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Tanakh (Books common to all Christian and Judaic canons) |
Genesis · Exodus · Leviticus · Numbers · Deuteronomy · Joshua · Judges · Ruth · 1–2 Samuel · 1–2 Kings · 1–2 Chronicles · Ezra (Esdras) · Nehemiah · Esther · Job · Psalms · Proverbs · Ecclesiastes · Song of Songs · Isaiah · Jeremiah · Lamentations · Ezekiel · Daniel · Minor prophets |
Deuterocanon |
Tobit · Judith · 1 Maccabees · 2 Maccabees · Wisdom (of Solomon) · Sirach · Baruch · Letter of Jeremiah · Additions to Daniel · Additions to Esther |
Greek and Slavonic Orthodox canon |
1 Esdras · 3 Maccabees · Prayer of Manasseh · Psalm 151 |
Georgian Orthodox canon |
4 Maccabees · 2 Esdras |
Ethiopian Orthodox "narrow" canon |
Apocalypse of Ezra · Jubilees · Enoch · 1–3 Meqabyan · 4 Baruch |
Syriac Peshitta |
Psalms 152–155 · 2 Baruch · Letter of Baruch |
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Books of Ketuvim |
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Three Poetic Books |
1. Psalms |
2. Proverbs |
3. Job |
Five Megillot |
4. Song of Songs |
5. Ruth |
6. Lamentations |
7. Ecclesiastes |
8. Esther |
Other Books |
9. Daniel |
10. Ezra-Nehemiah |
11. Chronicles |
Psalms (Hebrew: Tehilim, תהילים, or "praises") is a book of the Hebrew Bible (the Christian Old Testament), included in the collected works known as the "Writings" or Ketuvim.
Contents |
The word psalms is derived from the Greek: Psalmoi, originally meaning "songs sung to a harp", from psallein "play on a stringed instrument", Ψαλμοί.
Psalms • תהילים (Tehilim) |
Psalm 23 • Psalm 30 • Psalm 51 • Psalm 67 |
Complete Psalms 1–150 |
Hebrew |
The Book of Psalms consists of 150 psalms, each of which constitutes a religious song, though one or two are atypically long and may constitute a set of related chants. When the Bible was divided into chapters, each Psalm was assigned its own chapter. Psalms are sometimes referenced as chapters, despite chapter assignments postdating the initial composition of the "canonical" Psalms by at least 1,500 years.
The organization and numbering of the Psalms differs slightly between the (Masoretic) Hebrew and the (Septuagint) Greek manuscripts:
Hebrew Psalms | Greek Psalms |
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1–8 | |
9–10 | 9 |
11–113 | 10–112 |
114–115 | 113 |
116 | 114–115 |
117–146 | 116–145 |
147 | 146–147 |
148–150 |
Christian traditions vary:
For the remainder of this article, the Hebrew Psalm numbers will be used unless otherwise noted.
Most manuscripts of the Septuagint also include a Psalm 151, present in Eastern Orthodox translations; a Hebrew version of this poem was found in the Psalms Scroll of the Dead Sea Scrolls. The Psalms Scroll presents the Psalms in an order different from that found elsewhere, and also contains a number of non-canonical poems and hymns. For the other psalms found in some versions of the Peshitta see Psalms 152–155.
Jewish and Muslim traditions posit that the Psalms are the work of David (seventy-three Psalms are with David's name), basing himself on the writings of ten ancient psalmists (including Adam and Moses). Many modern scholars see them as the product of several authors or groups of authors, many unknown. Most Psalms are prefixed with introductory words—"superscriptions"—(which are frequently different in the Masoretic and Septuagint traditions, or missing in one while present in the other) ascribing them to a particular author or saying something, often in fairly cryptic language, about the circumstances of their composition or use; only 73 of these introductions claim David as author. Since the Psalms were not written down in Hebrew before the 6th century BC, nearly half a millennium after David's reign (about 1000 BC), they doubtless depended on oral or hymnic tradition for transmission of any Davidic material.
