Laibach (band)

Laibach
Laibach
Laibach
Background information
Origin Slovenia
Genre(s) Electronic dance
Avant-Garde
Industrial
Martial industrial
Neo-classical
Years active 1980–present
Label(s) Mute
Associated acts 300.000 V.K.
Website http://www.laibach.nsk.si/

Laibach is a Slovenian avant-garde music group, strongly associated with industrial, martial, and neo-classical musical styles. Laibach formed June 1 1980 in Trbovlje, Slovenia. Laibach represents the music wing of the Neue Slowenische Kunst (NSK) art collective, of which it was a founding member in 1984. The name "Laibach" is the German name for Slovenia's capital city, Ljubljana.

Contents

Controversy

Laibach has frequently been accused of both far left and far right political stances due to their use of uniforms and totalitarian-style aesthetics and also due to the Wagnerian influence found in some of their music, notably the thunder in "Sympathy for the Devil (Time for a Change)" and releases such as Macbeth. They were also accused of being members of the neonationalism movement which reincarnates modern ideas of nationalism. When confronted with such accusations, Laibach are quoted as responding, "We are fascists as much as Hitler was a painter" .[1] It is a well known fact that Hitler tried to be a painter in his youth, but was never recognized to be an artist of any value, which would imply that Laibach are as fascist as Hitler was an artist - only pretending to be.

Laibach is notorious for rarely stepping out of character. Some releases feature artwork by the Communist and early Dada artist/satirist, John Heartfield. Laibach concerts have sometimes aesthetically appeared as political rallies. When interviewed, they answer in wry manifestos, showing a paradoxical lust and condemnation for authority.[1]

Richard Wolfson wrote of the group:

Laibach's method is extremely simple, effective and horribly open to misinterpretation. First of all, they absorb the mannerisms of the enemy, adopting all the seductive trappings and symbols of state power, and then they exaggerate everything to the edge of parody... Next they turn their focus to highly charged issues — the West's fear of immigrants from Eastern Europe, the power games of the EU, the analogies between Western democracy and totalitarianism.[2]

Cover songs

Laibach is also known for their cover versions, which are often used to subvert the original message or intention of the song—a notable example being their version of the song ("Live is Life") by Opus, an Austrian arena rock band. In this example, Laibach recorded two new interpretations of the song, which they titled Leben Heißt Leben, and Opus Dei. The first of these two interpretations was the opening song on the Laibach album Opus Dei (1987), and was sung in German. The second version, Opus Dei, was promoted as a single, and its promotional video (which used the title "Life is Life") was played extensively on American cable channel MTV[3]. Opus Dei retained some of the original song's English lyrics, but was delivered in a musical style that left the meaning of the lyrics open to further interpretation by the listener. Whereas the original is a feel-good reggae anthem, Laibach's subversive interpretation twists the melody into a sinister, rolling military march. With the exception of the promotional video, the refrain is at one instance translated into German, giving an eerie example of the sensitivity of its lyrics to context.

Other notable covers include the entirety of the Beatles album Let It Be (1988)—with the exclusion of the title track—and their maxi-single Sympathy for the Devil (1988) which deconstructs the Rolling Stones song of the same name with seven different interpretations of the song. Opus Dei—itself entitled in apparent reference to their cover of Opus's reggae anthem "Live is Life", the P2 lodge, and the eponymous Catholic organization—features a cover of Queen's "One Vision" with lyrics translated into German under the title Geburt einer Nation, starkly revealing the ambiguity of lines like "One race one hope/One real decision". In NATO (1994), Laibach also memorably re-work Europe's glam metal anthem "The Final Countdown" as a Wagnerian disco epic.

In 2004, Laibach re-mixed the song "Ohne Dich" by Rammstein in a significantly altered version. Unlike the solo male vocals in the Rammstein original, this re-mix features both male and female vocals (supplied by Laibach's Milan Fras and Mina Špiler from the band Melodrom), and the orchestral sound of the original has been supplemented—and in some sections even replaced—by a more electronic element. The lyrics of the song were also subtly altered, most noticeably in the chorus: the original version was "Ohne dich kann ich nicht sein" (roughly: "without you I cannot exist"), whereas Laibach's re-worked the chorus declares "Ohne mich kannst du nicht sein" (roughly: "Without me you cannot exist").

Aesthetics

Although primarily a musical group, Laibach has sometimes worked in other media. In their early years, especially before the founding of Neue Slowenische Kunst (NSK), Laibach produced several works of visual art. A notable example was MB 84 Memorandum (1984) an image of a black cross that served as a way to advertise Laibach's appearances during a period in the 1980s when the government of Yugoslavia banned the name "Laibach".[4] Cross imagery, and variations on the cross are apparent in many Laibach recordings and publications.

The visual imagery of Laibach's art (or 'Laibach Kunst', as it calls itself) has been described as 'radically ambiguous' [5], An early example of this ambiguity would be the woodcut entitled 'The Thrower,' also known as Metalec ("The Metal Worker"). This work features a monochrome silhouette of a figure with a clenched fist holding a hammer. The work could be seen by its original Slovene viewers as a poster promoting industrial protest, but the poster could have also been interpreted as a symbol of industrial pride. Another aspect of this woodcut is the large typefaced word 'LAIBACH', evoking memories of the Nazi occupation of Slovenia (when the capitol city was briefly known as Laibach). This piece was featured prominently during a TV interview of Laibach in 1983, during which the interviewer Jure Pengov called Laibach "enemies of the people." [6]

Music

Some early Laibach albums were pure industrial, with hard industrial percussions, heavy rhythms, and roaring vocals. Later in the mid-80s, the Laibach sound became more richly layered with samples from classical music—including from Gustav Holst’s The Planets. The band began their tradition of cover songs in 1987 with the album Opus Dei, where their sound was changed again to take on a more pop sound with classic pop structures.

