Christo and Jeanne-Claude

Christo and Jeanne-Claude.

Christo (born as Christo Vladimirov Javacheff, Bulgarian: Христо Явашев) and Jeanne-Claude (born as Jeanne-Claude Denat de Guillebon) are a married couple who create environmental installation art. Their works include the wrapping of the Reichstag in Berlin and the Pont Neuf bridge in Paris, the 24-mile-long curtain called Running Fence in Marin and Sonoma counties in California, and most recently The Gates in New York City's Central Park.

Coincidentally Christo and Jeanne-Claude were born on the same date — 13 June 1935.

Although their work is visually impressive and often controversial as a result of its scale, the artists have repeatedly denied that their projects contain any deeper meaning than their immediate aesthetic. The purpose of their art, they contend, is simply to make the world a "more beautiful place" or to create new ways of seeing familiar landscapes. Art critic David Bourdon has described Christo's wrappings as a "revelation through concealment."[1]To his critics Christo replies, "I am an artist, and I have to have courage ... Do you know that I don't have any artworks that exist? They all go away when they're finished. Only the sketches are left, giving my works an almost legendary character. I think it takes much greater courage to create things to be gone than to create things that will remain."[2]

Contents

Christo

Christo, the primary artist and designer of the duo's projects, was born in Gabrovo, Bulgaria. His father, Vladimir Javacheff, was a scientist, and his mother, Tsveta Dimitrova, was a secretary at the Academy of Fine Arts in Sofia. Artists from the Academy who visited his family observed Christo's artistic talent while he was still of a very young age.

The story of Christo's parentage is a picaresque curiosity which illuminates the strangeness of life in mid-twentieth century Bulgaria. Christo was descended from a German immigrant to Bulgaria on his father's side. Christo's great-grandfather, Friedrich Fischer, had invented the modern process for mass-producing standard ball bearings and sent his son, Christo's grandfather Vitus Fischer, to Bulgaria to open the first ball bearing factory in Eastern Europe. Following the collapse of the project in disgrace — fourteen Bulgarian workers were killed in an industrial accident in the factory, and the lack of demand for ball bearings in the largely agricultural Bulgaria of the time led to financial ruin — Vitus Fischer, penniless and distrusted by the local police, took the name of Dmitri Javacheff (one of the laborers killed in the factory) and re-entered society under the assumed identity of a common, Bulgarian-born peasant working in a nearby milk production concern. Dmitri's son, Vladimir Javacheff, inherited his father's technological aptitude and became an academically successful, though still poverty-stricken, scientist in Bulgaria in the years before Christo's birth. In the 1970s Christo was awarded 49% of Friedrich Fischer estate. He has chosen to live modestly off a portion of the proceeds from his art, reinvesting most of his occupational income and all of his inheritance from the Fischer ball bearing fortune into charitable organizations.[3]

In his youth, Christo had an interest in theatre and staged Shakespeare plays. In 1953, he was admitted to the Academy of Fine Arts, but was disappointed by the strict socialist curriculum imposed by the ruling Communist Party at the time. He studied art at the Sofia Academy from 1952 to 1956, and for another year in Prague, Czechoslovakia (now Czech Republic) until 1957, when he escaped the Communist State by bribing a railway official and stowing away with several other individuals onboard a train transporting medicine and medical supplies to Austria.

Christo quickly settled in Vienna, and enrolled at the Viennese Academy of Fine Arts. After only one semester there, he traveled to Geneva and soon after moved to Paris. As a result of his flight, he lost his citizenship and became a stateless person. His life in Paris was characterized by financial hardship and social isolation, which was worsened by his difficulty learning the French language. He earned money by painting portraits, which he likened to prostitution.

Jeanne-Claude

Jeanne-Claude was born in Casablanca, Morocco. Her parents were very poor, going around the streets asking for money. Her mother, Précilda, was 17 when she married Jeanne-Claude's father, Major Léon Denat. Précilda and Léon Denat divorced shortly after Jeanne-Claude was born, and Précilda remarried three times. During World War II, Jeanne-Claude lived with her father's family while her mother fought in the French Resistance. In 1946, Précilda married the influential General Jacques de Guillebon. The family lived in Paris from 1945 to 1952, relocating to Tunisia in 1952 and returning to Paris in 1957.