Psalms 39, 62, and 77 are linked with Jeduthun, to be sung after his manner or in his choir. Psalms 50 and 73–83 are associated with Asaph, as the master of his choir, to be sung in the worship of God. The ascriptions of Psalms 42, 44–49, 84, 85, 87, and 88 assert that the "sons of Korah" were entrusted with arranging and singing them; 2 Chronicles 20:19 suggests that this group formed a leading part of the Korathite singers. Hebraist Joel M. Hoffman suggests that Psalm 49 may be an anti-corruption Psalm, not "for Korah" but "against Korah."[1]
Psalm 18 is also found, with minor variations, at 2 Samuel 22, for which reason, in accordance with the naming convention used elsewhere in the historic parts of the Bible, it is known as the Song of David.
In Jewish usage, the Book of Psalms is divided, after the analogy of the Pentateuch, into five books, each closing with a doxology or benediction (For the Orthodox Christian division into twenty kathismata, see Eastern Orthodox usage, below):
Psalm 136 is generally called "the great Hallel," but the Talmud also includes Psalms 120–135. Psalms 113–118 constitute the Hallel, which is recited on the three great feasts, (Passover, Weeks, and Tabernacles); at the new moon; and on the eight days of Hanukkah. A version of Psalm 136 with slightly different wording appears in the Dead Sea Scrolls.
Psalms 120–134 are referred to as Songs of Degrees, and are thought to have been used as hymns of approach by pilgrims to the Temple in Jerusalem.
Psalm 119 is the longest Psalm. It is composed of 176 verses, in sets of eight verses, each set beginning with one of the 22 Hebrew letters. Several other Psalms also have alphabetical arrangements. These psalms are believed to be written (rather than oral) compositions from the first, and thus of a relatively late date.
Psalm 117 is the shortest Psalm, containing but two verses.
Scholars have determined that there are groups of psalms that can be classified together because of similarities. The main forms are:
Psalm forms or types also include: Songs of Zion – Psalms 48, 76, 84, 87, 122, 134; Historical Litanies – Psalms 78, 105, 106, 135, 136; Pilgrim Liturgies – Psalms 81, 21; Entrance Liturgies – Psalms 15, 24; Judgment Liturgies – Psalms 50, 82; Mixed Types – 36, 40, 41, 68
Walter Brueggemann suggests another way of categorizing the Psalms: Orientation, Disorientation, Reorientation.[2]
In the Pentateuch (or Torah), Moses leads the Jews in two songs of praise: upon the splitting of the Red Sea (Exodus 15) and before his death (Deuteronomy 32). Also, the Jews sing upon miracles done for them with the well (Numbers 21). Other Jewish figures would sing songs to celebrate miracles, including Joshua and Deborah. It is David, though, who is known as the "sweet singer of Israel".
Some of the titles given to the Psalms in their ascriptions suggest their use in worship:
Psalms are used throughout traditional Jewish worship. Many complete Psalms and verses from Psalms appear in the morning services. Psalm 145 (commonly referred to as "Ashrei," which is really the first word of 2 verses appended to the beginning of the Psalm), is read during or before services, three times every day. Psalms 95–99, 29, 92, and 93, along with some later readings, comprise the introduction ("Kabbalat Shabbat") to the Friday night service.
Traditionally, a different "Psalm for the Day" is read after the morning service each day of the week (starting Sunday, Psalms: 24, 48, 82, 94, 81, 93, 92). This is described in the Mishnah (the initial codification of the Jewish oral tradition) in the tractate "Tamid."
From Rosh Chodesh Elul until Hoshanah Rabbah, Psalm 27 is recited twice daily by traditional Jews.
When a Jew dies, a watch is kept over the body and Tehillim (Psalms) are recited constantly by sun or candlelight, until the burial service. Historically, this watch would be carried out by the immediate family – usually in shifts – but in contemporary practice, this service is provided by an employee of the funeral home or Chevra kadisha.
Many Jews complete the Book of Psalms on a weekly or monthly basis. Each week, some also say a Psalm connected to that week's events or the Torah portion read during that week. In addition, many Jews (notably Lubavitch, and other Chasidim) read the entire Book of Psalms prior to the morning service, on the Sabbath preceding the calculated appearance of the new moon.
