Terry Gilliam | |||||||||||
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Born | Terrence Vance Gilliam November 22, 1940 Medicine Lake, Minnesota |
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Occupation | screenwriter, actor, animator, director, producer | ||||||||||
Years active | 1967 - present | ||||||||||
Spouse(s) | Maggie Weston (1973-) | ||||||||||
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Terrence Vance Gilliam (born 22 November 1940) is an American-born British writer, filmmaker, animator and member of the Monty Python comedy troupe. Gilliam is known as the most creatively artistic member of Monty Python, directing several well-regarded films including Brazil (1985), Twelve Monkeys (1995) and Fear and Loathing in Las Vegas (1998).
He is the only "Python" that was not born in Britain, later gaining British citizenship in 1968.
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Gilliam was born in Medicine Lake, Minnesota. His father was a traveling salesman for Folgers before becoming a carpenter. Gilliam has two siblings: a sister two years younger, and a brother ten years younger.
The family moved to California because of his sister's bout of pneumonia, and Terry Gilliam enrolled into Birmingham High School. He became class president, senior Prom King, was voted "Most Likely to Succeed," and got straight As. During high school, he discovered Mad magazine, which was then edited by Harvey Kurtzman; this later influenced his work.
When Gilliam graduated from high school, he attended Occidental College, at first studying physics, then switching to fine arts before finally majoring in political science. Gilliam contributed to the college magazine, Fang, becoming the editor during his junior year and turning it into a tribute to Kurtzman, to whom he later sent copies. While in college, Gilliam was a member of Sigma Alpha Epsilon fraternity. After finishing college, Gilliam worked briefly for an advertising agency before Kurtzman offered him a job at Help! magazine.
Gilliam has been married to the British make-up and costume designer Maggie Weston (who worked on Flying Circus, many of the Python movies and Gilliam's movies up to The Adventures of Baron Munchausen) since 1973. The two have had three children, Amy (b. 1978), Holly (b. 1980), and Harry (b. 1988), who have also appeared in several of Gilliam's films.
In 1968, Gilliam obtained British citizenship and held a dual American and British citizenship for 38 years. In January 2006, he renounced his American citizenship[1]. In an interview with Tagesspiegel [2] he described the action as a protest against U.S. President George W. Bush, but in an earlier interview with The Onion AV Club[3] he also indicated that it was related to concerns about future tax liability for his wife and children. As a result of renouncing his citizenship, Gilliam is only permitted to spend 30 days per year in the United States, less than ordinary British citizens.[2] Gilliam also maintains a residence in Italy near the Umbria-Tuscany border. He has been instrumental in establishing the annual Umbria Film Festival,[4] held in the nearby hill town of Montone.
Terry Gilliam started his career as an animator and strip cartoonist; one of his early photographic strips for Help! featured future Python cast-member John Cleese. Moving to England, he animated features for Do Not Adjust Your Set, which also featured future Pythons Eric Idle, Terry Jones, and Michael Palin.
Gilliam was a part of Monty Python's Flying Circus from its formation, at first credited as an animator (his name was listed separately after the other five in the closing credits), later as a full member. His cartoons linked the show's sketches together, and defined the group's visual language in other media (such as LP and book covers, and the title sequences of their films).
Besides doing the animations, he also appeared in several sketches, though he rarely had any main roles and did considerably less acting in the sketches. He did however have some notable sketch roles such as Cardinal Fang of the Spanish Inquisition, "I Want More Beans!" and the Screaming Queen in a cape and mask singing "Ding dong merrily on high."
More frequently, he played parts that no one else wanted to play (generally because they required a lot of make-up or uncomfortable costumes, such as a recurring knight in armour who would end sketches by walking on and hitting one of the other characters over the head with a plucked chicken) and took a number of small roles in the films, including Patsy in Monty Python and the Holy Grail and the jailer in Life of Brian.
Gilliam's surreal animations for Monty Python have a distinctive style. He mixed his own art, characterized by soft gradients and odd, bulbous shapes, with backgrounds and moving cutouts from antique photographs, mostly from the Victorian era.
Gilliam went on to become a motion picture writer and director.
His films are usually highly imaginative fantasies. Most of Gilliam's movies include plot-lines that seem to occur partly or completely in the characters' imaginations, raising questions about the definition of identity and sanity. He often shows his opposition to bureaucracy and authoritarian regimes. He also distinguishes "higher" and "lower" layers of society, with a disturbing and ironic style. His movies usually feature a fight or struggle against a great power which may be an emotional situation, a human-made idol, or even the person himself, and the situations do not always end happily. There is often a dark, paranoid atmosphere and unusual characters who formerly were normal members of society. His scripts feature black comedy and often end with a dark tragicomic twist.
His films have a distinctive look, often recognizable from just a short clip; Roger Ebert has said "his world is always hallucinatory in its richness of detail."[5] There is often a baroqueness about the movies, with, for instance, high-tech computer monitors equipped with low-tech magnifying lenses in Brazil, and in The Fisher King a red knight covered with flapping bits of cloth. He also is given to incongruous juxtapositions of beauty and ugliness, or antique and modern. Most of his movies are shot almost entirely with extremely wide lenses of 28 mm focal length or less, and extremely deep focus.
Gilliam has made a few extremely expensive movies beset with production problems. After the lengthy quarreling with Universal Studios over Brazil, Gilliam's next picture, The Adventures of Baron Munchausen, cost around US$46 million,[6] and then earned only about US$8 million in US ticket sales.
In the mid-1990s, Gilliam and Charles McKeown developed a script for Time Bandits 2; the project never came to be, as several of the original actors had died. He also attempted to direct a version of Charles Dickens A Tale of Two Cities, which collapsed due to disagreements over its budget and choice of lead actor.
