Hatshepsut

Hatshepsut
Statue of Hatshepsut on display at the Metropolitan Museum of Art
Pharaoh of Egypt
Reign	1479–1458 BC,  18th Dynasty
Predecessor	Thutmose II
Successor	Thutmose III
Royal titulary Prenomen: Maatkare[1] Truth Ma'at is the Ka of Re Nomen: Khnumt-Amun Hatshepsut[1] Joined with Amun, Foremost of Noble Ladies Horus name: Wesretkau [1] Mighty of Kas Nebty name: Wadjrenput[1] Flourishing of years Golden Horus: Netjeretkhau[1] Divine of appearance
Consort(s)	Thutmose II
Children	Neferure
Father	Thutmose I
Mother	Queen Ahmose
Born	c.1508 BC[2]
Died	1458 BC
Burial	KV20 (re-interred in KV60[2])
Monuments	Temple of Karnak, Deir el-Bahri, Speos Artemidos

Fragmentary statue of Hatshepsut, quartz diorite, c. 1498-1483 BC - Museum of Fine Arts, Boston

Hatshepsut (or Hatchepsut, IPA: /hætˈʃɛpsʊt/),^[3] meaning, Foremost of Noble Ladies,^[4] was the fifth pharaoh of the eighteenth dynasty of Ancient Egypt. She is generally regarded by Egyptologists as one of the most successful pharaohs, reigning longer than any other woman of an indigenous Egyptian dynasty.

Although contemporary records of her reign are documented in diverse ancient sources, Hatshepsut was described by early modern scholars as only having served as a co-regent from about 1479 to 1458 B.C., during years seven to twenty-one of the reign previously identified as that of Thutmose III.^[5] Today it is generally recognized that Hatshepsut assumed the position of pharaoh and the length of her reign usually is given as twenty-two years, since she was assigned a reign of twenty-one years and nine months by the third-century B.C. historian, Manetho, who had access to many records that now are lost. Her death is known to have occurred in 1458 B.C., which implies that she became pharaoh circa 1479 B.C.

Although it was uncommon for Egypt to be ruled by a woman, the situation was not unprecedented. As a regent Hatshepsut was preceded by Merneith of the first dynasty, who was buried with the full honors of a pharaoh and may have ruled in her own right. Nimaethap of the third dynasty may have been the dowager of Khasekhemwy, but certainly acted as regent for her son, Djoser, and may have reigned as pharaoh in her own right.^[6] Queen Sobekneferu of the Twelfth Dynasty is known to have assumed formal power as ruler of "Upper and Lower Egypt" three centuries earlier than Hatshepsut. Ahhotep I, lauded as a warrior queen, may have been a regent between the reigns of two of her sons, Kamose and Ahmose I, at the end of the seventeenth dynasty and the beginning of Hatshepsut's own eighteenth dynasty. Amenhotep I, also preceding Hatshepsut in the eighteenth dynasty, probably came to power while a young child and his mother, Ahmose-Nefertari, is thought to have been a regent for him.^[7] Other women whose possible reigns as pharaohs are under study include Nefertiti, Neferneferuaten, and Twosret. Among the later, non-indigenous Egyptian dynasties, the most notable example of another woman who became pharaoh was Cleopatra VII, the last pharaoh of Ancient Egypt.

In comparison with other female pharaohs, Hatshepsut's reign was long and prosperous. She was successful in warfare early in her reign, but generally is considered to be a pharaoh who inaugurated a long peaceful era. She re-established trading relationships lost during a foreign occupation and brought great wealth to Egypt. That wealth enabled Hatshepsut to initiate building projects that raised the calibre of Ancient Egyptian architecture to a standard, comparable to classical architecture, that would not be rivaled by any other culture for a thousand years.

Identification of her mummy

Hatshepsut's remains were long considered lost, but in June 2007 a mummy from Tomb KV60, was identified publicly as her remains by Zahi Hawass, the Secretary General of Egypt's Supreme Council of Antiquities.^[8][9] Evidence supporting this identification includes the results of a DNA comparison with the mummy of Ahmose Nefertari, Hatshepsut's great-grandmother and the matriarch of the eighteenth dynasty.^[2] Further conclusive evidence includes the possession of a molar with one root that fit the mummy's jaw as it had a gap that had one root as well. This molar was found inside a small wooden box inscribed with Hatshepsut's name and cartouche; Zahi Hawass's team's CAT scan revealed that this tooth exactly matches this mummy's jaw and fits the remaining root in it.^[10]

Modern CT scans of that mummy believed to be Hatshepsut suggest she was about fifty years old when she died from a ruptured abscess after removal of a tooth. Although this was the cause, it is quite possible she would not have lived much longer; there are signs in her mummy of metastatic bone cancer, as well as possible liver cancer and diabetes.^[2] Egyptologists not involved in the project, however, have reserved acceptance of the findings until further testing is undertaken.^[2]

