Jin Yong

Names
Given name Pen name
Trad. 查良鏞 金庸
Simp. 查良镛 金庸
pinyin Zhā Liángyōng Jīn Yōng
Cantonese
Yale		 Chàh Lèuhng-yùhng Gām yùhng
Thai กิมย้ง
Vietnamese Tra Lương Dung Kim Dung
Korean Sa Ryang Yong Kim Yong
pen name created by splitting last character of given name
The Honourable
Louis Cha
查良鏞
GBM, OBE
Born February 6, 1924 (1924-02-06) (age 87)
Haining, Zhejiang, China
Pen name Jin Yong
金庸
Occupation novelist, essayist
Nationality People's Republic of China (Hong Kong)
Period 1955–1972
Genres Wuxia
Children 4 (3 living)
jinyong.com
This is a Chinese name; the family name is Cha.

Louis Cha, GBM, OBE (simplified Chinese: 查良镛; traditional Chinese: 查良鏞; pinyin: Zhā Liángyōng; born 6 February 1924), better known by his pen name Jin Yong (Chinese: 金庸; pinyin: Jīn Yōng; Cantonese Yale: Gām Yùhng), is a modern Chinese-language novelist. Co-founder of the Hong Kong daily Ming Pao, which he started in 1959, he was the paper's first editor-in-chief.

Cha's fiction, which is of the Wuxia ("martial arts and chivalry") genre, has a widespread following in Chinese-speaking areas, including Mainland China, Hong Kong, Taiwan, Southeast Asia, and the United States. His fifteen works written between 1955 and 1972 earned him a reputation as one of the finest Wuxia writers ever. He is currently the best-selling Chinese author alive; over 100 million copies of his works have been sold worldwide[1] (not including unknown number of bootleg copies)[2]

Cha's works have been translated into Korean, English, Japanese, French, Vietnamese, Indonesian, Burmese and Thai. He has many fans abroad as well, owing to the numerous adaptations of his works into films, television series, manhua (comics) and video games.

Asteroid 10930 Jin Yong (1998 CR2) is named after him.[3]

Contents

Biography

A native of Haining county, Zhejiang province, China, with ancestry from Wuyuan, a county of Shangrao prefecture in Jiangxi province, Cha is the second of seven children from an illustrious family of scholars; his grandfather was a Jinshi. Cha was an avid reader of literature from an early age, especially Wuxia and classical fiction. He was once expelled from his high school for openly criticizing the Nationalist regime as autocratic. He studied at Hangzhou High School (浙江省杭州高级中学) in 1937 but was dismissed in 1941. He studied in Zhejiang Province Jiaxing High School and was admitted to the Faculty of Foreign Languages of the Central University in Chongqing.[4] Cha later transferred to the Faculty of Law at Dongwu University to major in international law, with the intention of working as a foreign relations official.

In 1947, Cha joined Shanghai's newspaper agency Ta Kung Pao as a journalist. One year later, he was posted to the Hong Kong division as a copyeditor. He has resided in Hong Kong ever since. When Cha was transferred to Hsin Wan Pao as Deputy Editor, he met Chen Wentong, who in 1953 wrote his first Wuxia novel under the pseudonym "Liang Yusheng" (梁羽生). Chen and Cha became good friends and it was under the former's influence that Cha began work on his first serialized martial arts novel, The Book and the Sword, in 1955. In 1957, while still working on Wuxia serializations, he quit his previous job and worked as a scenarist-director and scriptwriter at the Great Wall Movie Enterprises Ltd and Phoenix Film Company.

In 1959, together with fellow high-school mate Shen Pao Sing (沈寶新), Cha founded the Hong Kong newspaper Ming Pao. Cha served as its editor-in-chief for years, writing both serialized novels and editorials, amounting to some 10,000 characters per day. His editorials were well respected, and Ming Pao gradually gained a reputation as one of Hong Kong's most highly rated press. His novels also earned him a large readership. Cha completed his last Wuxia novel in 1972, after which he officially retired from writing, and spent the remaining years of that decade editing and revising his literary works instead. The first complete definitive edition of his works appeared in 1979. In 1980, Jin Yong wrote a postscript to Wu Gongzao's tai chi classic Wu Jia Taijiquan, in which he described influences from as far back as Laozi and Zhuangzi on contemporary Chinese martial arts.[5]

By then, Cha's Wuxia novels have earned great popularity in Chinese-speaking areas. All of his novels have since been adapted into films, TV series and radio series in Hong Kong, Taiwan and Mainland China. The important characters in his novels are so well-known to the public that they can be alluded to with ease between all three regions.

