Great Expectations

Great Expectations  
Dickens Great Expectations title page.jpg
First edition title page of Vol. 1
Author Charles Dickens
Country United Kingdom
Language English
Genre(s) Novel
Publisher Chapman and Hall
Publication date 1860 – 1861 (in serial form) & 1861 (in 3 volumes)
Media type Print (Hardback & Paperback)
Pages 799 pp (hardback)

Great Expectations is a book/novel by Charles Dickens first serialised in All the Year Round[1] from 1 December 1860 to August 1861. It is regarded as one of his greatest and most sophisticated novels, and is one of his most enduringly popular, having been adapted for stage and screen over 250 times.[2]

Great Expectations is written in a semi-autobiographical style, and is the story of the orphan Pip, writing his life from his early days of childhood until adulthood. The story can also be considered semi-autobiographical of Dickens, like much of his work, drawing on his experiences of life and people.

The action of the story takes place from Christmas Eve, 1812, when the protagonist is about seven years old, to the winter of 1840.[3]

Each installment in All the Year Round contained two chapters, and was written in a way that kept readers interested from week to week, while still satisfying their curiosity at the end of each one.

Contents

Plot summary

The story is divided into three phases of Pip's life expectations.

The first stage of Pip's expectations:

Pip, a young orphan, lives a humble existence with his ill-tempered older sister and her strong but gentle husband, Joe Gargery. One day Pip meets an escaped convict and brings him food and a file to keep him alive. This convict is later caught again and sent away.

Pip is satisfied with his life and his warm friends until he is hired by an embittered wealthy woman, Miss Havisham, as an occasional companion to her beautiful but haughty adopted daughter, Estella. Pip falls in love with Estella. From that time on, Pip aspires to leave behind his simple life and be a gentleman. After years as companion to Miss Havisham and Estella, he spends more years as an apprentice to Joe, so that he may grow up to have a future working as a blacksmith.

This life is suddenly turned upside down when he is visited by a London lawyer, Mr. Jaggers, who informs Pip that he is to come into the "great expectations" of handsome property and be trained to be a gentleman on the behalf of an anonymous benefactor (whom he assumes to be Miss Havisham).

The second stage of Pip's expectations:

Pip travels to London. He arrives on a carriage near Mr. Jaggers' offices. After a stroll around the area, Pip is told by Mr. Jaggers that he will temporarily stay at the Barnard's Inn. Upon arriving, he finds Herbert Pocket (a relative of Miss Havisham), who informs Pip of Miss Havisham's past and how Estella was raised to take revenge on the male sex. With Mr. Pocket, Pip receives an education and tutoring in manners, fine clothing, and cultured society.

Whereas he always engaged in honest labour when he was younger, he now is supported by a generous allowance, which he frequently lives beyond. He learns to fit in this new milieu, and experiences not only friendship but rivalry as he finds himself in the same circles as Estella, who is also pursued by many other men, especially Bentley Drummle, whom she favours.

As he adopts the physical and cultural norms of his new status, he also adopts the class attitudes that go with it, and when Joe comes to visit Pip and his friend and roommate Herbert to deliver an important message, Pip is embarrassed to the point of hostility by Joe's unlearned ways, despite his protestations of love and friendship for Joe. At the end of this stage, Pip is introduced to his anonymous benefactor, Magwitch, the escaped convict he helped long ago. This again changes his world and ends this stage of his expectations.

The third stage of Pip's expectations:

From this point on, Pip's life changes from the artificially supported world of his upper class strivings and introduces him to realities that he must deal with, including moral, physical and financial challenges. He learns startling truths that cast into doubt the values that he once embraced so eagerly, and finds that he cannot regain many of the important things that he had cast aside so carelessly.