Family and early life

Queen Ahmose, Pharaoh Thutmose I, and daughter Neferubity, the mother, father, and elder sister of Hatshepsut (note her youthful sidelock)

Hatshepsut was the elder daughter of Thutmose I and Queen Ahmose, the first king and queen of the Thutmoside clan of the eighteenth dynasty. Thutmose I and Ahmose are known to have had only one other child, a daughter, Akhbetneferu (Neferubity), who died as a youth. Thutmose I also married Mutnofret, possibly a daughter of Ahmose I, and produced several half-brothers to Hatshepsut: Wadjmose, Amenose, Thutmose II, and possibly Ramose, through that secondary union. Both Wadjmose and Amenose were prepared to succeed their father, but neither lived beyond adolescence.

Upon the death of her father in 1493 B.C., Hatshepsut married her half-brother, Thutmose II, and assumed the title of Great Royal Wife. Thutmose II ruled Egypt for either three or thirteen years.

Royal women also played a pivotal role in the religion of ancient Egypt. Often a queen officiated at the rites in the temples, as priestess, in a culture where religion was inexorably interwoven with the roles of the rulers. In Hatshepsut's time the royal daughter acted in such a role as the god's Wife (ḥmt nṯr), which is a sacred role usually occupied by royal women during the eighteenth Dynasty. ^[11]

Hatshepsut had one daughter with Thutmose II, Neferure. Some scholars hold that Hatshepsut and Thutmose II groomed Neferure as the heir apparent, commissioning official portraits of their daughter wearing the false beard of royalty and the sidelock of youth as seen in remaining sculptures, reliefs, and drawings. There are many images of her with her nurse and tutors in museums.

When Thutmose II died, he left behind only one son, a young Thutmose III to succeed him. The latter was born as the son of Isis, a lesser wife of Thutmose II, rather than of the Great Royal Wife, Hatshepsut, as Neferure was. Due to the relative youth of Thutmose III, he was not eligible to assume the expected tasks of a pharaoh. Instead, Hatshepsut became the regent of Egypt at this time, assumed the responsibilities of state, and was recognized by the leadership in the temple. At this time, her daughter, Neferure, took over the roles Hatshepsut had played as queen in official and religious ceremonies. This political arrangement is detailed in the tomb autobiography of Ineni, a high official at court:

Thus, while Thutmose III was designated as a co-regent of Egypt, the royal court recognised Hatshepsut as the pharaoh on the throne until she died. It is believed that Neferure became the royal wife of Thutmose III and the mother of his eldest son, Amenemhat, who did not outlive his father.

Thutmose III ruled as pharaoh for more than thirty years after the death of Hatshepsut. This relationship between Neferure and Amenemhat is debated among authors, but since Neferure is depicted in her mother's funeral temple, there are some who believe that Neferure still was alive in the first few years of the rule by Thutmose III as pharaoh, that his eldest son, Amenemhat, was her child, and that he thereby was the heir to the throne of Thutmose III until he died.^[13]

Rule

Dates and length of reign

Hatshepsut was given a reign of about twenty-two years by ancient authors. Josephus writes that she reigned for twenty-one years and nine months, while Africanus states her reign lasted twenty-two years, both of whom were quoting Manetho. At this point in the histories, records of the reign of Hatshepsut end, since the first major foreign campaign of Thutmose III was dated to his twenty-second year, which also would have been Hatshepsut's twenty-second year as pharaoh.^[14] Dating the beginning of her reign is more difficult, however. Her father's reign began in either 1506 or 1526 BC according to the low and high chronologies, respectively.^[15] The length of the reigns of Thutmose I and Thutmose II, however, cannot be determined with absolute certainty. With short reigns, Hatshepsut would have ascended the throne fourteen years after the coronation of Thutmose I, her father.^[16] Longer reigns would put her ascension twenty-five years after Thutmose I's coronation.^[17] Thus, Hatshepsut could have assumed power as early as 1512 BC, or, as late as 1479 BC.

The earliest attestation of Hatshepsut as pharaoh occurs in the tomb of Senenmut's parents where a collection of grave goods contained a single pottery jar or amphorae from the tomb's chamber--which was stamped with the date Year 7.^[18] Another jar from the same tomb--which was discovered in situ by a 1935-1936 Metropolitan Museum of Art expedition on a hillside near Thebes--was stamped with the seal of the 'God's Wife Hatshepsut' while two jars bore the seal of ' The Good Goddess Maatkare. '^[19] The dating of the amphorae, "sealed into the [tomb's] burial chamber by the debris from Senenmut's own tomb," is undisputed which means that Hatshepsut was acknowledged as the king of Egypt by Year 7 of her reign.^[20]

Modern chronologists, however, tend to agree that Hatshepsut reigned as pharaoh from 1479 to 1458 BC, but there is no definitive proof of the beginning date. These dates are derived from the closeness of length of her reign, related in the ancient records of Manetho, Africanus, and Josephus and counting backward from the date of her death, which is quite certain.^[21] or January 16, 1458 BC.^[22]

