| Barry White | |
|---|---|
| Birth name | Barrence Eugene Carter |
| Born | September 12, 1944 Galveston, Texas |
| Died | July 4, 2003 (aged 58) Los Angeles, California |
| Genre(s) | Soul Funk Disco |
| Instrument(s) | Piano, Keyboards, Vocals |
| Voice type(s) | Bass |
| Years active | 1972 — 2001 |
| Label(s) | 20th Century A&M Mercury Records |
| Associated acts | Love Unlimited The Love Unlimited Orchestra |
Barry White (born Barrence Eugene Carter, September 12, 1944 – July 4, 2003) was an American record producer, songwriter and singer.
A multiple Grammy Award-winner known for his deep bass voice and romantic image, White's greatest success came in the 1970s with the Love Unlimited Orchestra, crafting many enduring hit soul and disco songs. Worldwide, White had many gold and platinum albums and singles, with combined sales of over 100 million, according to critics Ed Hogan and Wade Kergan.[1]
Gerald Levert wrote many of White's Quiet storm hits.
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White was born in Galveston, Texas[2] and grew up in the high-crime areas of South Central Los Angeles. At 17, he was jailed for four months for stealing $30,000 worth of Cadillac tires.
While in prison, White listened to Elvis Presley singing "It's Now or Never" on the radio, an experience he later credited with changing the course of his life.[3] After his release, he left gang life and began a musical career at the dawn of the 1960s in singing groups before going out on his own in the middle of the decade. The marginal success he had to that point was as a songwriter; his songs were recorded by rock singer Bobby Fuller and TV bubblegum act The Banana Splits. He was also responsible in 1963 for arranging "Harlem Shuffle" for Bob & Earl, which became a hit in the UK in 1969. He discovered disco artist Viola Wills in 1965, and signed her to Bronco Records.
In August 1969, he got his break producing a girl group called Love Unlimited. His best friend Max Murray helped him get his start in music. He made Barry his protege and led him to fame. Formed in imitation of the legendary Motown girl group The Supremes, the group members honed their talents with White for the next two years until they all signed contracts with 20th Century Records. White produced, wrote and arranged the classic soul ballad "Walking in the Rain (With The One I Love)", which hit the Top 20 of the pop charts. The group would score more hits throughout the '70s and White married the lead singer of the group, Glodean James, on 4 July 1974.
While working on a few demos for a male singer, the record label suggested White step out in front of the microphone, to which he reluctantly agreed. His first solo chart hit, 1973's "I'm Gonna Love You Just a Little More Baby", rose to #1 R&B and #3 Pop. That same year, the Love Unlimited Orchestra's recording of White's composition "Love's Theme" reached #1 Pop in 1974, one of only two instrumental recordings ever to do so. Some regard "Love's Theme" as the first disco hit ever, although Nino Tempo's "Sister James" had already reached the Hot 100 a few months before.
Other chart hits by White include "Never, Never Gonna Give You Up" (1973), "Can't Get Enough of Your Love, Babe" (1974), "You're the First, the Last, My Everything" (1974), "What Am I Gonna Do With You" (1975), "Let the Music Play" (1976), "It's Ecstasy When You Lay Down Next To Me" (1977), "Your Sweetness is My Weakness" (1978), and "Change" (1982).
Considered handsome and deeply romantic by his many female fans and admired for the unique blend of soul and classical orchestral musical elements he created, White was often affectionately referred to as the "Maestro" or "The Man with the Velvet Voice". His portly physical stature led some in the popular press to make condescending jokes about his weight by referring to White as the "Walrus of Love," a moniker considered disrespectful by many fans. Barry White was also referred to as "The Sultan of Smooth Soul," but it was his role as brainchild of the funk-fueled, deep soul band, the Love Unlimited Orchestra, in which he was widely branded on several early albums as the group's Maestro, earning him the only documented nickname for which he and his musical colleagues were responsible.
Although White's success on the pop charts slowed down as the disco era came to an end, he maintained a loyal following throughout his career. In the 1990s, he mounted an effective comeback with the albums The Icon Is Love (1994), whose biggest hit, "Practice What You Preach" reached the top of the charts. In 1996, White recorded the incredibly steamy "Wildest Dreams" with rock icon Tina Turner. Staying Power (1999) won 2 Grammy Awards. In addition, his music was often featured on the sitcom Ally McBeal and he appeared on the show twice.
White had been ill with chronically high blood pressure for some time, which resulted in kidney failure in the autumn of 2002. He suffered a stroke in May 2003, after which he was forced to retire from public life. On July 4, 2003, he died at Cedars-Sinai Medical Center in Los Angeles from renal failure.[1] White was cremated, and his ashes were scattered by his family off the California coast.[4]
On 20 September, 2004, he was posthumously inducted into the Dance Music Hall of Fame at a ceremony held in New York.[5]
White's recordings featured a distinctive sound that combined orchestral instrumentation (string section, woodwinds, horns, harpsichords, etc.) with a steady drumbeat and as many as five electric guitars. His arrangements were influential on the emerging sound of disco music in the early 1970s.
