Philosophy of history is an area of philosophy concerning the eventual significance, if any, of human history. Furthermore, it speculates as to a possible teleological end to its development—that is, it asks if there is a design, purpose, directive principle, or finality in the processes of human history.
Philosophy of history asks at least three basic questions:
Philosophy of history should not be confused with historiography, which is the study of history as an academic discipline, and thus concerns its methods and practices, and its development as a discipline over time. Nor should philosophy of history be confused with the history of philosophy, which is the study of the development of philosophical ideas through time.
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In the Poetics, Aristotle argued that poetry is superior to history, because poetry speaks of what must or should be true, rather than merely what is true. This reflects early axial concerns (good/bad, right/wrong) over metaphysical concerns for what "is". Accordingly, classical historians felt a duty to ennoble the world. In keeping with philosophy of history, it is clear that their philosophy of value imposed upon their process of writing history—philosophy influenced method and hence product.
Herodotus, considered by some as the first systematic historian, and, later, Plutarch freely invented speeches for their historical figures and chose their historical subjects with an eye toward morally improving the reader. History was supposed to teach one good examples to follow. The assumption that history "should teach good examples" influenced how history was written. Events of the past are just as likely to show bad examples that are not to be followed, but these historians would either not record them or re-interpret them to support their assumption of history's purpose.
From the Classical period to the Renaissance, historians alternated between focusing on subjects designed to improve mankind and on a devotion to fact. History was composed mainly of hagiographies of monarchs or epic poetry describing heroic gestures such as the Song of Roland about the Battle of Roncevaux Pass, during Charlemagne's first campaign to conquer the Iberian peninsula.
In the 14th century, Ibn Khaldun, who is considered one of the fathers of the philosophy of history, discussed his philosophy of history and society in detail in his Muqaddimah (1377). His work was a culmination of earlier works by Muslim thinkers in the spheres of Islamic ethics, political science, and historiography, such as those of al-Farabi, Ibn Miskawayh, al-Dawwani, and Nasir al-Din al-Tusi.[1] Ibn Khaldun often criticized "idle superstition and uncritical acceptance of historical data." As a result, he introduced a scientific method to the philosophy of history, which was considered something "new to his age", and he often referred to it as his "new science", which is now associated with historiography.[2] His historical method also laid the groundwork for the observation of the role of state, communication, propaganda and systematic bias in history.[1]
By the 18th century, historians had turned toward a more positivist approach focusing on fact as much as possible, but still with an eye on telling histories that could instruct and improve. Starting with Fustel de Coullanges and Theodor Mommsen, historical studies began to progress towards a more modern scientific form. In the Victorian era, the debate in historiography thus was not so much whether history was intended to improve the reader, but what causes turned history and how historical change could be understood.
Given that human beings are currently understood by humans to be the single Earthly creatures capable of abstract thought, a perception of time, and a manipulation of thought concerning the past, the future and the present, an inquiry into the nature of history is based in part on some working understanding of time in the human experience.
History (as contemporarily understood by Western thought), tends to follow an assumption of linear progression: "this happened, and then that happened; that happened because this happened first." This is in part a reflection of Western Thought's foundation of cause and effect. But this linear assumption is not universally biologically inherent in the human species.
Most ancient cultures held a mythical conception of history and time that was not linear. They believed that history was cyclical with alternating Dark and Golden Ages. Plato called this the Great Year, and other Greeks called it an aeon or eon. In researching this topic, Giorgio de Santillana, the former professor of the history of science at MIT, and author of Hamlet's Mill, documented over 200 myths from over 30 ancient cultures that generally tied the rise and fall of history to one precession of the equinox . Examples are the ancient doctrine of eternal return, which existed in Ancient Egypt, the Indian religions, or the Greek Pythagoreans' and the Stoics' conceptions. In The Works and Days, Hesiod described five Ages of Man: the Gold Age, the Silver Age, the Bronze Age, the Heroic Age and the Iron Age, which began with the Dorian invasion. Other scholars suggest there were just four ages, corresponding to the four metals, and the Heroic age was a description of the Bronze Age. A four age count would be in line with the Vedic or Hindu ages known as the Kali, Dwapara, Treta and Satya yugas. The Greeks believed that just as mankind went through four stages of character during each rise and fall of history so did government. They considered democracy and monarchy as the healthy regimes of the higher ages; and oligarchy and tyranny as corrupted regimes common to the lower ages.
