Rain Man

Rain Man

Theatrical release poster
Directed by Barry Levinson
Produced by Mark Johnson
Written by Screenplay:
Barry Morrow
Ronald Bass
Story:
Barry Morrow
Starring Dustin Hoffman
Tom Cruise
Valeria Golino
Music by Hans Zimmer
Cinematography John Seale
Editing by Stu Linder
Distributed by United Artists
Release date(s) December 16, 1988 (1988-12-16)
Running time 133 minutes
Country United States
Language English
Budget $25 million
Gross revenue $172,825,435

Rain Man is a 1988 American drama film written by Barry Morrow and Ronald Bass and directed by Barry Levinson. It tells the story of an abrasive and selfish yuppie, Charlie Babbitt, who discovers that his estranged father has died and bequeathed all of his multimillion-dollar estate to his other son, Raymond, a man with autism of whose existence Charlie was unaware.

The film stars Tom Cruise as Charlie Babbitt, Dustin Hoffman as Raymond Babbitt, and Valeria Golino as Charlie's girlfriend, Susanna. Morrow created the character of Raymond after meeting Kim Peek, a real-life savant; his characterization was based on both Peek and Bill Sackter, a good friend of Morrow who was the subject of Bill, an earlier film that Morrow wrote.[1] Rain Man received overwhelmingly positive reviews at the time of its release, praising Hoffman's role and the wit and sophistication of the screenplay.

The film won four Oscars at the 61st Academy Awards (March 1989), including Best Picture, Best Original Screenplay, Best Director, and Best Actor in a leading role for Hoffman. Its crew received an additional four nominations.[2]

Contents

Plot

Charlie Babbitt (Cruise), a Los Angeles car dealer in his mid-twenties, is in the middle of importing four grey market Lamborghinis. The deal is being threatened by the EPA, and if Charlie cannot meet its requirements he will lose a significant amount of money. After some quick subterfuge with an employee, Charlie leaves for a weekend trip to Palm Springs with his girlfriend, Susanna (Golino).

Charlie's trip is cancelled by news that his estranged father, Sanford Babbitt, has died. Charlie travels to Cincinnati, Ohio, to settle the estate, where he learns an undisclosed trustee is inheriting $3 million on behalf of an unnamed beneficiary, while all he is to receive is a classic Buick Roadmaster convertible and several prize rose bushes. Eventually he learns the money is being directed to a mental institution which is the home of his autistic brother Raymond Babbitt (Hoffman), of whose existence Charlie had not previously known. This leads Charlie to ask the question that permeates the movie: "Why didn't somebody tell me I had a brother?"

Although Raymond has autism, he also has superb recall, but little understanding of subject matter. He is frightened by change and adheres to strict routines (for example, his continual repetition of the "Who's on First?" sketch). Except when he is in distress, he shows little emotional expression and avoids eye contact.

Numbed by learning that he has a brother and determined to get what he believes is his fair share of the Babbitt estate, Charlie takes Raymond on what becomes a cross-country car trip (due to Raymond's fear of flying) back to Los Angeles to meet with his attorneys. Charlie intends to start a custody battle in order to get Raymond's doctor, Dr. Gerald R. Bruner (Gerald R. Molen), to settle out of court for half of Sanford Babbitt's estate so that the mental institution can maintain custody of Raymond.

During the course of the journey, Charlie learns about Raymond's autism, which he initially believes is curable — resulting in his frequent frustration with his brother's antics. He also learns about how his brother came to be separated from his family, as a result of an accident when he was left alone with Charlie when Charlie was a baby. Raymond also sings "I Saw Her Standing There" by the Beatles like he did when Charlie was young. Charlie proves to be sometimes shallow and exploitative, as when he learns that Raymond has an excellent memory and takes him to Las Vegas to win money at blackjack by counting cards. However, towards the end of their trip Charlie finds himself becoming protective of Raymond, and grows to truly love him.

Charlie finally meets with his attorney to try to get his share of his inheritance, but then decides that he no longer cares about the money and really just wants to have custody of his brother. However, at a meeting with a court-appointed psychiatrist and Dr. Bruner, Raymond is unable to decide exactly what he wants. Eventually, the psychiatrist presses Raymond to make the decision, upsetting him and leading Charlie to request that the doctor back off. Raymond is allowed to go back home to Cincinnati. Charlie, who has gained a new brother and mellowed considerably, promises Raymond as he boards an Amtrak that he'll visit in two weeks.

Cast

Production

A now-abandoned gas station and general store in Cogar, Oklahoma was used in a scene from the film.