The reading of psalms is viewed in Jewish tradition as a vehicle for gaining God's favor. They are thus often specially recited in times of trouble, such as poverty, disease, or physical danger; in many synagogues, Psalms are recited after services for the security of the State of Israel. Note that Sefer ha-Chinuch [3] states that this practice is designed not to achieve favor, as such, but rather to inculcate belief in Divine Providence into one’s consciousness - as consistent with Maimonides' general view on Providence. (Relatedly, it is noted that the Hebrew verb for prayer - hitpalal התפלל - is in fact the reflexive form of palal פלל, to judge. Thus, “to pray” conveys the notion of “judging oneself”: ultimately, the purpose of prayer - tefilah תפלה - is to transform ourselves [1]. See further under Jewish services.)
Psalms may also be read by a group of people who divide up the psalms between them to allow for a complete reading of the book.
The 116 direct quotations from the Psalms in the New Testament show that they were familiar to the Judean community in the first century of the Christian era.
New Testament references show that the earliest Christians used the Psalms in worship, and the Psalms have remained an important part of worship in most Christian Churches. The Eastern Orthodox, Roman Catholic and Anglican Churches have always made systematic use of the Psalms, with a cycle for the recitation of all or most of them over the course of one or more weeks. In the early centuries of the Church, it was expected that any candidate for bishop would be able to recite the entire Psalter from memory, something they often learned automatically during their time as monks.
Several conservative denominations sing only the Psalms (some churches also sing the small number of hymns found elsewhere in the Bible) in worship, and do not accept the use of any non-Biblical hymns; examples are the Reformed Presbyterian Church of North America, the Westminster Presbyterian Church in the United States and the Free Church of Scotland.
Some Psalms are among the best-known and best-loved passages of Scripture, with a popularity extending well beyond regular church-goers.
New translations and settings of the Psalms continue to be produced. An individually printed volume of Psalms for use in Christian religious rituals is called a Psalter.
Eastern Orthodox Christians and Greek-Catholics (Eastern Catholics who follow the Byzantine rite), have long made the Psalms an integral part of their corporate and private prayers. To facilitate its reading, the 150 Psalms are divided into 20 kathismata (Greek: καθισματα; Slavonic: каѳисмы, kafismy; lit. "sittings"), and each kathisma (Greek: καθισμα; Slavonic: каѳисма, kafisma) is further subdivided into three stases (Greek: στασεις, staseis' lit. "standings", sing. στασις, stasis).
At Vespers and Matins, different kathismata are read at different times of the liturgical year and on different days of the week, according to the Church's calendar, so that all 150 psalms (20 kathismata) are read in the course of a week. In the twentieth century, some lay Christians have adopted a continuous reading of the Psalms on weekdays, praying the whole book in four weeks.
Aside from kathisma readings, Psalms occupy a prominent place in every other Orthodox service including the services of the Hours and the Divine Liturgy. In particular, the penitential Psalm 50 is very widely used. Fragments of Psalms and individual verses are used as Prokimena (introductions to Scriptural readings), and Stichera. The bulk of Vespers would still be composed of Psalms even if the kathisma were to be disregarded; Psalm 118, "The Psalm of the Law," is the centerpiece of Matins on Saturdays, some Sundays, and the Funeral service. The entire book of Psalms is traditionally read out loud or chanted at the side of the deceased during the time leading up to the funeral, mirroring Jewish tradition.
The Psalms have always been an important part of Roman Catholic liturgy. The Liturgy of the Hours is centered on chanting or recitation of the Psalms, using fixed melodic formulas known as psalm tones. Early Catholics employed the Psalms widely in their individual prayers also; however, as knowledge of Latin (the language of the Latin rite) became uncommon, this practice ceased among the unlearned. However, until the end of the Middle Ages it was not unknown for the laity to join in the singing of the Little Office of Our Lady, which was a shortened version of the Liturgy of the Hours providing a fixed daily cycle of twenty-five psalms to be recited, and nine other psalms divided across Matins.
The work of Bishop Richard Challoner in providing devotional materials in English meant that many of the psalms were familiar to English-speaking Catholics from the eighteenth century onwards. Challoner translated the entire of the Lady Office into English, as well as Sunday Vespers and daily Compline. He also provided other individual Psalms such as 129/130 for prayer in his devotional books. Challoner is also noted for revising the Douay-Rheims Bible, and the translations he used in his devotional books are taken from this work.