In the East cyclical theories of history were developed in China (as a theory of dynastic cycle) and in the Islamic world by Ibn Khaldun.
The story of the Fall of Man from the Garden of Eden in Judaism and Christianity can be seen in a similar light, which would give the basis for theodicies, which attempts to reconcile the existence of evil in the world with the existence of God creating a global explanation of history with the belief in a Messianic Age. Theodicies claimed that history had a progressive direction leading to an eschatological end, such as the Apocalypse, given by a superior power. Augustine of Hippo, Thomas Aquinas or Bossuet in his Discourse On Universal History (1679) formulated such theodicies, but Leibniz, who coined the term, was the most famous philosopher who created a theodicy. Leibniz based his explanation on the principle of sufficient reason, which states that anything that happens, does happen for a specific reason. Thus, what man saw as evil, such as wars, epidemia and natural disasters, was in fact only an effect of his perception; if one adopted God's view, this evil event in fact only took place in the larger divine plan. Hence, theodicies explained the necessity of evil as a relative element which forms part of a larger plan of history. Leibniz's principle of sufficient reason was not, however, a gesture of fatalism. Confronted with the Antique problem of the future contingents, Leibniz invented the theory of "compossible worlds", distinguishing two types of necessity, to cope with the problem of determinism.
During the Renaissance, cyclical conceptions of history would become common, illustrated by the decline of the Roman Empire. Machiavelli's Discourses on Livy (1513-1517) are an example. The notion of Empire contained in itself its ascendance and its decadence, as in Edward Gibbon's The History of the Decline and Fall of the Roman Empire (1776), which was placed on the Index Librorum Prohibitorum.
Cyclical conceptions were maintained in the 19th and 20th centuries by authors such as Oswald Spengler, Nikolay Danilevsky, and Paul Kennedy, who conceived the human past as a series of repetitive rises and falls. Spengler, like Butterfield was writing in reaction to the carnage of the first World War, believed that a civilization enters upon an era of Caesarism after its soul dies. He thought that the soul of the West was dead and Caesarism was about to begin.
The recent development of mathematical models of long-term secular sociodemographic cycles has revived interest in cyclical theories of history (see, for example, Historical Dynamics by Peter Turchin, or Introduction to Social Macrodynamics by Andrey Korotayev et al.).
During the Aufklärung, or Enlightenment, history began to be seen as both linear and irreversible. Condorcet's interpretations of the various "stages of humanity" or Auguste Comte's positivism were one of the most important formulations of such conceptions of history, which trusted social progress. As in Jean-Jacques Rousseau's Emile (1762) treatise on education (or the "art of training men"), the Aufklärung conceived the human species as perfectible: human nature could be infinitely developed through a well-thought pedagogy. In What is Enlightenment? (1784), Kant defined the Aufklärung as the capacity to think by oneself, without referring to an exterior authority, be it a prince or tradition:
Enlightenment is when a person leaves behind a state of immaturity and dependence (Unmündigkeit) for which they themselves were responsible. Immaturity and dependence are the inability to use one's own intellect without the direction of another. One is responsible for this immaturity and dependence, if its cause is not a lack of intelligence or education, but a lack of determination and courage to think without the direction of another. Sapere aude! Dare to know! is therefore the slogan of the Enlightenment.
