels Childhood, Boyhood, and Youth (1852–1856), tell of a rich landowner's son and his slow realization of the chasm between himself and his peasants. Though he later rejected them as sentimental, a great deal of Tolstoy's own life is revealed. They retain their relevance as accounts of the universal story of growing up.

Tolstoy served as a second lieutenant in an artillery regiment during the Crimean War, recounted in his Sevastapol Sketches. His experiences in battle helped stir his subsequent pacifism and gave him material for realistic depiction of war's horrors in his later work.[7]

An undated photograph of the novelist dressed for the Russian weather

His fiction consistently attempts to convey realistically the Russian society in which he lived.[8]The Cossacks (1863) describes the Cossack life and people through a story of a Russian aristocrat in love with a Cossack girl. Anna Karenina (1877) tells parallel stories of an adulterous woman trapped by the conventions and falsities of society and of a philosophical landowner (much like Tolstoy), who works alongside the peasants in the fields and seeks to reform their lives.

Tolstoy not only drew from his experience of life but created characters in his own image, such as Pierre Bezukhov and Prince Andrei in War and Peace, Levin in Anna Karenina and to some extent, Prince Nekhlyudov in Resurrection.

War and Peace is generally thought to be one of the greatest novels ever written, remarkable for its breadth and unity. Its vast canvas includes 580 characters, many historical, others fictional. The story moves from family life to the headquarters of Napoleon, from the court of Alexander I of Russia to the battlefields of Austerlitz and Borodino. Tolstoy's original idea for the novel was to investigate the causes of the Decembrist revolt, to which it refers only in the last chapters, from which can be deduced that Andrei Bolkonski's son will become one of the Decembrists. The novel explores Tolstoy's theory of history, and in particular the insignificance of individuals such as Napoleon and Alexander. Somewhat surprisingly, Tolstoy did not consider War and Peace to be a novel (nor did he consider many of the great Russian fictions written at that time to be novels). This view becomes less surprising if one considers that Tolstoy was a novelist of the realist school who considered the novel to be a framework for the examination of social and political issues in nineteenth-century life.[9]War and Peace (which is to Tolstoy really an epic in prose) therefore did not qualify. Tolstoy thought that Anna Karenina was his first true novel.[10]

After Anna Karenina, Tolstoy concentrated on Christian themes, and his later novels such as The Death of Ivan Ilyich (1886) and What Is to Be Done? develop a radical anarcho-pacifist Christian philosophy which led to his excommunication from the Russian Orthodox Church in 1901.[11]

For all the praise showered on Anna Karenina and War and Peace, Tolstoy rejected the two works later in his life as something not as true of reality.[12] Such an argument is supported in The Death of Ivan Ilyich, whose main character continually battles with his family and servants, demanding honesty above the water and food needed to sustain him.

Religious and political beliefs

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After reading Schopenhauer's The World as Will and Representation, Tolstoy gradually became converted to the ascetic morality upheld in that work as the proper spiritual path for the upper classes:

Do you know what this summer has meant for me? Constant raptures over Schopenhauer and a whole series of spiritual delights which I've never experienced before. ... no student has ever studied so much on his course, and learned so much, as I have this summer.

– Tolstoy's Letter to A.A. Fet, August 30, 1869

In Chapter VI of A Confession, Tolstoy quoted the final paragraph of Schopenhauer's work. It explained how the nothingness that results from complete denial of self is only a relative nothingness, and is not to be feared. The novelist was struck by the description of Christian, Buddhist, and Hindu ascetic renunciation as being the path to holiness. After reading passages such as the following, which abound in Schopenhauer's ethical chapters, the Russian nobleman chose poverty and formal denial of the will:

But this very necessity of involuntary suffering (by poor people) for eternal salvation is also expressed by that utterance of the Savior (Matthew 19:24): "It is easier for a camel to go through the eye of a needle, than for a rich man to enter into the kingdom of God." Therefore those who were greatly in earnest about their eternal salvation, chose voluntary poverty when fate had denied this to them and they had been born in wealth. Thus Buddha Sakyamuni was born a prince, but voluntarily took to the mendicant's staff; and Francis of Assisi, the founder of the mendicant orders who, as a youngster at a ball, where the daughters of all the notabilities were sitting together, was asked: "Now Francis, will you not soon make your choice from these beauties?" and who replied: "I have made a far more beautiful choice!" "Whom?" "La poverta (poverty)": whereupon he abandoned every thing shortly afterwards and wandered through the land as a mendicant.

