Robert Smith (musician)

Robert Smith
Robert Smith playing live at The Singapore Indoor Stadium in August, 2007
Background information
Birth name	Robert James Smith
Born	April 21, 1959 (1959-04-21) (age 50)
Origin	Blackpool, England
Genre(s)	Gothic rock Alternative rock Experimental rock Post-punk Punk rock Pop
Occupation(s)	Musician, songwriter, producer
Instrument(s)	Vocals, Guitar, Keyboards, Piano, Bass, Flute, Violin, Trumpet
Years active	1976–present
Associated acts	The Cure Siouxsie & the Banshees The Glove Easy Cure Malice
Website	http://www.thecure.com/
Notable instrument(s)
Fender Jazzmaster Fender Bass VI Schecter UltraCure Signature

Robert James Smith (born April 21, 1959) is an English guitarist, vocalist and songwriter, and has been the lead singer of the rock band The Cure since its founding in 1976. NY Rock calls him "pop culture's unkempt poster child of doom and gloom", and describes his songs as "sombre introspection over lush, brooding guitars".^[1] Smith is a multi-instrumentalist and can play guitar, bass guitar, flute, double bass, keyboard, violin, and trumpet.

Role in The Cure

Main article: The Cure

Smith has written or co-written the bulk of The Cure's music and lyrics in a career spanning 30 years. When the Cure was first formed, Smith did not intend to become the lead vocalist; he only began singing after the original singer left and the group could not find a suitable vocalist. During the late 1970s and into the '80s, Smith composed some of The Cure's songs on a Hammond organ, and recorded a complete demo of the song "10:15 Saturday Night".

Smith is the only member of the band who has remained constant since the beginning. With Lol Tolhurst, he wrote songs such as singles "Lovecats," "Let's Go to Bed", and "The Walk". He also wrote the album The Top between stints as Siouxsie and the Banshees' guitarist. Smith has co-produced most of the band's material.

Biography

Early years

Robert Smith is the third of four children born to Alex and Rita Smith. His siblings are Richard, Margaret and Janet. Janet is married to Porl Thompson, the "second" guitarist of The Cure; he and Smith switch between playing lead and rhythm guitars.

Smith was raised as a Catholic and went to Notre Dame Middle School and St. Wilfrid's Comprehensive School in Crawley. He was an accomplished student who maintained high marks, but after he began playing guitar at the age of 11 his primary focus quickly became his music. He was influenced by The Beatles, Nick Drake, Jimi Hendrix, The Stranglers, The Ink Spots and David Bowie.

Stage persona and image

Smith helped popularize the "goth" style of dress with his trademark smeared red lipstick and messy black hair, black clothes, and sneakers, a look that he began sporting in the early 1980s. According to Siouxsie and the Banshees bassist Steven Severin, Smith first used Siouxsie Sioux's lipstick after using opium. However, Smith claims that he has worn make-up since he was young. He was also quoted as saying, "It's so pitiful when 'goth' is still tagged onto the name The Cure."^[2]

His songwriting for the band's early albums — particularly Faith, Pornography, and Disintegration — centered around themes of depression, loneliness, and isolation. The sombre mood of these early albums, along with Smith's onstage persona, cemented the band's "gothic" image.

The band's aesthetic went from gloomy to psychedelic beginning with the album The Top. In 1986, Smith further altered his image by appearing onstage and in press photos sporting short spiky hair and polo shirts (this can be seen in In Orange , a concert in the south of France released on video 1987).

Although Smith's public persona suggests a depressed image, he has said that his songs do not convey how he feels all, or even most, of the time.

"At the time we wrote Disintegration...it's just about what I was doing really, how I felt. But I'm not like that all the time. That's the difficulty of writing songs that are a bit depressing. People think you're like that all the time, but I don't think that. I just usually write when I'm depressed."^[3]

Vocal styles

In the band's earliest period, Smith used a soft vocal style on the demos of "10:15 Saturday Night" and "Boys Don't Cry" and the frenetic punk style of "I Just Need Myself". Both of those styles were left behind as a third emerged during the production of the band's debut album, Three Imaginary Boys. This new sound, which can be heard on most of the final versions of songs from that period, became the signature Smith sound, which he generally employed until the album Bloodflowers. Around that time, Smith said he wanted to improve his singing, the opposite of his goal in 1984; he remarked in the documentary Ten Imaginary Years that he tried to sing badly on the album The Top.

Despite the gothic "gloom and doom" image often tagged onto Smith, he has proven himself to be able to sing falsetto quite well. Examples include "Why Can't I Be You?" and "I Don't Know What's Going On".

