Hikaru Utada | |
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Hikaru Utada in 2004
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Background information | |
Birth name | Utada Hikaru 宇多田 光 |
Also known as | Utada, Hikki, Cubic U |
Born | January 19, 1983 |
Origin | New York City, New York, U.S. |
Genre(s) | Pop, Ethereal Wave, Britpop, dance, J-Pop, R&B, hip hop, rock, ambient, instrumental, experimental |
Occupation(s) | Singer, Songwriter, Producer, Composer, Arranger |
Instrument(s) | Vocals, guitar, piano |
Years active | 1993–present |
Label(s) | EMI Universal Island |
Associated acts | Keiko Fuji, Teruzane Utada, Ne-yo, Timbaland |
Website | EMI Music www.utada.com U3 Music (Personal Blog) |
Hikaru Utada (宇多田 ヒカル Utada Hikaru?, born January 19, 1983), also known by her fans as Hikki (ヒッキー Hikkī?), is a singer-songwriter, arranger and record producer in Japan. She is well-known internationally for her two theme song contributions to Square Enix's Kingdom Hearts video game series: "Simple and Clean"[1] and "Sanctuary".[2]
Utada's debut album First Love became Japan's biggest selling album of all time[3] with over 7.65 million copies sold in Japan alone to date.[4] The release of her later works only help her reign as one of Japan's top artist, with 3 of her Japanese studio albums being ranked in Top 10 best-selling albums ever in Japan (#1, #4, #8)[5]. She has had 12 #1 hits to date on the Oricon Singles chart, with two notable record achievements for a female solo or group artist: 5 of them being million-sellers and 4 placing in the Top 100 All-Time Best-selling Singles.[6][7]
In addition, Utada has won the Nihon Golden Disk "Song of the Year" award for 14 of her singles since 2000 and has won the Golden Disc "Pop/Rock Album of the Year" award for all her 4 Japanese studio albums.[8] In 2003, Utada was ranked the #24 Japanese pop artist in its survey of "Top 100 Japanese Pop Artists of All Time" by HMV,[9] and #10 in HMV's "Top 30 Best Japanese Singers of All Time" in 2006.[10]
In 2007, her single "Flavor of Life" reached #2 in worldwide digital download yearly single chart with over 7.2 million downloads[11], and she sold a total of 12 million digital ringtones and songs in that same year, making her the first artist ever to have that many digital sales in a year's time.[12]
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Hikaru Utada was born in New York City to Japanese parents with roots in the Japanese music industry. Her father, Teruzane Utada, was a record producer while her mother, Junko Utada, was an enka singer, performing under the stage name "Keiko Fuji." Junko Utada’s mother, and Hikaru’s grandmother, was a blind shamisen player (ごぜ, or goze). Utada made her first professional recording at the age of twelve. She did her recordings with her mother, releasing songs under a band named “U3” (also known as Utada 3) until 1996 when she started her first solo project, "I'll be Stronger." The "Cookin' With Moses Vocal" from this project was called the "Cookin' With Gas Vocal" on the promotional release. "I’ll Be Stronger" was the first song Utada wrote. It was released under the artist name "Cubic U," a mathematical reference to her being the third Utada 'power,' which was Hikaru’s pseudonym before becoming a superstar in Japan. The song failed to release in the United States, and in 1997, she started her next project, though at first she was hesitant.
"Watching my parents, doing crazy things to continue working on music, um, I always thought 'I never want to be musician', it's crazy, and it's unstable... Just, it looked like a very hectic life, and I didn't really understand the passion for music that they had back then. But I ended up following my parents' footsteps and carry on the family business and I am a musician now as well and, now I understand the driving passion behind it, and that's okay," she said in an interview.
Cubic U released her debut single "Close to You," which was a cover of The Carpenters' song. She then released her debut album Precious, but it failed to be released in the United States due to restructuring issues at her then record label Capitol Records. In an MTV interview (on MTV's You Hear It First, October 2004), Utada explained: "Someone in Japan heard it—at a Japanese record company—and he said, 'Oh, can't you write in Japanese? You speak Japanese… And I said ok, why not? I'll try. Then I gave it a shot, and the Japanese album just really blew up in Japan."[1] She released Precious in Japan on January 28, 1998, and then later re-released it on March 31, 1999 to much better success. It has sold 702,060 copies to date in Japan, making it a significant hit for an all-English album in that market.
