| Licence to Kill | |
|---|---|
Licence to Kill film poster |
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| James Bond | Timothy Dalton |
| Also starring | Carey Lowell Robert Davi Talisa Soto |
| Directed by | John Glen |
| Produced by | Albert R. Broccoli, Michael G. Wilson |
| Novel/Story by | Michael G. Wilson, Richard Maibaum |
| Screenplay | Michael G. Wilson, Richard Maibaum |
| Cinematography by | Alec Mills |
| Music by | Michael Kamen Narada M. Walden |
| Main theme | Licence to Kill |
| Composer | N. Michael Walden Jeffrey Cohen Walter Afanaseiff |
| Performer | Gladys Knight |
| Distributed by | MGM/UA Distribution Co. |
| Released | 14 July 1989 |
| Running time | 133 min. |
| Budget | $32,000,000 |
| Worldwide gross | $156,200,000 |
| Preceded by | The Living Daylights (1987) |
| Followed by | GoldenEye (1995) |
| IMDb • Allmovie | |
Licence to Kill (1989) is the sixteenth spy film in the James Bond series, and the second and last to star Timothy Dalton as the fictional MI6 agent James Bond. Licence to Kill is the first, original (non-Fleming) title, that adapts the Live and Let Die story with elements from the short story The Hildebrand Rarity, concerning agent 007's resignation from MI6 to pursue revenge against Franz Sánchez, a Latin American drugs baron. The title refers to Bond's discretionary licence to kill; originally, the title was Licence Revoked.
Given screenwriter Richard Maibaum had died, and internecine lawsuits over ownership of the film series, this was the last film for six years, the series' longest interval, and the last film by producer Albert R. Broccoli.
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The story opens with Bond and his friend, CIA agent Felix Leiter, on their way to Leiter's wedding to Della Churchill. Meanwhile, DEA agents spot drug lord Franz Sanchez flying near The Bahamas, and a Coast Guard helicopter collects Leiter and Bond in an attempt to capture Sanchez. They capture Sanchez by attaching a hook and cord to Sanchez's plane and pulling it out of the air with the helicopter. The two parachute to the wedding.
Later that day, bribed DEA agent Ed Killifer assists Sanchez in escaping. On their honeymoon night, Leiter and Della are captured by Sanchez's henchmen; Leiter is fed to a shark as his wife is raped and killed. After hearing the news of Sanchez's escape, Bond returns to Leiter's house to find Della dead and Felix alive but severely injured.
Bond begins his revenge by killing Killifer, causing him to fall into the same tank with the shark that maimed Leiter. M meets Bond in Key West's Hemingway House and orders him to an assignment in Istanbul, Turkey. Bond refuses the assignment and subsequently resigns. M accepts his resignation and immediately revokes his licence to kill. Bond quickly escapes MI6 custody and becomes a rogue agent, bereft of official backing but later surreptitiously helped by armourer Q. Bond boards a ship run by Milton Krest, Sanchez's key lieutenant, where he ruins Sanchez's latest drug shipment and steals five million dollars. In Leiter's records, Bond finds details of a rendezvous in Bimini with Pam Bouvier, an ex-CIA agent-pilot, who he recruits to his mission.
Bond journeys to the Latin American country of the "Republic of Isthmus" (a fictional country loosely based on Panama, which is known for its Isthmus of Panama), where he finds his way into Sanchez's employ by posing as an assassin looking for work. With the aid of Bouvier and Q, he frames Krest, making him appear disloyal to Sanchez. Sanchez traps Krest in a hyperbaric chamber and then suddenly depressurises the chamber, causing Krest's head to explode; meanwhile, for Bond's perceived loyalty, Sanchez permits him into his inner circle of friends.