– Schopenhauer, Parerga and Paralipomena, Vol. II, §170

Portrait of Tolstoy in 1887, by Ilya Repin

Tolstoy's Christian beliefs centered on the Sermon on the Mount, particularly the injunction to turn the other cheek, which he saw as a justification for pacifism, nonviolence and nonresistance. Various versions of "Tolstoy's Bible" have been published, indicating the passages Tolstoy most relied on, specifically, the reported words of Jesus himself.[13] Tolstoy believed being a Christian required him to be a pacifist; the consequences of being a pacifist, and the apparently inevitable waging of war by government, made him a philosophical anarchist.

Tolstoy believed that a true Christian could find lasting happiness by striving for inner self-perfection through following the Great Commandment of loving one's neighbor and God rather than looking outward to the Church or state for guidance. His belief in nonresistance (nonviolence) when faced by conflict is another distinct attribute of his philosophy based on Christ's teachings. By directly influencing Mahatma Gandhi with this idea through his work The Kingdom of God is Within You (full text of English translation available on Wikisource), Tolstoy has had a huge influence on the nonviolent resistance movement to this day. He believed that the aristocracy were a burden on the poor, and that the only solution to how we live together is through anarchism. He also opposed private property[14] and the institution of marriage and valued the ideals of chastity and sexual abstinence (discussed in Father Sergius and his preface to The Kreutzer Sonata), ideals also held by the young Gandhi. Tolstoy's later work derives a passion and verve from the depth of his austere moral views.[15] The sequence of the temptation of Sergius in Father Sergius, for example, is among his later triumphs. Gorky relates how Tolstoy once read this passage before himself and Chekhov and that Tolstoy was moved to tears by the end of the reading. Other later passages of rare power include the crises of self faced by the protagonists of The Death of Ivan Ilyich and Master and Man, where the main character in the former or the reader in the latter is made aware of the foolishness of the protagonists' lives.

Tolstoy had a profound influence on the development of anarchist thought. The Tolstoyans were a small Christian anarchist group formed by Tolstoy's companion, Vladimir Chertkov (1854–1936), in order to spread Tolstoy's religious teachings. Prince Peter Kropotkin wrote of Tolstoy in the article on anarchism in the 1911 Encyclopædia Britannica:

Without naming himself an anarchist, Leo Tolstoy, like his predecessors in the popular religious movements of the fifteenth and sixteenth centuries, Chojecki, Denk and many others, took the anarchist position as regards the state and property rights, deducing his conclusions from the general spirit of the teachings of Jesus and from the necessary dictates of reason. With all the might of his talent he made (especially in The Kingdom of God is Within You) a powerful criticism of the church, the state and law altogether, and especially of the present property laws. He describes the state as the domination of the wicked ones, supported by brutal force. Robbers, he says, are far less dangerous than a well-organized government. He makes a searching criticism of the prejudices which are current now concerning the benefits conferred upon men by the church, the state and the existing distribution of property, and from the teachings of Jesus he deduces the rule of non-resistance and the absolute condemnation of all wars. His religious arguments are, however, so well combined with arguments borrowed from a dispassionate observation of the present evils, that the anarchist portions of his works appeal to the religious and the non-religious reader alike.

In hundreds of essays over the last twenty years of his life, Tolstoy reiterated the anarchist critique of the State and recommended books by Kropotkin and Proudhon to his readers, whilst rejecting anarchism's espousal of violent revolutionary means, writing in the 1900 essay, "On Anarchy":

The Anarchists are right in everything; in the negation of the existing order, and in the assertion that, without Authority, there could not be worse violence than that of Authority under existing conditions. They are mistaken only in thinking that Anarchy can be instituted by a revolution. But it will be instituted only by there being more and more people who do not require the protection of governmental power ... There can be only one permanent revolution – a moral one: the regeneration of the inner man.

Tolstoy's house at Yasnaya Polyana, today a museum which includes his library of 22,000 volumes

Despite his misgivings about anarchist violence, Tolstoy took risks to circulate the prohibited publications of anarchist thinkers in Russia, and corrected the proofs of Kropotkin's "Words of a Rebel", illegally published in St Petersburg in 1906.[16]

A letter Tolstoy wrote in 1908 to an Indian newspaper entitled A Letter to a Hindu resulted in intense correspondence with Mohandas Gandhi, who was in South Africa at the time and was beginning to become an activist. Reading The Kingdom of God is Within You had convinced Gandhi to abandon violence and espouse nonviolent resistance, a debt Gandhi acknowledged in his autobiography, calling Tolstoy "the greatest apostle of non-violence that the present age has produced". The correspondence between Tolstoy and Gandhi would only last a year, from October 1909 until Tolstoy's death in November 1910, but led Gandhi to give the name the Tolstoy Colony to his second ashram in South Africa.[17] Besides non-violent resistance, the two men shared a common belief in the merits of vegetarianism, the subject of several of Tolstoy's essays.[18] Along with his growing idealism, Tolstoy also became a major supporter of the Esperanto movement. Tolstoy was impressed by the pacifist beliefs of the Doukhobors and brought their persecution to the attention of the international community, after they burned their weapons in peaceful protest in 1895. He aided the Doukhobors in migrating to Canada.[19]

In 1904, during the Russo-Japanese War, Tolstoy condemned the war and wrote to the Japanese Buddhist priest Soyen Shaku in a failed attempt to make a joint pacifist statement.

