Some notable West Africans from the Mandinka ethnic group: Samory Touré · Sekou Touré · Lansana Kouyaté Salif Keita · Modibo Sidibé · Toumani Diabaté Salomon Kalou · Kolo Touré · Mohamed Sissoko |
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Total population | ||||||||||||||||||||||||||||||||||||
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13 million [1] | ||||||||||||||||||||||||||||||||||||
Regions with significant populations | ||||||||||||||||||||||||||||||||||||
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Languages | ||||||||||||||||||||||||||||||||||||
Mandinka language |
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Religion | ||||||||||||||||||||||||||||||||||||
Islam (99.9%) |
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Related ethnic groups | ||||||||||||||||||||||||||||||||||||
Western Mandé (especially Dyoula, Khassonké, Bambara people) and other Mandé peoples |
The Mandinka (also known as Mandinko) are one of the largest ethnic groups in West Africa with an estimated population of eleven million. They are the descendants of the Empire of Mali, which rose to power under the rule of the great Mandinka king Sundiata Keita. The Mandinka in turn belong to West Africa's largest ethno-linguistic group, the Mandé, who account for more than twenty million people (including the Dyula, Bozo, Bissa and Bambara). Today, over 99% of Mandinka in Africa are Muslim.[1][2]
The Mandinka live primarily in West Africa, particularly in The Gambia, Guinea, Mali, Sierra Leone, Cote d'Ivoire, Senegal, Burkina Faso, Liberia, Guinea Bissau, Niger, Mauritania and even small communities in the central African nation of Chad. Although widespread, the Mandinka do not form the largest ethnic group in any of the countries in which they live except The Gambia.
Most Mandinkas live in family-related compounds in traditional rural villages. Mandinka villages are fairly autonomous and self-ruled, being led by a chief and group of elders. Mandinkas live in an oral society. Learning is traditionally done through stories, songs and proverbs. Western education's impact is minimal; the literacy rate in Roman script overall among the Mandinka is quite low. However, more than half the adult population can read the local Arabic script; small Qur'anic schools for children where Arabic is taught are more common.
Originally from Mali, the Mandinka gained their independence from previous empires in the thirteenth century, and founded an empire which stretched across West Africa. They migrated west from the Niger River in search of better agricultural lands and more opportunities for conquest. Through a series of conflicts, primarily with the Fula-led Kingdom of Fouta Djallon, about half of the Mandinka population converted from indigenous beliefs to Islam. During the 16th, 17th and 18th century as many as a third of the Mandinka population were shipped to the Americas as slaves through capture in conflict. A significant portion of the African-Americans in the United States are descended from the Mandinka people.[3] The "Malinke Empire" is an ethnic entity governed from its capital of Kangaba since the 8th century.
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The Mandinka migrated west from the Niger River basin in search of better agricultural lands and more opportunities for conquest. During this expansion, they established their rule from modern-day The Gambia to Guinea. They were probably one of the original groups that inhabited the ancient city of Djenné-Jeno. The Mandes founded the empire of Kaabu, comprising twenty small kingdoms. Some upper-class or urban Mandinkas converted to Islam during the reign of the great Mansa Musa (AD 1312–1337).
The majority of the Mandinka were still animists at the beginning of the 18th century. Through a series of conflicts, primarily with the Fula led Kingdom of Fouta Djallon and amongst sub-states of the Kaabu Empire, about half of the Senegambian Mandinka were converted to Islam while as many as third where sold into slavery to Americas, through capture in conflict. Today, the majority of Mandinka are Muslim. A significant part of the African-Americans in North America descended from Mandinka people.[3]
In eastern areas (northern Cote d'Ivoire, Burkina Faso and Southern Mali), Mandinka communities are often built around long distance trade routes. These people, often called Dyoula, (after the Mandé word for "merchant"), built communities in trading centres, spaced along trade routes, and near mining and agricultural centers, beginning during the Mali Empire. These merchant networks formed the lynchpin of trade between the desert-side upper Niger River cities (Djenne and Timbuktu, for example), highland production areas (the goldfields of Bambouk or agricultural centre of Kankan), and the coast. This last link became more important with the advent of Portuguese and other European trading posts in the 17th century, and much of the overland trade connecting the coast and interior (including the African slave trade) was controlled by Dyoula merchants.
Mandinka are rural subsistence farmers who rely on groundnuts, rice, millet, and small-scale husbandry for their livelihood in the Sahel Africa region. The oldest male is the head of the family and marriages are commonly arranged. Small mud houses with conical thatch or tin roofs make up their villages, which are organized on the basis of the clan groups.
During the rainy season men plant peanuts as their main cash crop; peanuts are also a staple of the Mandinka diet. Men also plant millet and corn, mostly for family consumption. Women work in the rice fields, tending the plants by hand. This is extremely labour-intensive and physically demanding work. Only about 50% of the rice consumption needs are met by local planting; the rest is imported from Asia and the United States.
While farming is the predominant profession among the Mandinka, men also work as tailors, butchers, taxi drivers, woodworkers, metalworkers, soldiers, nurses, and extenion workers for aid agencies. However, most women, probably 95%, remain in the home as wives and mothers.
