Fantasia 2000 | |
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Fantasia 2000 poster |
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Directed by | See "Credits" below |
Produced by | Roy E. Disney Donald W. Ernst |
Written by | See "Credits" below |
Starring | James Levine Chicago Symphony Orchestra See "Credits" below for hosts |
Distributed by | Buena Vista Pictures |
Release date(s) | December 17 1999 (premiere) January 1 2000 (IMAX) June 16, 2000 (general) |
Running time | 75 minutes |
Language | English |
Budget | $80,000,000 (estimated) |
Preceded by | Fantasia |
Fantasia 2000 is an animated feature produced by Walt Disney Feature Animation and released by Walt Disney Pictures. A sequel to 1940's Fantasia, the film is the thirty-eighth animated feature in the Disney animated features canon. It premiered in the United States on December 17, 1999, was released to IMAX theaters on January 1 2000, and was later released to standard theaters nationwide on June 16, 2000. As with its predecessor, the film visualizes classical music compositions with various forms of animation and live-action introductions.
Most music is performed by the Chicago Symphony Orchestra with James Levine conducting all numbers except The Sorcerer's Apprentice, which is performed by the Philharmonia Orchestra. Levine also arranged most scores, except two pieces arranged by Peter Schickele, as noted below.
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The composers and their works, in the order in which they appear:
The plan for the original Fantasia movie was for it to be a kind of permanently running show, periodically adding new episodes while others would be rotated out. However, the film's failure to achieve success at the box office, combined with the loss of the European market due to World War II, meant that the plan went unused. Accordingly, Fantasia 2000 implemented this idea by retaining the sequence with Mickey Mouse as the sorcerer's apprentice, arguably the most popular segment from the original film.
Composer André Previn reports in his book No Minor Chords that he was approached by Disney to work on as a sequel to Fantasia. He declined the project when he learned that the soundtrack was, at that point, conceived of as an orchestration of Beatles songs. Previn declined.
Development for Fantasia 2000 began in 1990, and production began the following year. The music selections were made as a collective decision by Roy E. Disney, James Levine, and members of the production staff. Most were decisions driven by the musical preferences of the team; Roy personally chose the Pines of Rome. Other pieces were discovered long after the story ideas were set, such as the Steadfast Tin Soldier, where the visuals were based on artwork done for the original Fantasia, but the Shostakovitch piece was presented to the team by an animator relatively late into the production schedule.
Rhapsody in Blue was a work already in progress by director Eric Goldberg (lead animator for the Genie in Aladdin, also inspired by Al Hirschfeld's art), when Disney approached him to complete the piece for the movie. This decision was ideal given the head start on the work and so that the film could include a work from an American composer. Taking on Rhapsody in Blue also allowed Disney to keep the animators assigned to their feature Kingdom of the Sun (later released as The Emperor's New Groove) busy while Kingdom went through an extensive rewrite. Some press articles written after the completion of Groove reversed the roles, saying that Goldberg first approached Disney for Rhapsody for Fantasia 2000 and was initially rejected, and later the producers came back to him as a result of the need find something to do with the animation staff while the Kingdom rewrite was going on.
One significant difference in the musical styles between the films is that in Fantasia 2000 the piano features prominently in more than half of the selections, while the original Fantasia did not have a piano in any segment.
Fantasia 2000 features many technical innovations that would later be utilized in the Disney studio's other animation works, particularly in the use of computers. Both Pines of Rome and The Steadfast Tin Soldier were primarily CGI pieces, completed before Pixar's landmark film Toy Story was released. The horns on the elk in The Firebird were CGI-rendered on top of hand-drawn animation (giving them a higher consistency, when compared to Bambi which was all drawn by hand), a technique that would be used in Treasure Planet for the character Silver.
The producers felt that some break between the musical segments was necessary to "cleanse the palate", so a series of "interstitials" were directed by Disney animation producer Don Hahn. Instead of using a single narrator as in Fantasia, the individual pieces are introduced by people from different areas of the art world. After the film opens with Beethoven's Fifth, Steve Martin discusses the history of Fantasia being a continuing concept and is immediately followed by Itzhak Perlman, who introduces Pines of Rome. Quincy Jones leads into the Gershwin number, and Bette Midler gives an introduction to the Shostakovich concerto, both featuring on screen the piano players for the respective pieces. James Earl Jones introduces Carnival of the Animals with director Eric Goldberg, and, appropriately enough, magicians Penn and Teller make an appearance before The Sorcerer's Apprentice. When this piece concludes with Mickey Mouse's conversation with conductor Leopold Stokowski from the original Fantasia, Mickey then moves on to chat with Levine before the latter introduces Pomp and Circumstance. The final sequence of The Firebird is introduced by Angela Lansbury.
When the film was first released to IMAX cinemas in 2000, it featured a multiple-channel sound system that surrounded the audience. This sound system was put to comical effect in the narrative segment preceding Pomp and Circumstance, where Mickey Mouse went searching for Donald Duck. The soundtrack gave the illusion that Mickey Mouse was running about the theater, behind the audience's seating. [1]
Fantasia 2000 was released on its own on VHS and DVD in 2000, together with the 60th Anniversary Edition of Fantasia. A DVD box set, The Fantasia Anthology, was also released, including the two films and a bonus disc with special features entitled Fantasia Legacy. These are currently unavailable, "locked" in the "Disney Vault".
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