Roger Birnbaum was the first studio executive to give the film a green light; he did so immediately after Barry Morrow pitched the story. Birnbaum received "special thanks" in the film's credits.[2]

Agents at CAA sent the script to Hoffman and Bill Murray, envisioning Murray in the title role and Hoffman in the role eventually portrayed by Cruise.[1] Martin Brest, Steven Spielberg, and Sydney Pollack were directors also involved in the film.[3]

Principal photography included nine weeks of filming on location.[4]

Almost all of the principal photography occurred during the 1988 Writers Guild of America strike; one key scene that was affected by the lack of writers was the film's final scene.[1] Bass delivered his last rough cut of the script only hours before the strike started and spent no time on the set.[3]

Reception

Reviews

Rain Man was overall positively received by critics, with a 87% approval rating on Rotten Tomatoes with an average score of 7.7/10.[5] Vincent Canby of The New York Times called Rain Man a "becomingly modest, decently thought-out, sometimes funny film"; Hoffman's performance was a "display of sustained virtuosity . . . [which] makes no lasting connections with the emotions. Its end effect depends largely on one's susceptibility to the sight of an actor acting nonstop and extremely well, but to no particularly urgent dramatic purpose."[6] Canby considered the "film's true central character" to be "the confused, economically, and emotionally desperate Charlie, beautifully played by Mr. Cruise."[6]

Amy Dawes of Variety wrote that "one of the year's most intriguing film premises ... is given uneven, slightly off-target treatment"; she calls the road scenes "hastily, loosely written, with much extraneous screen time," but admired the last third of the film, calling it a depiction of "two very isolated beings" who "discover a common history and deep attachment."[4]

One of the film's harshest reviews came from New Yorker magazine critic Pauline Kael: "Everything in this movie is fudged ever so humanistically, in a perfunctory, low-pressure way. And the picture has its effectiveness: people are crying at it. Of course they're crying at it — it's a piece of wet kitsch."[7]

Box office

Rain Man debuted on December 16, 1988, and was the second on the weekend's box office (behind Twins), with $7 million.[8] It reached the first spot on the December 30–January 2 weekend, finishing 1988 with $42 million.[9] The film would end up becoming the highest-grossing film of 1988 with $172 million (though most of its gross was garnered in 1989, unlike second place Who Framed Roger Rabbit).[10]

Awards

Rain Man won Academy Awards for Best Picture, Best Actor in a Leading Role (Dustin Hoffman), Best Director, and Best Writing, Original Screenplay. It was nominated for Best Art Direction-Set Decoration, Best Cinematography (John Seale), Best Film Editing, and Best Music, Original Score.

The film also won a People's Choice Award as the "Favorite Dramatic Motion Picture."[2]

Effect on popular culture

Rain Man 's portrayal of the main character's condition has been seen as inaugurating a common and incorrect media stereotype that people on the autism spectrum typically have savant skills, and references to Rain Man, in particular Dustin Hoffman's performance, have become a popular shorthand for autism and savantism.[11] However, Rain Man has also been seen as dispelling a number of other misconceptions about autism and improving public awareness of the failure of many agencies to accommodate autistic people and make use of the abilities they do have, regardless of whether they are savant skills.[12]

References

  1. 1.0 1.1 1.2 Barry Morrow's audio commentary for Rain Man from the DVD release.
  2. 2.0 2.1 2.2 Rain Man at the Internet Movie Database
  3. 3.0 3.1 Bass' audio commentary for Rain Man from the DVD release.
  4. 4.0 4.1 Rain Man, Variety, December 14, 1988
  5. "Rain Man (1988)". Rotten Tomatoes. http://www.rottentomatoes.com/m/rain_man/. Retrieved July 4, 2010. 
  6. 6.0 6.1 Brotherly Love, of Sorts, a December 1988 review from The New York Times
  7. Kael, Pauline. Rain Man at Metacritic, The New Yorker (Feb. 1989)
  8. "Weekend Box Office: December 16–18, 1988". Box Office Mojo. http://boxofficemojo.com/weekend/chart/?yr=1988&wknd=51&p=.htm. 
  9. "Weekend Box Office: December 30–January 2, 1988". Box Office Mojo. http://boxofficemojo.com/weekend/chart/?yr=1988&wknd=53a&p=.htm. 
  10. Rain Man at Box Office Mojo
  11. Draaisma D (2009). "Stereotypes of autism". Philos Trans R Soc Lond B Biol Sci 364 (1522): 1475–80. doi:10.1098/rstb.2008.0324. PMID 19528033. 
  12. Darold Treffert. "Rain Man, the Movie/Rain Man, Real Life". http://www.wisconsinmedicalsociety.org/savant_syndrome/savant_articles/rain_man. 

External links