Mandinka culture is rich in tradition, music, and spiritual ritual. Mandinkas continue a long oral history tradition through stories, songs and proverbs. In rural areas, western education's impact is minimal; the literacy rate in Roman script among these Mandinka is quite low. However, more than half the adult population can read the local Arabic script; small Qur'anic schools for children where this is taught are quite more common. Mandinka children are given their name on the seventh day after their birth, and their children are almost always named after a very important person in their family.
The Mandinka have a rich oral history that is passed down through griots. This passing down of oral history through music has made music one of the most distinctive traits of the Mandinka. They have long been known for their drumming and also for their unique musical instrument, the kora. The kora is a twenty-one-stringed guitar-like instrument made out of a halved, dried, hollowed-out gourd covered with cow or goat skin. The strings are made of fishing line. It is played to accompany a griot's singing or simply on its own.
A Mandinka religious and cultural site under consideration for World Heritage status is located in Guinea at Gberedou/Hamana[4].
Most Mandinkas live in family-related compounds in traditional rural villages. Mandinka villages are fairly autonomous and self-ruled, being led by a council of upper class elders and a chief who functions as a first among equals.
Marriages are traditionally arranged by family members rather than either the bride or groom. This practice is particularly prevalent in the rural areas. Kola nuts, a bitter nut from a tree, are formally sent by the suitor's family to the male elders of the bride-to-be, and if accepted, the courtship begins.
Polygamy has been practiced among the Mandinka since pre-Islamic days. A Mandinka man is legally allowed to have up to four wives, as long as he is able to care for each of them equally. Mandinka believe the crowning glory of any woman is the ability to produce children, especially sons. The first wife has authority over any subsequent wives. The husband has complete control over his wives and is responsible for feeding and clothing them. He also helps the wives' parents when necessary. Wives are expected to live together in harmony, at least superficially. They share work responsibilities of the compound, cooking, laundry, etc.
The Mandinka practise a rite of passage which marks the beginning of adulthood for their children. At an age between four and fourteen, the youngsters have their genitalia ritually cut (see articles on male and female genital cutting), in separate groups according to their sex. In years past, the children spent up to a year in the bush, but that has been reduced now to coincide with their physical healing time, between three and four weeks. This group of children form a special, internal bond, one which remains throughout life.
During this time, they learn about their adult social responsibilities and rules of behaviour. They learn secret songs which teach them what it is to be a Mandinka. These songs teach them how they are to relate to members of the opposite sex, including their parents, their siblings, their relatives, and eventually their spouses, as well as their elders and their peers. They are cared for and taught by elders of the same sex; these persons become their life-long sponsors, a very special relationship.
Great preparation is made in the village or compound for the return of the children. A huge celebration marks the return of these new adults to their families. The children are given new clothes and treated with new respect by their elders. Boys and girls are honoured with a dance.
As a result of these traditional teachings, in marriage a woman's loyalty remains to her parents and her family; a man's to his.
Today, over 99% of Mandinka are Muslim.[1][2] . Mandinkas will recite chapters of the Qu'ran in Arabic. Most Mandinka practice a mix of Islam and traditional African religions, which includes a belief in the existence of spirits. These spirits can be controlled mainly through the power of a marabout, who knows the protective formulas. In most cases, no important decision is made without first consulting a marabout. Marabouts, who have Islamic training, write Qu'ranic verses on slips of paper and sew them into leather pouches; these are worn as protective amulets by men, women, and children.
According to "the Kora" (2002) , “the Kora (CORE-uh) has become the hallmark of traditional Mandinka musicians.” Kora describes that the kora with its 21 strings is made from half a calabash, “covered with cowshed fastened on by decorative tacks.” The kora has sound holes in the side which are used to store coins offered to the praise singers, in appreciation of their performance. The praise singers are called “jalibaa” in Mandinka. "The Kora" (2002) says that “as the kora is played, it begins to take on a life of its own and it is believed that the singer and the instrument become one.” According to "the Kora" (2002) , the kora was traditionally used as “storage for historical facts, to memorize the genealogy of patron families and sing their praises, to act as messengers and intermediaries in disputes between families, to serve as guardians of traditional culture, and to entertain.” Today, however, the kora is losing its importance. "The Kora" (2002) says that although it is a skill passed down from father to son, it is primarily used to entertain people, most especially tourists.
One well-known Mandinka outside Africa is Kunta Kinte, a main figure in Alex Haley's book Roots and a subsequent TV mini-series. Haley claimed he was descended from Kinte, though this familial link has been criticized by many professional historians and at least one genealogist as highly improbable (see D. Wright's The World And A Very Small Place). Martin R. Delany, a 19th century abolitionist, military leader, politician and physician in the United States, was of partial Mandinka descent.
Mr. T, of American television fame, once claimed that his distinctive hairstyle was modeled after a Mandinka warrior that he saw in National Geographic magazine.[5] In his motivational video Be Somebody... or Be Somebody's Fool!, he states that "My folks came from Africa. They were from the Mandinka tribe. They wore their hair like this. These gold chains I wear symbolize the fact that my ancestors were brought over here as slaves."[6]