In a paradoxical way, Kant supported in the same time enlightened despotism as a way of leading humanity towards its autonomy. He had conceived the process of history in his short treaty Idea For A Universal History With A Cosmopolitan Purpose (1784). On one hand, enlightened despotism was to lead nations toward their liberation, and progress was thus inscribed in the scheme of history; on the other hand, liberation could only be acquired by a singular gesture, Sapere Aude! Thus, autonomy ultimately relied on the individual's "determination and courage to think without the direction of another."
After Kant, Hegel developed a complex theodicy in the Phenomenology of Spirit (1807), which based its conception of history on dialectics: the negative (wars, etc.) was conceived by Hegel as the motor of history. Hegel argued that history is a constant process of dialectic clash, with each thesis encountering an opposing idea or event antithesis. The clash of both was "superated" in the synthesis, a conjunction which conserved the contradiction between thesis and its antithesis while sublating it. As Marx would famously explain afterwards, concretely that meant that if Louis XVI's monarchic rule in France was seen as the thesis, the French Revolution could be seen as its antithesis. However, both were sublated in Napoleon, who reconciled the revolution with the Ancien Régime; he conserved the change. Hegel thought that reason accomplished itself, through this dialectical scheme, in History. Through labour, man transformed nature in order to be able to recognize himself in it; he made it his "home". Thus, reason spiritualized nature. Roads, fields, fences, and all the modern infrastructure in which we live is the result of this spiritualization of nature. Hegel thus explained social progress as the result of the labour of reason in history. However, this dialectical reading of history involved, of course, contradiction, so history was also conceived of as constantly conflicting: Hegel theorized this in his famous dialectic of the lord and the bondsman.
According to Hegel,
One more word about giving instruction as to what the world ought to be. Philosophy in any case always comes on the scene too late to give it... When philosophy paints its gray in gray, then has a shape of life grown old. By philosophy's gray in gray it cannot be rejuvenated but only understood. The owl of Minerva spreads its wings only with the falling of the dusk.
– [3]
Thus, philosophy was to explain Geschichte (history) afterwards; philosophy is always late, it is only an interpretation which is to recognize what is rational in the real. And, according to Hegel, only what is recognized as rational is real. This idealist understanding of philosophy as interpretation was famously challenged by Karl Marx's 11th thesis on Feuerbach (1845): "Philosophers have hitherto only interpreted the world in various ways; the point, however, is to change it."
Inspired by the Enlightenment's ideal of progress, social evolutionism became a popular conception in the 19th century. Auguste Comte's (1798–1857) positivist conception of history, which he divided into the theological stage, the metaphysical stage and the positivist stage, brought upon by modern science, was one of the most influential doctrine of progress. The Whig interpretation of history, as it was later called, associated with scholars of the Victorian and Edwardian eras in Britain, such as Henry Maine or Thomas Macaulay, gives an example of such influence, by looking at human history as progress from savagery and ignorance toward peace, prosperity, and science. Maine described the direction of progress as "from status to contract," from a world in which a child's whole life is pre-determined by the circumstances of his birth, toward one of mobility and choice.
The publication of Darwin's The Origin of Species in 1859 demonstrated human evolution. However, it was quickly transposed from its original biological field to the social field, in "social Darwinism" theories. Herbert Spencer, who coined the term "survival of the fittest", or Lewis Henry Morgan in Ancient Society (1877) developed evolutionist theories independent from Darwin's works, which would be later interpreted as social Darwinism. These 19th-century unilineal evolution theories claimed that societies start out in a primitive state and gradually become more civilised over time, and equated the culture and technology of Western civilisation with progress.
Ernst Haeckel formulated his recapitulation theory in 1867, which stated that "ontogeny recapitulates phylogeny": the evolution of each individual reproduces the species' evolution, such as in the development of embryos. Hence, a child goes through all the steps from primitive society to modern society. This was later proved false. Haeckel did not support Darwin's theory of natural selection introduced in The Origin of Species (1859), rather believing in a Lamarckian inheritance of acquired characteristics.