Major accomplishments

Trade with other countries was re-established; here trees transported by ship from Punt are shown being moved ashore for planting in Egypt - relief from Hatshepsut mortuary temple

Djeser-Djeseru is the main building of Hatshepsut's mortuary temple complex at Deir el-Bahri. Designed by Senemut, her vizier, the building is an example of perfect symmetry that predates the Parthenon, and it was the first complex built on the site she chose, which would become the Valley of the Kings

Hatshepsut reestablished the trade networks that had been disrupted during the Hyksos occupation of Egypt during the Second Intermediate Period, thereby building the wealth of the eighteenth dynasty.

She oversaw the preparations and funding for a mission to the Land of Punt. The expedition set out in her name with five ships, each measuring 70 feet (21 m) long bearing several sails and accommodating 210 men that included sailors and 30 rowers. Many trade goods were bought in Punt, notably myrrh.

Most notably, however, the Egyptians returned from the voyage bearing thirty-one live frankincense trees, the roots of which were carefully kept in baskets for the duration of the voyage. This was the first recorded attempt to transplant foreign trees. It is reported that Hatshepsut had these trees planted in the courts of her Deir el Bahri mortuary temple complex. Egyptians also returned with living Puntites (people of Punt). This trading expedition to Punt was roughly during Hatshepsut's nineteenth year of reign.

She had the expedition commemorated in relief at Deir el-Bahri, which also is famous for its realistic depiction of the Queen of the Land of Punt, Queen Iti, who appears to have had a genetic trait called steatopygia. Hatshepsut also sent raiding expeditions to Byblos and Sinai shortly after the Punt expedition. Very little is known about these expeditions. Although many Egyptologists have claimed that her foreign policy was mainly peaceful,^[23] there is evidence that Hatshepsut led successful military campaigns in Nubia, the Levant, and Syria early in her career.

Building projects

Hatshepsut was one of the most prolific builders in ancient Egypt, commissioning hundreds of construction projects throughout both Upper and Lower Egypt, that were grander and more numerous than those of any of her Middle Kingdom predecessors. Later pharaohs attempted to claim some of her projects as theirs.

She employed the great architect Ineni, who also had worked for her father, her husband, and for the royal steward Senemut. During her reign, so much statuary was produced that almost every major museum in the world has Hatshepsut statuary among their collections; for instance, the Hatshepsut Room in New York City's Metropolitan Museum of Art is dedicated solely to some of these pieces.

Following the tradition of most pharaohs, Hatshepsut had monuments constructed at the Temple of Karnak. She also restored the original Precinct of Mut, the ancient great goddess of Egypt, at Karnak that had been ravaged by the foreign rulers during the Hyksos occupation. She had twin obelisks, at the time the tallest in the world, erected at the entrance to the temple. One still stands, as the tallest surviving ancient obelisk on Earth; the other has broken in two and toppled.

The red chapel of Hatshepsut - Karnak

Another project, Karnak's Red Chapel, or Chapelle Rouge, was intended as a barque shrine and originally, may have stood between her two obelisks. She later ordered the construction of two more obelisks to celebrate her sixteenth year as pharaoh; one of the obelisks broke during construction, and thus, a third was constructed to replace it. The broken obelisk was left at its quarrying site in Aswan, where it still remains. Known as The Unfinished Obelisk, it demonstrates how obelisks were quarried.^[24]

The Temple of Pakhet was built by Hatshepsut at Beni Hasan in the Minya Governorate south of Al Minya. The name, Pakhet was a synthesis that occurred by combining Bast and Sekhmet, who were similar lioness war goddesses, in an area that bordered the north and south division of their cults. The cavernous underground temple, cut into the rock cliffs on the eastern side of the Nile, was admired and called the Speos Artemidos by the Greeks during their occupation of Egypt, known as the Ptolemaic Dynasty. They saw the goddess as a parallel to their hunter goddess Artemis. The temple is thought to have been built alongside much more ancient ones that have not survived. This temple has an architrave with a long dedicatory text bearing Hatshepsut's famous denunciation of the Hyksos that has been translated by James P. Allen.^[25] They had occupied Egypt and cast it into a cultural decline that persisted until a revival brought about by her policies and innovations. This temple was altered later and some of its inside decorations were usurped by Seti I, in the nineteenth dynasty, attempting to have his name replace that of Hatshepsut.

