Run Lola Run

Run Lola Run

German-language poster
Directed by Tom Tykwer
Produced by Stefan Arndt
Written by Tom Tykwer
Starring Franka Potente
Moritz Bleibtreu
Music by Tom Tykwer
Johnny Klimek
Reinhold Heil
Cinematography Frank Griebe
Editing by Mathilde Bonnefoy
Distributed by Sony Pictures Classics
Release date(s) 20 August 1998 (Germany),
18 June 1999 (U.S.),
20 October 1999 (Australia),
27 October 1999 (UK)
Running time 76 mins.
Country Germany
Language German
English
Japanese
Budget $1,750,000 (estimated)
Gross revenue $7,267,585 (domestic)

Run Lola Run (original German title Lola rennt, translates as Lola Runs) is a 1998 German film written and directed by Tom Tykwer, and starring Franka Potente as Lola and Moritz Bleibtreu as Manni. The story follows a woman who needs to retrieve 100,000 Deutsche Mark in 20 minutes to save her boyfriend's life.

Contents

Plot

The house in Albrechtstraße (Berlin-Mitte), where the three episodes begin.

The film begins with a phone call by Lola's boyfriend Manni. Manni works as a low-level courier for Frau Lloyd the crime boss and after an exchange he was supposed to bring 100,000 Deutsche Mark to his boss. After Lola failed to pick him up after the exchange, due to her scooter being stolen that morning, he had to take the subway and ended up accidentally leaving his bag behind, upon which it was picked up by a bum.

Manni has to deliver the 100,000 mark in 20 minutes or face punishment from his boss - possibly murder. Manni reveals that he plans a robbery on a nearby supermarket. Lola urges him to wait and tells him she will organize the money. Lola slams down her phone and starts to think about who can possibly help her. She decides to ask her father.

First run

As Lola flees from her apartment, a punk with a dog is shown on the staircase. The dog growls at her, causing her to scream and sprint faster. With little time and no vehicle, Lola runs through the streets of Berlin to get to her father's bank, with the intention of asking him for the money. Lola's father refuses, and says that he feels unappreciated at home, and that he is leaving Lola and her mother for his mistress. He also announces that he is not Lola's real father. Lola runs to where Manni is anyway, passing an ambulance that stops in front of a crew of workers carrying a window pane. She arrives at the street corner a few moments too late; Manni's robbery is already in progress. Lola decides to help Manni rob the store. The two flee on foot afterwards but find themselves surrounded by police, and a nervous police officer accidentally shoots Lola in the chest after Manni throws the bag with its stolen money into the air. While Lola is dying, a sequence of her memory (or, possibly, her consciousness) is shown. In it, Lola and Manni are together talking in bed. Lola questions Manni about his love for her and remains unconvinced that it is genuine. The scene fades in a sea of red.

Second run

As she is dying, Lola decides she does not want to give up her struggle, and says "Stop". At this point the film suddenly starts again. It jumps back to the end of Lola's first phone call from Manni and again she tries to get the money from her father. This time, the punk with a dog in the stairway trips her. Lola arrives at the bank a few moments later because of her limp, which leaves enough time for her father's mistress to explain that she is pregnant by someone else. Lola hears more of the argument this time, and becomes infuriated. She then robs her father's bank with a gun grabbed from the security officer, and takes off with the money to meet Manni, and tries to hitch a ride from the red ambulance. But her distracting the driver makes the ambulance crash into the window pane, stopping it for a few seconds. When Lola reaches Manni he is run down by the same ambulance as he crosses the street to meet her. After Manni is killed by the ambulance another memory sequence ensues in which Lola and Manni's roles are reversed: Manni questions Lola about her love for him.

