Do the Right Thing | |
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Theatrical release poster |
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Directed by | Spike Lee |
Produced by | Jon Kilik Spike Lee Monty Ross |
Written by | Spike Lee |
Starring | Spike Lee Danny Aiello Ossie Davis Giancarlo Esposito John Turturro |
Music by | Bill Lee |
Cinematography | Ernest Dickerson |
Editing by | Barry Alexander Brown |
Distributed by | Universal Pictures |
Release date(s) | June 14, 1989 June 23, 1989 June 30, 1989 July 13, 1989 July 27, 1989 August 31, 1989 |
Running time | 120 min. |
Country | U.S.A. |
Language | English |
Gross revenue | Domestic: $27,545,445 Worldwide: $37,295,445[1] |
Do the Right Thing is a 1989 film produced, written, and directed by Spike Lee. The film tells a tale of bigotry and racial conflict in a multi-ethnic community in the Bedford-Stuyvesant neighborhood of Brooklyn, New York, on the hottest day of the year. Filmed on Stuyvesant Avenue between Lexington Avenue and Quincy Street, the film stars Lee, Danny Aiello, Ossie Davis, Ruby Dee, Richard Edson, Giancarlo Esposito, Bill Nunn, and John Turturro. Do the Right Thing marks the feature film debuts of both Martin Lawrence and Rosie Perez. Samuel L. Jackson plays DJ Mister Señor Love Daddy, an alternative voice of the author to Spike Lee's character.
In 1999, the film was deemed "culturally significant" by the United States Library of Congress and selected for preservation in the National Film Registry, one of three films to do so in its first year of eligibility. A Criterion Collection DVD of Do the Right Thing has been released: it is no. 97 in the Criterion series. In 2007, the American Film Institute listed the film as the 96th greatest American Movie in Film History.
The song "Fight the Power" by Public Enemy is a recurring aural motif in the film, as blasted from a huge ghetto blaster toted by Radio Raheem (Nunn). It appears 15 times in the film.
Do the Right Thing remains one of the few films to retain a 100% "Fresh" rating on the critics' site Rotten Tomatoes.[2]
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Do the Right Thing is set on a single street in Bedford-Stuyvesant, Brooklyn. The street is populated primarily by African Americans and Puerto Ricans. At one end of the street is a pizzeria run by the Frangiones, an Italian-American family and a Korean-owned corner store.
The film features a multitude of characters. The main character in the film is Mookie (Lee), a young man who lives with his sister and works as a pizza delivery man for the local pizzeria. Salvatore "Sal" Frangione (Aiello), the pizzeria’s Italian-American owner, has owned the shop for twenty-five years. His older son Giuseppe, better known as Pino (Turturro), "detests the place like a sickness" and holds racial contempt for the neighborhood blacks. His younger son Vito (Edson) is friends with Mookie, which Pino feels undermines their fraternal bond.
The street corner, which the characters populate, is filled with distinct personalities, most of whom are just trying to find a way to deal with the intense heat and go about their regular day-to-day activities. A philandering drunk called Da Mayor (Davis) is constantly trying to win both the approval and affection of the neighborhood matron, Mother-Sister (Ruby Dee). Three unemployed men on the corner...Sweet Dick Willie, Coconut Sid and M.L. continuously crack jokes. M.L. detests the presence of a Korean owned and run market in their black neighborhood, when many in the African American community are jobless. The character of Sweet Dick Willie replies that he will go to the market and that one of them (Coconut Sid/Frankie Faison) "came off the boat", not long ago. Mookie's girlfriend, Tina (Perez), is constantly nagging him about caring for their young son, Hector, and stopping by more often. A young man named Radio Raheem (Nunn) lives for nothing else but to blast Public Enemy's "Fight the Power" on his boombox wherever he goes. He wears a "love" and "hate" four-fingered ring on either hand which he explains in one scene to symbolize the struggle between the two forces, a scene directly lifted from Charles Laughton's 1955 film The Night of the Hunter. A mentally handicapped man named Smiley (Roger Guenveur Smith) constantly meanders about the neighborhood, holding up hand-colored (with marking pens) pictures of Malcolm X and Martin Luther King, Jr.. Mookie's sister, Jade (Joie Lee, the director's real life sister), and the local DJ, Mister Señor Love Daddy (Samuel L. Jackson) round out the cast of characters.
Buggin' Out (Esposito) makes sure his points are heard by whoever is in ear shot. Upon entering Sal's shop, he notices that Sal's "Wall of Fame" is decorated with dozens of pictures of celebrity actors, athletes, etc. – all of them Italian. Buggin' Out questions Sal about the "Wall of Fame" and demands he place some pictures of black celebrities on the wall (since, he explains, Sal's pizzeria is situated in a black neighborhood and sells pizza to black people). Sal replies that it is his store, he is proud of his Italian heritage, and that he isn't going to put anyone but Italians on his wall. Buggin' Out attempts to start a protest over the "Wall of Fame", but no one will support his protest except Radio Raheem, who got into an argument with Sal about playing his boombox loudly in the store.
Buggin' Out's own angst from gentrification comes to the front when he verbally attacks a white bicycler (John Savage), who knocks him in the back without apologizing and unknowingly scuffs his shoe. Buggin' Out begins to harass the man, regardless of the man's apology, telling him to "go back to Massachusetts." The small crowd continues to harass him and they unanimously object by exclaiming "Awwwww!" when he replies that he was born in Brooklyn.