Following the tradition of many pharaohs, the masterpiece of Hatshepsut's building projects was her mortuary temple. She built hers in a complex at Deir el-Bahri. It was designed and implemented by Senemut at a site on the West Bank of the Nile River near the entrance to what now is called the Valley of the Kings because of all the pharaohs who later chose to associate their complexes with the grandeur of hers. Her buildings were the first grand ones planned for that location. The focal point was the Djeser-Djeseru or "the Sublime of Sublimes", a colonnaded structure of perfect harmony nearly one thousand years before the Parthenon was built. Djeser-Djeseru sits atop a series of terraces that once were graced with lush gardens. Djeser-Djeseru is built into a cliff face that rises sharply above it. Djeser-Djeseru and the other buildings of Hatshepsut's Deir el-Bahri complex are considered to be significant advances in architecture. Another one of her great accomplishments is the Hatshepsut needle (also known as the granite obelisks).

Official lauding

Hyperbole is common, virtually, to all royal inscriptions of Egyptian history. While all ancient leaders used it to laud their achievements, Hatshepsut has been called the most accomplished pharaoh at promoting her accomplishments.^[26] This may have resulted from the extensive building executed during her time as pharaoh, in comparison to many others. It afforded her with many opportunities to laud herself, but it also reflects the wealth that her policies and administration brought to Egypt, enabling her to finance such projects. Aggrandizement of their achievements was traditional when pharaohs built temples and their tombs.

Large granite sphinx bearing the likeness of the pharaoh Hatshepsut, depicted with the traditional false beard, a symbol of her pharaonic power - Metropolitan Museum of Art

Women had a high status in ancient Egypt and enjoyed the legal right to own, inherit, or will property. A woman becoming pharaoh was rare, however, only Khentkaues, Sobeknefru, and possibly Nitocris^[27] preceded her in known records as ruling solely in their own name. The latter's existence is disputed and is likely a mis-translation of a male king. Twosret, a female king and the last pharaoh of the nineteenth dynasty, may have been the only woman to succeed her among the indigenous rulers. In Egyptian history, there was no word for a "queen regnant" and by the time of her reign, pharaoh had become the name for the ruler. Hatshepsut is not unique, however, in taking the title of king. Sobekneferu, ruling six dynasties prior to Hatshepsut, also did so when she ruled Egypt. Hatshepsut had been well trained in her duties as the daughter of the pharaoh. During her father's reign she held the powerful office of God's Wife. She had taken a strong role as queen to her husband and was well experienced in the administration of her kingdom by the time she became pharaoh. There is no indication of challenges to her leadership and, until her death, her co-regent remained in a secondary role, quite amicably heading her powerful army—which would have given him the power necessary to overthrow a usurper of his rightful place, if that had been the case.

Hatshepsut assumed all of the regalia and symbols of the pharaonic office in official representations: the Khat head cloth, topped with the uraeus, the traditional false beard, and shendyt kilt.^[26] Many existing statues alternatively show her in typically feminine attire as well as those that depict her in the royal ceremonial attire. Statues portraying Sobekneferu also combine elements of traditional male and female iconography and, by tradition, may have served as inspiration for these works commissioned by Hatshepsut.^[28] After this period of transition ended, however, most formal depictions of Hatshepsut as pharaoh showed her in the royal attire, with all of the pharaonic regalia.

At her mortuary temple, in Osirian statues that regaled the transportation of the pharaoh to the world of the dead, the symbols of the pharaoh as Osiris were the reason for the attire and they were much more important to be displayed traditionally, her breasts are obscured behind her crossed arms holding the regal staffs of the two kingdoms she ruled. This became a pointed concern among writers who sought reasons for the generic style of the shrouded statues and led to misinterpretations. Understanding of the religious symbolism was required to interpret the statues correctly. Interpretations by these early scholars varied and often, were baseless conjectures of their own contemporary values. The reasons for her breasts not being emphasized in the most formal statues, were debated among some early Egyptologists who never drew a parallel to the fact that many women and goddesses portrayed in ancient Egyptian art often lack delineation of breasts or that physical nature of the gender of pharaohs was never stressed in ancient Egyptian art. With few exceptions, subjects were idealized in their art.

Osirian statues of Hatshepsut at her tomb, one stood at each pillar of the extensive structure, note the mummification shroud enclosing the lower body and legs as well as the crook and flail associated with Osiris - Deir el-Bahri

The Hawk of the Pharaoh, Hatshepsut - Temple at Luxor

Modern scholars, however, have opted for an alternative theory: that by assuming the typical symbols of pharaonic power, Hatshepsut was asserting her claim to be the sovereign and not a "King's Great Wife" or queen consort. The gender of pharaohs was never stressed in official depictions, even the men were depicted with the highly stylized false beard associated with their position in the society. Moreover, the Osirian statues of Hatshepsut—as with other pharaohs—depict the dead pharaoh as Osiris, with the body and regalia of that deity. All of the statues of Hatshepsut at her tomb follow that tradition. The promise of resurrection after death was a tenet of the cult of Osiris. Since so many of these, statues of Hatshepsut depicted in this fashion have been widely published and put on display in museums, viewers without an understanding of the religious significance have been misled.