Progress was not necessarily, however, positive. Arthur Gobineau's An Essay on the Inequality of the Human Races (1853-55) was a decadent description of the evolution of the "Aryan race" which was disappearing through miscegenation. Gobineau's works had a large popularity in the so-called scientific racism theories which developed during the New Imperialism period.
After the first world war, and even before Herbert Butterfield (1900–1979) harshly criticized it, the Whig interpretation had gone out of style. The bloodletting of that conflict had indicted the whole notion of linear progress. Paul Valéry famously said: "We civilizations now know ourselves mortal."
However, the notion itself didn't completely disappear. The End of History and the Last Man (1992) by Francis Fukuyama proposed a similar notion of progress, positing that the worldwide adoption of liberal democracies as the single accredited political system and even modality of human consciousness would represent the "End of History." Fukuyama's work stems from an Kojevian reading of Hegel's Phenomenology of Spirit (1807).
A key component to making sense of all of this is to simply recognize that all these issues in social evolution merely serve to support the suggestion that how one considers the nature of history will impact the interpretation and conclusions drawn about history. The critical under-explored question is less about history as content and more about history as process.
Further information: The validity of the "hero" in historical studies and Great man theory
After Hegel, who insisted on the role of "great men" in history, with his famous statement about Napoleon, "I saw the Spirit on his horse", Thomas Carlyle argued that history was the biography of a few central individuals, heroes, such as Oliver Cromwell or Frederick the Great, writing that "The history of the world is but the biography of great men." His heroes were political and military figures, the founders or topplers of states. His history of great men, of geniuses good and evil, sought to organize change in the advent of greatness. Explicit defenses of Carlyle's position have been rare in the late 20th century. Most philosophers of history contend that the motive forces in history can best be described only with a wider lens than the one he used for his portraits. A.C. Danto, for example, wrote of the importance of the individual in history, but extended his definition to include social individuals, defined as "individuals we may provisionally characterize as containing individual human beings amongst their parts. Examples of social individuals might be social classes [...], national groups [...], religious organizations [...], large-scale events [...], large-scale social movements [...], etc." (Danto, "The Historical Individual", 266, in Philosophical Analysis and History, edited by Williman H. Dray, Rainbow-Bridge Book Co., 1966). The Great Man approach to history was most popular with professional historians in the 19th century; a popular work of this school is the Encyclopedia Britannica Eleventh Edition (1911) which contains lengthy and detailed biographies about the great men of history. For example to read about (what is known today as) the "Migrations Period", one would consult the biography of Atilla the Hun.
After Marx's conception of a materialist history based on the class struggle, which raised attention for the first time to the importance of social factors such as economics in the unfolding of history, Herbert Spencer wrote "You must admit that the genesis of the great man depends on the long series of complex influences which has produced the race in which he appears, and the social state into which that race has slowly grown....Before he can remake his society, his society must make him."
The Annales School, founded by Lucien Febvre and Marc Bloch, were a major landmark on the shift from a history centered on individual subjects to studies concentrating in geography, economics, demography, and other social forces. Fernand Braudel's studies on the Mediterranean Sea as "hero" of history, Emmanuel Le Roy Ladurie's history of climate, etc., were inspired by this School.
Regardless, it is clear that how one thinks about history will to a large degree determine how one will record history - in other words, the philosophy of history will forge the direction for the method of history, which in turn affect the conclusions - history itself.
For further information: Social progress and Progress (philosophy)
Theodicy claimed that history had a progressive direction leading to an eschatological end, given by a superior power. However, this transcendent teleological sense can be thought as immanent to human history itself. Hegel probably represents the epitome of teleological philosophy of history. Hegel's teleology was taken up by Francis Fukuyama in his The End of History and the Last Man (see Social evolutionism above). Thinkers such as Nietzsche, Foucault, Althusser or Deleuze deny any teleological sense to history, claiming that it is best characterized by discontinuities, ruptures, and various time-scales, which the Annales School had demonstrated.
