Pearl Jam | |||||
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Studio album by Pearl Jam | |||||
Released | May 2, 2006 | ||||
Recorded | November 2004 – February 2006 at Studio X, Seattle, Washington | ||||
Genre | Alternative rock | ||||
Length | 49:42 | ||||
Label | J | ||||
Producer | Adam Kasper, Pearl Jam | ||||
Professional reviews | |||||
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Pearl Jam chronology | |||||
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Singles from Pearl Jam | |||||
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Pearl Jam is the eighth studio album by the American alternative rock band Pearl Jam and its debut release for J Records. Released on May 2, 2006, it was the band's first full-length studio release in almost four years, the longest gap between Pearl Jam's studio albums to date. Following its appearance on the 2004 Vote for Change tour, the band commenced work on a new album. The music on the record was proclaimed as a return to the band's roots.
Pearl Jam debuted at number two on the Billboard charts. Pearl Jam was well-received critically, and eventually outsold the band’s previous release, Riot Act, released in 2002. The band supported the album with a full-scale tour in 2006. The album has been certified gold by the RIAA in the United States.
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For its eighth album, Pearl Jam again worked with producer Adam Kasper. Pearl Jam was recorded at Studio X in Seattle, Washington. The band began work on the album following the 2004 Vote for Change tour in November 2004.[1][2] The band worked on the album off and on throughout 2005, with the sessions being interrupted toward the end of the year when the band toured North America and South America.[3] The album was completed in early 2006. Bassist Jeff Ament attributed the length of time recording to lead vocalist Eddie Vedder having a child and the band touring in the middle of recording.[2] The album was mixed by Kasper at Studio X.
In contrast with the process for the band's last three albums, Yield, Binaural, and Riot Act, the band members did not go into the recording sessions with any completed songs, only guitar riffs.[2] Vedder admitted that the band "really went in with nothing."[4] Vedder and Ament said the band sat around playing music together and discussed the song arrangements.[5][2] Ament described it as a "real collaborative effort,"[2] and Vedder described it as "absolute democracy."[6] Guitarist Mike McCready stated that the band members were feeling "fresh and energetic" and "were communicating better than ever."[7] Toward the end of the sessions it came down to Vedder to finish up the material, with Ament observing that "the way the record started and the way that it finished is probably two different things."[8]
The resulting material was more up-tempo compared with the band's last few albums. Vedder attributed this to the band writing a lot of material that kept getting pared down, with the band leaving behind mid-tempo songs,[5] while Ament suggested that it was because of the band balancing recording and touring which resulted in "physicality...from being out on the road."[2] The band attempted to create an environment in which McCready and drummer Matt Cameron could play much as they do live.[6] Ament said that there was "a lot of honing of the guitars and vocals in the middle and toward the end," which resulted in the album sounding "more polished."[2] On the overall feeling of the album, Ament said, "The band playing in a room—that came across. There’s a kind of immediacy to the record, and that’s what we were going for."[2]
Many claim the new album is a return to the band's roots, with even McCready having compared the new material to Vs. in a 2005 interview.[9] Stephen Thomas Erlewine of Allmusic said, "Nearly 15 years after Ten, Pearl Jam finally returned to the strengths of their debut with 2006's Pearl Jam, a sharply focused set of impassioned hard rock."[10] Vedder said, "It's easily the best stuff we've done but also some of the hardest stuff. It's very aggressive, because again, it's kind of a product of what it's like to be an American these days. It's pretty aggressive, especially when you turn it loud."[3] The album begins with a number of up-tempo songs before expanding to a variety of tempos for its second half,[10] with Ament observing that "the front of the record is so extroverted but it ends up so introverted."[11]
Current socio-political issues in the United States are addressed on the album. The Iraq War is addressed in the songs "World Wide Suicide", "Marker in the Sand", and "Army Reserve". The lyrics of "World Wide Suicide" depict anger against the war. Other themes addressed on the album include drug use ("Severed Hand"),[12] religion ("Marker in the Sand"), poverty ("Unemployable"), leaving everything behind to start again ("Gone"),[12] and loneliness ("Come Back").[12]
Vedder wrote the lyrics for "Life Wasted" after attending the funeral of Johnny Ramone, and has said the song's lyrics are about the feelings one has after driving home from a funeral.[13] Vedder said that "Gone" is about a man "needing to find a new life without his past, without his possessions, and not really looking for more possessions."[12] Damien Echols, one of the three members of the West Memphis 3, co-wrote the lyrics to "Army Reserve".[14] For the first time McCready contributed lyrics to a Pearl Jam album, penning the lyrics to the closing track "Inside Job". McCready said that he wrote the song after realizing "I had to go inside myself first before I could be open to outside ideas."[7] This is the second studio album by the band that does not contain any cursing in the lyrics (the first being Binaural).