Most of the official statues commissioned of Hatshepsut show her less symbolically and more naturally, as a woman in typical dresses of the nobility of her day. Notably, even after assuming the formal regalia, Hatshepsut still described herself as a beautiful woman, often as the most beautiful of women, and although she assumed almost all of her father's titles, she declined to take the title "The Strong Bull" (the full title being, The Strong Bull of his Mother), which tied the pharaoh to the goddesses Isis, the throne, and Hathor, (the cow who gave birth to and protected the pharaohs)—by being her son sitting on her throne—an unnecessary title for her, since Hatshepsut became allied with the goddesses, herself, which no male pharaoh could. Rather than the strong bull, Hatshepsut, having served as a very successful warrior during the early portion of her reign as pharaoh, associated herself with the lioness image of Sekhmet, the major war deity in the Egyptian pantheon.

Religious concepts were tied into all of these symbols and titles. By the time of Hatshepsut's reign, the merger of some aspects of these two goddesses provided that they would both have given birth to, and were the protectors of, the pharaohs. They became interchangeable at times. Hatshepsut also traced her lineage to Mut, a primal mother goddess of the Egyptian pantheon, which gave her another ancestor who was a deity as well as her father and grandfathers, pharaohs who would have become deified upon death.

While Hatshepsut was depicted in official art wearing regalia of a pharaoh, such as the false beard that male pharaohs also wore, it is most unlikely that she ever wore such ceremonial decorations, just as it is unlikely that the male pharaohs did. Statues such as those at the Metropolitan Museum of Art, depicting her seated wearing a tight-fitting dress and the nemes crown, are thought to be a more accurate representation of how she would have presented herself at court.^[29]

As a notable exception, only one male pharaoh abandoned the rigid symbolic depiction that had become the style of the most official artwork representing the ruler, Pharaoh Amenhotep IV (later Akhenaten) of the same eighteenth dynasty, whose wife, Nefertiti, also may have ruled in her own right following the death of her husband.

One of the most famous examples of the legends about Hatshepsut is a myth about her birth. In this myth, Amun goes to Ahmose in the form of Thutmose I and awakens her with pleasant odors. At this point Amun places the ankh, a symbol of life, to Ahmose's nose, and Hatshepsut is conceived by Ahmose. Khnum, the god who forms the bodies of human children, is then instructed to create a body and ka, or corporal presence/life force, for Hatshepsut. Heket, the goddess of life and fertility, and Khnum then lead Ahmose along to a lioness bed where she gives birth to Hatshepsut. Reliefs depicting each step in these events are at Karnak and in her mortuary temple.

The Oracle of Amun proclaimed that it was the will of Amun that Hatshepsut be pharaoh, further strengthening her position. She reiterated Amun's support by having these proclamations by the god Amun carved on her monuments:

Hatshepsut claimed that she was her father's intended heir and that he made her the heir apparent of Egypt. Almost all scholars today view this as historical revisionism, or prolepsis, on Hatshepsut's part since it was Thutmose II—a son of Thutmose I by Mutnofret—who was her father's heir. Moreover, Thutmose I could not have foreseen that his daughter Hatshepsut would outlive his son within his own lifetime. Thutmose II soon married Hatshepsut and the latter became both his senior royal wife and the most powerful woman at court. Biographer Evelyn Wells, however, accepts Hatshepsut's claim that she was her father's intended successor. Once she became pharaoh herself, Hatshepsut supported her assertion that she was her father's designated successor with inscriptions on the walls of her mortuary temple:

American humorist Will Cuppy wrote an essay on Hatshepsut which was published after his death in the book The Decline and Fall of Practically Everybody. Regarding one of her wall inscriptions, he wrote,

Death

Hatshepsut died as she was approaching, what we would consider middle age given typical contemporary lifespans, in her twenty-second regnal year.^[33] The precise date of Hatshepsut's death—and the time when Thutmose III became pharaoh of Egypt—is considered to be Year 22, II Peret day 10 of their joint rule, as recorded on a single stela erected at Armant^[34] or January 16, 1458 BC.^[35] This information validates the basic reliability of Manetho's kinglist records since Thutmose III and Hatshepsut's known accession date was I Shemu day 4.^[36] (ie: Hatshepsut died 9 months into her 22nd year as Manetho writes in his Epitome for a reign of 21 years and 9 months) No mention of the cause of her death has survived. If the recent identification of her mummy in KV60 is correct, however, CT scans would indicate that she died of blood infection while she was in her fifties.^[2][37] It also would suggest that she had arthritis, bad teeth, and probably had diabetes.^[2]

For a long time, her mummy was believed to be missing from the Deir el-Bahri Cache. An unidentified female mummy—found with Hatshepsut's wet nurse, Sitire-Re, one of whose arms was posed in the traditional burial style of pharaohs—led to the theory that the unidentified mummy in KV60 might be Hatshepsut.^[38] Don Ryan working with Pacific Lutheran University and the Evergreen State College reopened KV60 in 1989, which had been resealed after it was discovered at the turn of the century.^[39] The tomb had been damaged, but the mummies remained in site.