Schools of thought influenced by Hegel see history as progressive, too — but they saw, and see progress as the outcome of a dialectic in which factors working in opposite directions are over time reconciled (see above). History was best seen as directed by a Zeitgeist, and traces of the Zeitgeist could be seen by looking backward. Hegel believed that history was moving man toward "civilization.", and some also claim he thought that the Prussian state incarnated the "End of History". In his Lessons on the History of Philosophy, he explains that each epochal philosophy is in a way the whole of philosophy; it is not a subdivision of the Whole but this Whole itself apprehended in a specific modality.
A classic example of history being written by the victors would be the scarcity of unbiased information that has come down to us about the Carthaginians. Roman historians left tales of cruelty and human sacrifice practiced by their longtime enemies; however no Carthaginian was left alive to give their side of the story.
Similarly, we only have the Christian side of how Christianity came to be the dominant religion of Europe. However, we know very little about other European religions, such as Paganism. We have the European version of the conquest of the Americas, with an interpretation of the native version of events only emerging to popular consciousness since the early 1980s. We have Herodotus's Greek history of the Persian Wars, but the Persian recall of the events is little known in Western Culture.
In many respects, the head of state may be guilty of cruelties or even simply a different way of doing things. In some societies, however, to speak of or write critically of rulers can amount to conviction of treason and death. As such, in many ways, what is left as the "official record" of events is oft influenced by one's desire to avoid exile or execution.
The Tiananmen Square incident in 1989 is an example of a society in which freedom to speak out is not tolerated. How can an historical account from such a regime be accepted as "truth" when there is no voice to alternatives?
A possible counterexample could be the American Civil War, where it can be argued that the losers (Southerners) have written more history books on the subject than the winners and, until recently, dominated the national perception of history. Confederate generals such as Lee and Jackson are generally held in higher esteem than their Union counterparts. Popular films such as Cold Mountain, Gone with the Wind and The Birth of a Nation have told the story from the Southern viewpoint.
As is true of pre-Columbian populations of America, the historical record of America being "discovered" by Europeans is now sometimes presented as a history of invasion, exploitation and dominance of a people who had been there before the Europeans. This correction of the historical record is called historical revisionism (not to be confused with negationism, which is the denial of genocides and crimes against humanity, including Holocaust denial). The revision of previously accepted historical accounts which tended to give only the European perspective on events has proven to be not only stable, but consistent with other historical events as seen in the formation of colonies in the whole world by European nations. In the same sense, the teaching, in French secondary schools, of the Algerian War of Independence and of colonialism, has been criticized by several historians, and is the subject of frequent debates. Thus, in contradiction with the February 23, 2005 law on colonialism, voted by the UMP conservative party, historian Benjamin Stora notes that:
"As Algerians do not appear in their "indigenous" conditions and their sub-citizens status, as the history of nationalist movement is never evoqued, as none of the great figures of the resistance — Messali Hadj, Ferhat Abbas — emerge nor retain attention, in one word, as no one explains to students what has been colonisation, we make them unable to understand why the decolonisation took place."[4]
Obviously the victors do have advantages in promoting their version of events, even if they don't erase their enemies completely from existence. The victors may have control over the churches, the courts and schools. This may give the ruling elites nearly total control over the molding of consciousness and discourse over those they rule. In dictatorships, ruthless censorship allows only the state-approved version of events to be made public, and much that happened remains secret if it proved hurtful to the ruling elite. Liberal democracies are not immune however. In the West for example, the concentration of media into ever fewer hands has given the captains of major media and the Public Relations industry increased control over the parameters of public discourse which form the boundaries of debate we all have in classrooms, and even with friends and co-workers on matters such as war and politics.
