Einstürzende Neubauten | |
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The band logo, based from a toltec petroglyph cave drawing.
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Background information | |
Origin | Germany |
Genre(s) | Industrial Experimental Dark Ambient |
Years active | 1980 – present |
Label(s) | ZickZack Mute Records |
Website | www.nebauten.org |
Members | |
Blixa Bargeld Alexander Hacke N.U. Unruh Jochen Arbeit Rudi Moser |
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Former members | |
Beate Bartel Gudrun Gut F.M. Einheit Mark Chung Roland Wolf |
Einstürzende Neubauten (pronounced [ˈaɪnˌʃtʏɐʦəndə ˈnɔʏˌbaʊtən]) is a German avant-garde music band, originally from West Berlin, formed in 1980. The group currently comprises Blixa Bargeld (lead vocals, guitar, keyboard), Alexander Hacke (bass, guitar, vocals), N.U. Unruh (custom-made instruments, percussion, vocals), Jochen Arbeit (guitar and vocals), and Rudi Moser (custom-built instruments, percussion, and vocals).
The band is often classified as industrial music. One of their "trademarks" is the use of custom-built instruments, predominantly made out of scrap metal and building tools, and noises, in addition to standard musical instruments. Neubauten has always experimented with sounds, originally in noise music and recently in very diverse styles.
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On April 1, 1980, Einstürzende Neubauten made their first appearance in the Moon Club in Berlin. This first line-up featured Beate Bartel and Gudrun Gut, Blixa Bargeld, and N.U. Unruh, who later went on to record music under the name of Einstürzende Neubauten. The two female members, Bartel and Gut, left the band after a short period of performing and founded Mania D.. Alexander Hacke (alias Alexander von Borsig), a sound technician and multi-instrumentalist who was fifteen years old at that time, joined the band and became a long-time member.
Einstürzende Neubauten's logo (a symbol of human with a circle in the head) is an ancient Toltec cave drawing.
In 1981 the percussionist F.M. Einheit (from the Hamburg band Abwärts) joined Einstürzende Neubauten and they released their first LP Kollaps (English: "Collapse"), a mixture of rough punk rock tunes and industrial noises. The industrial noises were obtained from self-made music machines, electronics, and found objects such as metal plates. The live performances with FM Einheit in the 1980s, which became legendary, included lots of metal banging and destruction on stage.
During their first German tour, Mark Chung (previously the bass player with Abwärts) joined the group of musicians. This line-up lasted for nearly 15 years.
In 1983, Einstürzende Neubauten recorded their second album Zeichnungen des Patienten O. T. (English: "Drawings of Patient O.T."). The title came from a 1974 book by Leo Navratil, describing the drawings of Oswald Tschirtner.
Also in 1983, Bargeld joined the band The Birthday Party (featuring Nick Cave and Mick Harvey) as a guitarist. The group was disbanded shortly after, but Bargeld became a long-time member of one of the bands that sprang from The Birthday Party — Nick Cave and the Bad Seeds (again featuring Nick Cave and Mick Harvey).
Bargeld remained a full-time member of two bands, Einstürzende Neubauten and Nick Cave and the Bad Seeds, until 2003, when he quit the Bad Seeds in order to focus on Einstürzende Neubauten.
The band's next album, Halber Mensch ("Half Man") in 1985, may be seen as a developmental breakthrough. Musical structure became more evident, and Bargeld's lyrics and, especially, his singing changed. He moved from shouted words and phrases toward organized, poetic melodies.
The band played a show in Vancouver, British Columbia, Canada, to kick off their third North American tour. The performance was sponsored by the German Goethe Institute as part of the German contribution to Expo 86. Also scheduled to appear were Test Dept and Skinny Puppy, though not everyone was able to play.
On the tour, the group's experimental and improvised live performance style occasionally caused difficulties with venue management and law enforcement. A performance at The Palladium in Manhattan ended 30 minutes into the set after an improvised pyrotechnics display. The band ignited a small amount of paint thinner in metal pans, and panicked management stopped the performance and cleared the venue.[1]
The one-hour film Halber Mensch (1986) by Sogo Ishii documents Einstürzende Neubauten's visit to Japan in 1985.
The next two albums, Fünf auf der nach oben offenen Richterskala ("Five on the open-ended Richterscale") in 1987 and Haus der Lüge ("House of the Lie") in 1989, were great successes in the United States and Japan.
In 1991, the band tried something completely new, recording the soundtrack for East German playwright Heiner Müller's play Die Hamletmaschine ("The Hamlet Machine") for East German radio Rundfunk der DDR.[2] The band image of Einstürzende Neubauten changed: Blixa Bargeld, formerly wearing punk/industrial style clothes, appeared at the live concerts in a suit.
1991 also saw the release of the double album best-of and rarities album, Strategies Against Architecture II. This collection included a musical setting of Heiner Müller's piece "Bildbeschreibung" ("Explosion of a Memory" or "Description of a Picture" in English).
In Vienna, 1992, Einstürzende Neubauten performed at The Academy of Visual Arts' 300th anniversary in a show by Erich Wonder, Das Auge des Taifun.
The next album Tabula Rasa (1993) was an important turning point in the band's history, their music becoming softer and containing more electronic sounds. Martin Munsch, a Factory QC mastering engineer for the album's final mass duplication in New Jersey, commented on the production as being one of their most insidious to date.
Mark Chung left the band after recording Faustmusik and made a career in the music industry. F.M. Einheit, who contributed much to the music and sound of the band, left the band a short time later, during the recording of Ende Neu, at least partially because of a conflict with Bargeld. The last Einstürzende Neubauten track Einheit worked on was "Was ist ist"[3].
