Danny Elfman | |
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Born | Daniel Robert Elfman May 29, 1953 Los Angeles, California, U.S. |
Occupation | composer, singer, record producer, actor, voice actor |
Spouse | Bridget Fonda (2003–present) 1 child |
Daniel Robert "Danny" Elfman (born May 29, 1953) is an American musician, best known for composing music for television and movies and leading the rock band Oingo Boingo as singer/songwriter from 1976 until its breakup in 1995. He is a frequent collaborator with long-time friend Tim Burton and has scored most of his films (the exceptions being Ed Wood and Sweeney Todd). He has been nominated for four Academy Awards and won a Grammy Award for Tim Burton's Batman and an Emmy Award for his Desperate Housewives theme. Elfman is famous for creating The Simpsons main title theme, and his role as Jack Skellington's singing voice in The Nightmare Before Christmas. He also sang for the character Bone Jangles in the movie Corpse Bride. He is the uncle in-law to actress Jenna Elfman.
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Elfman was born in Los Angeles, California, the son of Blossom Elfman (née Bernstein), a writer and teacher, and Milton Elfman, a teacher who was in the Air Force.[1] Elfman grew up in a racially mixed community in the Baldwin Hills area of Los Angeles.[2] He spent much of his time in the local movie theatre, adoring the music of such film composers as Bernard Herrmann and Franz Waxman.
Stating that he hung out with the "band nerds" in high school, he started a ska band. After dropping out of high school, he followed his brother Richard to France,[3] where he performed with Le Grand Magic Circus, an avant-garde musical theater group. Violin in tow, Elfman next journeyed to Africa where he traveled through Ghana, Mali, and Upper Volta, absorbing new musical styles, including the Ghanaian highlife genre which would eventually influence his own music. Elfman contracted malaria during his one-year stay and was often sick. Eventually he returned home to the United States, where he began to take Balinese music lessons at the CalArts. He was never officially a student at the institute, nonetheless, the instructor encouraged him to continue learning. Elfman stated, "He just laughed, and said, 'Sit. Play.' I continued to sit and play for a couple years."[4] At this time, his brother was forming a new musical theater group, The Mystic Knights of the Oingo Boingo. The group performed the music for Richard's debut feature film, Forbidden Zone. Danny Elfman composed his first score for the film and played the role of Satan. By the time the movie was completed, they had taken the name Oingo Boingo and begun recording and touring as a rock group.
In 1985, Tim Burton and Paul Reubens invited Elfman to write the score for their first feature film, Pee-wee's Big Adventure. Elfman was apprehensive at first because of his lack of formal training, but with orchestration assistance from Oingo Boingo guitarist and arranger Steve Bartek, he achieved his goal of emulating the mood of such composers as Nino Rota and Bernard Herrmann.[5] In the booklet for the first volume of Music for a Darkened Theatre, Elfman described the first time he heard his music played by a full orchestra as one of the most thrilling experiences of his life. Elfman immediately developed a rapport with Burton[5] and has gone on to score all but two of Burton's major studio releases: Ed Wood, scored by Howard Shore, which was under production while Elfman and Burton were having a fight, and Sweeney Todd, an adaptation of the 1979 Stephen Sondheim Broadway musical. He also, more recently, accompanied Tim Burton in the composition of music for "Almost Alice", the soundtrack for "Alice in Wonderland."
Burton has said of his relationship with Elfman: "We don't even have to talk about the music. We don't even have to intellectualize – which is good for both of us, we're both similar that way. We're very lucky to connect" (Breskin, 1997).
He recalls that the first time he became aware of film music was in his youth during a screening of The Day the Earth Stood Still (Robert Wise, 1951). The music was by Bernard Herrmann, and that, he has said, was where his love of film music began (Russell and Young, 2000). Elfman purposefully nodded towards Herrmann's The Day the Earth Stood Still score in Tim Burton's sci-fi spoof Mars Attacks!
Other film composers have also proven to be influential, such as Nino Rota and Erich Wolfgang Korngold, the former in Elfman's playful music for Pee-wee's Big Adventure, the latter in his much grander work, Batman. Sometimes his music has a distinctly Russian feel, inspired by the likes of Prokofiev, Stravinsky and Tchaikovsky’s ballet music. Jazz and rock influences from his earlier career are evident in such films as Chicago and To Die For. Elfman also cited Philip Glass as a major influence in his score for Alice in Wonderland.