Pip attempts to smuggle Magwitch from England to Hamburg, Germany on a foreign steamer. This attempt fails when Compeyson guides police to the ship Magwitch is on. Magwitch seizes Compeyson and a fight in the water ensues. Compeyson dies and Magwitch is hit by the keel of the steamer ship which was to take him away and is arrested. Soon after, Mr. Wemmick marries Ms. Skiffins and Herbert leaves for Cairo, Egypt. Magwitch falls ill, and Pip tells him before he dies that his daughter (Estella) is still alive and that he loves her. Magwitch dies in peace, but Pip falls ill; yet, Joe tends to him and pays the debts that Pip has accumulated. Pip eventually travels with Herbert as a occupation in the Middle East.

The ending

Charles Dickens wrote two different endings for Great Expectations. Dickens changed the ending at the suggestion of a friend, the novelist Edward Bulwer Lytton, presumably for the sake of a happier ending. The majority of books being published currently contain the first ending, or both, with the Dickens' original with its own explanation.

Original ending: Pip meets Estella on the streets. Her abusive husband Drummle has died and she has remarried to a doctor. Estella and Pip exchange brief pleasantries, after which Pip states while he could not have her in the end, he was at least glad to know she was a different person now, somewhat changed from the cold-hearted girl Miss Havisham had reared her to be. The novel ends with Pip saying he could see that “suffering had been stronger than Miss Havisham's teaching and had given her a heart to understand what my heart used to be.”

Revised ending: Pip and Estella meet again at the ruins of Satis House:

'"We are friends," said I, rising and bending over her, as she rose from the bench. "And will continue friends apart," said Estella. I took her hand in mine, and we went out of the ruined place; and, as the morning mists had risen long ago when I first left the forge, so the evening mists were rising now, and in all the broad expanse of tranquil light they showed to me, I saw no shadow of another parting from her.'

Themes and analysis

The main themes of the novel include gratitude, suffering, and social mobility. Pip appreciates the gentle Joe Gargery, but treats him with indifference after leaving for London. The failure of Pip to keep in contact with Joe never causes Joe to complain. Joe's selfless nature is frequently contrasted with Mr. Pumblechook's constant criticism of Pip's ingratitude. Suffering is depicted by many characters, including Miss Havisham and Pip, who suffer equally. Miss Havisham was jilted on her wedding day and tricked out of part of her money, while Pip suffers by never gaining Estella's love. Dickens uses Pip to bring attention to the increasing social stratification in Victorian London. Estella criticizes Pip for his working class background, and Pip in turn develops a contempt for his own family's lack of wealth. Pip constantly attempts to impress Estella by moving up the social ladder, though many of the benefits of this climb are dubious. The wealthy class is represented by the cruel Compeyson and Mr. Jaggers and the wasteful and indolent Miss Havisham. The working class is depicted in a constant state of oppression, despite the intelligence and honesty of many poor characters.

Other main issues in the text include parenthood (there are very few positive maternal figures in the story) and the influence that one generation's actions may have on subsequent generations. Dysfunctional family relationships in the novel result in resentment, particularly in the case of Estella's relationship with her cold-hearted guardian Miss Havisham. Revenge is another key theme. Late in the novel, the major adult characters who tried to seek revenge through others or have had serious problems in their youth regret their actions and try to make amends, suggesting that the events in a person's life may be consuming to the point of destruction, and that one's actions are irreversible and irrevocable. Another prominent theme is imprisonment, a familiar theme in Dickens' later novels (and in particular, in Little Dorrit), focusing on the sections which take place in the Hulks and Newgate Prison.~

Main characters in Great Expectations

Pip, the protagonist, and his family

Miss Havisham and her family

Characters from Pip's youth

The attorney and his circle

Pip's antagonists

Pip is a young boy in a small town, with a sad childhood, but with great expectations.

Significant places in Great Expectations

The physical setting

Real places referred to

Fictional places in Kent

Fictional places

Film, TV, and theatrical adaptations

Like many other Dickens novels, Great Expectations has been filmed several times, including:

Cultural references and spin-offs

See also

References

  1. How Great Expectations
  2. Great Expectations Critical Overview
  3. Meckier, Jerome Dating the Action in Great Expectations: A New Chronology.

External links

Online editions
Study guides
Other