Tricky

Tricky
Tricky mp3h1944.jpg
Background information
Birth name Adrian Thaws
Also known as Tricky Kid
Born January 27, 1968 (1968-01-27) (age 41)
Origin Knowle West, Bristol, England
Genre(s) Trip hop, Alternative
Occupation(s) producer, mixer, musician
Instrument(s) Vocals, Keyboards, Harmonica
Associated acts The Wild Bunch
Massive Attack
Website http://www.trickyonline.com/

Tricky (born Adrian Thaws 27 January, 1968) is an English [1] musician. He is noted for a whispering sprechgesang lyrical style. As a producer and a musician, he is noted for a dark, rich and layered sound. Culturally, Tricky bridges white and black England, particularly in his fusion of rock and hip hop, high art and pop culture. His debut album Maxinquaye was nominated for the Mercury Prize and voted Album of the Year by NME Magazine.

Contents

Biography

Tricky was born in Knowle West, Bristol, England. His father left the family before he was born and his mother, Maxine Quaye, committed suicide when he was only four. He named his solo album after her - Maxinquaye - and once said that though he hardly knew her, he feels like she's speaking through him with his words.

He spent his youth with his grandmother, who often let him watch old horror movies instead of going to school. At 15 he began to write lyrics ("I like to rock, I like to dance, I like pretty girls taking down their pants" MixMag '96), though not with the ambiguity and tricky-ness that showed up later on his albums. At 17, he spent some time in prison because he bought forged £50 notes from a friend, who later informed the police. In an interview, Tricky said: "Prison was really good. I'm never going back" (NME '95).

Early career

Eventually he met DJ Milo and hung out with a sound system called The Wild Bunch, which by 1987 evolved into Massive Attack. He received the nickname 'Tricky Kid' and at 18 he became a member of the Fresh 4, a rap group built from The Wild Bunch. He also rapped on Massive Attack's acclaimed debut album Blue Lines (1991).

In 1991, before the release of Massive Attack's album Blue Lines, he met Martina Topley-Bird. Some time later she came to his house, and mentioned to Tricky and Mark Stewart that she could sing. Martina was only fifteen years old, but her 'honey-coated vox' impressed them and they recorded a song called "Aftermath" (though The Face '95 mentions that the first song they recorded together was called "Shoebox"). Tricky showed "Aftermath" to Massive Attack, but they weren't interested. So in 1993 he decided to press a few hundred vinyl copies of the song. He cut it directly off of the tape, so that the song is basically "just bassline and hiss". (NME '94). Finally, a white label got him a contract with Island Records and he started to record his first solo album.

Breakthrough

He left Massive Attack to release his debut album, Maxinquaye. The album was a massive success and Tricky was catapulted to international fame, something he was notably uncomfortable with. This was because the impact of his album truly set the stage for trip-hop within the black community in the United Kingdom. Tricky was able to do so much with his music by incorporating different musical genres in his sound, but ultimately making sure he made the overall product his own. In fact, the Maxinquaye album review by the Rolling Stone magazine read, "Tricky devoured everything from American hip-hop and soul to reggae and the more melancholic strains of 80s British rock."[2] It is important to note that Tricky paid tribute to early hip-hop artists whose music was, and still is, influential in the hip-hop scene. He also incorporated commercial pop music into his music, and by combining early hip-hop and pop samples in his music, he found a way to appeal to both audiences, which rarely happens. As Hesmondhalgh and Melville wrote, "Tricky showed his debt to hip-hop aesthetics by reconstructualizing samples and slices of both the most respected black music (Public Enemy) and the tackiest pop (quoting David Cassidy’s “How Can I Be Sure?”)."[3] Mixing all of these elements, Tricky created "a mercurial style of dance music that immediately finds it own fast feet."[2]

Tricky failed to complete a number of lyrics for the Massive Attack album Protection and gave the band some of the lyrics he had written for Maxinquaye instead. Different versions of the same songs appear on both albums - called "Overcome" and "Hell is 'Round the Corner" on Maxinquaye and "Karmacoma" and "Eurochild" on Protection. When Massive Attack was asked, in a radio interview on CFNY (Toronto), about why the lyrics were the same, they jokingly said that it was because he was lazy.

Tricky found it difficult to cope with the huge success of Maxinquaye and he subsequently eschewed the laidback soul sound of the first album to create an increasingly edgy and aggressive punk tinged music that echoed his personality as he became more erratic and unreliable.