In later years in the 1970s, Cha was involved in Hong Kong politics. He was a member of the Hong Kong Basic Law drafting committee, although, after the Tiananmen Square massacre in 1989, he resigned in protest. He was also part of the Preparatory Committee set up in 1996 to supervise Hong Kong's transition by the Chinese government.[6]

In 1993, Cha prepared for retirement from editorial work, selling all his shares in Ming Pao. Together with the royalties from his works, Cha's personal wealth is estimated at some HK$600 million.

Family life

Cha married three times in his life. He divorced twice, and had two sons and two daughters, all from his second marriage. In 1976, Cha's eldest son committed suicide while a student at [[Columbia University].][7]

Decorations and conferments

Statue of Louis Cha on Taohua Island, Zhejiang Province

In addition to his novels, Cha has also written many non-fiction works on the history of China. For his achievements, he has received many honors.

Cha was awarded the OBE in 1981. He is a Chevalier de la Légion d'Honneur (1992) and a Commandeur de l'Ordre des Arts et des Lettres (2004), both awarded by the French government.[8]

Cha is also an honorary professor at Peking University, Zhejiang University, Nankai University, Soochow University, Huaqiao University, National Tsing Hua University, Hong Kong University (Department of Chinese Studies), the University of British Columbia, and Sichuan University, as well as an honorary doctor by Hong Kong University (Department of Social Science), Hong Kong Polytechnic University, the Open University of Hong Kong, the University of British Columbia, Soka University and the University of Cambridge. He is also an Honorary Fellow of St Antony's College, Oxford and Robinson College, Cambridge, and Wynflete Fellow of Magdalen College, Oxford.

When receiving his honorary doctorate at the University of Cambridge, Cha expressed his wish to be a full-time student at Cambridge for four years to attain a non-honorary doctorate.[9] As of June 2007, Cha is still studying for his PhD in Oriental Studies (Chinese History) at St. John's College, Cambridge.

Novels

Cha wrote a total of 15 pieces, of which one ("Sword of the Yue Maiden") is a short story and the other 14 are novels and novellas of various length. Most of his novels were initially published in daily instalments in newspapers. The book editions were printed later. In order of publication these are (alternate translation in parentheses):

  1. The Book and the Sword (書劍恩仇錄) (first published on The New Evening Post in 1955)
  2. Sword Stained with Royal Blood (碧血劍) (first published on Hong Kong Commercial Daily in 1956)
  3. The Legend of the Condor Heroes (射鵰英雄傳) (first published on Hong Kong Commercial Daily in 1957)
  4. Flying Fox of Snowy Mountain (雪山飛狐) (first installment appeared on the first issue of Ming Pao in 1959)
  5. The Return of the Condor Heroes (神鵰俠侶) (1959)
  6. Other Tales of the Flying Fox (飛狐外傳) (1960)
  7. Swordswoman Riding West on White Horse (白馬嘯西風) (first published on Ming Pao in 1961)
  8. Blade-dance of the Two Lovers (鴛鴦刀) (first published on Ming Pao in 1961)
  9. Heaven Sword and Dragon Sabre (倚天屠龍記) (first published on Ming Pao in 1961)
  10. A Deadly Secret (連城訣) (first published on Southeast Asia Weekly 《東南亞周刊》in 1963)
  11. Demi-Gods and Semi-Devils (天龍八部) (1963)
  12. Ode to Gallantry (俠客行) (1965)
  13. The Smiling Proud Wanderer (笑傲江湖) (first published on Ming Pao in 1967)
  14. The Deer and the Cauldron (鹿鼎記) (1969–1972)
  15. Sword of the Yue Maiden (越女劍) (1970)

Of these, the novels (The Legend of the Condor Heroes, The Return of the Condor Heroes, and The Heavenly Sword and the Dragon Saber) make up the Condor Trilogy that should be read in that sequence; a number of his other works are also linked to this trilogy (Demi-Gods and Semi-Devils is a precursor to the Condor Trilogy). Flying Fox of Snowy Mountain and The Young Flying Fox are companion pieces with the same protagonist with appearances of characters from The Book and the Sword. Characters from Sword Stained with Royal Blood also appear in his final novel The Deer and the Cauldron.

