Kiri Te Kanawa
Dame Kiri Janette Te Kanawa, ONZ, DBE, AC (IPA: /ˈkiri: ˈtɛ ˈkɑːnəwə/, born March 6, 1944) is a full lyric soprano from New Zealand. In 1981, she was seen and heard around the world by an estimated 600 million people when she sang Handel's "Let the Bright Seraphim" at the wedding of Charles, Prince of Wales, and Lady Diana Spencer.[1]
Personal history
Kiri Te Kanawa was born Claire Mary Teresa Rawstron in Gisborne, on New Zealand's North Island. She has Māori and European ancestry, but little is known about her birth parents as she was adopted as an infant by an Irish mother and a Māori father. She was educated at Saint Mary's College Auckland and formally trained in operatic singing by Dame Sister Mary Leo, RSM. She began her singing career as a mezzo-soprano, but later developed into a soprano.[2] Her voice is that of a versatile full lyric soprano supported by a technique which has allowed Te Kanawa to sing a variety of music. Her recording of the "Nuns' Chorus" from the Strauss operetta Casanova was New Zealand's first gold record.
Kiri met Desmond Park on a blind date in Auckland in August 1967 and they married six months later. They adopted two children, Antonia (1976) and Thomas (1979) who was named after Kiri's adoptive father. The couple divorced in the late 1990s.
Career
In her teens and early 20s, Te Kanawa was a pop star and popular entertainer at clubs in New Zealand.[3] In 1965 she won the Mobil Song Quest with her performance of Puccini's "Vissi d'arte" from Tosca. In 1963, she was runnerup to Dame Malvina Major in the same competition. As the winner, she received a grant to study in London. In 1966, she then won the prestigious Australian Melbourne Sun-Aria contest, which Major had also won the previous year. Both students had been taught by Dame Sister Mary Leo.
Early years in London
In 1966, without an audition, she enrolled at the London Opera Centre to study under Vera Rozsa and James Robertson, who reputedly said Te Kanawa lacked a singing technique when she arrived at the school but did have a gift for captivating audiences.[4]
She first appeared on stage as the "Second Lady" in Die Zauberflöte, as well as in performances of Dido and Aeneas in December 1968 at the Sadler's Wells Theatre. In 1969, she sang "Elena" in Gioacchino Rossini's La donna del lago at the Camden Festival. Praise for her "Idamante" in Mozart's Idomeneo led to an offer of a three-year contract as junior principal at the Royal Opera House Covent Garden where she made her debut as 'Xenia' in Boris Godunov and a 'Flower Maiden' in Parsifal in 1970, and was also heard as the "Voice from Heaven", an off-stage role, in Verdi's Don Carlo. In 1969, she was offered the role of the Countess in The Marriage of Figaro after an audition of which the conductor, Colin Davis, said, "I couldn't believe my ears. I've taken thousands of auditions, but it was such a fantastically beautiful voice."[5] Under director John Copley, Te Kanawa was carefully groomed for the role for a December 1971 opening.
International career
Meanwhile, word of her success had reached John Crosby at the Santa Fe Opera, a summer opera festival in the U.S. state of New Mexico then about to begin its fifteenth season. He cast her in the role of the Countess in Figaro, which opened on July 30, 1971. The performance also featured Frederica von Stade as Cherubino.[6]
On December 1, 1971 at Covent Garden, Kiri Te Kanawa repeated her Santa Fe performance and created an international sensation as the Countess: "with "Porgi amor" Kiri knocked the place flat."[7] It was followed by performances as the Countess at the Lyons Opéra and San Francisco Opera in autumn 1972, while her Metropolitan Opera debut in 1974 as Desdemona in Otello took place at short notice, replacing an ill Teresa Stratas at the last minute. She sang at the Glyndebourne Festival in 1973, with further débuts in Paris (1975), Milan and Sydney (1978), Salzburg (1979) and Vienna (1980). In 1982 she gave her only stage performances as Tosca in Paris. In 1980 she added Elisabeth de Valois in Don Carlos to her repertory at Chicago, and in 1991 the Countess in Capriccio, sung first at Covent Garden and with greater success at Glyndebourne and the Metropolitan in 1998.