The couple

Christo and Jeanne-Claude met in October 1958, when he was commissioned to paint a portrait of her mother, Précilda de Guillebon. Initially, Christo was attracted to Jeanne-Claude's half-sister, Joyce. Jeanne-Claude was engaged to Philippe Planchon. Shortly before her wedding, Jeanne-Claude became pregnant by Christo. Although she married Planchon, Jeanne-Claude left him immediately after their honeymoon. Christo and Jeanne-Claude's son, Cyril, was born 11 May 1960. Jeanne-Claude's parents were displeased with the relationship, particularly because of Christo's humble origins, and temporarily estranged themselves from their daughter. Despite this estrangement, the couple married on 28 November 1962.

In 1961, Christo covered barrels at the port of Cologne, the first large objects he had wrapped. In 1962, the couple tackled their first monumental project, Rideau de Fer (Iron Curtain). Without warning or consent of authorities and as a statement against the Berlin Wall, they blocked off Rue Visconti, a small street on the River Seine, with oil barrels. Jeanne-Claude stalled approaching police, convincing them to allow the piece to stand for a few hours. Although he was simultaneously holding his first exhibition at a gallery, it was the Visconti project that made Christo known in Paris.

In February 1964, Christo and Jeanne-Claude arrived in New York City. After a brief return to Europe, they settled in the United States in September of that year. Although poor and lacking fluency in the English language, Christo displayed his work in several galleries, including the well-known Castelli Gallery in New York and Gallery Schmela in Düsseldorf, Germany. Christo began to wrap storefronts which he had built to scale. Sale of the storefronts helped pay off debts and financed larger projects. Their next project, a 1,200-cubic-meter package, was constructed with the help of enthusiastic students. In early 1968, Christo and Jeanne-Claude left Gallery Castelli in order to retain their artistic autonomy.

Major works

Since 1972, on all their projects, they have worked exclusively with Wolfgang Volz (photographer).

Documenta 4

In 1968, Christo and Jeanne-Claude had the chance to participate at the Documenta 4 in Kassel. In addition to the installation, Corridor Storefronts, the couple wanted to build an air package with a volume of 5,600 m3, which would be lifted by cranes and visible from a distance of 25 km. On 24 June 1968 their first attempt to fully inflate the air package failed, as the polyethylene skin tore as it was being raised. After two more attempts and repeated repairs, and using two of the largest cranes in Europe, the project became a reality on 3 August 1968. The package rose to its maximum height of 280 feet tall for a total of 10 hours (from 4:00 am through 2:00 pm on 4 August), becoming the largest inflatable structure with no skeleton ever constructed. Of the $70,000 (USD) cost of this project, Christo and Jeanne-Claude had financed all but $3,000 (USD) from the sale of preparatory drawings and collages.

Wrapped Coast

At the end of 1969 Jeanne-Claude and Christo wrapped the coast of Little Bay in Sydney, Australia with the aid of 130 helpers who devoted 17,000 work hours. The project required 9,300 m2 of synthetic fabric and 56 km of rope. After initial resistance from the authorities and the public, reactions were largely positive.

Valley Curtain

At the end of 1970 Christo and Jeanne-Claude began the preparations for the Valley Curtain project. A 400-meter long cloth was to be stretched across Rifle Gap, a valley in the Rocky Mountains near Rifle, Colorado. The project was complicated due to protests by environmentalists, and with raising the planned budget of $230,000. The project required 14,000 m2 of cloth to be hung on steel cable, fastened with iron bars fixed in concrete on each slope, and 200 tons of concrete had to be carried by hand in buckets up each slope.

The budget increased to $400,000 causing Christo and Jeanne-Claude additional problems with the financing. Finally enough works of art were sold to raise the money and, on 10 October 1971, the orange-coloured curtain was ready for hanging, but was torn to shreds by wind and rock. While a second curtain was being manufactured, Christo received a request from a Berlin architect to veil the Reichstag. On 10 August 1972 the second attempt to hang the cloth succeeded, but only 28 hours later it had to be taken down because of an approaching storm.

The project was shown in the documentary film, Christo's Valley Curtain, which was nominated for an Academy Award for Best Documentary Short. [4]

Running Fence

In 1973, after 17 stateless years, Christo became a United States citizen. That same year, he began preparations for Running Fence: a veiled fence, made from steel posts and steel cables, running through the landscape and leading into the sea. The fence was to be 5.5 meters high and 40 kilometers long. For the project, agricultural workers needed to be convinced and the permission of the authorities had to be obtained, so Christo and Jeanne-Claude hired nine lawyers. At the end of 1974 Christo marked the path of the fence with wooden stakes. On 29 April 1976 the work finally began after a long struggle against bureaucracy. Approximately 200,000 m2 of nylon fabric, 2050 steel posts and 145 km of steel cable were needed. On 10 September 1976 the work was completed. However, Christo and Jeanne-Claude had to pay a $60,000 fine, because they lacked permission for the coastal region.

