“Let It Be” | |||||
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Single by The Beatles from the album Let It Be |
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B-side | "You Know My Name (Look up the Number)" | ||||
Released | March 6, 1970 March 11, 1970 (US) |
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Format | vinyl record 7" | ||||
Recorded | Apple Studios 31 January 1969 EMI Studios, Abbey Road 30 April 1969 4 January 1970 |
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Genre | Rock | ||||
Length | 3:50 (single) 4:01 (album) |
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Label | Apple Records | ||||
Writer(s) | Lennon/McCartney | ||||
Producer | George Martin and Chris Thomas (single version) Phil Spector (LP version) |
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The Beatles singles chronology | |||||
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Music sample | |||||
"[[:Image:|Let It Be]]" [[Image:|180px|noicon]] |
"Let It Be" is a song by The Beatles, released in March 1970 as a single, and as the title track of their album Let It Be. Although credited to Lennon/McCartney it is generally accepted to be a Paul McCartney composition.
The single reached #1 in the U.S., Australia, Italy, Norway and Switzerland and #2 in the UK.
It was the final single released by the Beatles while the band was still active.
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McCartney said he had the idea of "Let It Be", after a dream he had about his mother during the tense period surrounding the Get Back/Let It Be sessions. McCartney explained that his mother—who died of cancer when McCartney was fourteen—was the inspiration for the "Mother Mary" lyric.[1][2] McCartney later said, "It was great to visit with her again. I felt very blessed to have that dream. So that got me writing 'Let It Be'."[3][4] He also said—in a later interview about the dream—that his mother had told him, "It will be alright, just let it be."[5]
The first recording of Let It Be took place at Twickenham Film Studios on 3 January 1969, where The Beatles had the previous day begun what would become the Let It Be film. A single take was recorded, with just Paul McCartney on piano and vocals. The first group attempt was made on 8 January. Work continued on the song throughout the month, initially at Twickenham and from 23 January at Apple Studios.[6]
The master take was recorded on 31 January 1969, as part of the 'Apple studio performance' for the project Get Back. McCartney played piano (a Blüthner Flügel from Leipzig), Lennon played bass, Billy Preston played organ and George Harrison and Ringo Starr assumed their conventional roles.[7] This was one of two performances of the song that day. The first version, designated take 27-A, would serve as the basis for all officially released versions of the song. The other version, take 27-B, was performed as part of the 'live studio performance', along with Two of Us and The Long and Winding Road. This performance, in which Lennon and Harrison harmonised with McCartney's lead vocal and Harrison contributed a subdued guitar solo, can be seen in the film Let It Be.
On 30 April 1969, Harrison overdubbed a new guitar solo on the best take from 31 January that year.[8] Harrison reportedly overdubbed another solo on 4 January 1970. The first overdub solo was used for the original single release, and the second overdub solo was used for the original album release. Some fans mistakenly believe that there were two versions of the basic track—based mostly on the different guitar solos, but also on some other differences in overdubs and mixes.[9]
The single used the same cover photograph as the Let It Be album, and was titled "an intimate bioscopic experience with THE BEATLES".[10] It was originally released as a single on 6 March 1970, backed by "You Know My Name (Look up the Number)", with a production credit for George Martin. This version includes orchestration and backing vocals overdubbed on 1970-01-04—under the supervision of McCartney—with backing vocals that included the only known contribution by Linda McCartney to a Beatles song.[9][11] It was during this same session that Harrison recorded the second overdubbed guitar solo. The intention at one point was to have the two overdub solos playing together. This idea was dropped for the final mix of the single, and only the 30 April solo was used, although in practice the 4 January overdub can he heard faintly during the final verse. Martin mixed the orchestration very low in this version.[9] Someone can also be heard whispering something indistinct at around 1:08.[12]
The single mix was included on the 1967-1970 compilation album. Original pressings erroneously show the running time of 4:01 (as per the Let It Be album), and not the single version's running time of 3:52.
On 26 March 1970, Phil Spector remixed the song for the Let It Be album.[13] This version features the "more stinging" 4 January 1970 guitar solo, no backing vocals (except during the first chorus), an echo effect on Ringo's cymbals, and more prominent orchestration.[14] The other guitar solo can be heard faintly through the right speaker, as the original was planned. There are three lines in the last chorus of the song as the "There will be an answer" line is sung twice instead of once as on the single. On the album, before the song Lennon is heard saying in a falsetto voice, mimicking Gracie Fields: "That was 'Can You Dig It' by Georgie Wood, and now we'd like to do 'Hark The Angels Come'," and then giggles. Allen Klein brought in Spector to mix the album without telling McCartney or asking for his agreement, because McCartney had not signed Klein's management contract.[15] McCartney later complained that he was not happy with Spector's production of the recording.[16][17]
At about 9 seconds into the song, you can hear Ringo click his drumsticks together by accident.