Tolstoy was a wealthy member of the Russian nobility. He came to believe that he was undeserving of his inherited wealth, and was renowned among the peasantry for his generosity. He would frequently return to his country estate with vagrants whom he felt needed a helping hand, and would often dispense large sums of money to street beggars while on trips to the city, much to his wife's chagrin.

Death

Tolstoy's death mask

Tolstoy died of pneumonia[20] at Astapovo station in 1910 after leaving home in the middle of winter at the age of 82. His death came only days after gathering the nerve to abandon his family and wealth[21] and take up the path of a wandering ascetic, a path that he had agonized over pursuing for decades. He had not been at the peak of health before leaving home; his wife and daughters were all actively engaged in caring for him daily. He had been speaking and writing of his own death in the days preceding his departure from home, but fell ill at the train station not far from home. The station master took Tolstoy to his apartment, where his personal doctors were called to the scene. He was given injections of morphine and camphor. The police tried to limit access to his funeral procession, but thousands of peasants lined the streets at his funeral. Still, some peasants were heard to say that, other than knowing that "some nobleman had died," they knew little else about Tolstoy.[22]

Tolstoy on Shakespeare

During his life, Tolstoy came to the conclusion that William Shakespeare was a bad dramatist and not a true artist at all. Tolstoy explained his views in a critical essay on Shakespeare written in 1903.

I remember the astonishment I felt when I first read Shakespeare. I expected to receive a powerful esthetic pleasure, but having read, one after the other, works regarded as his best: "King Lear", "Romeo and Juliet", "Hamlet" and "Macbeth," not only did I feel no delight, but I felt an irresistible repulsion and tedium...

Several times I read the dramas and the comedies and historical plays, and I invariably underwent the same feelings: repulsion, weariness, and bewilderment. At the present time, before writing this preface, being desirous once more to test myself, I have, as an old man of seventy-five, again read the whole of Shakespeare, including the historical plays, the "Henrys," "Troilus and Cressida," the "Tempest," "Cymbeline," and I have felt, with even greater force, the same feelings,—this time, however, not of bewilderment, but of firm, indubitable conviction that the unquestionable glory of a great genius which Shakespeare enjoys, and which compels writers of our time to imitate him and readers and spectators to discover in him non-existent merits,—thereby distorting their aesthetic and ethical understanding,—is a great evil, as is every untruth.
Tolstoy on Shakespeare. 1906.

Understanding that his conclusions contradict popular opinion, Tolstoy supported his opinion by detailed analysis of King Lear.

George Orwell wrote a well-known response to this: Lear, Tolstoy and the Fool.

Films

A 2009 movie based on Tolstoy's final year, The Last Station, was made by director Michael Hoffman with Christopher Plummer as Tolstoy and Helen Mirren as Sofya Tolstoya. Both performers were nominated for Oscars for their roles. There have been other films about the writer, including Departure of a Grand Old Man, made in 1912 just two years after his death, How Fine, How Fresh the Roses Were (1913), and Leo Tolstoy, directed by and starring Sergei Gerasimov in 1984.

There is also a famous lost film of Tolstoy made a decade before he died. In 1901, the American travel lecturer Burton Holmes visited Yasnaya Polyana with Albert J. Beveridge, the U.S. senator and historian. As the three men conversed, Holmes filmed Tolstoy with his 60-mm movie camera. Afterwards, Beveridge's advisers succeeded in having the film destroyed, fearing that documentary evidence of a meeting with the Russian author might hurt Beveridge's chances of running for the U.S. presidency. [23]

Bibliography

Ivan Mozzhukhin in a 1917 screen version of Tolstoy's short story, Father Sergius
Tolstoy commemorated on a Soviet stamp issued in 1978
Novels and novellas
Short stories
Plays
Non-fiction