Couplet

After Jin Yong completed all his titles, it was discovered that the first characters of the first 14 titles can be joined together to form a couplet with 7 characters on each line:

Traditional Chinese

飛雪連天射白鹿
笑書神俠倚碧鴛

Simplified Chinese

飞雪连天射白鹿
笑书神侠倚碧鸳

Loose translation

Shooting a white deer, snow flutters around the skies;
Smiling, [one] writes about the divine chivalrous one, leaning against bluish lovebirds (or lover)

Cha has stated that he has never intended to have the couplet. The couplet serves primarily as a handy mnemonic to remember all of Jin Yong's work for his fans.

Editions

Most of Jin Yong's works were initially published in installments in Hong Kong newspapers, most often in Ming Pao. The Return of the Condor Heroes was his first novel serialized in Ming Pao, launched on 20 May 1959. Between 1970 and 1980, Jin Yong revised all of his work. The result is called the "New Edition" (新版), also known as 修訂版, in contrast with the "Old Edition" (舊版). Some characters and events were written out completely, most notably mystical elements and 'unnecessary' characters, such as the "red bird" and "Qin Nanqin", the mother of Yang Guo in the first edition.

In Taiwan, the situation is more complicated, as Jin Yong's books were initially banned. As a result, there were multiple editions published underground, some of which were revised beyond recognition. Only in 1979 was Jin Yong's complete collection published by Taiwan's Yuenching Publishing House (遠景出版社).

In mainland China, the Wulin (武林) magazine in Guangzhou became the first to officially publish Jin Yong's works, starting from 1980. Jin Yong's complete collection in Simplified Chinese was published by Beijing's Sanlian Shudian (三联书店) in 1994. Meanwhile Minheshe Singapore-Malaysia (明河社星马分公司) published Jin Yong's collection, in Simplified Chinese for Southeast Asian readers in 1995.

From 1999 to 2006, Jin Yong revised his novels for the second (and probably last) time. Each of his works is carefully revised, re-edited and re-issued in the order he wrote them. This revision was completed in spring 2006, with the publication of the last, The Deer and the Cauldron. The newly revised edition, known variably as the (世紀新修版), (新修版) or (新新版) (in contrast to (新版), is noted for annotations in which Jin Yong answers criticisms directed at the historical accuracy of his works. The older 1970-80 修訂版 is no longer issued by Jin Yong's Minheshe (明河社)

Patriotism, Jianghu and development of heroism

Chinese nationalism or patriotism is a strong theme in Jin Yong's works. In most of his works, Jin Yong places emphasis on the idea of Han Chinese self-determination and identity, and many of his novels are set in time periods when China proper was occupied or under the threat of occupation by northern peoples such as Khitans, Jurchens, Mongols, or Manchus. However, Jin Yong gradually evolved Chinese nationalism into an inclusionist concept which encompasses all present-day non-Han minorities. Jin Yong expresses a fierce admiration for positive traits of non-Han Chinese people personally, such as the Mongols and Manchus. In The Legend of the Condor Heroes, for example, he casts Genghis Khan and his sons as capable and intelligent military leaders against the corrupt and ineffective bureaucrats of the Han Chinese Song Dynasty.

Jin Yong's references range from Traditional Chinese Medicine, acupuncture, wushu, music, calligraphy, weiqi, tea culture, philosophical schools of thought such as Confucianism, Buddhism and Taoism and imperial Chinese history. Historical figures often intermingle with fictional ones, making it difficult for the layperson to distinguish which is which.

His works show a great amount of respect and approval for traditional Chinese values, especially Confucian ideals such as the proper relationship between empire and subject, father and son, elder brother and younger brother, and (particularly strongly, due to the Wuxia nature of his novels), between master and disciple, and fellow disciples. However, he also questions the validity of these values in the face of a modern society, such as ostracism experienced by his two main characters— Yang Guo's romantic relationship with his teacher Xiaolongnü (which was considered highly unethical) in The Return of the Condor Heroes. Jin Yong also places a great amount of emphasis on traditional values such as face and honour.

Jin Yong broke his traditions of his usual writing style in The Deer and the Cauldron, where the main protgonist Wei Xiaobao is a bastard brothel rascal who is greedy, lazy, and utterly disdainful of traditional rules of propriety. In his 14 other serials, the protagonists or the heroes were explored meticulously in various aspects of their relationships with their teachers, their immediate kin and relatives, and with their suitors or spouses. With the exception of Wei Xiaobao, all the heroes have acquired and attained the zenith in martial arts, most would be epitome or embodiment of the traditional Chinese values in words or deeds, i.e. virtuous, honourable, respectable, gentlemenly, responsible, patriotic and so forth.