An early version of the song also appears on Anthology 3 (Volume 3) which was released on 28 October 1996. This version, Take 1, was recorded on 25 January 1969. It is a much more simplified version, as McCartney had still not written the final verse yet ("And when the night is cloudy...I wake up to the sound of music..."). Instead, the first verse is simply repeated. The song also features studio talk between Lennon and McCartney prior to another take:
“ | John: Are we supposed to giggle in the solo? Paul: Yeah. |
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Also, following the end of the recording, John can be heard saying, "I think that was rather grand. I'd take one home with me. OK let's track it. Ugh you bounder you cheat!" The running time of the "Anthology" version is 4:05.
Another version of the song appeared on the Let It Be… Naked album in 2003. Starr disliked Spector's version where his drumming was augmented by Spector's "tape-delay-effect" to his hi-hats during the song's second verse and added shakers, so Let It Be… Naked features his original "stripped-down-approach" drumming. Also departed were the tom-tom overdub rolls, heard after the guitar solo during the third verse. The guitar solo used in this version—similar to the single version—was taken from the subsequent take as seen in the film "Let It Be". Starr also commented that after the release of Naked, he would now have to listen to McCartney saying, "I told you so", when talking about Spector's production.[18] The song's running time on Naked is 3.54.[19]
Still another version appears in the Let It Be film. In this version, McCartney makes several improvisations on piano, placing fill-in notes and sometimes substituting long notes for several short notes. As with the album version, McCartney repeats the "there will be in an answer" line in the chorus. Unlike the album version, however, he does this during the second chorus, not the final chorus. During the final verse and final chorus, McCartney also substitutes the lines "speaking words of wisdom" and "there will be an answer," replacing them with "there will be no sorrow." This version also uses Ringo's more simplified drumming. The film version has never been officially released on record. The running time clocks in at 3:59.
Glyn Johns mixed the song on 28 May 1969 as he finished the mixing for the Get Back album. This version was never released.[20] He used the same mix in a 5 January 1970, which was an attempt to compile an acceptable version of the LP. Again, this version of the LP was never officially released.[21]
The main piano theme from Let it be, in C Major, introduces the song, in a sober yet powerful series of cadences, consisting of bouncing four-beat-bar triads riding over left hand piano single note tempered keystrokes, which drive the whole harmony, from a nascent confidence feeling (first measure), to subsequent melancholic anxious sentiment (measures second and third) and back to a definite grateful, self assured stance (last measure).
The effect of pleading gloomy mood is achieved by McCartney blending in major 6th and 7th intervals, when playing F and C chords, in the middle of the theme. As harmony is circumscribed by the bass tones, inversions are also a frequent feature worth mentioning in the composition, that lastly shape the settling of emotions of the tune’s intent.
Critical reception for "Let It Be" has been mostly positive.[22] In 2004, it was ranked number 20 on Rolling Stone magazine's list of the 500 greatest songs of all time.[23] Allmusic said it was one of "The Beatles' most popular and finest ballads".[24] Ian MacDonald had a dissenting opinion, writing that the song "achieved a popularity well out of proportion to its artistic weight" and that it was "'Hey Jude', without the musical and emotional release."[25]
John Lennon also commented on "Let It Be". Prior to a take during the 31 January 1969 recording session, he asked, "Are we supposed to giggle in the solo?"[7][25] (This a similar quote to Lewisohn's "The Complete Beatles Recording Sessions" (p170) but Lennon says "during the solo" not "in the solo" as quoted here). In Lennon's Playboy interview in 1980, he disavowed any involvement with composing the song. He said,
“ | That's Paul. What can you say? Nothing to do with the Beatles. It could've been Wings. I don't know what he's thinking when he writes [sic] 'Let It Be.' I think it was inspired by 'Bridge over Troubled Waters.' That's my feeling, although I have nothing to go on. I know he wanted to write a 'Bridge over Troubled Waters.'[26] | ” |
As MacDonald explained, Lennon is wrong about "Bridge over Troubled Water" being McCartney's inspiration: "Let It Be" was recorded approximately a year before "Bridge over Troubled Water" was released.[25] According to Allmusic, Simon and Garfunkel performed the song live in 1969 prior to releasing it, but it is unlikely that McCartney could have heard it before the recording session on 31 January 1969.[27]
Interestingly, "Let It Be" knocked "Bridge over Troubled Water" out of the top spot as Billboard Hot 100 number-one single, 11 April 1970. (see below)
Along with a 700-strong congregation, Paul McCartney, George Harrison, and Ringo Starr sang "Let It Be" during a memorial service for Linda McCartney at St Martin-in-the-Fields church in Trafalgar Square, in 1998.[28]
"Let It Be" has been covered numerous times by various artists, but this is just a short selection:[29]
In 2003, McCartney performed a private rendition for Russian President Vladimir Putin—in the Kremlin—before McCartney played a concert in Red Square.[33]
Preceded by "Bridge over Troubled Water" by Simon and Garfunkel |
Billboard Hot 100 number-one single (The Beatles) 11 April 1970 (two weeks) |
Succeeded by "ABC" by The Jackson Five |
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