St. Bartholomew's Day massacre

Painting by François Dubois (born about 1529, Amiens, Picardy)

The St. Bartholomew's Day massacre (Massacre de la Saint-Barthélemy in French) was a wave of Roman Catholic mob violence against the Huguenots (French Calvinist Protestants), during the French Wars of Religion. Traditionally believed to have been instigated by Catherine de' Medici, the mother of King Charles IX, the massacre took place six days after the wedding of the king's sister to the Protestant Henry III of Navarre (the future Henry IV). This was an occasion for which many of the most wealthy and prominent Huguenots had gathered in largely Catholic Paris. Events began two days after the attempted assassination of Admiral Gaspard de Coligny, a Huguenot military leader. Starting on 24 August 1572 (the feast of Bartholomew the Apostle) with the murder of Coligny, the massacres spread throughout Paris, and later to other cities and the countryside, lasting for several months. The exact number of fatalities is not known, but it has been estimated that over 2,000 Huguenots were killed in Paris and over 3,000 in the French provinces.[1] Though by no means unique, "it was the worst of the century's religious massacres." [2] The massacres marked a turning-point in the French Wars of Religion. The Huguenot political movement was crippled by the loss of many of its prominent aristocratic leaders, and those who remained were increasingly radicalized.

Contents

Background

The Massacre of Saint Bartholomew's Day was the culmination of a series of events:

An unacceptable peace and an unacceptable marriage

The Peace of Saint-Germain put an end to three years of terrible civil war between Catholics and Protestants. This peace was precarious, however, since the more intransigent Roman Catholics refused to accept it. With the Guise family, who led this faction, out of favour at the French court, the Huguenot leader, Admiral Gaspard de Coligny, was readmitted into the king's council in September 1571. Staunch Roman Catholics were shocked by the return of the Protestants to the court, but the Queen Dowager, Catherine de' Medici, and her son, King Charles IX, were determined not to let war break out again. They were also conscious of the kingdom's financial difficulties, which led them to uphold the peace and remain on friendly terms with Coligny. The Huguenots were in a strong defensive position as they controlled the fortified towns of La Rochelle, La Charité-sur-Loire, Cognac, and Montauban. To cement the peace between the two religious parties, Catherine de' Medici planned to marry her daughter Marguerite de Valois, to the Protestant prince, Henry of Navarre (the future King Henry IV). The royal marriage was arranged for the 18 August, 1572. It was not accepted by diehard Catholics, or by the Pope. Both the Pope and King Philip II of Spain strongly condemned the Queen Dowager's policy.

A tense city

The impending marriage led to the gathering of a large number of well-born Protestants in Paris, who had come to escort their prince. But Paris was a violently anti-Huguenot city, and Parisians, who tended to be extreme Catholics, found their presence unacceptable. Encouraged by Catholic preachers, particularly the Capuchins, they were horrified at the marriage of a princess of France with a Protestant. The Parlement of Paris itself decided to snub the marriage ceremony. Compounding this bad feeling was the fact that the harvests had been poor; the rise in prices and the luxury displayed on the occasion of the royal wedding intensified the hatred felt by the common people.

The court itself was extremely divided. Catherine de' Medici had not obtained the pope's permission to celebrate this irregular marriage; consequently, the French prelates hesitated over which attitude to adopt. It took all the Queen Dowager's skill to convince the Cardinal de Bourbon to marry the couple. Beside this, the rivalries between the leading families re-emerged. The Guises were not prepared to make way for the Montmorencys. Francois, Duke of Montmorency and governor of Paris, was unable to control the disturbances in the city. Faced with a dangerous situation in Paris, he elected to leave town a few days before the wedding.