In The Deer and the Cauldron, Cha intentionally created an anticlimax and an anti-Hero in Wei Xiaobao who possesses none of the desirable traditional values and no knowledge in any form of martial arts, and depends on a protective vest made of alloy to absorb full-frontal attack when in trouble, and a dagger that can cut through anything. Wei was a street wise womanising weasel, with no admirable qualities whatsoever. One of Cha's contemporaneous fiction writer Ni Kuang wrote a connected critique of all of Cha's works and concluded that Cha concluded his work with The Deer and the Cauldron as a satire to his earlier work, and a reminder to the readers for a reality check.

Criticisms

The study of Jin Yong's work has spun off an individual area of study and discussion: Jinology. For years, readers and critics have written works discussing, debating and analyzing his fictional world of martial arts; amongst the most famous are by Jin Yong's close friend and famous Chinese science-fiction novelist, Ni Kuang. Ni Kuang is a fan of Jin Yong, and has written a series of criticism analyzing the various personalities and aspects of his books (我看金庸小说 series).

Despite Jin Yong's popularity, some of his novels were banned outside Hong Kong due to political reasons. A number of them were outlawed in the People's Republic of China in the 1970s as they were thought to be satires of Mao Zedong and the Cultural Revolution; others were banned in the Republic of China or Taiwan as they were thought to be in support of the Communist Party of China. None of these bans exists today, and Jin Yong's complete collection has been published multiple times in Hong Kong, Taiwan, and Mainland China. Many politicians on both sides of the Straits are known to be readers of his works; Deng Xiaoping, for example, was a well-known reader himself.

In late 2004, the People's Education Publishing House (人民教育出版社) of the People's Republic of China sparked off controversy by including an excerpt from Demi-Gods and Semi-Devils in a new senior high school Chinese textbook. While some praised the inclusion of popular literature, others feared that the violence and unrealistic martial arts described in Jin Yong's works were unsuitable for high school students. At about the same time, Singapore's Ministry of Education announced a similar move for Chinese-learning students at secondary and junior college levels.[10]

Schools

A recurring theme in contemporary martial arts books is to group characters into different schools and sects and to portrait heroics of the main characters in the context of historical rivalries between and schools of martial arts. Jin Yong's novels are no exception to this. Many of the schools of martial arts portrayed by Jin Yong's works, such as the Shaolin Sect and the Wudang Sect, did exist in real life, though their details are inevitably subject to the artistic license of Jin Yong; other cults, such as the Beggars' Sect, are less well documented. It should be noted that Jin Yong's portrait of the schools and sects are mostly in line with their contemporary image in martial arts literature, and new sects such as the Ming Cult is the exception, used specifically as a fictional lead into the next era after the Yuan Dynasty into the Ming Dynasty.

Timeline

Era Novel
6th century BC Sword of the Yue Maiden
11th century Demi-Gods and Semi-Devils - c.1091-1094
13th century The Legend of the Condor Heroes - c.1204-1225
The Return of the Condor Heroes - c.1237-1260
14th century The Heavenly Sword and the Dragon Saber - c.1263-1360
16th century (The Smiling, Proud Wanderer)1
(Ode to Gallantry)2
17th century Sword Stained With Royal Blood - c.1629-1645
The Deer and the Cauldron - c.1669-1681
(A Deadly Secret)3
18th century The Book and the Sword
Other Tales of the Flying Fox
Flying Fox of Snowy Mountain

1—The time frame of The Smiling, Proud Wanderer is unspecified; Jin Yong states that it is intentionally left ambiguous because the novel is allegorical in nature. Nevertheless, people have speculated on the timeframe; the most possible candidate is the Ming Dynasty, because the Wudang and Emei sects (founded at the start of the Ming Dynasty) appear prominently, and because the Manchus (who destroyed the Ming Dynasty) are not mentioned. In The Deer and the Cauldron, the main character is also mentioned to be from a dynasty before Qing. In several film adaptations including 'Swordsman II' starring Jet Li, the story is specified to take place during the reign of the Wanli Emperor, which would make it the late Ming Dynasty but just before the period of Manchu encroachment.