Radio Raheem and Buggin' Out march into Sal's and stage a sit-in, protesting that Sal change the pictures on the wall. Radio Raheem's boombox is blaring, as always, Public Enemy's "Fight the Power," at the highest volume possible in lieu of their protest. Sal demands that they turn the radio down or leave the shop, which the two men refuse to do. Reaching his wit's end, Sal snaps and destroys Radio Raheem's boombox with a baseball bat. Radio Raheem's prized possession destroyed, he becomes enraged and begins choking Sal. Vito and Pino jump onto Radio Raheem in attempt to pull the men apart, at which point the other black men in the restaurant join the scuffle. A fight ensues between Radio Raheem and Sal on one side and Buggin' Out and Pino on the other, with Vito and Mookie trying to break it up. The fight spills out into the streets, to a crowd of spectators cheering on the fight. White policemen arrive at the scene and begin to apprehend Radio Raheem and Buggin' Out. Radio Raheem is placed in a choke hold that kills him (a reference to a 1983 incident where graffiti artist Michael Stewart was apprehended for defacing public property and killed by the arresting officer in a similar manner).[3] An underlying issue in this series of arrests is that of six officers present in this mostly black neighborhood, only one officer on the scene is black and the rest are white. Buggin' Out yells angrily "You ain't gonna give a fucking beatin' to Pino, huh? Or Sal!?", and "You can't kill us all!" as he is arrested. Officers continue to beat him from the front seat of the car as they drive him away from the scene.
The fight drew a large crowd of onlookers, all of whom are enraged about Radio Raheem's death. Deciding that the floodgates are going to burst open eventually, Mookie grabs a trash can and, screaming "HATE!", slings it through the window of Sal's restaurant. The angry crowd becomes an angry riotous mob, and rushes into the restaurant and destroys everything within and Smiley starts a fire. The crowd yells "Burn it down!" as the fire spreads.
From there, the mob led by M.L., begins to head for the Korean's market. "It's your turn now, mothafucka!" yells M.L. But Sunny, the owner, tries to fight them off with a broom all the while yelling, "I no white! I black! You...me...same! We same!", trying to explain he is one of them. The mob spares his store, and begins to disperse with Coconut Sid saying to M.L., "Leave the Korean alone! He's alright!"
Firefighters arrive and begin spraying Sal's building as the crowd are held back by riot patrol. The firefighters turn their hoses on the mob (much like how Blacks were hosed during the Civil Rights Movement in the 1960s) which further enrages the mob.
When it is all over, Sal's pizzeria is burned beyond recognition, while Sal and his two sons were saved by Da Mayor just before the riot started. Smiley, with no one else around to see, wanders back into the smoldering restaurant and, sympathetic to Buggin' Out's cause, hangs on what's left of Sal's "Wall of Fame" one of his pictures of Malcolm X and Martin Luther King, Jr. shaking hands.
The next day, Mookie, who has been at Tina's, goes to Sal's, where Mookie gets his weekly pay he had earlier been demanding to receive early. He and Sal cautiously reconcile.
The film ends on an ambiguous note due to two quotations. The first, from Dr. Martin Luther King, Jr., argues that violence is never justified under any circumstances. The second, from Malcolm X, argues that violence is "intelligent" when it is self-defense.
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Spike Lee wrote the screenplay in two weeks. The original script of Do the Right Thing ends with a stronger reconciliation between Mookie and Sal. Sal's comments to Mookie mirror Da Mayor's earlier comments in the film and hint at some common ground and perhaps Sal's understanding of why Mookie was motivated to destroy his restaurant. It is unclear why Lee changed the ending.[4]
The film was shot entirely on a real street in the Bed-Stuy neighborhood. The street's color scheme was heavily altered by the production designer, who used a great deal of red and orange paint in order to help convey the sense of a heatwave.
Spike Lee campaigned for Robert De Niro as Sal the pizzeria owner, but De Niro had to decline due to prior commitments. The character of Smiley was not in the original script; he was created by Roger Guenveur Smith, who was pestering Spike Lee for a role in the film.[5] In contrast to the serious nature of the film, three of the cast members were stand-up comedians – Martin Lawrence, Steve White, and the late Robin Harris.
The film was released to protests from many reviewers, including Joe Klein in New York magazine; it was openly stated in several newspapers that the film could incite black audiences to riot.[6] No such riots occurred, and Lee criticized white reviewers for assuming that black audiences were incapable of restraining themselves while watching a fictional motion picture.[7]
One of many questions at the end of the film is whether Mooke 'does the right thing' when he throws the garbage can through the window, thus inciting the riot that destroys Sal's pizzeria. The question is directly raised by the contradictory quotations that end the film, one advocating non-violence, the other advocating violent self-defense in response to oppression. Spike Lee himself, however, has stated that only white viewers ask this question. Lee believes the key point is that Mookie was angry at the death of Radio Raheem, and that viewers who question the riot's justification are implicitly valuing white property over the life of a black man.[7] Mookie tells Sal to "Motherfuck a window. Radio Raheem is dead". However, some of the other characters in the film, such as Da Mayor and Mister Señor, disapproved of the riot.
In June 2006, Entertainment Weekly magazine placed Do the Right Thing at #22 on its list of The 25 Most Controversial Movies Ever.[8]
The film contains several allusions to then-recent race-related violent acts.
In the scene in which Mookie shows frustration with his sister for getting too close to Sal, "Tawana told the truth!" is spray painted on the bricks in the rear of this shot, referring to the 1987 Tawana Brawley rape incident. Towards the end of the film, at the peak of the riot that ensues after Radio Raheem's death, the gathered characters begin to chant "HOWARD BEACH! HOWARD BEACH!" referring to the 1986 Howard Beach incident.
1990 Chicago Film Critics Association Awards
1991 NAACP Image Awards
1989 Los Angeles Film Critics Association Awards
1989 New York Film Critics Circle Awards
AFI's 100 Years 100 Movies
National Film Preservation Board
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