After an overnight stay at his villa, Sanchez takes Bond to his base, disguised as a meditation retreat. Bond learns that Sanchez's scientists can dissolve cocaine in gasoline, and then sell it disguised as fuel to Asian drug dealers. The buying and selling are conducted via the American televangelist Professor Joe Butcher, working under orders from Sanchez's business manager Truman-Lodge. The re-integration process will be available to those underworld clients who can pay Sanchez's price. In addition, Sanchez has brokered a deal to buy Stinger missiles from the Contras, and has threatened to shoot down an American airliner if the DEA interferes in his operations. Unfortunately for Bond, he is recognised by Dario as an informer; though Bond does manage to start a fire in the laboratory, his henchmen capture Bond. Sanchez orders Bond be placed on the conveyor belt that drops the brick-cocaine into a giant shredder and leaves with his men. Pam Bouvier arrives (posing as a follower of Professor Butcher) and helps Bond escape; during his escape, Bond kills Dario by pulling him on to the conveyor belt and Dario falls into the shredder. Pam and Bond quickly escape the base as it explodes. Sanchez escapes with four tanker trucks full of the cocaine/gasoline mixture and his Stinger missiles, and Bond pursues them by plane (with Bouvier at the controls).
Through Bond's actions, he cleverly manages to destroy three of the four trucks' tanks. An irate Sanchez kills Truman-Lodge when he mocks Sanchez about the money he's just lost. Bond and Sanchez fight aboard the final remaining tanker, which ends up out of control and then rolls down a hillside. Sanchez, soaked in gasoline, mocks Bond, telling him that he could have "had everything", and prepares to kill the prone Bond with a machete. Bond distracts him by asking him if he wants to know why he did it, producing the cigarette lighter that was the Leiters gift for being the best man at their wedding — so showing Sanchez his true motive in destroying his drug empire — and proceeds to set the villain afire. Sanchez, burning alive, stumbles into the wrecked tanker truck's cistern, causing its gasoline to ignite. Bond flees before the massive explosion. Pam arrives driving one of the two remaining trucks and drives them back to Isthmus City.
That night, a party is held at Sanchez's residence. Bond receives a call from Leiter telling him that M is offering him his job back. As Q and Pam share a drink, Lupe thanks Bond for everything and kisses him. Pam notices them and goes downstairs, upset. Bond looks over the balcony, and tells Lupe that he thinks she and El Presidente will make a perfect couple. With that, Bond flings himself over the balcony and lands in the pool, surprising Pam. He pulls her into the pool and Lupe, El Presidente and Q walk away respectively. Pam asks Bond what he asked her earlier in the film, "Why don't you wait until you're asked?" Bond responds with what she said, "So why don't you ask me?" They kiss, and the credits roll over a beautiful view of Isthmus City (in reality Acapulco).
Much of the film was shot in Mexico in Mexico City and the Florida Keys. In the film the Republic of Isthmus was a fictional South American country, based on Panama. Mexico was used to double for this location. Shooting ran from July 18, 1988 to November 1988.[1]
In Mexico City locations included the Biblioteca del Banco de Mexico for exterior of El Presidente Hotel and the Casino Español for the interior of Casino de Isthmus whilst the Teatro de la Ciudad was used for its exterior. Churubusco Studios was used as a sound stage and production base. Villa Arabesque was used for Sanchez' lavish villa which was filmed in Acapulco, and the La Rumorosa Mountain Pass in Mexicali was used for the filming site of the tanker chase. Sanchez's Olympiatec Meditation Institute was shot at the Otomi Ceremonial Center in Toluca. Other underwater sequences were shot at the Isla Mujeres near Cancún.
In the United States filming was done primarily in the Florida Keys, notably Key West. Seven Mile Bridge towards Pigeon Key was used for the armoured truck driving off the edge. Other locations there included Ernest Hemingway House, Key West International Airport, Mallory Square, St. Mary's Star of the Sea Church for Leiter's wedding and Stephano's House 707 South Street for his house and patio. The US Coast Guard Pier was used to film Isthmus City harbour.[1]
Licence to Kill is the only James Bond film to date not to have used a film studio in the United Kingdom during production, though post-production and sound re-recording was carried out at Pinewood Studios. This is also the first Bond film to be rated PG-13 in the US and 15 in the UK; all previous films were PG. Violent scenes had to be trimmed in both the UK and US (albeit somewhat less so) to avoid a higher classification.[1] The uncut version is available in the James Bond Ultimate Edition DVD range.