Influence

Martial music

Main article: martial music

Some early material by Laibach and later neoclassical releases by the band—such as 1990's Macbeth release—were influential on certain artists within the martial music genre.

Rammstein

The popular German musical group Rammstein has acknowledged influence by both the aesthetic approach and material of Laibach. When members of Laibach were asked by an interviewer about Rammstein "stealing" from them, they responded that "Laibach does not believe in originality... Therefore, Rammstein could not 'steal' much from us. They simply let themselves get inspired by our work, which is absolutely a legitimate process. We are glad that they made it. In a way, they have proven once again that a good 'copy' can make more money on the market than the 'original.' "[7]. Laibach would later provide a remix for the Rammstein single "Ohne Dich".

Re-releases

Out on July 9 2007 via Laibach's own label NSK are 4 releases by the Laibach side-projects 300.000 VK and Rotor. From the electronic project Rotor featuring Mina Špiler (Melodrom/Laibach) comes "Phonophobia" and "Rotorsphere" which both combine 'modern technology effects, live-experimentations, DJ-compatible rhythms and techno-industrial mayhem' as they call it. Next is 300.000 VK with two reissues, "Hard Drive : Bill Gates" and "Paracelsus", the first holding mostly hard and fast drum'n'bass techno. "Paracelsus" from its side has been out of print for several years since its original release on 31 October 1994.[8]

Documentaries

Laibach has been the subject of several documentaries:

Members

In 1978 Dejan Knez formed his very first band Salte Morale.[9] Basically, Salte Morale was the first incarnation of Laibach. During summer holidays 1980 after the suggestion of Knez father, famous Slovenian painter and artist Janez Knez, the band changed the name into Laibach. This incarnation included Dejan Knez, Srečko Bajda, Andrej Lupinc, Tomaž Hostnik and Bine Zerko. Soon after that, Knez's cousin Ivan (Jani) Novak and Milan Fras joined the band. In the first period Laibach were a quintet, but soon after that they declared that Laibach has only four members – ‘Vier Personen’. Sometimes those four members of the band were signed with their pseudonyms: Dachauer, Keller, Saliger and Eber.[10]. From the mid ‘80s until mid ‘90s the four full time members were Dejan Knez, Milan Fras, Ervin Markošek and Ivan (Jani) Novak. From time to time, some other persons, such as Oto Rimele (from Lačni Franc band), Nikola Sekulović, famous bass player from the Demolition Group, and some other musicians (such as Matej Mršnik and Roman Dečman) joined Laibach. Slovene singer and radio announcer Anja Rupel has also performed with the group.

Unfortunately, Ervin Markošek and Dejan Knez became serious drug addicts , and both left the band. Knez joined the group again during the WAT tour; and again on the promo concert of the Kunst der Fuge in Leipzig. In the meanwhile Knez was not in the band. Markošek again appears on the press photos for WAT. On the press photos for Volk album were Ivan Novak, Milan Fras, Boris Benko and Primož Hladnik. Benko and Hladnik are members of the group Silence, and collaborators on the Volk album.

Current (Volk lineup)

Current (KunstDerFuge Tour lineup)

Current (KunstDerFuge Leipzig lineup)

Previous

Appearances in popular culture

Discography

7" Singles

12" Singles

CD Singles

Albums

Vinyl releases

CD releases

Cassette only releases

Side projects

References

  1. ↑ 1.0 1.1 "VH1.com Laibach Biography". Retrieved on 2007-04-22.
  2. ↑ Wolfson, 2003
  3. ↑ Monroe, Alexei. Interrogation Machine: Laibach and NSK. MIT Press, 2005. p 231
  4. ↑ "ARTMargins - Winifred M. Griffin: Review of Laibach and Irwin". Retrieved on 2007-04-22.
  5. ↑ Monroe, Alexei. Interrogation Machine. MIT Press, 2005. p76.
  6. ↑ Monroe, Alexei. Interrogation Machine. MIT Press, 2005. p161.
  7. ↑ "Interview: Laibach". Retrieved on 2007-04-22.
  8. ↑ 4 Laibach side-project releases
  9. ↑ the Slovenian
  10. ↑ [ Nskstate.Com ] [ Laibach ] [ Konzert Fuer Das Kreuzschach Und Vier Schauspieler ]
  11. ↑ "[http://www.imdb.com/title/tt0145487/soundtrack Soundtracks for Spider-Man (2002)]". Retrieved on 2008-01-14.
  12. ↑ "LAIBACH AMONG SUPERHEROES". Retrieved on 2008-01-14.

External links

Laibach
Milan Fras · Ivan Novak · Mina Špiler · Janez Gabrič · Luka Jamnik · Primož Hladnik · Eva Breznikar · Nataša Regovec  · Damjan Bizilj
Studio albums
Laibach · Nova Akropola · Baptism · Opus Dei · Let It Be · Macbeth · Kapital · NATO · Jesus Christ Superstars · WAT · Volk · LAIBACHKUNSTDERFUGE
Compilations
Rekapitulacija 1980-1984 · Anthems
Live albums
Neu Konservatiw · Ljubljana-Zagreb-Beograd · Volk Tour London CC Club
Related articles
Neue Slowenische Kunst · 300.000 V.K. · Dejan Knez · Germania