Tennessee Williams

Tennessee Williams
Tennessee Williams NYWTS.jpg
Williams in 1965.
Born March 26, 1911(1911-03-26)
Columbus, Mississippi
Died February 24, 1983 (aged 71)
New York, New York
Occupation Playwright
Writing period 1930-1983
Genres Southern Gothic
Influences
Influenced
Signature

Thomas Lanier Williams III (March 26, 1911 – February 25, 1983), better known as Tennessee Williams, was an American playwright who received many of the top theatrical awards. He moved to New Orleans in 1939 and changed his name to "Tennessee", the state of his father's birth. He won the Pulitzer Prize for Drama for A Streetcar Named Desire in 1948 and for Cat on a Hot Tin Roof in 1955. In addition, The Glass Menagerie (1945) and The Night of the Iguana (1961) received New York Drama Critics' Circle Awards. His 1952 play The Rose Tattoo received the Tony Award for best play.

Contents

Biography

He was born in Columbus, Mississippi, in the home of his maternal grandfather, the local Episcopal rector. The home is now the Mississippi Welcome Center and tourist office for the city. Williams' middle name, Lanier, indicates his family's Virginia connections to the artistic family from England.

By the time Thomas was three, the family had moved to Clarksdale, Mississippi. At seven, he was diagnosed with diphtheria. It caused his legs to be paralyzed for nearly two years but his mother encouraged him to make up stories and read. She gave him a typewriter when he was 11.

His father Cornelius Williams was a traveling salesman who became increasingly abusive as his children grew older. The father often favored Tennessee's brother Dakin, perhaps because of Tennessee's illness and extended weakness and convalescence as a child. Tennessee's mother Edwina Dakin Williams had aspirations as a genteel southern lady and was smothering. She may have had a mood disorder.

In 1918, when Williams was seven, the family moved again, this time to St. Louis, Missouri. In 1927, at 16, Williams won third prize (five dollars) for an essay published in Smart Set entitled, "Can a Good Wife Be a Good Sport?" A year later, he published "The Vengeance of Nitocris" in Weird Tales.

In the early 1930s Williams attended the University of Missouri, where he joined Alpha Tau Omega fraternity. His fraternity brothers dubbed him "Tennessee" for his rich southern drawl. In the late 1930s, Williams transferred to Washington University in St. Louis, Missouri for a year, and finally earned a degree from the University of Iowa in 1938. By then, Williams had written Cairo, Shanghai, Bombay!. This work was first performed in 1935 at 1780 Glenview in Memphis.

Tennessee Williams found inspiration in his problematic family for much of his writing.

Williams lived for a time in the French Quarter of New Orleans, Louisiana. He moved there in 1939 to write for the WPA. He first lived at 722 Toulouse Street, the setting of his 1977 play Vieux Carré. The building is part of The Historic New Orleans Collection. He began writing A Streetcar Named Desire (1947) while living at 632 St. Peter Street. He finished it later in Key West, Florida, where he moved in the 1940s.

Tennessee was close to his sister Rose, a slim beauty who was diagnosed with schizophrenia at a young age. As was common then, Rose was institutionalized and spent most of her adult life in mental hospitals. When therapies were unsuccessful, she showed more paranoid tendencies. In an effort to treat her, Rose's parents authorized a prefrontal lobotomy, a drastic treatment that was thought to help some mental patients who suffered extreme agitation. Performed in 1937 in Knoxville, Tennessee, the operation made Rose incapacitated for the rest of her life.

Williams never forgave his parents. Her surgery may have contributed to his alcoholism and his dependence on various combinations of amphetamines and barbiturates often prescribed by Dr. Max (Feelgood) Jacobson.[2] They may have shared a genetic vulnerability, as Williams also suffered from depression.

Williams worked extremely briefly in the renowned Gotham Book Mart in Manhattan, lasting less than a day.

Williams' relationship with Frank Merlo, a second generation Sicilian American who had served in the U.S. Navy in World War II, lasted from 1947 until Merlo's death from cancer in 1963. With that stability, Williams created his most enduring works. Merlo provided balance to many of Williams' frequent bouts with depression[3] and the fear that, like his sister Rose, he would go insane.

Death

Williams died on February 24, 1983, after he choked on an eyedrop bottle cap in his room at the Hotel Elysee in New York. He would routinely place the cap in his mouth, lean back, and place his eyedrops in each eye.[4] His brother Dakin and some friends believed he was murdered. The police report, however, suggested his use of drugs and alcohol contributed to his death. Many toxic drugs were found in the room. Williams' response may have been diminished by the effects of drugs and alcohol.

Williams' funeral took place on Saturday March 3, 1983 at St. Malachy's Roman Catholic Church in New York City. Williams' body was interred in the Calvary Cemetery, St. Louis, Missouri. Williams had long told his friends he wanted to be buried at sea at approximately the same place as the poet Hart Crane, as he considered Crane to be one of his most significant influences.

