A paradox is a true statement or group of statements that leads to a contradiction or a situation which defies intuition. The term is also used for an apparent contradiction that actually expresses a non-dual truth (cf. kōan, Catuskoti). Typically, the statements in question do not really imply the contradiction, the puzzling result is not really a contradiction, or the premises themselves are not all really true or cannot all be true together. The word paradox is often used interchangeably with contradiction. It is also used to describe situations that are ironic.[1]
But many paradoxes, such as Curry's paradox, do not yet have universally accepted resolutions.
Sometimes the term paradox is used for situations that are merely surprising. The birthday paradox, for instance, is unexpected but perfectly logical. The logician Willard V. O. Quine distinguishes falsidical paradoxes, which are seemingly valid, logical demonstrations of absurdities, from veridical paradoxes, such as the birthday paradox, which are seeming absurdities that are nevertheless true.[2] Paradoxes in economics tend to be the veridical type, typically counterintuitive outcomes of economic theory, such as Simpson's paradox. In literature a paradox can be any contradictory or obviously untrue statement, which resolves itself upon later inspection.
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Common themes in paradoxes include self-reference, the infinite regress, circular definitions, and confusion between different levels of abstraction.
Patrick Hughes outlines three laws of the paradox:[3]
Other paradoxes involve false statements or half-truths and the resulting biased assumptions.
For example, consider a situation in which a father and his son are driving down the road. The car collides with a tree and the father is killed. The boy is rushed to the nearest hospital where he is prepared for emergency surgery. On entering the surgery suite, the surgeon says, "I can't operate on this boy. He's my son."
The apparent paradox is caused by a hasty generalization; if the surgeon is the boy's father, the statement cannot be true. The paradox is resolved if it is revealed that the surgeon is a woman, the boy's mother.
Paradoxes which are not based on a hidden error generally happen at the fringes of context or language, and require extending the context or language to lose their paradoxical quality. Paradoxes that arise from apparently intelligible uses of language are often of interest to logicians and philosophers. This sentence is false is an example of the famous liar paradox: it is a sentence which cannot be consistently interpreted as true or false, because if it is known to be false then it is known that it must be true, and if it is known to be true then it is known that it must be false. Therefore, it can be concluded that it is unknowable. Russell's paradox, which shows that the notion of the set of all those sets that do not contain themselves leads to a contradiction, was instrumental in the development of modern logic and set theory.
Thought experiments can also yield interesting paradoxes. The grandfather paradox, for example, would arise if a time traveler were to kill his own grandfather before his mother or father was conceived, thereby preventing his own birth. This paradox can be resolved by postulating that time travel leads to parallel or bifurcating universes, or that only contradiction-free timelines are stable.
W. V. Quine (1962) distinguished between three classes of paradoxes:
A fourth kind has sometimes been described since Quine's work.
The paradox as a literary device has been defined as an anomalous juxtaposition of incongruous ideas for the sake of striking exposition or unorthodox insight. It functions as a method of literary analysis which involves examining apparently contradictory statements and drawing conclusions either to reconcile them or to explain their presence.[4]
Literary or rhetorical paradoxes abound in the works of Oscar Wilde and G. K. Chesterton; other literature deals with paradox of situation. Rabelais, Cervantes, Sterne, Borges, and Chesterton are all concerned with episodes and narratives designed around paradoxes. Statements such as Wilde's "I can resist anything except temptation" and Chesterton's "spies do not look like spies" are examples of rhetorical paradox. Further back, Polonius' observation in Hamlet that "though this be madness, yet there is method in't" is a memorable third.[4]
A taste for paradox is central to the philosophies of Laozi, Heraclitus, Meister Eckhart, Kierkegaard, Nietzsche, and Tom Robbins, among many others.
In moral philosophy, paradox in a loose sense plays a role in ethics debates. For instance, it may be considered that an ethical admonition to "love thy neighbour" is not just in contrast with, but in contradiction to armed neighbors actively intending murder. If the hostile neighbors succeed, it is impossible to follow the dictum. On the other hand, to attack, fight back, or restrain them is also not usually considered loving. This might be better termed an ethical dilemma rather than a paradox in the strict sense. However, for this to be a true example of a moral paradox, it must be assumed that "loving" and restraint cannot co-exist. In reality, this situation occurs often, notably when parents punish children out of love .
Another example is the conflict between a moral injunction and a duty that cannot be fulfilled without violating that injunction. For example, take the situation of a parent with children who must be fed (the duty), but cannot afford to do so without stealing, which would be wrong (the injunction). Such a conflict between two maxims is normally resolved through weakening one or the other of them: the need for survival is greater than the need to abide by the law. However, as maxims are added for consideration, the questions of which to weaken in the general case and by how much pose issues related to Arrow's impossibility theorem; it may not be possible to formulate a consistent system of ethics rules with a definite order of preference in the general case, a so-called "ethical calculus".
Paradoxes in a more strict sense have been relatively neglected in philosophical discussion within ethics, as compared to their role in other philosophical fields such as logic, epistemology, metaphysics, or even the philosophy of science. Important book-length discussions appear in Derek Parfit's Reasons and Persons and in Saul Smilansky's 10 Moral Paradoxes.
Chisholm, Hugh, ed (1911). "Paradox". Encyclopædia Britannica (Eleventh ed.). Cambridge University Press.
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