Third run

The story starts a third time. Lola is a split second faster, as she leaps over the punk on the steps and stops on Mr. Meier's (her father's co-worker, as it now turns out) car long enough to prevent his accident in the first two realities. This allows Mr. Meier to get to work and pick up Lola's father. As a result, Lola misses her father completely. Not knowing what to do, she decides to simply keep running. However her father, along with Mr. Meier now end up in an apparently fatal car crash as the homeless guy with the money distracts the driver. Lola enters a casino, buys a single 100-mark chip, and finds a roulette table. She wins two consecutive bets on the number "20" (an echo of the 20 minutes of her journey), which gives Lola 127,000 Marks, more than enough money to help Manni, but she still must catch him in time. She hitches a ride in the same ambulance, unnoticed by the driver, as it stops in front of the crew with the window pane. The ambulance is carrying Schuster, the security guard from her father's bank who has apparently suffered a heart attack, as foreshadowed by his clutching his chest and his loud heartbeats in the Second Run earlier in the film. Although some English subtitles here have Lola saying "I'll stay with him," the actual German line is "Ich gehöre zu ihm", which translates as "I'm with him" or "I belong with him." She holds Schuster's hand, and moments later, his heart rate begins to return to normal. The paramedic is stunned and relieved.

Meanwhile, Manni has borrowed a phone card from a blind woman (portrayed for the third time) to make a phone call as he futilely seeks a loan. As in the other sequences, he returns the phone card to the woman, but this time the woman gestures with her head, and Manni looks up to notice the homeless guy with his money riding by on a bicycle. Manni chases him down, recovers his money, gives him his pistol in exchange for the bag of cash and then delivers it to Ronnie. Lola arrives to find Manni stepping out of Ronnie's car and shaking his boss's hand. The movie ends with Manni asking Lola what is in the bag she is carrying.

Connections between the runs

Throughout the film, Lola bumps into people, talks to them, or simply passes them by. Their resulting futures are then conveyed in a series of still frames. The futures are widely divergent from encounter to encounter. In one scenario, a woman whom Lola accidentally bumps into remains poor and kidnaps an unattended baby after her child was taken away by social workers. In another scenario the woman wins the lottery and becomes rich. In the third scenario, the woman experiences a religious conversion.

Although the three runs are presented as alternative realities, there are a number of incidents which only make sense if the three runs take place sequentially. For example, in the first reality, a nervous Lola is shown by Manni how to use a gun by removing the safety, whereas she does this as if remembered from a previous experience in the second reality. Lola's encounters with Schuster also contain an air of the supernatural.

It may also be that Lola undergoes the run many more than three times, a la Groundhog Day. She wins twice in a row on the roulette wheel, betting on the number 20 both times; the odds of this occurring by chance are 1 in 1,369. She may have realised that winning the money legitimately was the only way to save Manni and break the cycle, and thus played roulette hundreds of times before winning.

The movie itself begins by posing questions pertaining to the unpredictability of the world and the unknowable nature of its meaning. It suggests that drastically disparate consequences can alter the fates of different people from a one second change in the time of one person's running.

Themes

With its time limit and "multiple lives" concept, the film owes a clear debt to Polish director Krzysztof Kieślowski, who explored the theme in films such as Blind Chance, The Double Life of Véronique, and Three Colors: Red. Tykwer would go on to direct Heaven, which Kieślowski (who died in 1996) had planned as his next film.

The film features two allusions to Alfred Hitchcock's film Vertigo. Like that film, it features recurring images of spirals, such as the 'Spirale' Cafe behind Manni's phone box and the spiral staircase down which Lola runs. In addition, the painting on the back wall of the casino of a woman's head seen from behind is based on a shot in Vertigo: Tykwer disliked the empty space on the wall behind the roulette table and commissioned production designer Alexander Manasse to paint a picture of Kim Novak as she appeared in Vertigo. Manasse could not remember what she looked like in the film and so decided to paint the famous shot of the back of her head. The painting took fifteen minutes to complete.

In the casino, Lola chooses the number "20" in the roulette game because it represents the time length of Lola's mission. The scene parallels one in Casablanca, where a character wins by betting twice on the same number - in that case "22". Lola's strong shriek which can break glasses may be a reference to The Tin Drum (German: Die Blechtrommel) by Günter Grass, as both are concerned with time and the role it can play in human life.