Williams left his literary rights to The University of the South in honor of his grandfather, Walter Dakin, an alumnus of the university. It is located in Sewanee, Tennessee. The funds support a creative writing program. When his sister Rose died after many years in a mental institution, she bequeathed over 50 million dollars from her part of the Williams estate to The University of the South as well.

In 1989, the University City Loop (in a suburb of St. Louis) inducted Tennessee Williams into its St. Louis Walk of Fame.

The work

The "mad heroine" theme that appeared in many of his plays seemed clearly influenced by the life of Williams' sister Rose.

Vivien Leigh as Blanche DuBois in A Streetcar Named Desire (1951)

Characters in his plays are often seen as representations of his family members. Laura Wingfield in The Glass Menagerie was understood to be modeled on Rose. Some biographers believed that the character of Blanche DuBois in A Streetcar Named Desire is also based on her, as well as Williams himself. When Williams wrote A Streetcar Named Desire, he believed he was going to die and that this play would be his swan song.

Amanda Wingfield in The Glass Menagerie was generally seen to represent Williams' mother. Characters such as Tom Wingfield in The Glass Menagerie and Sebastian in Suddenly, Last Summer were understood to represent Williams himself. In addition, he used a lobotomy operation as a motif in Suddenly, Last Summer.

Cat on a Hot Tin Roof and A Streetcar named Desire both included references to elements of Williams' life such as homosexuality, mental instability and alcoholism.

Williams wrote The Parade, or Approaching the End of a Summer when he was 29 and worked on it through his life. It seemed an autobiographical depiction of an early romance in Provincetown, Massachusetts. This play was produced for the first time on October 1, 2006 in Provincetown by the Shakespeare on the Cape production company, as part of the First Annual Provincetown Tennessee Williams Festival.

The Parade, or Approaching the End of a Summer was among several works published by New Directions in the spring of 2008, edited and introduced by Williams scholar Annette J. Saddik. This collection of experimental plays was titled The Traveling Companion and Other Plays.

Williams' last play A House Not Meant to Stand is a gothic comedy published in 2008 by New Directions with a foreword by Gregory Mosher and an introduction by Thomas Keith. Williams called his last play a "Southern gothic spook sonata."

Short stories by Tennessee Williams

One-Act Collections by Tennessee Williams

Tennessee Williams wrote over 70 one-act plays during his lifetime. The one-acts explored many of the same themes that dominated his longer works. Williams' major collections are published by New Directions in New York City.

Collected works

Cultural references

"I think I'm like Tennessee Williams
I wait for the click
I wait, but it doesn't kick in"
"Oh, Tennessee, what did you write?
I come together in the middle of the night."
"I can still hear the soft Southern winds in the live oak trees
And those Williams boys they still mean a lot to me
Hank and Tennessee
I guess we're all gonna be what we're gonna be"
"I could be great like Tennessee Williams
If I could only hear something that sounds like the truth"
"Laughin' about how the two of us sound
Like a Tennessee Williams play"
"Read about you in a Faulkner novel"
"Met you once in a Williams play"
"Heard about you in a country love song"
"Summer night beauty took my breath away."

See also

Tennessee Williams plays
Apprentice plays

Candles to the Sun (1936) · Spring Storm (1937) · Fugitive Kind (1937) · Not about Nightingales (1938) · Battle of Angels (1940) · You Touched Me (1945) · Stairs to the Roof (1947)
Major plays

The Glass Menagerie (1944) · A Streetcar Named Desire (1947) · Summer and Smoke (1948) · The Rose Tattoo (1951) · Camino Real (1953) · Cat on a Hot Tin Roof (1955) · Orpheus Descending (1957) · Suddenly, Last Summer (1958) · Sweet Bird of Youth (1959) · Period of Adjustment (1960) · The Night of the Iguana (1961)
Later plays

The Milk Train Doesn't Stop Here Anymore (1963) · The Seven Descents of Myrtle (1968) · In the Bar of a Tokyo Hotel (1969) · Will Mr. Merriweather Return from Memphis? (1969) · Small Craft Warnings (1972) · The Two-Character Play (1973) · The Red Devil Battery Sign (1975) · This Is (An Entertainment) (1976) · Vieux Carré (1977) · A Lovely Sunday for Creve Coeur (1979) · Clothes for a Summer Hotel (1980) · The Notebook of Trigorin (1980) · Something Cloudy, Something Clear (1981) · A House Not Meant to Stand (1982)
Other
One act plays by Tennessee Williams

Footnotes

  1. ↑ Beisch, Ann. "Interview with Stephen Chbosky, author of The Perks of Being a Wallflower", LA Youth, November-December 2001. Retrieved on 2007-07-10.
  2. ↑ "The Kindess of Strangers", Spoto
  3. ↑ Jeste ND, Palmer BW, Jeste DV. Tennessee Williams. Am J Geriatr Psychiatry. 2004 Jul-Aug;12(4):370-5. PMID: 15249274 [1]
  4. ↑ Suzanne Daley (27.2.1983). Williams Choked on a Bottle Cap. The New York Times (engl.; abgerufen 27. Mai 2007)
  5. ↑ Vidal, Gore. Palimpsest. Random House, New York (1995). 

References

External links