Wrapped Walk Ways

In 1977, Christo and Jeanne-Claude were mostly paying back loans and trying to save money. In addition, however, they continued to plan their future projects, like veiling the Reichstag, the Pont Neuf in Paris, as well as "Wrapped Walk Ways", a veiling of footpaths in a park. In November, Christo met his parents, seeing his mother for the first time in 20 years.

With "Wrapped Walk Ways" Christo and Jeanne-Claude veiled 4.5 km of footpaths in Loose Park, a park in Kansas City, Missouri's Country Club District. Altogether it required 12,500 m2 of saffron-yellow coloured shiny nylon fabric. Pedestrians enjoyed the artwork for two weeks in October. The cost of this project amounted to $130,000. From 1979 to 1981 the couple were busy with some projects, many of which they were never able to realize, including the Mastaba of Abu Dhabi in the United Arab Emirates, a project where oil barrels were to be stacked to a height of 150 meters.

Surrounded Islands

The Christos planned a project based on Jeanne-Claude's idea to surround eleven islands in Miami's Biscayne Bay with 603,850 m2 of pink polypropylene. It was completed on 4 May 1983 with the aid of 430 helpers and could be admired for two weeks.

Pont Neuf

On 14 March 1984, Jeanne-Claude became a U.S. citizen; she holds dual U.S. and French citizenship. In August the couple received permission to veil the Pont Neuf after nine years of negotiations with the mayor of Paris, Jacques Chirac and preparations for the project began. For the veiling of the oldest bridge in Paris, 40,000 m2 of sand-coloured polyamide fabric was needed. The veiling began on 25 August 1985 and was finished on 22 September. In the next two weeks over three million people visited the project.

Umbrellas

ChristoUmbrellas.jpg
Umbrellas 1991(Japan)

Christo and Jeanne-Claude prepared for their next project, "The Umbrellas". Then the plan was to have yellow and blue umbrellas set up in California and Japan at the same time. In December 1990, after much preparation, the first bases for the screens were laid. At the bases 80 cm long anchors were fastened to the ground to withstand tensions of 1,500 kgf (15 kN). In September 1991 the screens were brought to their places by 2,000 workers. In order to preserve the countryside, the bases were transported to the site by helicopter. The final cost of the project totaled $26 US million. By 7 September, 1,340 blue screens in Ibaraki and 1,760 yellow screens at the Tejon Ranch in southern California had been set up; the exhibition opened on 9 October 1991. In total, 3 million people saw the screens, each measuring 6 meters in height and 8.66 meters in diameter. The umbrellas became a huge tourist attraction, finding use as everything from picnic spots to wedding altars. Two people died during the construction and exhibition. A woman, Lori Mathews, was killed when one of the screens hit her because of a wind gust, and a man, Masaaki Nakamura, was electrocuted while removing umbrellas when he came into contact with a high voltage power line.[5]

The Reichstag

After the project "Umbrellas" Christo and Jeanne-Claude concerned themselves with veiling the Reichstag in Berlin. With the support of the parliamentary speaker, Rita Süssmuth, the Christos worked to convince the Members of Parliament, going from office to office, writing explanatory letters to each of the 662 delegates and innumerable telephone calls and negotiations. On 25 February 1995 after lengthy discussions the Bundestag allowed the project to go ahead.

More than 100,000 m2 of fireproof polypropylene fabric, covered by an aluminum layer, and 15 km of rope were needed. Veiling began on 17 June 1995 and was finished on 24 June. The spectacle was seen by five million visitors before the unveiling began on 7 July.

Gallery

Verhüllte Bäume (Wrapped Trees)

After 32 years of preparation, Christo and Jeanne-Claude veiled 178 trees in Berower Park / Beyeler Foundation north-east of Basel between 13 November and 14 December 1998. To wrap the trees, the couple used 55,000 m2 of silver-grey shiny polyester material and 23 km of rope. A pattern had to be made for each individual tree and so the natural shape of the branches pushed the material outwards, creating individual shapes in the sky. The construction varied in height from 2 to 25 meters and in width from 1 to nearly 15 meters. As with their other projects, this was financed by the sale of original works. All materials used in this project were recycled when it was taken down.