In subsequent years, she performed at the Lyric Opera of Chicago, Paris Opera, Sydney Opera House, the Vienna State Opera, La Scala, San Francisco Opera, Munich and Cologne, adding the Mozart roles of Donna Elvira, Pamina, and Fiordiligi, in addition to Italian roles such as Mimi in La bohème. She played Donna Elvira in Joseph Losey's 1979 film adaptation of Don Giovanni.
Te Kanawa has a particular affinity for the heroines of Richard Strauss. Her first appearance in the title role in Arabella was at the Houston Grand Opera in 1977, followed by the roles of the Marschallin in Der Rosenkavalier and the Countess in Capriccio. Many performances were given under the baton of Georg Solti and it was with him that she made her first recording of Figaro.
Te Kanawa retired from the opera stage after her performances in Samuel Barber's Vanessa with the Washington National Opera and the Los Angeles Opera in November/December 2004, but she still performs in concert halls.
Honours
Kiri Te Kanawa was created a Dame Commander of The Order of the British Empire in 1982, invested as an Honorary Companion of the Order of Australia in 1990 and awarded the Order of New Zealand in the 1995 Queen's Birthday Honours List. She has also received honorary degrees from the following universities in the UK: Cambridge, Dundee, Durham, Nottingham, Oxford, Sunderland, Warwick as well as these universities worldwide: Chicago, Auckland and Waikato as well as being honorary fellow of Somerville College, Oxford and Wolfson College, Cambridge. She is also patron of Ringmer Community College, a school in the South-East of England situated not far from Glyndebourne. On June 12, 2008 she received the Edison Classical Music Award during the Edison Classical Music Gala (formerly: 'Grand Gala du Disque') in the Ridderzaal in The Hague.
Controversy
In a 2003 interview with the Melbourne-based Herald Sun she was critical of the high rate of welfare dependence among the Māori people, angering some of her compatriots.[8]
In 2007, Te Kanawa was sued for breach of contract by Leading Edge, an event management company, after canceling a concert with Australian singer John Farnham. She had decided to cancel after learning that his fans sometimes threw their underwear on stage, which he would then proudly display.[9] She won the suit, in part because no binding contract was made, but over $100,000 in court costs were awarded against the Mittane holding company which employs and manages Te Kanawa.[10][11]
Kiri Te Kanawa Foundation
Kiri founded the Kiri Te Kanawa Foundation with the vision "that talented young New Zealand singers and musicians with complete dedication to their art may receive judicious and thoughtful mentoring and support to assist them in realising their dreams." [12]
The foundation manages a trust fund to provide financial and career scholarships to young New Zealand singers and musicians.
Career highlights
- Born March 6, 1944 in Gisborne, New Zealand.
- Studied under Sister Mary Leo 1959-1965 at St Mary's College in Auckland.
- Had New Zealand's first gold disc, with a popular operatic aria.
- Was second to Dame Malvina Major in the Mobil Song Quest in 1963, won it in 1965.
- Won the Melbourne Sun Aria in 1965, and was awarded an Arts Council of Great Britain bursary to study at the London Opera Centre.
- Made her US debut at Santa Fe Opera with her performance as the Countess in Le nozze di Figaro in summer 1971, and became internationally famous at the Royal Opera House, Covent Garden in London after singing the role on 1 December 1971.
- Sang at the San Francisco Opera, the Metropolitan Opera in New York and La Scala in Milan, Italy.
- In 1981 sang at the wedding of Prince Charles and Lady Diana Spencer in St Paul's Cathedral.
- She won a Grammy Award for Best Opera Recording in 1984, for Mozart's "Le Nozze di Figaro". It was produced by Christopher Raeburn and the London Philharmonic Orchestra was conducted by Georg Solti. Also featuring were Thomas Allen, Kurt Moll, Lucia Popp, Samuel Ramey and Frederica von Stade.
