Kabir | |
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Born | 1440 Pratapgarh, Uttar Pradesh, India |
Died | 1518 |
Occupation | Weaver, poet |
Kabīr (also Kabīra) (Hindi: कबीर, Punjabi: ਕਬੀਰ, Urdu: کبير) (1440—1518)[1] was a mystic poet and saint of India, whose writings have greatly influenced the Bhakti movement.[2]. The name Kabir comes from Arabic Al-Kabīr which means 'The Great' - the 37th Name of God in the Qur'an.
Apart from having an important influence on Sikhism, Kabir's legacy is today carried forward by the Kabir Panth ("Path of Kabir"), a religious community that recognizes him as its founder and is one of the Sant Mat sects. Its members, known as Kabir panthis, are estimated to be around 9,600,000. They are spread over north and central India, as well as dispersed with the Indian diaspora across the world[3], up from 843,171 in the 1901 census[4].
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The story is told that on one particular day of the year, anyone can become a disciple by having a master speak the name of God over him. It is common for those who live near the Ganges to take their morning bath there in the sacred waters. The bhakti saint Ramananda was in the habit of arising before dawn to take his bath. On this special day too, he awoke before dawn and found his way down to the steps of the Ganges. As he was walking down the steps to the waters, a little hand reached out and grabbed the saint's big toe. Ramananda was taken by surprise, and he involuntarily called out the name of God. Looking down, he saw in the early morning light the hand of the young Kabir. After his bath, he noticed that on the back of the little one's hand was written in Arabic the name Kabir. He adopted him as son and disciple and brought him back to his ashrama, much to the consternation of his Hindu students, some of whom left in protest.
It is said that what really made this meeting special is that it was only after Kabir's enlightenment that Ramananda, his teacher, became enlightened.
Not much is known about what sort of spiritual training Kabir may have received. He did not become a sadhu, nor did he ever abandon worldly life. Kabir chose instead to live the balanced life of a householder and mystic, a tradesman and contemplative.
Kabir was influenced by the prevailing religious mood of his times, such as old Brahmanic Hinduism, Hindu and Buddhist Tantrism, the teachings of Nath yogis and the personal devotionalism of South India mixed with the imageless God of Islam.[5] The influence of these various doctrines is clearly evident in Kabir's verses. Eminent historians like R.C. Majumdar, P.N. Chopra, B.N. Puri and M.N. Das have held that Kabir is the first Indian saint to have harmonised Hinduism and Islam by preaching a universal path which both Hindus and Muslims could tread together.[6] But there are a few critics who contest such claims.[5]
The basic religious principles he espoused are simple. According to Kabir, all life is an interplay of two spiritual principles. One is the personal soul (Jivatma) and the other is God (Paramatma). It is Kabir's view that salvation is the process of bringing these two divine principles into union. The incorporation of much of his verse in Sikh scripture, and the fact that Kabir was a predecessor of Guru Nanak, have led some western scholars to mistakenly describe him as a forerunner of Sikhism.[7]
His greatest work is the Bijak (the "Seedling"), an idea of the fundamental one. This collection of poems elucidates Kabir's universal view of spirituality. Though his vocabulary is replete with Hindu spiritual concepts, such as Brahman, karma and reincarnation, he vehemently opposed dogmas, both in Hinduism and in Islam. His Hindi was a vernacular, straightforward kind, much like his philosophies. He often advocated leaving aside the Qur'an and Vedas and simply following Sahaja path, or the Simple/Natural Way to oneness in God. He believed in the Vedantic concept of atman, but unlike earlier orthodox Vedantins, he followed this philosophy to its logical end by spurning the Hindu societal caste system and worship of murti, showing clear belief in both bhakti and Sufi ideas. The major part of Kabir's work as a bhagat was collected by the fifth Sikh guru, Guru Arjan Dev, and forms a part of the Sikh scripture Guru Granth Sahib.
While many ideas reign as to who his living influences were, the only Guru of whom he ever spoke was Satguru. Hence one does not find any mention of human gurus in his verses.
Kabir composed in a pithy and earthy style, replete with surprise and inventive imagery. His poems resonate with praise for the true guru who reveals the divine through direct experience, and denounce more usual ways of attempting god-union such as chanting, austerities, etc. Kabir, being illiterate, expressed his poems orally in vernacular Hindi. His verses often began with some strongly worded insult to get the attention of passers-by. Kabir has enjoyed a revival of popularity over the past half century as arguably the most accessible and understandable of the Indian saints, with a special influence over spiritual traditions such as those of Sant Mat, Garib Das and Radha Soami.
One of his memorable poems is Chadariyaa
(1)
kabīrā jab ham paidā hue
jaga hańse ham roye
aisī karanī kara chalo
ham hańse jaga roye
chadariyā jhinī re jhinī
he rāma nāma rasa bhinī
(2)
aṣṭa kamalā ka charkhā banāyā
pañca tattva kī pūnī
nava dasa māsa bunana ko lāge
mūrakha mailī kinhī
(3)
jaba morī chādara bana ghara āyā
rańga reja ko dinhī
aisā rańga rańgā rańgare ne
lālo lāla kar dinhī
(4)
chādara oḍha śańka mat kariyo
yeh do dina tumko dinhī
mūrakha loga bheda nahi jāne
din din mailī kinhī
(5)
dhruv prahlād sudāmā ne oḍhi
sukhdev ne nirmala kinhī
dāsa kabīra ne aisī oḍhi
jyoń kī tyoń dhara dinhī
1) Kabir says, “When I was born, the world smiled and I cried. However, I will do such deeds that when I leave, I will be the one smiling and the world will be the one crying.” This life is like a very thin transparent shawl which should be drenched in the name of Lord Rama
2) From the eight lotuses was made the spinning wheel that used the five elements to make the sheet (the body). It takes nine or ten months to complete this sheet. Only fools let it get soiled.
3) When my sheet was completed, it was sent to the dyer (the spiritual master). The dyer (the spiritual master) colored it totally red (the color of self-realization).
4) Do not have doubts or fears while wearing this sheet. It is given to you for only two days. Fools do not understand this secret, and they soil it day by day.
5) Great devotees such as Dhruva, Prahlad, Sudama, and Sukhdev have worn this sheet and also purified it. This servant, Kabir, is trying to wear this sheet such that he leaves it in the same condition it was given to him.
A considerable body of poetical work has been attributed to Kabir. And while two of his disciples, Bhāgodās and Dharmadās, did write much of it down, "...there is also much that must have passed, with expected changes and distortions, from mouth to mouth, as part of a well-established oral tradition."[8]
Poems and songs ascribed to Kabir are available today in several dialects, with varying wordings and spellings as befits an oral tradition. Opinions vary on establishing any given poem's authenticity.[9] Despite this, or perhaps because of it, the spirit of this mystic comes alive through a "unique forcefulness... vigor of thought and rugged terseness of style."[10]
Kabir and his followers named his poetic output as ‘bāņīs,’ utterances. These include songs, as above, and couplets, called variously dohe, śalokā (Sanskrit ślokā), or sākhī (Sanskrit sākşī). The latter term, meaning ‘witness,’ best indicates the use that Kabir and his followers envisioned for these poems: “As direct evidence of the Truth, a sākhī is… meant to be memorized… A sākhī is… meant to evoke the highest Truth.” As such, memorizing, reciting, and thus pondering over these utterances constitutes, for Kabir and his followers, a path to spiritual awakening.[11]
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