In March 2006, Zahi Hawass claimed to have located the mummy of Hatshepsut, which was misplaced on the third floor of the Cairo Museum.^[40] In June 2007, it was announced that Egyptologists believed they had identified Hatshepsut's mummy in the Valley of the Kings; this discovery is considered to be the "most important find in the Valley of the Kings since the discovery of King Tutankhamun".^[2][41] Decisive evidence was a molar found in a wooden box that was inscribed with Hatshepsut's name, found in 1881 among a cache of royal mummies hidden away for safekeeping in a near-by temple. The tooth has been proven conclusively to have been removed from the mummy's mouth, fitting exactly an empty socket in the mummy's jawbone.^[37][2]

Burial complex

Djeser-Djeseru (Hatshepsut's Temple) - Deir el-Bahri

Hatshepsut had begun construction of a tomb when she was the Great Royal Wife of Thutmose II, but the scale of this was not suitable for a pharaoh, so once she became the ruler, a second tomb was built. This was KV20, which possibly was the first grand tomb complex to be constructed in the Valley of the Kings. The original intention seems to have been to hew a long tunnel that would lead underneath her mortuary temple, but the quality of the limestone bedrock was poor and her architect must have realized that this goal would not be possible. As a result, a large burial chamber was created instead. At some point, it was decided to dis-inter her father, Thutmose I, from his original tomb in KV38 and place his mummy in a new chamber below hers. Her original red-quartzite sarcophagus was altered to accommodate her father instead, and a new one was made for her. It is likely that when she died (no later than the twenty-second year of her reign), she was interred in this tomb along with her father.^[42]

The tomb was opened in antiquity, the first time during the end of the reign of Hatshepsut's successor, Thutmose III, by that time a co-regent with his son. They may have re-interred his grandfather, Thutmose I, in his original tomb and may have moved Hatshepsut's mummy into the tomb of her wet nurse, Sitre-Re, in KV60. It is possible that Amenhotep II, son to Thutmose III by a secondary wife, was the one motivating these actions in an attempt to assure his own succession. Although her tomb largely had been cleared (save for both sarcophagi still present when the tomb was cleared fully by Howard Carter in 1903) some grave furnishings have been identified as belonging to Hatshepsut, including a lioness "throne" (bedstead is a better description), a senet game board with carved lioness-headed, red-jasper game pieces bearing her pharaonic title, a signet ring, and a partial ushabti figurine bearing her name. In the Royal Mummy Cache at DB320 an ivory canopic coffer was found that was inscribed with the name of Hatshepsut and contained a mummified liver. However, there was a royal lady of the twenty-first dynasty of the same name, and this could belong to her instead.^[43]

Changing recognition

Sphinx of Hatshepsut with unusual rounded ears and ruff that stress the lioness features of the statue, but with five toes - newal post decorations from the lower ramp of her temple complex

Toward the end of the reign of Thutmose III and into the reign of his son, an attempt was made to remove Hatshepsut from certain historical and pharaonic records. This elimination was carried out in the most literal way possible. Her cartouches and images were chiselled off some stone walls, leaving very obvious Hatshepsut-shaped gaps in the artwork.

At the Deir el-Bahri temple, Hatshepsut's numerous statues were torn down and in many cases, smashed or disfigured before being buried in a pit. At Karnak there even was an attempt to wall up her obelisks. While it is clear that much of this rewriting of Hatshepsut's history occurred only during the close of Thutmose III's reign, it is not clear why it happened, other than the typical pattern of self-promotion that existed among the pharaohs and their administrators, or perhaps saving money by not building new monuments for the burial of Thutmose III and instead, using the grand structures built by Hatshepsut.

Amenhotep II, who became a co-regent of Thutmose III before his death, however, would have had a motive because his position in the royal lineage was not so strong to assure his elevation to pharaoh. He is suspected by some as being the defacer during the end of the reign of a very old pharaoh. He is documented, further, as having usurped many of Hatshepsut's accomplishments during his own reign. His reign is marked with attempts to break the royal lineage as well, not recording the names of his queens and eliminating the powerful titles and official roles of royal women such as, God's Wife of Amun.^[44]

For many years, presuming that it was Thutmouse III acting out of resentment once he became pharaoh, early modern Egyptologists presumed that the erasures were similar to the Roman damnatio memoriae. This appeared to make sense when thinking that Thutmose might have been an unwilling co-regent for years. This assessment of the situation probably is too simplistic, however. It is highly unlikely that the determined and focused Thutmose—not only Egypt's most successful general, but an acclaimed athlete, author, historian, botanist, and architect—would have brooded for two decades of his own reign before attempting to avenge himself on his stepmother and aunt. According to renowned Egyptologist Donald Redford:

