The Omen | |
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Theatrical poster |
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Directed by | Richard Donner |
Produced by | Harvey Bernhard |
Written by | David Seltzer |
Starring | Gregory Peck Lee Remick David Warner Patrick Troughton Billie Whitelaw Harvey Stephens Leo McKern Martin Benson |
Music by | Jerry Goldsmith |
Cinematography | Gilbert Taylor |
Editing by | Stuart Baird |
Distributed by | 20th Century Fox |
Release date(s) | June 6, 1976 June 25, 1976 December 23, 1976 |
Running time | 111 min. |
Country | United Kingdom United States |
Language | English |
Followed by | Damien: Omen II |
The Omen is a 1976 suspense/horror film directed by Richard Donner. The film stars Gregory Peck, Lee Remick, David Warner, Harvey Stephens, Billie Whitelaw, Patrick Troughton, Martin Benson, and Leo McKern. It is the first film in The Omen series and was scripted by David Seltzer, who also wrote the novel.
Though similar to The Exorcist in several ways, The Omen has gained prestige over time for a number of reasons: its respectability (as a profitable major-studio film with renowned actors), its seriousness (it plays as a contemporary thriller, rather than with the knowing excesses of certain aspects of the horror genre), and the originality of the movie's Jerry Goldsmith score.
The movie followed a cycle of 'demonic child' movies, such as Rosemary's Baby and The Exorcist, and was itself followed by sequels (see below) and a number of copycat films such as the Italian-made Kirk Douglas movie Holocaust 2000.
A remake was released on June 6, 2006, a release date chosen to reinforce the "666" (6/6/06) motif.
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The premise of The Omen comes from the end times prophecies of Christianity. The story, set in Fulham, England, tells of the childhood of Damien Thorn, who was switched at birth with the supposedly stillborn child of a wealthy American diplomat with only the husband's knowledge, in order to keep it from affecting his wife. Damien's family is unaware that he is actually the offspring of Satan and destined to become the Antichrist. His father, Robert Thorn (named Jeremy Thorn in the original book), eventually begins to realize his son's true nature with the help of a photographer named Keith Jennings (David Warner), after numerous people connected to Damien die in tragic accidents. After Damien's first nanny hangs herself at Damien's Fourth birthday party, a new nanny, Mrs. Baylock, arrives to tend to him. A priest who knows about Damien begins stalking Robert, and is eventually the one to first point out that Damien is the Antichrist, and that he intends to kill everyone in his way. The priest later dies in a bizarre accident (he is impaled by a church spire hit by lightning), and Katherine, Damien's mother, suffers a fall after being knocked over a railing by Damien.
Robert and Keith seek out the hospital in which Damien was born to find his true mother. They find that the hospital burned in a horrible "accident," along with several people and all of the records. They then learn where one of the survivors, the head priest at the hospital, can be located, and are led there to find he is in grave health. After telling them where to find the mother, he dies.
The mother turns out to have been buried at an ancient and abandoned Etruscan graveyard. They then find her grave, and next to it, Robert's true son's grave. They take off the cover of the grave to find the mother was a jackal confirming the realization that Damien is not human. They uncover the grave of the child in hopes that it is a dog, which would mean Robert's true son may still be alive. But to his horror they find that the grave holds a human child, and the skull of this child has been smashed to pieces -- the child was murdered. Then they are attacked by a pack of Rottweiler dogs and barely escape the cemetery.
During this turn of events Katherine is thrown out of the hospital window by Mrs. Baylock, and dies. Robert is devastated when he finds out, and later he and Keith journey to Israel to find a man named Bugenhagen, an archaeologist who knows how to stop the Antichrist. Robert learns that he has to stab Damien with the seven daggers of Megiddo to prevent Damien from killing again. Sickened by the fact that the archeologist asked him to kill a small child, he throws the daggers away. Keith runs to retrieve them, but is decapitated gruesomely by a pane of glass atop a runaway truck. Robert returns to London with the daggers, intending to kill Damien.
Returning to his mansion, Robert finds Mrs Baylock's guard dog (also a Rottweiler) awaiting him. He manages to lock it in the cellar and then goes upstairs to check whether Damien has the "666" birthmark (as explained by Bugenhagen). Seeing it on Damien's scalp after cutting away some hair, Robert has no doubt about Damien's true identity.
Mrs. Baylock attacks him and after fighting her off, Robert attempts dragging Damien down the stairs, only to be confronted by the nanny once again. Robert wrestles with her violently until he manages to acquire a knife, with which he stabs her. She dies and Robert leaves the house heading toward a church to kill Damien at the altar.
When he arrives at the church, he lays Damien on the altar. He reaches for the daggers and pulls the first one out.
The movie ends with Robert's and Katherine's double funeral, where they are given an honorable burial, and are blessed by a Catholic priest. The last scene is of Damien holding the hand of the President. The camera focuses on Damien, and he gives a sinister smile. The credits begin to play.