When asked during a 2007 phone-in interview on XETRA-FM if he ever had any notions of performing in an Oingo Boingo reunion, Elfman immediately rejected the idea and stated that in the last few years with the band he had begun to develop significant and irreversible hearing damage as a result of his continuous exposure to the high noise levels involved in performing in a rock band. He went on to say that he believes his hearing damage is partially due to a genetic predisposition to hearing loss, and that he will never return to the stage for fear of worsening not only his condition but also that of his band mates'.
Elfman has recently started working in the classical world, beginning with Serenada Schizophrana for the American Composers Orchestra. It was conducted by John Mauceri on its recording and by Steven Sloane at its premiere at Carnegie Hall in New York City on February 23, 2005. After its premiere, it was recorded in studio and released onto SACD on October 3, 2006. The meeting with Mauceri proved fruitful as the composer was encouraged then to write a new concert piece for Mauceri and the Hollywood Bowl Orchestra. Elfman composed an "overture to a nonexistent musical" and called the piece "The Overeager Overture." Also, and most recently, he composed the film score to Tim Burton's Alice in Wonderland.
Elfman has three children, Lola, born in 1979, Mali, born in 1984, and Oliver, born in 2005. On November 29, 2003, Elfman married film actress Bridget Fonda. In 1997 he scored A Simple Plan - his only score for one of her films to date (although he did compose a cue for the film Army of Darkness, in which Fonda has a cameo). He is the uncle of actor Bodhi Elfman who is married to actress Jenna Elfman, known most notably in her role as Dharma in the TV series "Dharma and Greg."
Appearances by Elfman as an actor, or as a member of Oingo Boingo:
Year | Film | Role | Notes |
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1977 | I Never Promised You a Rose Garden | Yri drummer | Also featured Richard Elfman |
1980 | Forbidden Zone | Satan | Directed by Richard Elfman |
1981 | Urgh! A Music War | Himself | Part of Oingo Boingo |
1984 | Good Morning, Mr. Orwell | Himself | Part of Oingo Boingo |
1986 | Back to School | Himself | Part of Oingo Boingo |
1993 | The Nightmare Before Christmas | Jack Skellington (singing), Barrel | Voice only |
2005 | Charlie and the Chocolate Factory | Oompa-Loompas (singing), Puppets | Voice only |
Corpse Bride | Bonejangles | Voice only | |
2006 | Finding Kraftland | Himself | Documentary directed by Elfman's agent, Richard Kraft |
This is a list of films with scores composed by Elfman:
Year | Film | Director | Film Score/Soundtrack |
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1980 | Forbidden Zone | Richard Elfman | Soundtrack (soundtrack with The Mystic Knights of Oingo Boingo) |
1985 | Pee-wee's Big Adventure | Tim Burton | Soundtrack (film score, rerecording paired with Back to School) |
1986 | Back to School | Alan Metter | Soundtrack (film score, rerecording paired with Pee-wee's Big Adventure) |
1987 | Summer School | Carl Reiner | Soundtrack (includes one Elfman song; no score) |
Wisdom | Emilio Estevez, Robert Wise | Soundtrack released by Varèse Sarabande | |
1988 | Beetlejuice | Tim Burton | Soundtrack |
Midnight Run | Martin Brest | Soundtrack released by MCA | |
Big Top Pee-wee | Randal Kleiser | Soundtrack (including dialogue) released by Arista, reissued by PEG | |
Hot to Trot | Michael Dinner | Suite included on Music for a Darkened Theatre, Vol. 1 | |
Scrooged | Richard Donner | Suite included on Music for a Darkened Theatre, Vol. 1 | |
1989 | Batman | Tim Burton | Soundtrack (re-released with complete score from La-La Land Records) |
1990 | Nightbreed | Clive Barker | Soundtrack released by MCA |
Dick Tracy | Warren Beatty | Soundtrack | |
Darkman | Sam Raimi | Soundtrack | |
Edward Scissorhands | Tim Burton | Soundtrack | |
1992 | Article 99 | Howard Deutch | Soundtrack released by Varèse Sarabande |
Batman Returns | Tim Burton | Soundtrack released by Warner Bros. Records | |
1993 | Sommersby | Jon Amiel | Soundtrack released by Elektra |
Army of Darkness | Sam Raimi | Soundtrack "March of the Dead", released by Warner Bros. Records | |
1993 | Sommersby | Jon Amiel | Soundtrack released by Elektra |