These two statues once resembled each other, however, the symbols of her pharaonic power: the Uraeus, Double Crown, and traditional false beard have been stripped from the left image; many images portraying Hatshepsut were destroyed or vandalized within decades of her death, possibly by Amenhotep II at the end of the reign of Thutmose III, while he was his co-regent, in order to assure his own rise to pharaoh and then, to claim many of her accomplishments as his

The erasures were sporadic and haphazard, with only the more visible and accessible images of Hatshepsut being removed; had it been more complete, we would not now have so many images of Hatshepsut. Thutmose III may have died before these changes were finished and it may be that he never intended a total obliteration of her memory. In fact, we have no evidence to support the assumption that Thutmose hated or resented Hatshepsut during her lifetime. Had that been true, as head of the army, in a position given to him by Hatshepsut (who was clearly not worried about her co-regent's loyalty), he surely could have led a successful coup, but he made no attempt to challenge her authority during her reign and, her accomplishments and images remained featured on all of the public buildings she built for twenty years after her death.

Writers such as Joyce Tyldesley hypothesized that it is possible that Thutmose III, lacking any sinister motivation, decided toward the end of his life, to relegate Hatshepsut to her expected place as the regent--which was the traditional role of powerful women in Egypt's court as the example of Queen Ahhotep attests--rather than king. By eliminating the more obvious traces of Hatshepsut's monuments as pharaoh and reducing her status to that of his co-regent, Thutmose III could claim that the royal succession ran directly from Thutmose II to Thutmose III without any interference from his aunt.

The deliberate erasures or mutilations of the numerous public celebrations of her accomplishments, but not the rarely seen ones, would be all that was necessary to obscure Hatshepsut's accomplishments. Moreover, by the latter half of Thutmose III's reign, the more prominent high officials who had served Hatshepsut would have died, thereby eliminating the powerful religious and bureaucratic resistance to a change in direction in a highly stratified culture. Hatshepsut's highest official and closest supporter, Senenmut seems either to have retired abruptly or died around Years 16 and 20 of Hatshepsut's reign and, was never interred in either of his carefully prepared tombs.^[46] According to Tyldesley, the enigma of Senenmut's sudden disappearance "teased Egyptologists for decades" given the lack of solid archaeological or textual evidence" and permitted "the vivid imagination of Senenmut-scholars to run wild" resulting in a variety of strongly held solutions "some of which would do credit to any fictional murder/mystery plot."^[47] Newer court officials, appointed by Thutmose III, also would have had an interest in promoting the many achievements of their master in order to assure the continued success of their own families.

Dual stela of Hatshepsut (centre left) in the blue Khepresh crown offering wine to the deity Amun and Thutmose III behind her in the hedjet white crown, standing near Wosret - Vatican Museum

Tyldesley also put forth a hypothesis about Hatshepsut suggesting that Thutmose III's erasures and defacement of Hatshepsut's monuments were a cold but rational attempt on Thutmose's part to extinguish the memory of an "unconventional female king whose reign might possibly be interpreted by future generations as a grave offence against Ma'at, and whose unorthodox coregency" could "cast serious doubt upon the legitimacy of his own right to rule. Hatshepsut's crime need not be anything more than the fact that she was a woman."^[48] He asserted that Thutmose III may have considered the possibility that the example of a successful female king in Egyptian history could set a dangerous precedent since it demonstrated that a woman was as capable at governing Egypt as a traditional male king. This event could, theoretically, persuade "future generations of potentially strong female kings" to not "remain content with their traditional lot as wife, sister and eventual mother of a king" instead and assume the crown.^[49] While Queen Sobekneferu of Egypt's Middle Kingdom had enjoyed a short c.4 year reign, she ruled "at the very end of a fading [12th dynasty] Dynasty, and from the very start of her reign the odds had been stacked against her. She was therefore acceptable to conservative Egyptians as a patriotic 'Warrior Queen' who had failed" to rejuvenate Egypt's fortunes--a result which underlined what Tyldesley related was the traditional Egyptian view that a woman was incapable of holding the throne in her own right, ^[50] and that hence, few Egyptians would desire to repeat the experiment of a female monarch.

In contrast, Hatshepsut's glorious reign was a completely different case: she demonstrated that women were as capable as men of ruling the two lands since she successfully presided over a prosperous Egypt for more than two decades.^[51] If Thutmose III's intent here was to forestall the possibility of a woman assuming the throne, he failed. Two female kings are known to have assumed the throne after Thutmose's reign during the New Kingdom: Neferneferuaten and Twosret. Unlike Hatshepsut, however, both rulers enjoyed brief and short-lived reigns of only 2 and 1 years respectively.