The attempted assassination of Admiral de Coligny

After the wedding, Coligny and the leading Huguenots remained in Paris in order to discuss some outstanding grievances about the Peace of St. Germain with the King. On August 22, an attempt was made on Coligny's life. The would-be assassin, Maurevert, escaped in the ensuing confusion, and it is still difficult today to decide who was ultimately responsible for the attack. History records three possible candidates:

The massacres

Millais' painting, A Huguenot on St. Bartholomew's day

The attempted assassination of Coligny triggered the crisis that led to the massacre. Admiral de Coligny was the most respected Huguenot leader. Aware of the danger from the Protestants, the king and his court visited Coligny on his sickbed and promised him the culprits would be punished. While the Queen Mother was eating dinner, Protestants burst in to demand justice. Fears of Huguenot reprisals grew. Coligny's brother-in-law led a 4,000-strong army camped just outside Paris [3] and, though there is no evidence it was planning to attack, Catholics in the city feared it might take revenge on the Guises or the city populace itself. That very evening, Catherine held a meeting at the Tuileries Palace with her Italian advisers and Baron de Retz.

On the evening of August 23, Catherine went to see the king to discuss the crisis. Though no details of the meeting survive, it is obvious that Charles IX and his mother took the decision to eliminate the Protestant leaders. According to an unsubstantiated tradition, he angrily exclaimed: "Well then, so be it! Kill them! But kill them all! Don't leave a single one alive to reproach me!"

Shortly after this decision, the municipal authorities of Paris were summoned. They were ordered to shut the city gates and to arm the citizenry in order to prevent any attempt at an uprising. The king's Swiss Guard was given the task of killing a list of leading Protestants. It is difficult today to determine the exact chronology of events and to know the moment the killing began. It seems a signal was given by ringing bells for matins (between midnight and dawn) at the church of Saint-Germain l'Auxerrois, near the Louvre, which was the parish church of the kings of France. Before this, the Swiss guards had expelled the Protestant nobles from the Louvre palace and then slaughtered them in the streets.

Admiral Coligny was dragged from his bed, killed and his body thrown out of the window. The tension that had been building since the Peace of St. Germain now exploded in a wave of popular violence. The common people began to hunt Protestants throughout the city. The ferocity of the slaughter was incredible. Chains were used to block streets so that Protestants could not escape from their houses. Women and children were butchered in cold blood. The massacre lasted several days, despite the king's attempts to stop it. Among the slain were the composer Claude Goudimel and the philosopher Petrus Ramus.

The two leading Protestants of the kingdom, Henry of Navarre and the Prince of Condé, were spared as they pledged to convert to Catholicism; both would renounce their conversion when they had escaped Paris.

From August to October, similar apparently spontaneous massacres of Huguenots took place in other towns, such as Toulouse, Bordeaux, Lyon, Bourges, Rouen, and Orléans. The death toll for the provincial massacres has been estimated at around 3000.[4] Soon afterwards the reformers were preparing for a fourth civil war.

Reactions to the massacre

Gregory XIII's medal
The murder of Gaspard de Coligny, as depicted in a mural by Giorgio Vasari.

Pope Gregory XIII ordered a Te Deum to be sung as a special thanksgiving (a practice continued for many years after) and had a medal struck with the motto Ugonottorum strages 1572 showing an angel bearing a cross and sword next to slaughtered Protestants.[5] He also commissioned the artist Giorgio Vasari to paint three murals in the Sala Regia depicting the wounding of Coligny, his death, and Charles IX before Parliament. "The massacre was interpreted as an act of divine retribution; Coligny was considered a threat to Christendom and thus the pope designated 11 September 1572 as a joint commemoration of the Battle of Lepanto and the massacre of the Huguenots".[6]

In Paris, the poet Jean-Antoine de Baïf, founder of the Academie de Musique et de Poésie, wrote a sonnet extravagantly praising the killings. On the other hand, the Holy Roman Emperor, Maximilian II, King Charles's father-in-law, was sickened, describing the massacre as "shameful". Moderate French Catholics also began to wonder whether religious uniformity was worth the price of such bloodshed and they began to form a movement, the Politiques, which placed national unity above sectarian interests.