The changes to how history is written, whether in the guise of "victory" or "political correctness" simply reflects the shifting nature of power within society and the ability of different voices in a democracy to contribute their own unique viewpoint to what eventually becomes our overall historical fabric.
Democracy has gone a long way towards a "truing" of the historical process. Freedom of speech, freedom of the press, freedom of assembly all contribute to the promulgation of a viewpoint. Not that views agreed upon by a group are necessarily truth, but that such democratic concepts provide more opportunity for an historical account to be allowed to be truer.
The historico-political discourse analyzed by Foucault in Society Must Be Defended (1975-76) considered truth as the fragile product of a historical struggle, first conceptualized under the name of "race struggle" — however, "race"'s meaning was different from today's biological notion, being closer to the sense of "nation" (distinct from nation-states; its signification is here closer to "people"). Boulainvilliers, for example, was an exponent of nobility rights. He claimed that the French nobility were the racial descendants of the Franks who invaded France (while the Third Estate was descended from the conquered Gauls), and had right to power by virtue of right of conquest. He used this approach to formulate a historical thesis of the course of French political history which was a critique of both the monarchy and the Third Estate. Foucault regarded him as the founder of the historico-political discourse as political weapon.
In Great Britain, this historico-political discourse was used by the bourgeoisie, the people and the aristocracy as a means of struggle against the monarchy - cf. Edward Coke or John Lilburne. In France, Boulainvilliers, Nicolas Fréret, and then Sieyès, Augustin Thierry and Cournot reappropriated this form of discourse. Finally, at the end of the 19th century, this discourse was incorporated by racist biologists and eugenicists, who gave it the modern sense of "race" and, even more, transformed this popular discourse into a "state racism" (Nazism). According to Foucault, Marxists also seized this discourse and took it in a different direction, transforming the essentialist notion of "race" into the historical notion of "class struggle", defined by socially structured position: capitalist or proletarian. This displacement of discourse constitutes one of the bases of Foucault's thought: discourse is not tied to the subject, rather the "subject" is a construction of discourse. Moreover, discourse is not the simple ideological and mirror reflexion of an economical infrastructure, but is a product and the battlefield of multiples forces - which may not be reduced to the simple dualist contradiction of two energies.
Foucault shows that what specifies this discourse from the juridical and philosophical discourse is its conception of truth: truth is no longer absolute, it is the product of "race struggle". History itself, which was traditionally the sovereign's science, the legend of his glorious feats, became the discourse of the people, a political stake. The subject is not any more a neutral arbitrate, judge or legislator, as in Solon's or Kant's conceptions. Therefore, - what became - the "historical subject" must search in history's furor, under the "juridical code's dried blood", the multiples contingencies from which a fragile rationality temporarily finally emerged. This may be, perhaps, compared to the sophist discourse in Ancient Greece. Foucault warns that it has nothing to do with Machiavelli's or Hobbes's discourse on war, for to this popular discourse, the Sovereign is nothing more than "an illusion, an instrument, or, at the best, an enemy. It is {the historico-political discourse} a discourse that beheads the king, anyway that dispenses itself from the sovereign and that denounces it".
Since Plato's Republic, civic education and instruction has had a central role in politics and the constitution of a common identity. History has thus sometimes become the target of propaganda, for example in historical revisionist attempts. Plato's insistence on the importance of education was relayed by Rousseau's Emile: Or, On Education (1762), a necessary counterpart of The Social Contract (also 1762). Public education has been seen by republican regimes and the Enlightenment as a prerequisite of the masses' progressive emancipation, as conceived by Kant in Was Ist Aufklärung? (What Is Enlightenment?, 1784).
The creation of modern education systems, instrumental in the construction of nation-states, also passed by the elaboration of a common, national history. History textbooks are one of the many ways through which this common history was transmitted. Le Tour de France par deux enfants, for example, was the Third Republic's classic textbook for elementary school: it described the story of two French children who, following the German annexation of the Alsace-Lorraine region in 1870, go on a tour de France during which they become aware of France's diversity and the existence of the various patois.