Initially Eric Clapton and Vic Flick were asked to write and perform the theme song to Licence to Kill. The theme was said to have been a new version based on the James Bond Theme. The guitar riff heard in the original recording of the theme was played by Flick. The prospect, however, fell apart and Gladys Knight's song and performance was chosen. The song (one of the longest to ever be used in a Bond film) was based on the "horn line" from Goldfinger, which required royalty payments to the original writers.[2] The music video of "Licence to Kill" was directed by Daniel Kleinman, who later took over the reins of title designer from Maurice Binder for the 1995 Bond film, GoldenEye.
Notably, the end credits of the film feature the Top 10 R&B hit "If You Asked Me To", sung by Patti LaBelle. In 1992, the song was covered and became a Top 10 pop hit for singer Céline Dion.
Because John Barry was not available at the time due to the fact he was undergoing throat surgery, the soundtrack's score was composed and conducted by Michael Kamen.
Accounting for inflation, Licence to Kill is the least financially successful James Bond films in the U.S., although its worldwide income was greater.[3] Producer Michael G. Wilson (in the DVD commentary) says the production was difficult because of budget control consequent to the over-spending for Moonraker, that did not account for inflation. Moreover, changing the filming locations from China to Mexico and the five-month WGA strike, preventing screenwriter Richard Maibaum from completing the script, left the screenplay writing to him (producer Wilson). [4] The websites Entertainment Weekly and MSN both list Licence To Kill as the second-worst Bond movie, behind The World is Not Enough and A View to a Kill, respectively. [5]
Producer Broccoli said he disliked the poor marketing of Licence to Kill, which was significantly affected by a late title change. Promotional materials by the artist Robert Peak, based on the Licence Revoked title, were inspired by Timothy Dalton's realistic, hard, portrayal of James Bond. The delayed, corrected advertising, by Steven Chorney, in the traditional style, limited the film's pre-release screenings. Moreover, Licence Revoked was simplified to Licence to Kill because American test screening audiences were ignorant of its meaning, however, in the documentary, Inside Licence to Kill, narrator Patrick Macnee says the reason is that to Americans "revoked" denotes lost driving privileges.
Another factor responsible for Licence to Kill's poor earnings was summer competition from adolescent films such as Batman,[6] Indiana Jones and the Last Crusade,[7] Lethal Weapon 2,[8] The Abyss,[9] Star Trek V: The Final Frontier,[10] Honey, I Shrunk the Kids, and Ghostbusters II.[11] Since then, James Bond films are released in autumn or winter. Director John Glen says it is his best Bond film. [1]
The novelisation of the Licence to Kill screenplay was the first since Moonraker in 1979. Then-current Bond series novelist John Gardner novelised the Michael G. Wilson-Richard Maibaum screenplay — a great challenge, because his stories follow Fleming's continuity (albeit updated); Felix Leiter already had lost an arm and a leg to a shark in the Live and Let Die novel, an incident recycled in Licence to Kill. Resultantly, in the chapter "Lightning Sometimes Strikes Twice", the novelisation requires reader acceptance of Bond dealing with Leiter's twice being maimed by a shark; however, Gardner does attempt to reconcile the presence of Milton Krest, (who was murdered in "The Hildebrand Rarity" short story).
The relatively faithful novelisation does differ from the script: (i) Bond uses a Walther P38K, not a Walther PPK (as in the film), because SIS had replaced it, a fact in Gardner's Bond novels; (ii) Q has an extra scene (occurring while Bond is at Sánchez's Olimpatec Meditation Institute), wherein he joins a police captain in raiding Sánchez's house. Although he then had written eight Bond novels, the novelisation was Gardner's first work featuring Q.; before Licence to Kill, Q was heard of, not seen in his novels, having been replaced by his assistant, Ann Reilly, Q'ute. The novelised Licence to Kill story occurs before Win, Lose or Die, wherein Bond is promoted to Captain (in the novelisation and the film, Bond is a Commander).
Licence to Kill was adapted as a forty-four page, colour graphic novel, by writer and artist Mike Grell (also author of original-story Bond comic books), published by Eclipse Comics and ACME Presss in hardcover and trade editions in 1989. The adaptation closely follows the film story, although the ending is briefer, and James Bond does not resemble Timothy Dalton. [12]
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