Utada moved to Tokyo in late 1998 and attended Seisen International School, and later the American School in Japan, while continuing to record on a new contract with Toshiba-EMI. Her movement originally came from Japanese FM radio.[13] Leading up to the release of her first album First Love, Utada released two successful million-selling singles: "Automatic / Time Will Tell" and "Movin' on without you." "Automatic / Time Will Tell" sold over two million copies.[14] The success of Utada's singles eventually lead the album First Love to sell over 7 million units in Japan alone (with an additional 3 million overseas, bringing it to a sum of at least 10 million units[5]), becoming the highest selling album in Japanese History.[3] Due to popular demand, Utada later release the song "First Love" as a single as well. By the end of the year, Utada was able to be rank #5 on a Japanese radio station "Tokio Hot 100 Airplay's" Top 100 Artists of the 20th Century by the station and its listeners.[15]
It was two years after the release of First Love that Utada released her sophomore album Distance. All the singles that was release to promote the album was able to achieve success with "Addicted To You, the first single from the album, breaking the one-million mark in its first week and reaching #1 on the Oricon Singles Chart for two consecutive weeks (a personal first) and eventually netting sales of 1,784,000 copies, remaining Utada's most successful single of all time. The second single from the album, "Wait & See ~Risk~", was able to mirror the success of "Addicted To You," selling over one-million units as well. "Wait & See ~Risk~" would later be rank at #6 on Oricon's list of 10 Best-Selling Singles from January 1, 1999 to April 24, 2006[16]. Her two last singles "For You / Time Limit" and "Can You Keep a Secret?" were both able to claim the #1 spot, bringing her #1 hits up to five with "Can You Keep a Secret?" netting sales of yet another million units, becoming #10 on Oricon's Top Ten List of Best-Selling Singles from January 1, 1999 to April 24, 2006.[17]
As it had been two years since First Love was release, the album Distance was highly anticipated among her fans, having the largest first-week sales for any album in Japanese music history, with over 3 million units sold.[18] At the end of 2001, it became the most sold album for any J-music artist worldwide or in the residential industry, with 4.469 million copies sold in Japan alone. After Distance, Utada released a single that was dedicated to the female victim of a murder case in Ikeda, Osaka entitled "Final Distance."
Leading up to her third album, Utada released "Traveling," "Hikari," and "Sakura Drops / Letters." With the exception of "Final Distance" (#2 peak), they were all able to claim the #1 spot. Before the release of Utada's third album, Deep River, the artist eventually underwent surgery after being diagnosed with an ovarian tumor,[19] causing Utada to put her promotional activities on hold.
After recovering and finally releasing Deep River, Utada eventually went back to promoting. While there were no TV appearances, she promoted her album in magazine and radio interviews. The Oricon count of the album was another amazing first-week sales debut for Utada, with 2.35 million sold for the week post its release day. Oricon reports that sales eventually surpassed 3.60 million, making her the only singer or group in Japanese music history to have three consecutive albums surpass the 3x Million (12x Platinum) sold mark, by RIAJ standards. It was also her third consecutive time to hold the #1 position on Oricon's Yearly Albums chart[20] and became the eighth best selling album of all time in Japan.[5]
In 2003, Utada's promotional and personal life schedules got more active due to her marriage and an imposing agreement with Island Records in America to release a proper full-English debut album. New Japanese-language singles would therefore come few and far between, but Utada did release "Colors" on January 29, 2003, which was her only single release for 2003. This song was distinctive because it featured heavy ethereal and experimental tones for the first time in Utada's discography, something that would display itself fruitfully in all the Ultra Blue and Heart Station eras' singles. It became her longest charting single ever with a 45 week trajectory on the Oricon Singles chart, selling 881,000 copies, and was #3 on the Yearly Singles chart.
Her first singles compilation album Utada Hikaru Single Collection Vol.1 was released on March 31, 2004. It became the best-selling album of 2004 in Japan, making her the only solo or group artist to reach #1 four times on the yearly charts. It was also the first compilation album to reach #1 in six years on the yearly charts, and the first compilation album to reach #1 in twenty six years by a female artist.[21] Its success was a particularly amazing achievement, since it received very little promotion and contained no new material or photos. Moreover, it charted longer on the Oricon Albums chart longer than any other Utada release to date, over 2 years. The album would go on to sell over 2.575 million units in Japan, making it the 34th best-selling album ever in the country.[5] A month later, on April 21, she released her only Japanese single in 2004, "Dareka no Negai ga Kanau Koro," which topped the singles chart for two consecutive weeks and sold 365,000 units by the year's end and was also the main theme song for Casshern, her now ex-husband's directorial debut.