Idiosyncrasies and media controversies

By the time Pre-Millennium Tension was released Tricky was increasingly irritated with the press, particularly articles written in The Face magazine. The Face had been an early champion of Maxinquaye, but saw Tricky as more a duo than a solo project. The Face published an article claiming that vocalist Martina Topley-Bird had to single-handedly bring up the child that Tricky had fathered.[4]

Tricky mp3h1992.jpg

He has also been concerned with racial stereotyping of the media. In the documentary Naked & Famous he explains how photographers want him to frown angrily in photos, because that's how black artists are marketed. He points to a recent cover of The Big Issue, where he has a more ambiguous, confused look on his face, as being more how he feels. In the song "Tricky Kid" from Pre-Millennium Tension, he writes "As long as you're humble/Let you be the king of jungle." (This lyric is a reference to Goldie and their spat over Bjork.)

Throughout his work, Tricky blurs the normally clear sexual definitions found within hip hop. Despite the heavy influence he drew from American hip hop in his debut album, Maxinquaye, he fights against typical sexual representations by, for example, dressing as a woman on the side sleeve of his album cover.[5] Within many of his tracks he blends elements of varying types of music, and use his lyrics to create a much more ambiguous and blurry reality of sexuality.[6]

Side projects and film career

Tricky has guest starred on a number of albums, including a notable appearance on Live's fifth studio album, V. This appearance came as Tricky and Live's lead singer Ed Kowalczyk had developed a close friendship, with Kowalczyk contributing vocals to 'Evolution Revolution Love', a track on Tricky's album Blowback.

Tricky has also acted in various films. He appeared in a significant supporting role in the 1997 Luc Besson film The Fifth Element, playing the right-hand man Michael to evil businessman Mr. Zorg. He reportedly put off actor Gary Oldman (who played Zorg) because, while he had his back to the camera, he was eating a Twix bar, to Oldman's anger ("He's facking eatin' a Twix!") [2]. He also appears briefly in both the 1997 John Woo directed Face/Off (his single "Christiansands" is also played during his brief cameo) as well as the 2004 Olivier Assayas film Clean, playing himself, and had a large role in the music video for "Parabol/Parabola" by Tool.

In 2001 Tricky appeared in online advertising for the webisodal show We Deliver, [3] about a marijuana delivery service in NYC. Though he didn't actually appear in any episodes, in the advertising it appears as if he's a customer of the service.

Currently

Tricky's website last reports him busy at work with the musical acts signed to his Brown Punk record label. He also recently produced several new solo works that have been featured in television programs such as CSI: Crime Scene Investigation, The L Word and Girlfriends. As well as this Tricky contributed a track to a compilation entitled Monsieur Gainsbourg Revisited, the track is called "Au Revoir Emmanuelle".

In October 2006, soundgenerator.com reported that Tricky would release a new album in 2007. The February 2008 issue of music magazine MOJO reported that Tricky's new album would be released in April 2008, but it was not.

Titled, Knowle West Boy, it was reported to chronicle his upbringing on a tough Bristol council estate. It was released in the U.K. and Ireland on July 7, 2008 (September 9th, 2008 in the U.S.), with the first single, Council Estate having come out; June 30.

A Web site promoting the new album, knowlewestboy.com, is now online and features audio and video samples.

Speaking in an interview with The Skinny in July 2008, Tricky suggested that the album's release was delayed by Bernard Butler, who allegedly demanded a co-producer credit on the album after contributing to recording sessions which were ultimately discarded by Tricky.

Discography

Albums

Compilations

Singles and EPs

Year Song UK singles Album
1994 "Ponderosa" - Maxinquaye
1995 "Aftermath" 69
"Overcome" 34
"Black Steel" 28
Hell is Around the Corner 12
"Pumpkin" 26 Maxinquaye
1996 "Poems" 28 Nearly God
Grassroots EP - -
"Christiansands" 36 Pre-Millennium Tension
1997 "Tricky Kid" 28
"Makes Me Wanna Die" 29
1998 "Money Greedy" / "Broken Homes" 25 Angels with Dirty Faces
1999 "For Real" 45 Juxtapose
2000 Mission Accomplished EP - -
2001 "Evolution Revolution Love" - Blowback
2002 "You Don't Wanna" -
2004 "Anti Matter" - Vulnerable
"How High" -
2008 "Council Estate" - Knowle West Boy

Collaborating artists

References

  1. ↑ http://www.endclub.com/node/48562
  2. ↑ 2.0 2.1 "Album Reviews: Tricky - Maxinquaye" In Rolling Stone. Feb. 2 1998.
  3. ↑ Hesmondhalgh, David and Caspar Melville. "Urban Breakbeat Culture: Repercussions of Hip-Hop in the United Kingdom." In Global Noise: Rap and Hip-Hop Outside the USA, 104-105. Middletown: Wesleyan University Press, 2001.
  4. ↑ [1]
  5. ↑ Mitchell, Tony. Global Noise: Rap and Hip-Hop Outside the USA. Wesleyan University Press: Wesleyan, Connecticut, 2001.
  6. ↑ Reviews and Rants 2003 Archive.
  7. ↑ unreleased song intended for Nearly God
  8. ↑ Here Come The Aliens

External links