- Created Dame Kiri Te Kanawa in 1982, and returned to New Zealand to sing several times, including the New Year millennium concert at Gisborne in January 2000.
- In 1994 celebrated her 50th birthday, culminating in a spectacular Birthday Concert at the Royal Albert Hall, London. Long awaited return to the Metropolitan Opera as Arabella.
- November 1999, released a new album, Maori Songs.
- Sang in her last opera, Vanessa, in 2004, but continues with recitals and concerts and organising the Kiri Te Kanawa Foundation, to help young music students.
- On March 15, 2006, Te Kanawa played a role in the 2006 Commonwealth Games. She sang a medley of "Happy Birthday" to Queen Elizabeth II, in recognition of her upcoming birthday, and "God Save the Queen".
- December 2, 2007, sang to the Queen and the Duke of Edinburgh at the Royal Variety Performance. Her performance included leading the National Anthem, God Save the Queen
- June 28, 2008, she sang Summertime in duet with portuguese fado singer star Mariza, at Casino Estoril.
- July 19, 2008, sang her last American concert with the Chicago Symphony Orchestra at Ravinia Park.
Discography
- Mozart Don Giovanni (1972) sang the role of Donna Elvira in a studio recording with Covent Garden forces under Colin Davis
- Bizet Carmen (1975) sang the role of Micaëlla in a studio recording with the London Philharmonic Orchestra under Georg Solti
- Mozart Così fan tutte (1977) sang the role of Fiordiligi in a studio recording under Alain Lombard
- Mozart Die Zauberflöte (1978) sang the role of Pamina in a studio recording under Alain Lombard
- Gay The Beggar's Opera (1981) sang the role of Polly Peachum in a studio recording under Richard Bonynge with the National Philharmonic Orchestra
- Mozart Le nozze di Figaro (1981) sang the role of the Countess in a studio recording with the London Philharmonic Orchestra under Georg Solti
- Puccini La rondine (1981) sang the role of Magda de Civry in a studio recording with the London Symphony Orchestra under Lorin Maazel
- Verdi and Puccini Arias (1982) – two Puccini arias, "O mio babbino caro" (Gianni Schicchi) and "Chi bel sogno di Doretta" (La Rondine) were used in the Merchant Ivory film A Room with a View
- Come To The Fair - Folk Songs & Ballads
- Puccini Tosca (1984) sang the title role in a studio recording under Solti
- Christmas with Kiri (1984)
- Handel Messiah (1984) - complete recording with Georg Solti conducting the Chicago Symphony Orchestra
- Ave Maria (1984) - A collection of religious favorites with the English Chamber Orchestra and the Choir of St. Paul's Cathedral, London.
- Leonard Bernstein West Side Story (1985) - A recording of Bernstein's 'operatic' music for the Broadway production West Side Story, with José Carreras singing the part of Tony and Leonard Bernstein himself conducting the orchestra and chorus.
- Richard Strauss Arabella (1986) sang the title role in a studio recording with Covent Garden forces under Jeffrey Tate
- Gounod Faust (1986) sang the role of Marguerite in a studio recording with the Bavarian Radio Symphony Orchestra and Chorus under Colin Davis
- South Pacific (1986) a studio cast recording with Kiri Te Kanawa, Mandy Patinkin, José Carreras and Sarah Vaughan
- Puccini Manon Lescaut (1987) sang the title role in a studio recording with the forces of Teatro Comunale di Bologna under Riccardo Chailly
- My Fair Lady (1987) a studio cast recording with Te Kanawa singing the role of Eliza Doolittle and Jeremy Irons singing the role of Henry Higgins.