In mid-2004, Utada moved back to New York, and began work on a new recording contract with Island Def Jam Music Group. On October 5, 2004, she released her North American English-language debut album, Exodus, under the name "Utada," which was her new American-given artist title at the Universal Convention[22]. It was released nearly a month earlier, on September 9 in Japan, with a special booklet and housed in a cardboard slipcase. In an MTV interview, Utada said: "I don't think it's the music that I'm concerned about. It's obviously that I look really different and there really aren't any completely Asian people [who are popular singers in the U.S.] right now."[23] Exodus became Utada's fourth consecutive release to debut at #1 and boast 500,000+ first-week sales. In spite of enlisting the help of Timbaland to produce and co-write some songs, her American debut as an Island Records artist was met with indifference by the American market, selling 50,000 units – although there was virtually no promotion on her record label's part. "Easy Breezy" was released as the lead single in early August 2004, peaking at #9 Billboard Hot Dance/Club Airplay chart, followed up by "Devil Inside" a month and two weeks later. And Utada became the cover of the Interview magazine June, 2005 issue.[24] "Exodus '04" was released at the end of June 2005 and featured remixes from The Scumfrog, Richard Vission, JJ Flores and Peter Bailey. In the UK, Mercury added another 2 remixes for "You make me want to be a man" in the original album Exodus 04, titled "You Make Me Want To Be A Man [Bloodshy & Avant Mix]" and "You Make Me Want To Be A Man [Junior Jack Mix]." By the end of the year Utada was voted "#1 Favorite Artist of 2004" by Oricon's annual readers poll.[25]
The fourth single from her English Exodus album, "You Make Me Want to Be a Man," was released in October 2005. "Devil Inside" became a club smash in the U.S. and topped the Billboard Hot Dance/Club Airplay charts. Both the Exodus album and "You Make Me Want to Be a Man" single were released in the U.K., with different artwork from the USA and Japanese versions.
A year after the international release and promotion of Exodus, Utada moved back to Tokyo and returned to the Japanese music scene. However, Japanese media and public criticized her poor overseas advance.[26] Leading up the release of her fourth album Ultra Blue, Utada released a string of successful hit singles: "Colors" (#1), "Dareka no Negai ga Kanau Koro" (#1), "Be My Last", (#1), "Passion" (#4), and "Keep Tryin'" (#2). The digital single " This Is Love" was also release to promote the album, netting in at least 1,000,000 digital downloads and ranking as the ninth most downloaded song of 2006 at iTunes Japan.[27]
Ultra Blue sold 500,317 copies in the first week, lower than that of the previous album, although it still easily topped the Oricon Daily, Weekly, and Monthly charts. In addition, Ultra Blue also gave the artist her fifth consecutive chart-topping Japanese album (except Exodus as an English album) to sell in excess of 500,000 units for a first-week sales.[28] On July 13, Toshiba EMI published a report stating that Ultra Blue had sold over one million copies worldwide and four million digital ringtones alreadymaking it one of EMI’s 10th best-selling album of the past year.[29][30] It did not have pop music so much, which made the decrease in album sales.[31] Despite this, on the oricon yearly chart of 2006, it sold 882,343 units in Japan alone, making it the highest-selling original studio album by a Japanese female artist in 2006.[32] Ultra Blue was certified million by the RIAJ.[33]
Ultra Blue later became available on the iTunes Japan online music store, charting at #4 on the 2006 yearly download rankings.[27] Two weeks after the release of Ultra Blue, Utada began a nationwide tour titled "Utada United 2006" on June 30, 2006 which ended on September 12, 2006. This was Utada's second concert tour after her debut tour "Bohemian Summer 2000" and one performance at Budokan Dome in 2004. Aside from her Japanese work, the tour's set list featured three tracks from her 2004 English-language album, Exodus.