The Nightmare Before Christmas | Henry Selick | Soundtrack | |
1994 | Black Beauty | Caroline Thompson | Soundtrack |
1995 | Dolores Claiborne | Taylor Hackford | Soundtrack released by Varèse Sarabande |
Dead Presidents | Alberl Hughes | Soundtrack (one Elfman track; suite also included on Music for a Darkened Theatre Vol. 2) | |
To Die For | Gus Van Sant | Soundtrack released by Varèse Sarabande (score + songs) | |
1996 | Mission: Impossible | Brian De Palma | Soundtrack (songs + three brief Elfman suites); Score album |
The Frighteners | Peter Jackson | Soundtrack | |
Freeway | Matthew Bright | Suite included on Music for a Darkened Theatre Vol. 2 | |
Extreme Measures | Michael Apted | Soundtrack released by Varèse Sarabande | |
Mars Attacks! | Tim Burton | Soundtrack released by Atlantic; expanded edition released by La-La Land Records | |
1997 | Men in Black | Barry Sonnenfeld | Soundtrack (two Elfman cues); Score album |
Flubber | Les Mayfield | Soundtrack released by Walt Disney Records | |
Good Will Hunting | Gus Van Sant | Soundtrack (two Elfman cues) | |
1998 | A Simple Plan | Sam Raimi | Soundtrack released by Compass III |
1999 | Instinct | Jon Turteltaub | Soundtrack |
Anywhere But Here | Wayne Wang | Soundtrack released by Atlantic (includes one score suite) | |
Sleepy Hollow | Tim Burton | Soundtrack | |
2000 | Proof of Life | Taylor Hackford | Soundtrack released by Varèse Sarabande |
The Family Man | Brett Ratner | Soundtrack released by Sire Records (two Elfman cues) | |
2001 | Planet of the Apes | Tim Burton | Soundtrack released by Sony Classical |
2002 | Spider-Man | Sam Raimi | Score album; Song album |
Men in Black II | Barry Sonnenfeld | Soundtrack released by Columbia Records | |
Red Dragon | Brett Ratner | Soundtrack released by Decca Records | |
Chicago | Rob Marshall | Soundtrack (two Elfman tracks) | |
2003 | Hulk | Ang Lee | Soundtrack released by Columbia Records |
Big Fish | Tim Burton | Soundtrack | |
2004 | Spider-Man 2 | Sam Raimi | Soundtrack; Score album |
2005 | Charlie and the Chocolate Factory | Tim Burton | Soundtrack |
Corpse Bride | Tim Burton | Soundtrack | |
2006 | Deep Sea 3D | Howard Hall | Serenada Schizophrana |
Nacho Libre | Jared Hess | Soundtrack (score suite) | |
Charlotte's Web | Gary Winick | Soundtrack | |
2007 | Meet the Robinsons | Stephen Anderson | Soundtrack |
Spider-Man 3 | Sam Raimi | Themes | |
The Kingdom | Peter Berg | Soundtrack released by Varèse Sarabande | |
2008 | Standard Operating Procedure | Errol Morris | Soundtrack |
Wanted | Timur Bekmambetov | Soundtrack | |
Hellboy II: The Golden Army | Guillermo del Toro | Soundtrack released by Varèse Sarabande | |
Milk | Gus Van Sant | Soundtrack released by Decca Records | |
2009 | Notorious | George Tillman, Jr. | Soundtrack (one Elfman track) |
Terminator Salvation | McG | Soundtrack released by Warner Bros. Records | |
Taking Woodstock | Ang Lee | Song soundtrack on Rhino Records with four Elfman cues; score album on La-La Land Records | |
2010 | The Wolfman | Joe Johnston | Soundtrack released by Varèse Sarabande |
Alice in Wonderland | Tim Burton | Soundtrack released by Walt Disney Records | |
The Next Three Days | Paul Haggis | Soundtrack | |
2011 | Restless | Gus Van Sant |
In addition, he has supplied the main themes - except where noted - for movies scored by others (names in brackets):
Elfman also composed the music for the Hollywood Pictures logo (an excerpt from his main title for Sommersby was subsequently used as the logo music for Regency, the company that made it).
He has also written the theme music and occasional episodic scores for several television series, including:
His other work includes:
Award | Wins | Nominations |
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Academy Awards | 0 | 4 |
Annie Awards | 0 | 1 |
BMI Film & Television Awards | 24 | 24 |
British Academy Film Awards | 0 | 1 |
Broadcast Film Critics Association Awards | 0 | 2 |
Chicago Film Critics Association Awards | 0 | 4 |
Emmy Awards | 1 | 2 |
Golden Globe Awards | 0 | 2 |
Grammy Awards | 1 | 10 |
Phoenix Film Critics Society Awards | 0 | 1 |
Satellite Awards | 1 | 6 |
Saturn Awards | 5 | 12 |
Sierra Awards | 1 | 2 |
World Soundtrack Awards | 0 | 2 |
Total | 33 | 73 |
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