Songwriting styles

Robert Smith in San Francisco, California, October 1985 - Photo by Nancy J Price

Smith's songwriting has shown a range of styles and themes over the years. Early songs incorporated literary paraphrase (the reference to Camus' novel L'Etranger in "Killing an Arab"), punk metafiction ("So What") surrealism ("Accuracy"), straight-forward rock/pop ("Boys Don't Cry," "I'm Cold"), and poetic mood pieces ("Another Day" and "Fire in Cairo"). In subsequent decades, Smith explored more poetic moods.

Smith's songwriting took a more pop-oriented turn following Pornography. Even Smith's seemingly upbeat tracks often contain dark themes, however; the single "In Between Days," for example, contrasts a bouncy pop-rock beat with lyrics about sadness and heartbreak.

In an interview in 2000, Smith said that "...there is one particular kind of music, an atmospheric type of music, that I enjoy making with the Cure. I enjoy it a lot more than any other kind of sound.^[1] When Smith was asked about the 'sound' of his songwriting, Smith said that he did not "...think there is such a thing as a typical Cure sound. I think there are various Cure sounds from different periods and different line-ups."^[1]

Collaborations

Smith has also been involved in other musical projects, including a stint with Siouxsie & the Banshees and a side project with Steven Severin called The Glove. He has also contributed to a number of independent projects and performances, among them the B-side of the Faith cassette, a 30-minute instrumental track from a movie project, Carnage Visors. He was responsible for the release of two singles by Crawley based artists in the early 80's: "Cult Hero" a local postman and the "Obtainers" who were two local school kids.

In 1980, Smith sang backing vocals on the song "The Affectionate Punch", by The Associates, on their 1980 debut album with the same title. At the time, The Associates were also signed to Fiction Records. The Cure song, "Cut Here", is about The Associates' singer, Billy MacKenzie's suicide.

In 1998, Smith formed a "one-off" side project with Jason Cooper and Reeves Gabrels under the name COGASM, releasing the track "A Sign From God" for the film Orgazmo.

In 2000, Smith collaborated on the track 'Yesterday's Gone' with David Bowie side man Reeves Gabrels on his solo album "Ulysses (Della Notte)".

In 2003, Smith collaborated with the pop punk band Blink-182 on the track "All of This" off their self-titled album. In 2004, Blank & Jones remixed "A Forest" featuring Smith on vocals. That year, he also provided vocals for Junior Jack for the club hit "Da Hype".

In 2004, he stood in as one of three guest presenters for John Peel on BBC Radio 1, a week before Peel's death. In November, he joined Placebo onstage at their Wembley arena gig to sing that band's hit song "Without You I'm Nothing", as well as the Cure staple "Boys Don't Cry." He also co-wrote and supplied vocals for the Tweaker song "Truth Is." That same year, Smith collaborated again with Junior Jack on a remix of "Da Hype", featured on the album Trust It. He was also featured as a vocalist and co-writer on JunkieXL's "Perfect Blue Sky."

In 2005, Smith teamed up with Billy Corgan, lead singer and lead guitarist of both The Smashing Pumpkins and Zwan, to do a cover of the Bee Gees' "To Love Somebody" on Corgan's first solo release, TheFutureEmbrace.

Discography

Band discography

The Cure

See The Cure discography from 1976 (start) to present

The Glove

See The Glove discography in 1983 (only album)

Siouxsie & the Banshees

• Nocturne (1983)
• Hyæna (1984)

Solo Career

For over two decades, Smith has suggested that he may do a solo album in the future. Smith has been widely credited with writing many of the Cures songs as solo tracks, including "Homesick" and "Untitled" from the album "Disintegration"; Smith denied this, however, crediting those songs to other members:^[3]

"I didn't write "Homesick" and I didn't write the music too. It's another misconception. Out of the 12 songs on the CD, I think I only wrote six musically. [Disintegration] couldn't have been a solo album and if I'd done on my own it wouldn't have sounded anything like The Cure anyway apart from my own voice. The Top album could have been a solo album but it's not true the way we worked in studio..."

Guitars

Smith has an extensive range of guitars with a variety of different sounds for different songs and eras of The Cure. His collection includes a Gretsch Silver Falcon 6136SL, a Gibson Chet Atkins semi-acoustic, a '60s Fender Jazzmaster, a Fender Telecaster, a '60s Fender Bass VI, a '60s Mosrite Ventures, a '60s Coral Sitar, a Takamine EN28C acoustic, a Takamine 12-string acoustic, an Aria Sandpiper acoustic, an Ovation L756 12-string acoustic, a Gretsch Black Falcon, a Gretsch Red Tennessee Rose, a Guild 12-string acoustic, a Gibson Reverse Firebird, Mosrite joe maphis, and a 1963 National "Valco" Val Pro 88 (as seen on the cover of the trilogy DVD, and in the VHS Play Out). Additionally, he plays his own signature model guitar, the Ultracure, in production by Schecter Guitar Research.

References

External links

• Robert at Pictures of You
• Robert Smith interview at Stereo Warning