Pearl Jam entered the UK charts at number five, the band's highest position there since 2000's Binaural, while it reached number two in the U.S., selling 279,564 copies in its first week.[15] It was held off the top spot by the Tool album, 10,000 Days.[16] As of April 2008, the album has sold around 700,000 copies in the U.S. Pearl Jam is considered a comeback hit, outselling 2002's Riot Act, though it has fallen short of the sales of the previous six albums, even 2000's Binaural. However, it was also released during a slow year for album sales, and actually charted higher on Billboard's Top Selling Albums of the Year than either Binaural or Riot Act.[17] According to Billboard, it is the 90th best selling album of 2006.[18] Pearl Jam achieved gold status.[19]
Pearl Jam received generally favorable reviews, and is currently the band's best reviewed studio album of the 2000s to date.[20] The album was named in Rolling Stone's top 50 albums of the year at number 13.[21] Rolling Stone gave Pearl Jam four out of five stars. Reviewer David Fricke called it the band’s best album in ten years. He said it’s "the most overtly partisan -- and hopeful -- record of their lives," adding that it’s "as big and brash in fuzz and backbone as Led Zeppelin's Presence."[22] Chris Willman of Entertainment Weekly gave the album a B+, saying that Vedder’s "passionate howl seems more valuable now, pitted against the navel-gazing emo whine that's commandeered the landscape," and he went on to say that "in a world full of boys sent to do a man's job of rocking, Pearl Jam can still pull off gravitas."[23] Jon Pareles of The New York Times said, "Now as ever, Pearl Jam takes itself seriously. But it delivers that seriousness not with the sodden self-importance of rock superstardom, but with the craft and hunger of a band still proving itself on the spot."[24] David Raposa of Pitchfork Media called it the "most consistent effort the group's released since its second album," but he added that it "gets pretty boring pretty damn quick."[25]
Three singles were released from Pearl Jam. The album's lead single, "World Wide Suicide", and the companion B-side, "Unemployable", also from the album, were made available through online music stores. "World Wide Suicide" entered the Billboard Hot 100 at number 41. Neither of the album's other commercially released singles, "Life Wasted" and "Gone", charted on the Hot 100, but both placed on the Mainstream Rock and Modern Rock charts. "World Wide Suicide" was the most successful song from Pearl Jam on the rock charts, reaching number 2 on the Mainstream Rock charts and spending a total of three weeks at number 1 on the Modern Rock charts. Videos were made for "World Wide Suicide" and "Life Wasted". The video for "Life Wasted" was released to the public through a Creative Commons Attribution-NonCommercial-NoDerivs license allowing copying, distributing and sharing,[26] and was nominated for a MTV Video Music Award for Best Special Effects in 2006.[27] "Big Wave" was featured on the soundtrack to the 2007 Columbia Pictures movie Surf's Up.
The album's cover art depicts an avocado cut in half with the seed still in place. Because the album is self-titled, many fans refer to it as "Avocado" or "The Avocado Album."[28] The inside cover depicts this same seed by itself. The back cover features the same avocado, without the seed. The cover was named in Pitchfork's top 25 worst album covers of 2006.[29] Fernando Apodaca handled the liner notes art as well as the music video for "Life Wasted", which emulates the liner notes art from the album. The vinyl pressing of the album is a limited and one pressing issue, just like fellow No Code and Binaural albums.
On the choice of a self-titled album, Vedder explained, "In the end, we thought there was enough there with the title of the songs, so to put another title on the album would have seemed pretentious. So, really, it's actually Nothing by Pearl Jam."[30] During the making of the album Vedder considered the title Superun-owned, a play on Soundgarden's Superunknown. He explained, "We're un-owned. We want to remain un-owned."[3]
Those who pre-ordered the album through Pearl Jam's official website received a version of the album with different CD art and packaging than the retail version. Instead of the retail digipack packaging, this fan club pre-order version resembles a book and has the liner notes bound inside it. In addition, a live CD of the band's show on December 31, 1992 at The Academy in New York City was also included with the pre-order.
Pearl Jam promoted the album with tours in North America, Europe, and Australia in 2006.[31] The first leg of the North American tour focused on the Northeastern United States, and then the band moved to the Midwest and the West Coast for the tour's second leg.
Pearl Jam went on to tour Europe for its first time in six years. The band headlined the Reading and Leeds Festivals in August 2006, despite having vowed to never play at a festival again after Roskilde. On returning to the festival circuit, guitarist Stone Gossard said that the band has "a heightened awareness of what needs to happen every night so people are as safe as they can possibly be."[32] Vedder started both concerts with an emotional plea to the crowd to look after each other. He commented during the Leeds set that the band's decision to play a festival for the first time after Roskilde had nothing to do with "guts" but with trust in the audience.[33] On September 19, 2006 at the Torino, Italy show at Palaisozaki, Pearl Jam played Pearl Jam in its entirety in order mid-way through its set.[34] After Europe, the band headed to Australia and then finished the year with two shows in Hawaii. The official bootlegs on this tour were available in MP3 and lossless FLAC formats. The band's shows at The Gorge Amphitheatre were released as part of the Live at the Gorge 05/06 box set. A DVD documenting the band's shows in Italy entitled Immagine in Cornice was released in 2007.
A song from Ament's 2008 solo album, Tone, called "The Forest", was recorded by Pearl Jam, however Vedder never got around to adding vocals to the track.[35] The instrumental version by Pearl Jam is featured in the 2007 Pearl Jam concert film, Immagine in Cornice. The version of the song on Tone features vocals by Ament and music taken from the original demo version of the song.[35]
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Publication | Country | Accolade | Year | Rank |
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Rolling Stone | United States | "The Top 50 Albums of 2006"[21] | 2006 | 13 |
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