2 The time frame of Ode to Gallantry is also unspecified. The sources that would put the story in Ming Dynasty are that the mention of Zhang Sanfeng being already dead and the illustrations depict men wearing Han hairstyle. Also, there is a mention of the massacre of the Nie Family Fist [11] in the year Gengshen being a few years before the La Ba feast, which takes place just before a year that has an intercalary second lunar month.[12] Hence, it is calculated that the events in the novel are likely to take place around 1563.[13]

3 The time frame of A Deadly Secret was ambiguous in its first and second editions. Jin Yong specifically states that the story is inspired by the tragic story of his grandfather's servant seems to suggest that the events of the novel occurs near the end of the Qing Dynasty; the novel illustrations that depict men wearing Manchu hairstyle supports this idea. In the third edition of the novel, Jin Yong links the story with Wu Liuqi, a character from The Deer and the Cauldron, fully integrating it into Qing Dynasty.

Translation of Jin Yong's works

In the last few years, Jin Yong's novels have been translated into English. The books currently available are:

Other works available in English include:

Adaptations

There are more than 60 TV series and films adapted from Jin Yong's novels, including The Swordsman from King Hu et al., and its sequel Swordsman II from directors Ching Siu-Tung and Stanley Tong; the Wong Jing films Royal Tramp and Royal Tramp II (both starring Stephen Chow); and Wong Kar-wai's Ashes of Time. Dozens of role-playing video games are based on Jin Yong's novels, a notable example of which is Heroes of Jin Yong (金庸群俠傳), which was based on the major characters and events in Jin Yong's novels.

See also

References

  1. ↑ A Book Battle in China to Make the Critics Blush - International Herald Tribune
  2. ↑ (Chinese) 金庸与武侠影视 CCTV. 24 June 2004. Retrieved 4 August 2006.
  3. ↑ Discovery Circumstances: Numbered Minor Planets (10001)-(15000) IAU: Minor Planet Center 13 July 2006. Retrieved 4 August 2006.
  4. ↑ ª÷±e«È´Ì¡Ðª÷±e¤p¶Ç
  5. ↑ Wu, Kung-tsao (1980, 2006). Wu Family T'ai Chi Ch'uan (吳家太極拳). Chien-ch’uan T’ai-chi Ch’uan Association. ISBN 0-9780499-0-X. 
  6. ↑ Novelist, newspaper founder and sage Asiaweek. 24 September 1999. Retrieved 22 November 2007.
  7. ↑ Swashbuckler Extraordinaire - A Profile of Jin Yong. Taiwan Panorama. 1998. Retrieved 10 January 2010
  8. ↑ Louis Cha Awarded French Honor of Arts Xinhua News Agency. 14 October 2004. Retrieved 4 August 2006.
  9. ↑ Octogenarian novelist wants to be student Shenzhen Daily. 23 June 2004. Retrieved 4 August 2006.
  10. ↑ (Chinese) 金庸小说也走进本地教材 Lianhe Zaobao. 4 March 2005. Retrieved 4 August 2006.
  11. ↑ See Chapter 19 of the novel.
  12. ↑ See Chapter 21 of the novel.
  13. ↑ The calculation comes from post number 125 (on the fifth page) of this discussion thread.

External links

Order of precedence
Preceded by
Mo Kwan-nin
Recipient of the Grand Bauhinia Medal		 Hong Kong order of precedence
Recipient of the Grand Bauhinia Medal		 Succeeded by
Jao Tsung-I
Recipient of the Grand Bauhinia Medal
Jin Yong's Wuxia novels
The Book and the Sword (characters) (1955)
書劍恩仇錄
Sword Stained with Royal Blood (characters) (1956)
碧血劍
The Legend of the Condor Heroes (characters) (1957)
射雕英雄傳
The Return of the Condor Heroes (characters) (1959)
神雕俠侶
Flying Fox of Snowy Mountain (1959)
雪山飛狐
Other Tales of the Flying Fox (1960)
飛狐外傳
Swordswoman Riding West on White Horse (1961)
白馬嘯西風
Blade-dance of the Two Lovers (1961)
鴛鴦刀
The Heaven Sword and Dragon Saber (characters) (1961)
倚天屠龍記
Demi-Gods and Semi-Devils (characters) (1963)
天龍八部
A Deadly Secret (characters) (1963)
連城訣
Ode to Gallantry (characters) (1963)
俠客行
The Smiling, Proud Wanderer (characters) (1967)
笑傲江湖
The Deer and the Cauldron (characters) (1969)
鹿鼎記
Sword of the Yue Maiden (1970)
越女劍