In 1999, Gilliam attempted to film The Man Who Killed Don Quixote, budgeted at US$32.1 million, among the highest-budgeted films to use only European financing; but in the first week of shooting, the actor playing Don Quixote (Jean Rochefort) suffered a herniated disc, and a flood severely damaged the set. The film was canceled, resulting in an insurance claim worth US$15 million. Despite the cancellation, the story behind the whole production was filmed by a second crew hired by Gilliam to document the process. This production story was made into the documentary Lost in La Mancha. In recent years, both Gilliam and the film's co-lead, Johnny Depp, have expressed interest in reviving the project. However, the insurance company involved in the failed first attempt withheld the rights to the screenplay for several years.[7] The production was finally restarted in 2008.
Gilliam has attempted twice to adapt Alan Moore's Watchmen comics into a film. Both attempts (in 1989 and 1996, respectively) were unsuccessful. Most recently, unforeseeable problems again befell a Gilliam project when actor Heath Ledger died in New York City during the filming of The Imaginarium of Doctor Parnassus.
Gilliam's reputation for production problems has been sufficient for the satirical newspaper The Onion to run a news article entitled "Terry Gilliam Barbecue Plagued By Production Delays."[8]
Gilliam has encountered some successes though. The Fisher King (1991) (his first film to not feature a member from Python) was nominated for five Academy Awards and Twelve Monkeys went on to take over US$168 million worldwide whilst The Brothers Grimm, despite a mixed critical reception, grossed over US$105 million worldwide. However, according to Box Office Mojo, his films have grossed an average of $26,009,723.
Gilliam has shown a propensity to work with particular actors in numerous productions. These include all of his fellow Monty Python alumni (Chapman, Cleese, Idle, Jones, and Palin), as well as Jeff Bridges, Johnny Depp, Katherine Helmond, Ian Holm, Michael Jeter, Simon Jones, Heath Ledger, Charles McKeown, Derrick O'Connor, Christopher Plummer, Jonathan Pryce, Jack Purvis, Peter Vaughan, Jim Broadbent, and Robin Williams.
J. K. Rowling, author of the Harry Potter series, is a fan of Gilliam's work. Consequently, he was Rowling's first choice to direct Harry Potter and the Philosopher's Stone in 2000. Warner Brothers refused to consider Gilliam as director, instead selecting Chris Columbus for the job.[9] Recently, Gilliam stated in relation to this episode, "I was the perfect guy to do Harry Potter. I remember leaving the meeting, getting in my car, and driving for about two hours along Mulholland Drive just so angry. I mean, Chris Columbus' versions are terrible. Just dull. Pedestrian."[10]
Despite the rumors, Gilliam has stated that he will never direct any Potter film.[11]
In 2002, Gilliam directed a series of television advertisements called The Secret Tournament.[12] The advertisements were part of Nike's World Cup campaign and featured a secret three-on-three tournament between the world's best players inside a huge tanker ship, with the Elvis Presley song A Little Less Conversation playing during the advertisements. The advertisements were hugely popular and critically acclaimed.
In 2006, Gilliam directed the stage show Slava's Diabolo, created and staged by Russian clown artist Slava Polunin. The show combines Polunin's clown style, characterized by deep non-verbal expression and interaction with the audience, with Gilliam's rich visuals and surrealistic imagery. The show premiered at the Noga hall of the Gesher theater in Jaffa, Israel.
Gilliam has several projects in various states of development, including an adaptation of Neil Gaiman and Terry Pratchett's comic fantasy novel Good Omens.
In the near future, Gilliam may direct - or be involved in the production of - the animated band Gorillaz' movie, due out in 2008 or 2009. In a September 2006 interview with Uncut magazine, Damon Albarn was reported saying "... we're making a film. We've got Terry Gilliam involved."[13]. However, in a more recent interview with Gorillaz-Unofficial, Jamie Hewlett, the co-creator of the band, stated that since the time of the previous interview, Damon's and his own fixation on the film had lessened.
After regaining the rights to the screenplay of The Man Who Killed Don Quixote Gilliam restarted pre-production in 2008, with Johnny Depp still attached to the project.[14] The film will be reshot completely, and Rochefort's role will be recast. Michael Palin reportedly entered talks with Gilliam to step in for Rochefort and play Don Quixote. Main production start is planned for 2009.[15]
On 23 January 2007, Gilliam announced that he had been working on a new project with writing partner Charles McKeown. One day later, the fansite Dreams reported[16] that the new project was entitled The Imaginarium of Doctor Parnassus. On 3 October 2007, Dreams confirmed that Gilliam's next project will be Imaginarium, slated to star Christopher Plummer and Tom Waits,[17] and scheduled for release in 2009.[18] Production began in December 2007 in London.[19]
On 22 January 2008, production of the film was disrupted following the death of Heath Ledger in New York City. Variety reports that Ledger's involvement had been a "key factor" in the film's financing.[20] Although production was suspended indefinitely by January 24,[21] Gilliam has now completed principal photography, the major task now being the completion of the visual effects. The director has stated his intention to dedicate the film to Ledger.[22] In February 2008 actors Johnny Depp, Jude Law, and Colin Farrell reportedly signed on to continue Ledger's role, transforming into multiple incarnations of his character in the "magical" world of the film.[23][24]
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NAME | Gilliam, Terry Vance |
ALTERNATIVE NAMES | Gilliam, Terry |
SHORT DESCRIPTION | American film director, animator and actor |
DATE OF BIRTH | 22 November 1940 |
PLACE OF BIRTH | Medicine Lake, Minnesota, U.S. |
DATE OF DEATH | |
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