There are also several references to German culture in the film. The most notable is the use of Hans Paetsch as a narrator. Paetsch is a famous voice of children's stories in Germany, recognized by millions. Many of the small parts are cameo roles by famous German actors (for example the bank teller). Also, two quotes by German football legend Sepp Herberger appear: "The ball is round, the game lasts 90 minutes, everything else is pure theory," and, "After the game is before the game."

On several occasions the theme of free will vs. determinism is integrated into the film. The opening narration states the futility of asking questions, as one leads to another and we only travel in circles. Lola's interactions with other people are similar in that a small conversation or interaction with the people on the streets lead to other interactions. For example, the man on the bike can become a happy, married man or a bum. The concept of free will is also presented because she has three different realities to choose from.

Soundtrack

The soundtrack of the film, by Tykwer, Johnny Klimek and Reinhold Heil, includes numerous musical quotations of the sustained string chords of The Unanswered Question, an early 20th-century chamber ensemble work by American composer Charles Ives. In the original work, the chords are meant to represent the "the Silences of the Druids—who Know, See and Hear Nothing."

The song "Wish" (actually sung and written by Potente) alters mood and atmosphere. In the first, the music is played in the wake of alertness; the second displays danger. The third is upbeat with additional lyrics such as "Never Say Never." Moreover, the third sequence's music explains Lola's true emotions and struggles. It also metaphorically explains her desire towards the upcoming present and future. The song "What a Diff'rence a Day Made", performed by Dinah Washington, is played toward the end of the first reality.

Locations

A supermarket in Berlin-Charlottenburg, which served as the filming location for Manni's and Lola's robbery.

Run Lola Run is shot extensively in and around Berlin, Germany. Here are some of the confirmed locations:

Critical reception

In total, the film was nominated for 41 awards, 26 of which were won. These included the Audience Award at the Sundance Film Festival, Best Film at the Seattle International Film Festival, and seven separate wins at the German Film Awards[1]

As of September 21, 2008, the review aggregator Rotten Tomatoes reported that 92% of critics gave the film positive reviews, based on 79 reviews.[2] On Metacritic, another review aggregator, the film had an average score of 77 out of 100, based on 29 reviews, stating the film as having "generally favourable reviews".[3] The Internet Movie Database, IMDb, shows Run Lola Run as having earned 8 out of 10, based on 65,976 votes, earning the film 239th place in its list of the top 250 films of all time.[4]

In contrasting reviews, Film Threat's Chris Gore said of the film, "[It] delivers everything great foreign films should - action, sex, compelling characters, clever filmmaking, it's unpretentious (a requirement for me) and it has a story you can follow without having to read those annoying subtitles. I can't rave about this film enough -- this is passionate filmmaking at its best. One of the best foreign films, heck, one of the best films I have seen", while Jonathan Rosenbaum of The Chicago Reader stated, "About as entertaining as a no-brainer can be--a lot more fun, for my money, than a cornball theme-park ride like "Speed," and every bit as fast moving. But don't expect much of an aftertaste.".[5][6]

The movie was released on DVD on December 21st 1999, and was released on Blu-ray on February 19th 2008.

Cast

See also

External links

References

  1. ↑ "Lola Rennt (1998) - Awards". IMDb. Retrieved on 2008-09-21.
  2. ↑ "Run Lola Run - Rotten Tomatoes". Rotten Tomatoes. Retrieved on 2008-09-21.
  3. ↑ "Run Lola Run (1999): Reviews". Metacritic. Retrieved on 2008-09-21.
  4. ↑ "Lola Rennt (1998)". IMDb. Retrieved on 2008-09-21.
  5. ↑ "Current Movie Reviews, Independent Movies - Film Threat". Film Threat. Retrieved on 2008-09-21.
  6. ↑ You must specify title = and url = when using {{cite web}}."". The Chicago Reader. Retrieved on 2008-09-21.
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