The singles that were released prior to Utada's fifth studio album, Heart Station, were able to reach the Top Five position on the chart, including the #1 hit "Flavor of Life", which would later become the best selling digital single in Japan with over 7,500,000 copies download.[12] Around the same time, Utada confirmed in her blog on September 25, 2007 that she had visited New York to with producers and executives at Island/Def Jam about recording a new English album.[34]. Later in the year a digital track by American R&B artist Ne-Yo, titled "Do You" from his latest 2007 album, Because of You featured Utada and was released in Japan on November 21. [35][36]
The year 2007 ended with "Flavor of Life" single becoming the best seller of 2007 and with Utada being voted "#1 Favorite Artist of 2007" by Oricon's annual readers poll, three years after she was last voted #1 on the poll.[25] She also sold a cumulative total of 12 million digital ringtones and songs in 2007, making her the first Japanese artist ever to have this many digital sales in one year.[12]
Utada's fifth studio album, Heart Station, was released on March 19, 2008, becoming her fifth consecutive number-one Japanese studio album.[37] Although it had collected the lowest first week sales for Utada's career, with 480,081 copies sold, the album went on to sell 996,604 copies (still charting), with certification of one million units shipped by the RIAJ. Heart Station also became the best-selling digital-format album on the iTunes 2008 yearly album charts in Japan.[38]
On October 20, 2008, her song "Eternally" from her 2001 album Distance was used as the theme for the drama Innocent Love.[39] On October 31, the song was released as a digital single.[40]
On November 14th, 2008, it was announced that Utada was voted the "#1 Favorite Artist of 2008" by Oricon's annual readers poll, this being the second consecutive year, and third time overall. (2004,2007,2008) [41]
Hikaru's name variations have been a source of some minor confusion in the past. Her legal name at birth is Utada Hikaru (宇多田光 Utada Hikaru?). For her original U.S. debut album, she used the name Cubic U. However, she gained very little fame at this stage in her career. For her Japanese recordings, she has used the name Utada Hikaru (宇多田ヒカル?), with her given name in katakana. Unlike most Japanese artists, she became well known in the English-speaking world under this surname-first name ordering, since her name has been romanized only in that order for the Japanese domestic market. In Japan, it was known that her nickname growing up in the U.S. was "Hikki." However, due to her immense popularity in Japan, she became better known under this nickname in Japan than in the United States. After her successes in Japan, she re-entered the U.S. market simply as Utada (sometimes Iwashita). On a few rare occasions, she has been credited in full on U.S. domestic albums as either "Hikaru Utada" or "Utada Hikaru." Her legal name in Japan was Hikaru Iwashita (岩下光 Iwashita Hikaru?) due to her marriage to Kiriya Kazuaki (whose real name is Kazuhiro Iwashita). However, she does not use this name for most public purposes. Her legal name in the United States has not been clear, especially since the announcement of her divorce on March 2, 2007.
On September 7, 2002 Utada married Kazuaki Kiriya, a photographer and film director who was fifteen years her senior. Kiriya had directed several of her music videos, including "Final Distance," "Traveling," "Hikari," "Sakura Drops," "Deep River," "Dareka no Negai ga Kanau Koro," "Be My Last," "Passion," and "Keep Tryin." Also, "Dareka no Negai ga Kanau Koro" is the theme song of Kiriya's directorial debut, Casshern.
On March 2, 2007, Hikaru Utada and her husband Kazuaki Kiriya were officially divorced, thus ending their four and a half year marriage. They announced the divorce on Utada's blog the following day. Both stated that many factors contributed to the divorce, including personal changes, different viewpoints on the future of their marriage, and, more importantly, lack of communication due to the nature of their jobs. Kiriya hoped that Utada's fans would continue to support her and that the divorce would not affect her reputation and sales. He stated that they could not "emotionally depend on each other" and wished for everybody to support Utada.[42]
On March 9, 2008, roughly a year after her divorce, for an interview for SSTV V.I.P., Utada was asked another question regarding it. Utada stated that they were headed towards a direction in which she felt that she needed to be validated by her husband's opinion. She came to realize the only type of assurance she needed was herself and as a result of the divorce, she gained confidence. Also, Utada stated that she wishes to have children, giving her a brighter outlook on the future. [43]
Japanese studio albums
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Japanese compilation albums
English studio albums
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Years | Awards |
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2000 |
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2001 |
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2002 |
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2003 |
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2007 |
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2008 |
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Persondata | |
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NAME | Utada, Hikaru |
ALTERNATIVE NAMES | |
SHORT DESCRIPTION | musician |
DATE OF BIRTH | January 19, 1983 |
PLACE OF BIRTH | New York City, New York, United States |
DATE OF DEATH | N/A |
PLACE OF DEATH | N/A |