- Kiri Sings Gershwin (1987) - A collection of George Gershwin songs with the New Princess Theater Orchestra conducted by John McGlinn
- Mozart Così fan tutte (1988) recorded the role of Fiordiligi again this time with Vienna State Opera forces under James Levine
- Verdi Simon Boccanegra (1989) recorded the role of Amelia Grimaldi in a studio recording with the forces of La Scala, Milan under Solti
- Mozart Die Zauberflöte (1989) recorded the role of Pamina again this time with Neville Marriner and the Academy of St. Martin in the Fields
- Wagner Tannhäuser sang the role of Elisabeth in a studio recording with the Philharmonia Orchestra under Marek Janowski
- Johann Strauss II Die Fledermaus (1990) sang the part of Rosalinde with Vienna State Opera forces under André Previn
- Portrait of Kiri Te Kanawa (1990)
- Mozart Le nozze di Figaro (1990) re-recorded the role of the Countess in a studio recording with the Metropolitan Opera forces under James Levine
- Richard Strauss Der Rosenkavalier (1990) sang the role of the Marschallin with the forces of the Semperoper Dresden under Bernard Haitink
- Mozart Der Schauspieldirector (1990) sang the role of Mademoiselle Silberklang with the Vienna Philharmonic under John Pritchard
- Richard Strauss 4 Letze lieder and other songs with Georg Solti and the Vienna Philharmonic (1991)
- Heart To Heart (1991)
- The Kiri Selection (1991)
- Kiri Sings Kern (1991)
- Paul McCartney's Liverpool Oratorio By Paul McCartney & Carl Davis: Movement VII: Crises (1992)
- Tchaikovsky Eugene Onegin (1992) sang the role of Tatyana in a studio recording with Welsh National Opera under Charles Mackerras
- Verdi La traviata (1992) sang the role of Violetta in a studio recording with the forces of the Maggio Musicale Fiorentino under Zubin Mehta
- Kiri Sidetracks (1992)
- Mozart: Great Mass in C Minor (chorus master: Laszlo Heltay), 1994 Philips
- Puccini La bohème (1994) recorded the title role in a studio recording with the London Symphony Orchestra under Kent Nagano
- Richard Strauss Capriccio Recorded the role of the Countess in a studio recording with Ulf Schirmer conductiong the Vienna Philharmonic
- French Songs and Arias (1997)
- Maori Songs (1999)
- Kiri - The Best Of (2001)
- The Very Best Of (2003)
- Kiri Sings Karl (2006) – arranged and conducted by Karl Jenkins
References
- ↑ "Famed soprano Dame Kiri Te Kanawa is coming to Manila", BusinessWorld (2000-09-27), pp. 1. Retrieved on 2008-07-17.
- ↑ Fingleton, David (1982). Kiri Te Kanawa: A Biography. Collins. pp. 21. ISBN 0002163659.
- ↑ "Te Kanawa, Dame Kiri". Encyclopaedia Britannica Online. Retrieved on 2008-07-17.
- ↑ Jenkins, Garry; and Stephen d'Antal (1998). Kiri: Her Unsung Story. London: HarperCollins. ISBN 0-00-255942-0.
- ↑ Gilbert, Susie; and Jay Shir (2003). A Tale of Four Houses: Opera at Covent Garden, La Scala, Vienna and the Met since 1945. London: HarperCollins. ISBN 0-00-255820-3.
- ↑ Scott, Eleanor (1976). The First Twenty Years of the Santa Fe Opera. Santa Fe, N. Mex.: Sunstone Press.
- ↑ Lebrecht, Norman (2000). Covent Garden: The Untold Story: Dispatches from the English Culture War, 1945-2000. London: Simon & Schuster. ISBN 0-684-85143-1.
- ↑ "Dame Kiri remarks strike sour note". BBC News (2003-03-01).
- ↑ "Singer in court for refusing to perform". Yahoo! News (2007-01-28).
- ↑ ""Kiri Te Kanawa Wins Lawsuit Filed Following Withdrawal from Concerts with Pop Star"". Opera News Online (2007-03-21).
- ↑ ""Kiri Te Kanawa Wins 'Panty-Throwing' Lawsuit"". Playbill Arts News: Opera (2007-03-21).
- ↑ "Statement of Mission and Vision". Kiri Te Kanawa Foundation (2007-03-13).
External links