The Lion, the Witch and the Wardrobe |
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Cover of 1950 first edition (hardcover) |
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Author | C. S. Lewis |
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Illustrator | Pauline Baynes |
Cover artist | Pauline Baynes |
Country | United Kingdom |
Language | English |
Series | The Chronicles of Narnia |
Genre(s) | Fantasy, children's literature |
Publisher | Geoffrey Bles |
Publication date | 1950 |
Media type | Print (hardcover and paperback) |
Pages | 208 (modern hardcover) |
ISBN | ISBN 0-06-023481-4 (modern hardcover) |
Preceded by | The Magician's Nephew |
Followed by | The Horse and his Boy |
The Lion, the Witch and the Wardrobe is a fantasy novel for children by C. S. Lewis. Written in 1950 and set in approximately 1940, it is the second book of The Chronicles of Narnia and is the best known book of the series. Although it was written and published first, it is second in the series' internal chronological order, after The Magician's Nephew. Time magazine included the novel in its TIME 100 Best English-language Novels from 1923 to 2005.[1]
The book is dedicated to Lewis' god daughter, Lucy Barfield.
Contents |
The Second World War has just begun and four children, Peter, Susan, Edmund and Lucy Pevensie, are evacuated from London in 1940 to escape the Blitz. They are sent to live with Professor Digory Kirke, who lives in a country house in the English countryside with his housekeeper, Mrs Macready, as well as three servants called Ivy, Margaret, and Betty.
One rainy day shortly after the children arrive, they decide to play hide-and-seek. Lucy, the youngest of the children, is curious about the wardrobe in an empty room, but discovers that the door to it is a portal to a snow-covered forest with a gaslight post in the centre. There she meets a faun, who introduces himself as Tumnus and invites her home for tea. He tells her that the land is called Narnia and it is ruled by the ruthless White Witch, who ensures that it is always Winter but never Christmas.
Lucy returns through the wardrobe, having spent hours in Narnia, only to find that just a few seconds have passed in England. She is unable to convince the other children about her adventure, as the wardrobe is now just a wardrobe. Edmund, the next youngest of the four siblings, is particularly spiteful towards Lucy. Several weeks later, having forgotten about Narnia, Lucy and Edmund hide in the wardrobe while while hiding from the housekeeper. He fails to catch up with Lucy, and is approached by an extremely pale lady on a sledge pulled by a white reindeer, who introduces herself as the Queen of Narnia, and provides him with some magical Turkish delight. She promises to make him a Prince and eventually King of Narnia, and persuades him to bring the other children to her house.
Lucy and Edmund meet in the woods and return together through the wardrobe. During their conversation, Lucy mentions the White Witch and Edmund realizes that she is none other than the lady who has befriended him. When they arrive back in England, Edmund lies to Peter and Susan, claiming that he and Lucy were just playing and that the wardrobe is no more than an ordinary one, leaving Lucy very upset.
Shortly thereafter, all four children hide in the wardrobe to avoid Mrs McReady and find themselves in Narnia. Lucy guides them to Tumnus's cave, only to discover that Tumnus has been captured just as the White Witch had threatened and his cave ransacked by Maugrim, chief of the White Witch's secret police. The children are sheltered by a pair of talking beavers named Mr Beaver and Mrs Beaver, who recount an ancient prophecy that when two Sons of Adam and two Daughters of Eve fill the four thrones at Cair Paravel, the witch's power will fail. The beavers tell of the true king of Narnia — a great lion called Aslan — who has been absent for many years, but is now "On the move again."
Edmund, still in the thrall of the witch, runs off to the White Witch's castle and the others do not notice his departure until it is too late to recall him. Realising that they have been betrayed, the others set off to find Aslan. When Edmund reaches the White Witch, she treats him harshly and, taking him with her, sets off to catch the other children. However, her power is failing and a thaw strands her sleigh. The other children reach Aslan, and a penitent Edmund is rescued just as the witch is about to kill him. Calling for a truce, the witch demands that Edmund be returned to her, as an ancient law gives her possession of all traitors. Aslan, acknowledging the law, offers himself in Edmund's place and the witch accepts.
Aslan is sacrificed by the witch, but comes back to life due to the "Deeper magic", which holds that when someone who has committed no treachery willingly sacrifices himself for a traitor, death is reversed, and the martyr returns to life. During a final battle, the witch is defeated and killed by Aslan. The children become kings and queens, and spend 15 years in Narnia, growing to maturity, before returning to our world, where they find themselves children again, at the moment at which they originally left.
Professor Kirke is based on W.T. Kirkpatrick, who tutored a 16-year-old Lewis. "Kirk," as he was sometimes called, taught the young Lewis much about thinking and communicating clearly, skills that would be invaluable to him later.[2]
Narnia is caught in endless winter when the children first enter. Norse mythology also has a "great winter", known as the Fimbulwinter that is said to precede Ragnarok. The trapping of Edmund by the White Witch is reminiscent of the seduction and imprisonment of Kay by The Snow Queen in Hans Christian Andersen's novella of that name.
The dwarves and giants are from Norse mythology. Fauns, centaurs, minotaurs, dryads, etc. are all from Greek mythology. Father Christmas, of course, was part of popular English folk lore.
The main story is an allegory of Christ's crucifixion. Aslan sacrifices himself for Edmund, a traitor who deserved death, in the same way that Christ sacrificed Himself for sinners. The cross is replaced by the Stone Table (which was used in Celtic religion), both being pagan symbols, in contrast to Christ. Additionally, the splitting of the Stone Table reflects the veil of the temple splitting at the point of Christ's death. As with the Christian Passion, it is women (Susan and Lucy) who tend Aslan's body after he dies and are the first to see him after his resurrection. The significance of the death contains elements of both the ransom theory of atonement and the satisfaction theory: Aslan suffers Edmund's penalty (satisfaction), and buys him back from the White Witch, who was entitled to him by reason of his treachery (ransom). Christ is also associated with lions.
The freeing of Aslan's body from the stone table by field mice is reminiscent of Aesop's fable of "The Lion and the Mouse." In the fable, a lion catches a mouse, but lets him go free. The mouse promises to return the favour and does so when he gnaws through the lion's bonds after he has been captured by hunters.[3]
The plot device of a magic wardrobe which has no back and which provides to children an entrance to worlds of magic and fantasy appeared in 1931 in Erich Kästner's (otherwise very different) children's book The 35th of May, or Conrad's Ride to the South Seas.
Prior to the publication of the first American edition of Lion, Lewis made the following changes.
When HarperCollins took over publication of the series in 1994, they used the British edition for all subsequent editions worldwide.[4]
The story has been adapted three times for television, once with costumes (a series in 1976), once as an animated cartoon (a TV-movie in 1979), and once using animatronic puppets (a series in 1988), and adapted a fourth time for a theatrical film (in 2005). The footage for the first one has been lost, while all the others are available on home video. Only the last two of these were followed by sequels with further Narnia stories.
Multiple audio editions have been released. The best-known consists of the book read aloud by Michael York. However, three audio CDs in the form of "radio plays" with various actors, sound effects, and music have also been released, one by the BBC, one by Radio Theatre, and one by Focus on the Family.
In 1984, The Lion, the Witch and the Wardrobe was staged at London's Westminster Theatre, produced by Vanessa Ford Productions. The play, adapted by Glyn Robbins, was directed by Richard Williams and designed by Marty Flood. In 1998 the Royal Shakespeare Company premiered their stage version, adapted by Adrian Mitchell, with music by Shaun Davey.
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