Character | Cause of death |
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Holly, Damien's nanny | After an encounter with the demon Rottweiller, she happily hangs herself from the roof of the Thorns' house. The dog hypnotised her to do this so that Mrs. Baylock would become Damien's new nanny. |
Father Brennan | Impaled by a church spire that was knocked down by a lightning bolt. |
The Thorns' unborn child | Dies following Kathy's fall from the landing. |
Father Spiletto | Dies naturally and possibly from the damage caused to his body 5 years ago in the fire that destroyed the original hospital in Rome. |
The Thorn's Firstborn Son | Was killed by a fracture in the skull as soon as he was born. It was then called a stillbirth so the Thorns would adopt Damien. The body was found buried in the grave next to the demonic jackal that gave birth to Damien in a cemetery 50 kilometers north of Rome. |
Maria Avedici Santoya | Died giving birth to Damien. Her tomb was opened by Robert Thorn and Keith Jennings, and her canine-like corpse was discovered. |
Kathy Thorn | Pushed out of hospital window by Mrs. Baylock and lands on ambulance below. |
Keith Jennings | Decapitation by a pane of glass that slid off the back of a truck. |
Mrs. Baylock | Stabbed in the neck by Robert Thorn. |
Robert Thorn | Shot by diplomatic police when he tries to kill Damien. |
The Omen | ||
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Soundtrack by Jerry Goldsmith | ||
Released | 1976 | |
Genre | Film music | |
Length | 34:16 | |
Label | 20th Century Fox | |
Producer | Jerry Goldsmith | |
Professional reviews | ||
Original album:
Deluxe Edition:
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An original score for the film was composed by Jerry Goldsmith, for which he received the only Oscar of his long career. The score features a strong choral segment, with a foreboding Latin chant. The refrain to the chant is, "Sanguis bibimus, corpus edimus, tolle corpus Satani" (Latin, "drink the blood, eat the flesh, raise the body of Satan"), interspersed with cries of "Ave Satani!" and "Versus Christus" (Latin, "Hail, Satan!" and "Hail, Antichrist!"). Aside from the choral work, the score includes lyrical themes portraying the pleasant home life of the Thorn family, which are contrasted with the more disturbing scenes of the family's confrontation with evil.
On October 9, 2001 a deluxe version of the soundtrack was released with eight additional tracks.
The movie boasted a particularly disturbing scene, in which a character willingly and joyfully hangs herself at a birthday party attended by young children. It also features a violent decapitation scene (caused by a horizontal sheet of plate glass), one of mainstream Hollywood's first: "If there were a special Madame Defarge Humanitarian Award for best decapitation," wrote Kim Newman in Nightmare Movies (1988), "this lingering, slow-motion sequence would get my vote."
A documentary entitled "The Curse of 'The Omen'" was shown on British television in 2005. The production of The Omen was plagued with a series of incidents which some members of the crew attributed to the operation of a curse. They wondered if these events were due to supernatural forces trying to prevent the filming of the movie.[1] Instances include the following:
This documentary later appeared on the 2-disc 30th anniversary DVD release of The Omen, and in the Pentology DVD set.
Both the movie and the novelisation were written by David Seltzer (the book preceded the movie by two weeks as an effective marketing gimmick). For the book, Seltzer took liberties with his own material, augmenting plot points and character backgrounds, and changing details (such as character names - Holly becomes Chessa Whyte, Keith Jennings becomes Haber Jennings, Father Brennan becomes Father Edgardo Emilio Tassone, etc). The second and third novels were novelizations of their respective movies, and reflected movie continuity, more or less. Interestingly, Gordon McGill retroactively changed the time period of The Omen to the 1950s, in order to make The Final Conflict (featuring an adult Damien) take place explicitly in the 1980s. Although neither the first Omen movie nor its novelisation mention what year the story takes place, it can be assumed that its setting was intended to be the year the movie was released (i.e. 1976).
The fourth novel, Omen IV: Armageddon 2000, was entirely unrelated to the fourth movie, but continued the story of Omen III. Its premise is based on the one-night stand between Damien Thorn and Kate Reynolds in Omen III. This affair included an act of sodomy, and thence Kate gave the (rectal) "birth" of another diabolical entity called "the abomination" (presumably after the "abomination of desolation" from the book of Daniel) in Omen IV. This novel attempted to patch one of the Omen series' more glaring plot-holes, namely the question of whether the Antichrist could be slain by a single one of the "Seven Sacred Daggers of Megiddo" (which occurred in Omen III) or only by all of them (as stated in the first book and movie). The solution reached was that one dagger could kill Damien's physical body, but not his soul. This explanation was also explicitly stated in the first movie. Damien's acolyte Paul Buher (played by Robert Foxworth in the second movie and mentioned, though not seen, in the third) is a major character in the fourth book, and achieves redemption in its climax.
This story was concluded in the fifth novel, Omen V: The Abomination. The novel begins with a "memoriam" listing all of the characters who had been killed throughout the saga up to that point, and which states Damien's life as having taken place in the period of 1950-1982. The story ends with the death of Damien's son, and the character Jack Mason deciding to chronicle Damien's story in book-form. The opening lines he writes are the exact same words which begin David Seltzer's novelization of the first film - bringing the series full-circle.
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