Protestant countries were horrified at the events, and only the concentrated efforts of Catherine's ambassadors prevented the collapse of her policy of remaining on good terms with them. Elizabeth I of England's ambassador to France at that time, Sir Francis Walsingham, barely escaped with his life. [7] Even Tsar Ivan the Terrible was horrified at the carnage and issued an official protest on the Huguenots' behalf.

Interpretation

Over the centuries, the St. Bartholomew's Day massacre has inevitably aroused a great deal of controversy. Modern historians are still divided over the responsibility of the royal family:

Cultural references

Dumas' book was published in English as Marguerite de Valois.

The Elizabethan dramatist Christopher Marlowe knew well of this incident as French refugees sought refuge in his native Canterbury. He wrote an openly anti-Catholic and anti-French play based on the events entitled 'The Massacre at Paris'. Also, in his biography The World of Christopher Marlowe, David Riggs claims the incident remained with the playwright, and massacres are incorporated into the final acts of three of his early plays, 1 and 2 Tamburlaine and The Jew of Malta.

The story was fictionalised by Prosper Mérimée in his Chronique du règne de Charles IX (1829), and by Alexandre Dumas, père in La Reine Margot, an 1845 novel that is accurate as far as the historical facts go but fills in with romance and adventure between them. That novel has been translated into English and was made into a commercially successful French film in 1994 as La Reine Margot, starring Isabelle Adjani.

Giacomo Meyerbeer's opera Les Huguenots (1836), based on the events of the massacre, was one of the most popular and spectacular examples of French grand opera.

The pre-Raphaelite painter John Everett Millais captured the essence of the conflict in his painting A Huguenot on St. Bartholomew's Day (1852), which depicts a Catholic woman attempting to convince her Huguenot lover to wear the badge of the Catholics and protect himself. The man, true to his beliefs, gently refuses her.[8] Millais was inspired to create the painting after seeing Meyerbeer's Les Huguenots.

A serial in the British science fiction television series Doctor Who officially entitled The Massacre of St Bartholomew's Eve, but often referred to by fans simply as The Massacre, is set during the events leading up to the Paris massacre. Leonard Sachs appeared as Admiral Coligny and Joan Young played Catherine de Medici. This serial only survives in audio form.

The St. Bartholomew's Day Massacre and the events surrounding it were incorporated into the D.W. Griffith film Intolerance (1916). The film follows Catherine de' Medici (Josephine Crowell) plotting the massacre, coercing her son King Charles IX (Frank Bennett) to sanction it. Incidental characters include Henri of Navarre, Marguerite de Valois (Constance Talmadge), Admiral Coligny (Joseph Henabery) and François, Duke of Anjou who is portrayed as homosexual. These historic scenes are depicted alongside a fictional plot in which a Huguenot family is caught among the events.

See also

Notes

  1. Alastair Armstrong: France 1500-1715 (Heinemann, 2003) pp.70-71
  2. H.G. Koenigsberger, George L.Mosse, G.Q. Bowler, "Europe in the Sixteenth Century", Second Edition, Longman, 1989
  3. Mack P. Holt The French Wars of Religion 1562-1626, (Cambridge University Press, 1995 ed.)
  4. Robert Jean Knecht The Rise and Fall of Renaissance France, 1483-1610 (Blackwell, 2001) p.366
  5. Carter Lindberg: The European Reformations (Blackwell, 1996) p.295. See illustration of the medal here [1]
  6. E. Howe: Architecture in Vasari's "Massacre of the Huguenots" (Journal of the Warburg and Courtauld Institutes, Vol. 39, 1976 (1976), pp. 258-261) [2]
  7. According to Stephen Budiansky in chapter 1 of Her Majesty's Spymaster: Elizabeth I, Sir Francis Walsingham, and the Birth of Modern Espionage (Viking, 2005)
  8. "A Huguenot on St Bartholomew's Day". Humanities Web. Retrieved on 2007-04-19.

Other references

External links