See also

References

  1. ↑ http://www.guardian.co.uk/global/2010/jan/06/leo-tolstoy-greatest-writer
  2. ↑ http://www.csmonitor.com/Books/Book-Reviews/2010/0504/Sophia-Tolstoy-A-Biography
  3. ↑ Realism, naturalism, and symbolism: modes of thought and expression in Europe, 1848-1914. R.N.Stromberg - 1968
  4. ↑ Martin E. Hellman, Resist Not Evil in World Without Violence (Arun Gandhi ed.), M.K. Gandhi Institute, 1994, retrieved on 14 December 2006
  5. ↑ 5.0 5.1 5.2 Susan Jacoby, "The Wife of the Genius" (April 19, 1981) The New York Times
  6. ↑ Feuer,Kathryn B. Tolstoy and the Genesis of War and Peace, Cornell University Press, 1996, ISBN 0801419026
  7. ↑ Government is Violence: essays on anarchism and pacifism. Leo Tolstoy - 1990 - Phoenix Press
  8. ↑ Tolstoy: the making of a novelist. E Crankshaw - 1974 - Weidenfeld & Nicolson
  9. ↑ Tolstoy and the Development of Realism. G Lukacs. Marxists on Literature: An Anthology, London: Penguin, 1977
  10. ↑ Tolstoy and the Novel. J Bayley - 1967 - Chatto & Windus
  11. ↑ Church and State. L Tolstoy - On Life and Essays on Religion, 1934
  12. ↑ Women in Tolstoy: the ideal and the erotic R.C. Benson - 1973 - University of Illinois Press
  13. ↑ Orwin, Donna T. The Cambridge Companion to Tolstoy. Cambridge University Press, 2002
  14. ↑ I Cannot Be Silent. Leo Tolstoy. Recollections and Essays, 1937.
  15. ↑ by editor on September 8, 2009 (2009-09-08). "Sommers, Aaron (2009) ''Why Leo Tolstoy Wouldn't Supersize It''". Coastlinejournal.com. http://coastlinejournal.com/2009/09/08/why-leo-tolstoy-wouldn%E2%80%99t-super-size-it/. Retrieved 2010-05-16. 
  16. ↑ Peter Kropotkin: from prince to rebel. G Woodcock, I Avakumović.1990.
  17. ↑ Tolstoy and Gandhi, men of peace: a biography. MB Green - 1983 - Basic Books
  18. ↑ Leo Tolstoy, The First Step, Preface to the Russian translation of Howard William’s The Ethics of Diet, 1892.
  19. ↑ Mays, H.G. "Resurrection:Tolstoy and Canada's Doukhobors." The Beaver 79.October/November 1999:38-44
  20. ↑ Leo Tolstoy. EJ Simmons - 1946 - Little, Brown and Company
  21. ↑ The last days of Tolstoy. VG Chertkov. 1922. Heinemann
  22. ↑ Tolstaya, S.A. The Diaries of Sophia Tolstoy, Book Sales, 1987; Chertkov, V. "The Last Days of Leo Tolstoy," http://www.linguadex.com/tolstoy/index.html, translated by Benjamin Scher
  23. ↑ Wallace, Irving, 'Everybody's Rover Boy', in The Sunday Gentleman. New York: Simon & Schuster, 1965. p. 117.

 This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed (1911). Encyclopædia Britannica (Eleventh ed.). Cambridge University Press. 

Further reading

Universal and museum websites on Leo Tolstoy

Leo Tolstoy's biography and critique

E-texts of works by Leo Tolstoy

Leo Tolstoy in the media

Works by Leo Tolstoy
Biography · Bibliography · Tolstoyan · Tolstoy · Texts
Novels and novellas

Childhood (1852) · Boyhood (1854) · Youth (1856) · Family Happiness (1859) · The Cossacks (1863) · War and Peace (1869) · Anna Karenina (1877) · The Death of Ivan Ilyich (1886) · The Kreutzer Sonata (1889) · Resurrection (1899) · The Forged Coupon (1911) · Hadji Murat (1912)
Philosophical works
A Confession · What I Believe · What Is to Be Done? · The Kingdom of God Is Within You · The Gospel in Brief · What Is Art? · A Calendar of Wisdom
Plays
The Power of Darkness · The Fruits of Enlightenment · The Living Corpse
Short stories
"Albert" · "Alyosha the Pot" · "Croesus and Fate" · "The Big Oven" · "The Devil" · "Father Sergius" · "God Sees the Truth, But Waits" · "The Grain" · "Ivan the Fool" · "How Much Land Does a Man Need?" · "Kholstomer: The Story of a Horse" · "Korney Vasilyev" · "The Kreutzer Sonata" · "Master and Man" · "Polikushka" · "The Prisoner of the Caucasus" · "Promoting a Devil" · "Quench the Spark" · "The Raid" · "Repentance" · "Sebastopol Sketches" · "The Snowstorm" · "Three Deaths" · "The Three Questions" · "Too Dear!" · "Two Hussars" · "What Men Live By" · "Where Love is, God is" · "Wisdom of Children" · "Work, Death, and Sickness"