The erasure of Hatshepsut's name, whatever the reason or the person ordering it, almost caused her to disappear from Egypt's archaeological and written records. When nineteenth-century Egyptologists started to interpret the texts on the Deir el-Bahri temple walls (which were illustrated with two seemingly male kings) their translations made no sense. Jean-Francois Champollion, the French decoder of hieroglyphs, was not alone in feeling confused by the obvious conflict between words and pictures:

Hieroglyphs showing Thutmose III on the left and Hatshepsut on the right, she having the trapings of the greater role - Red Chapel, Karnak

The 2006 discovery of a foundation deposit including nine golden cartouches bearing the names of both Hatshepsut and Thutmose III in Karnak may shed additional light on the eventual attempt by Thutmose III and his son Amenhotep II to erase Hatshepsut from the historical record and the correct nature of their relationships and her role as pharaoh.^[53]

Records of her reign, documented in diverse ancient sources, failed to generate much research about this pharaoh by early modern Egyptologists and Hatshepsut went from being one of the most obscure leaders of Egypt at the beginning of the twentieth century—to one of its most famous, by the century's end. Archaeological discoveries of the early twentieth century provided information that had been missing from those records and, technical advances later in the century, enabled better identifications to make contemporary historical records more complete. In the twenty-first century, DNA analysis confirmed the identity of her remains and her genetic relationship to those of her great-grandmother.

See also

• Hatshepsut problem
• History of ancient Egypt
• Eighteenth dynasty of Egypt Family Tree
• List of Pharaohs
• Hatshepsut's temple
• November 1997 Luxor massacre

Notes

References

• Donald B. Redford, History and Chronology of the 18th dynasty of Egypt: Seven studies, Toronto: University Press, 1967
• Ian Shaw, The Oxford History of ancient Egypt, Oxford University Press, 2000, 512 pages, ISBN 0-19-280293-3
• Gae Callender The Middle Kingdom Renaissance (Chapter 7)
• Joyce Tyldesley, Hatchepsut: The Female Pharaoh, Penguin Books, 1998, paperback, 270 pages, ISBN 0-14-024464-6
• Evelyn Wells, Hatshepsut, Double Day, 1969, hardback, 211 pages, Library of Congress catalog card # 69-10980
• Harbin, Michael, The Promise and the Blessing, Grand Rapids, Michigan: Zondervan Press, 2005
• Judith Tarr, King and Goddess, Tor Books, 1996, hardback, 384 pages, ISBN 0-31-286092-9
• Fakhry, Ahmed, A new speos from the reign of Hatshepsut and Thutmosis III at Beni-Hasan, In: Annales du Service des Antiquités de l’Égypte, Issue 39 (1939), S. 709 – 723
• Gardiner, Alan Henderson, Davies’s copy of the great Speos Artemidos inscription, In: Journal of Egyptian Archaeology Issue 32 (1946), S. 43 – 56
• Fairman, H. W.; Grdseloff, B., Texts of Hatshepsut and Sethos I inside Speos Artemidos, In: Journal of Egyptian Archaeology, Issue 33 (1947), S. 12 – 33

External links

• Hatshepsut - Archaeowiki.org
• Mummy Of Egyptian Queen Hatshepsut Found
• Interactive, panoramic online view of Hatshepsut’s mortuary temple at Deir el-Bahari, Egypt
• Video tour the Metropolitan Museum of Art’s gallery of Hatshepsut sculptures
• Hatshepsut - the fifth ruler of the 18th Dynasty
• Hatshepsut, the Queen who would be King at bediz.com
• Poetry honoring Hatshepsut at bediz.com
• 360° Panorama images

Notable ancient Egyptian rulers Early Dynastic rulers Narmer · Hor-Aha · Djer · Khasekhemwy Old Kingdom rulers Djoser · Sneferu · Khufu · Khafra · Menkaura · Sahure · Pepi II Middle Kingdom rulers Mentuhotep II · Amenemhat I · Senusret I · Senusret III · Amenemhat III · Sobekneferu Second Intermediate rulers Khendjer · Neferhotep I · Sobekhotep IV · Ay · Nebiriau I · Apophis · Sobekemsaf II · Intef VII · Seqenenre · Kamose New Kingdom rulers Ahmose I · Hatshepsut · Thutmose III · Amenhotep III · Akhenaten · Tutankhamun · Seti I · Ramesses II · Ramesses III Third Intermediate rulers Psusennes I · Siamun · Shoshenq I · Osorkon II · Shoshenq III · Osorkon III · Piye · Tefnakht · Shabaka · Taharqa Other rulers Psamtik I · Necho II · Ahmose II · Nepherites I · Nectanebo I · Ptolemy I · Ptolemy II · Ptolemy XIII · Cleopatra VII Consorts Tetisheri · Ahhotep I · Ahmose-Nefertari · Ahmose · Tiye · Nefertiti · Ankhesenamen · Nefertari · Mark Antony Court officials Imhotep · Weni · Sobeknakht II · Ahmose-Ebana · Ineni · Senenmut · Rekhmire · Yuya · Maya · Yuny · Bay · Manetho · Pothinus