In most societies, schools and curricula are controlled by governments. As such, there is always an opportunity for governments to impose. Granted, often governments in free societies serve to protect freedoms, check hate speech and breaches of constitutional rights; but the power itself to impose is available to use the education system to influence thought of malleable minds, positively or negatively, towards truth or towards a version of truth. A recent example of the fragility of government involvement with history textbooks was the Japanese history textbook controversies.
A current popular conception considers the value of narrative in the writing and experience of history. Important analysts in this area include Paul Ricœur, Louis Mink and Hayden White. Some have doubted this approach because it draws fictional and historical narrative closer together, and there remains a perceived “fundamental bifurcation between historical and fictional narrative” (Ricœur, vol. 1, 52). In spite of this, most modern historians, such as Barbara Tuchman or David McCullough, would consider narrative writing important to their approaches. The theory of narrated history (or historicized narrative) holds that the structure of lived experience, and such experience narrated in both fictional and non-fictional works (literature and historiography) have in common the figuration of ‘’temporal experience." In this way, narrative has a generously encompassing ability to “‘grasp together’ and integrate[] into one whole and complete story” the “composite representations” of historical experience (Ricœur x, 173). Louis Mink writes that, “the significance of past occurrences is understandable only as they are locatable in the ensemble of interrelationships that can be grasped only in the construction of narrative form” (148). Marxist theorist Fredric Jameson also analyzes historical understanding this way, and writes that “history is inaccessible to us except in textual form […] it can be approached only by way of prior (re)textualization” (82).
In his "Society must be Defended", Michel Foucault posited that the victors of a social struggle use their political dominance to suppress a defeated adversary's version of historical events in favor of their own propaganda, which may go so far as historical revisionism (see Michel Foucault's analysis of historical and political discourse above). Nations adopting such an approach would likely fashion a "universal" theory of history to support their aims, with a teleological and deterministic philosophy of history used to justify the inevitableness and rightness of their victories (see The Enlightenment's ideal of progress above). Philosopher Paul Ricoeur has written of the use of this approach by totalitarian and Nazi regimes, with such regimes "exercis[ing] a virtual violence upon the diverging tendencies of history" (History and Truth 183), and with fanaticism the result. For Ricoeur, rather than a unified, teleological philosophy of history, "We carry on several histories simultaneously, in times whose periods, crises, and pauses do not coincide. We enchain, abandon, and resume several histories, much as a chess player who plays several games at once, renewing now this one, now the another" (History and Truth 186). For Ricoeur, Marx's unified view of history may be suspect, but is nevertheless seen as:
the philosophy of history par excellence: not only does it provide a formula for the dialectics of social forces—under the name of historical materialism—but it also sees in the proletarian class the reality which is at once universal and concrete and which, although it be oppressed today, will constitute the unity of history in the future. From this standpoint, the proletarian perspective furnishes both a theoretical meaning of history and a practical goal for history, a principle of explication and a line of action. (History and Truth 183)
Walter Benjamin believed that Marxist historians must take a radically different view point from the bourgeois and idealist points of view, in an attempt to create a sort of history from below, which would be able to conceive an alternative conception of history, not based, as in classical historical studies, on the philosophical and juridical discourse of sovereignty--an approach that would invariably adhere to major states (the victors') points of view.
George Orwell's Nineteen Eighty-Four is a fictional account of the manipulation of the historical record for nationalist aims and manipulation of power. In the book, he wrote, "He who controls the present, controls the past. He who controls the past, controls the future." The creation of a "national story" by way of management of the historical record is at the heart of the debate about history as propaganda. To some degree, all nations are active in the promotion of such "national stories," with ethnicity, nationalism, gender, power, heroic figures, class considerations and important national events and trends all clashing and competing within the narrative.
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