Until the Second Vatican Council the Psalms were either recited on a one week or less frequently (as in the case of Ambrosian rite) a two-week cycle. Different one-week schemata were employed: all secular clergy followed the Roman distribution, while Monastic Houses almost universally followed that of St Benedict, with only a few congregations (such as the Benedictines of St Maur) following individualistic arrangements. The Breviary introduced in 1974 distributed the psalms over a four-week cycle. Monastic usage varies widely. Some use the four week cycle of the secular clergy, many retain a one week cycle, either following St Benedict's scheme or another of their own devising, while others opt for some other arrangement.
Official approval was also given to other arrangements (see "Short" Breviaries in the 20th and early 21st century America for an in-progress study) by which the complete Psalter is recited in a one or two-week cycle. These arrangements are used principally by Catholic contemplative religious orders, such as that of the Trappists (see for example the Divine Office schedule at New Melleray Abbey).
The General Instruction of the Liturgy of the Hours, 122 sanctions three modes of singing/recitation for the Psalms:
Of these three the antiphonal mode is the most widely followed.
Over the centuries, the use of complete Psalms in the liturgy declined. The Tridentine Mass preserved only isolated verses that, in some cases, were originally refrains sung during recitation of the whole Psalm from which they were taken. After the Second Vatican Council (which also permitted the use of vernacular languages in the liturgy) longer psalm texts were reintroduced into the Mass, during the readings. The revision of the Roman Missal after the Second Vatican Council reintroduced the singing or recitation of a more substantial section of a Psalm, in some cases an entire Psalm, after the first Reading from Scripture. This Psalm, called the Responsorial Psalm, is usually sung or recited responsorially, although the General Instruction of the Roman Missal, 61 permits direct recitation.
The psalms are extremely popular among those who follow the Reformed tradition.
Following the Protestant Reformation, verse paraphrases of many of the Psalms were set as hymns. These were particularly popular in the Calvinist tradition, where in the past they were typically sung to the exclusion of hymns. Calvin himself made some French translations of the Psalms for church usage. Martin Luther's A Mighty Fortress is Our God is based on Psalm 46. Among famous hymn settings of the Psalter were the Scottish Psalter and the settings by Isaac Watts. The first book printed in North America was a collection of Psalm settings, the Bay Psalm Book (1640).
But by the 20th century they were mostly replaced by hymns in church services. However, the Psalms are popular for private devotion among many Protestants and still used in many churches for traditional worship. For example, see A Psalm and A Prayer for Private and Public Devotions http://www.apsalmandaprayer.com . There exists in some circles a custom of reading one Psalm and one chapter of Proverbs a day, corresponding to the day of the month.
The version of the Psalter in the American Book of Common Prayer prior to the 1979 edition is a sixteenth century Coverdale Psalter. The Psalter in the American Book of Common Prayer of 1979 is a new translation, with some attempt to keep the rhythms of the Coverdale Psalter.
In Great Britain the Coverdale psalter still lies at the heart of daily worship in Cathedrals and many parish churches. The new Common Worship service book has a companion psalter in modern English.
Anglican chant is a method of singing prose versions of the Psalms.
In the early 17th century, when the King James Bible was introduced, the metrical arrangements by Thomas Sternhold and John Hopkins were also popular and were provided with printed tunes. This version and the version by Tate and Brady produced in the late seventeenth century (see article on Metrical Psalter) remained the normal congregational way of singing psalms in the Church of England until well into the nineteenth century.
The Psalms are one of the most popular parts of the Bible among followers of the Rastafari movement.[5] Rasta singer Prince Far I released an atmospheric spoken version of the psalms, Psalms for I, set to a roots reggae backdrop from The Aggrovators.
Notable settings of multiple psalms as a single composition include:
The psalms also feature large in settings of Vespers, including by Claudio Monteverdi, Wolfgang Amadeus Mozart, and Antonio Vivaldi who wrote such settings as part of their responsibilities as church musicians.
Most settings of individual psalms are indicated under the articles devoted to those particular psalms; settings for other psalms not in such articles include:
Preceded by The Twelve Prophets |
Hebrew Bible | Followed by Proverbs |
Preceded by Job |
Western Old Testament | |
Eastern Old Testament | Followed by Odes |
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