Wrapped Snoopy House

In 1978, Charles M. Schulz drew an episode of his comic strip Peanuts in which Snoopy's doghouse is wrapped in fabric by Christo. In response, Christo constructed a wrapped doghouse and presented it to the Charles M. Schulz Museum in 2003.[6]

The Gates

Main article: The Gates

On 3 January 2005, work began on the installation of the couple's most protracted project, The Gates, in Central Park in New York City. They have also referred to it as "The Gates, Central Park, New York, 1979-2005" in reference to the time that passed from their initial proposal until they were able to go ahead with it: only with the permission of the new mayor of New York, Michael R. Bloomberg, were they able to proceed. "The Gates" was open to the public from 12 February until 27 February 2005. A total of 7,503 gates made of saffron-yellow material were placed on paths in Central Park. They were five metres high and had a combined length of 37 km. Bloomberg, a great fan of the Christos, presented them with the Doris C. Freedman award for public art for the installation. [7]

The cost of the project was estimated at $21 million US dollars which was raised entirely by Christo and Jeanne-Claude selling studies, drawings, collages, works from the 1950s and 1960s as well as original photographs of their other works. They did not accept any sponsorship, nor did the city of New York have to provide any money for the project. Christo and Jeanne-Claude donated all the money raised from the sale of souvenirs such as postcards, t-shirts and posters to "Nurture New York's Nature, Inc." To avoid vandalism, around 600 paid employees ("Gate-keepers") distributed 1 million 49 cm2 pieces of the material used for the project to visitors. The Gate-keepers also provided information to visitors about the project, and were responsible for unrolling the gates that had rolled over their crossbars in the high wind.

Future works

Over The River

Christo and Jeanne-Claude announced plans for a future project, entitled Over The River, to be constructed on the Arkansas River near Cañon City, Colorado in the Sangre de Cristo mountains. Plans for the project call for suspending 6.7 miles of reflective, translucent fabric panels over the river on steel cables anchored into the river's banks. Project plans call for its installation for two weeks during the summer of 2012, at the earliest, and for the river to remain open to recreation during the installation. The project has met with some local opposition, and is the subject of some political debate in Fremont County, Colorado.

Christo and Jeanne-Claude first conceived "Over the River" in 1985 as they were wrapping the Pont Neuf and a piece of torn fabric fluttered over the Seine. The artists began a three-year search for appropriate locations in 1992, considering some eighty-nine river locations. They chose the Arkansas River because its banks were high enough that recreational rafters could enjoy the river at the same time.[8] Christo and Jeanne-Claude have already spent more than $2 million on environmental studies, design engineering, and wind-tunnel testing of fabrics. As with past projects, Over The River will be financed entirely by Christo and Jeanne-Claude, through the sale of Christo’s preparatory drawings and scale models.

Source

References

  1. ↑ Bourdon, David: "Christo", Harry N. Abrams Publishers, Inc., New York City, 1970.
  2. ↑ Living with Art, Mark Getlein
  3. ↑ Fowle, Farnsworth: "Artist Christo Awarded Industrial Fortune", New York Times, 4 May 1975.
  4. ↑ "NY Times: Christo's Valley Curtain". NY Times. Retrieved on 2008-11-30.
  5. ↑ Weisman, Steven. "Christo's Intercontinental Umbrella Project." New York Times, 13 November 1990.
  6. ↑ Charles M. Schulz Museum Permanent Exhibitions: Christo's Wrapped Snoopy House
  7. ↑ 2005: Art World Year-in-Review, ARTINFO, December 25, 2005, http://www.artinfo.com/news/story/9347/2005-art-world-year-in-review/, retrieved on 2008-04-17 
  8. ↑ Cathy, Newman. "Christo and Jeanne-Claude Unwrapped", National Geographic. 

Bibliography

For information about the early work of Christo and Jeanne-Claude see: Matthias Koddenberg, "Christo and Jeanne-Claude. Realism's Newly Unveiled Face", in: Nouveau Réalisme, Catalog edited by Susanne Neuburger, Museum Moderner Kunst Stiftung Ludwig Wien, Vienna 2005 (ISBN 3-902490-12-8); Publisher's edition: Verlag für moderne Kunst Nürnberg (ISBN 3-938821-08-6)

See also

External links