After leaving Einstürzende Neubauten, Einheit continued his work in music and theater, collaborating with various artists, such as Andreas Ammer, KMFDM, Gry and Pan Sonic.
A short time later, the band released the album Ende Neu ("Ending New") in 1996. The album title is an example of word-play on the band's own name (i.e. "Einstürzende Neubauten"). The song "Stella Maris" — a duet between Bargeld and Hacke's wife, singer Meret Becker — became quite famous. A world tour followed the release. During this time, Jochen Arbeit and Rudi Moser (both members of Die Haut) joined the band.
In 1997, the album Ende Neu Remixes was released, which featured remixes of the songs from Ende Neu by artists such as Barry Adamson and Pan Sonic.
From March 27 to May 23, 2000, Einstürzende Neubauten celebrated their 20th birthday with a "20th anniversary tour", playing in the Columbiahalle, Berlin on their exact birthday, April 1, and released the album Silence Is Sexy, followed by a world tour. 2001 also saw the release of another double best-of and rarities album, Strategies Against Architecture III.
Since 2001, Einstürzende Neubauten albums and web projects have been partially produced and supported by Bargeld's wife Erin Zhu, who also serves as webmaster of the official Einstürzende Neubauten website.
In 2002, Einstürzende Neubauten began work on a new album without the backing of a record label, relying instead upon fan ("supporter") participation in an experiment of a type of Street Performer Protocol combined with an internet community and touches of the patronage system. An exclusive Supporter Album No. 1, and the Airplane Miniatures EP following, were made available in 2003.
Bargeld left Nick Cave and the Bad Seeds in 2003. In order to go on tour, the band reneged on the idea of creating a supporter-only album, and cooperated with Mute Records to go on tour and release Perpetuum Mobile in 2004. Air sounds, such as blowing the plastic pipes with an air compressor, were greatly explored and used for this album.
The live shows of the Perpetuum Mobile Tour were recorded by the band's sound engineers, then burned on CDRs and sold directly after the concerts to the visitors; numerous "official" live albums were created during this tour as a result. Unfortunately, these live albums include some cuts and errors.
In November 2004, the band went on a mini-tour, which included a supporters-only performance at Berlin's Palast der Republik. The performance was filmed and was released on the exclusive supporter's DVD at the end of Phase II.
The band also started a new project called Musterhaus in early 2005. The first CD Anarchitektur was sent out in May 2005, and was also available for download to Musterhaus subscribers. The Musterhaus project is a "line of releases intended to give the band an outlet for more experimental impulses and exploration." Musterhaus releases are released roughly every 3 months.
The second Musterhaus CD Unglaublicher Laerm ("Incredible noise") was finished on August 15th of 2005 and shipped out (as well as posted for download) shortly after.
Phase II of the Neubauten Supporter's project finished in August 2005, and the official site was taken down on the 20th of September. The supporter album Grundstück and DVD (containing footage from the November 2004 Grundstück performance in Berlin) was shipped in early October 2005.
Musterhaus #3 Solo Bassfeder ("Solo bass-spring"), released 8 December, is a collection of bass spring compositions by the individual members of Einstürzende Neubauten.
Phase III of the Supporter's project started on February 10th. On February the 25th, the fourth part of the Musterhaus series, called Redux Orchestra versus Einstürzende Neubauten was completed. One of the new additions to Phase III started in March 2006 was a piece-by-piece album called Jewels, finally finished in August 2007.
Musterhaus #5 Kassetten ("Cassettes"), finished May 15 with release scheduled for May 31. At the same time, Alles was irgendwie nützt ("Everything of any use"), an album that had been in the work since Phase 2, were completed. The album consists of rare live tracks, handpicked by 6 supporters of Phase 2 and mixed by Boris Wilsdorf. This was quickly followed by Musterhaus #6 Klaviermusik ("Piano music"), released on August 31.
In October, Neubauten released a public DVD, the recording made at Palast der Republik.
Musterhaus #7 Stimmen Reste ("Voice Remainders") was released on December 2, consisting of vocal experiments, vocal recordings, and manipulations of voice recordings, enriched with leftover instrumental tracks made with polystyrene, electronic pulses, hammond organ, bass guitar, and metal percussion.
It was announced on the band's website that they would be undertaking a small "mostly" UK tour in April. Before the four UK dates, they were scheduled to play in Hannover on the 22nd of April. Musterhaus #8 Weingeister ("Wine spirits") was released later on April 6, forming the final instalment of the Musterhaus series.
A new commercial album was made available later in the year[4], the first release since 2004's "Perpetuum Mobile". The new album, Alles wieder offen ("All open again"), was released on October 19, 2007 without the backing of a label, a move the band had intended to make with "Perpetuum Mobile". Fans who are part of the paid EN community neubauten.org will get an album with the same tracks plus a number of extra songs and with an optional DVD about the making of the album. The band also filmed a video for "Nagorny Karabach"[5].
The band played 32 dates in 19 European countries in the first half of the year.
The band name is usually translated into English as "Collapsing New Buildings". "Collapsing" here is a participial adjective, not the progressive participle of a transitive verb, i.e. the intended meaning is "buildings that are collapsing". Neubauten ("new buildings" in English) is a general term referring to buildings constructed in Germany after 1945. These are often regarded as cheaper, flimsier, and less aesthetically attractive than Altbauten, or pre-1945, especially pre-modernist buildings. Due to the extensive destruction throughout Germany during the Second World War, and the extensive rebuilding thereafter, Neubauten constitute a very familiar element of German cities.
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