A distinctive feature of White's music was the steamy spoken introductions and interludes that appeared in many of his songs. Perhaps the most notorious of these appeared in the track "Love Serenade (Part 1)", from his 1975 album Just Another Way to Say I Love You:
Take it off Deb. . . Baby, take it all off . . . I want you the way you came into the world . . . I don't wanna feel no clothes . . . I don't wanna see no panties . . . Take off that brassiere, my dear . . . Everybody's gone . . . We're gonna take the receiver off the phone . . . because baby, you and me, heh . . . this night, we're gonna get it on . . .
Over the course of his career White occasionally did work as a voice actor. He voiced the character Bear in the 1975 film Coonskin (and also played the character Sampson in the movie's live-action segments). He was featured in several episodes of The Simpsons including "Whacking Day", in which he used his deep bass voice played through speakers placed on the ground to attract snakes. He also did the voice of a rabbit in a Good Seasons salad dressing mix commercial, singing a song called You Can't Bottle Love. White had been offered the chance to play the voice of Chef in the cartoon series South Park (who had been modeled after White), but declined; as a devout Christian, White was uncomfortable with South Park's often irreverent humor. The part was eventually played by Isaac Hayes.
| Title | Release date |
|---|---|
| From a Girl's Point of View We Give to You... Love Unlimited | 1972 |
| Under the Influence Of | 1973 |
| Rhapsody in White | 1974 |
| Together Brothers | 1974 |
| In Heat | 1974 |
| White Gold | 1974 |
| Music Maestro Please | 1975 |
| My Sweet Summer Suite | 1976 |
| He's All I've Got | 1977 |
| My Musical Bouquet | 1978 |
| Love Is Back | 1979 |
| Super Movie Themes - Just A Little Bit Different | 1979 |
| Let 'Em Dance | 1981 |
| Love Unlimited Orchestra Presents Mr. Webster Lewis: Welcome Aboard | 1982 |
| Rise | 1983 |
| Title | Release date |
U.S. albums peak | U.S. R&B albums peak | U.K. albums peak |
|---|---|---|---|---|
| I've Got So Much to Give | 1972 | 16 | 1 | - |
| Stone Gon' | 1973 | 20 | 1 | 18 |
| Can't Get Enough | 1974 | 1 | 1 | 4 |
| Barry White's Greatest Hits | 1975 | 23 | 15 | 11 |
| Just Another Way to Say I Love You | 17 | 1 | 12 | |
| Let the Music Play | 1976 | 42 | 18 | 22 |
| Is This Whatcha Wont? | 125 | 25 | - | |
| Barry White's Greatest Hits Vol 2 | 1977 | - | - | 17 |
| Barry White Sings for Someone You Love | 8 | 1 | - | |
| The Man | 1978 | 36 | 1 | 46 |
| The Message Is Love | 1979 | 67 | 14 | - |
| I Love to Sing the Songs I Sing | 132 | 40 | - | |
| Sheet Music | 1980 | - | - | - |
| Barry & Glodean | 1981 | - | 44 | - |
| Beware! | - | 40 | - | |
| Change | 1982 | 148 | 19 | - |
| Dedicated | 1983 | - | - | - |
| Heart and Soul | 1985 | - | - | 34 |
| The Right Night & Barry White | 1987 | 159 | 28 | 74 |
| The Collection | 1988 | - | - | 5 |
| The Man Is Back! | 1989 | 143 | 23 | - |
| Put Me In Your Mix | 1991 | 96 | 8 | - |
| The Icon Is Love | 1994 | 20 | 1 | 44 |
| All-Time Greatest Hits | 1994 | - | 70 | - |
| The Ultimate Collection | 1999 | 148 | 98 | - |
| Staying Power | 43 | 13 | - | |
| Best of Barry White: 20th Century Masters/The Millennium Collection | 2003 | 100 | 54 | - |
| Love Songs | - | - | 21 | |
| White Gold: The Very Best Of | 2005 | - | - | 37 |
| Title | Release date |
U.S. singles peak | U.S. R&B peak | U.K. singles peak |
|---|---|---|---|---|
| "Walkin' In the Rain With the One I Love" | 1972 | 14 | 6 | 14 |
| "It May Be Winter Outside (But In My Heart It's Spring)" | 1973 | 83 | 35 | 11 |
| "Under the Influence Of Love" | 1974 | 76 | 70 | - |
| "Love's Theme" (as Love Unlimited Orchestra) | 1 | 10 | 10 | |
| "Rhapsody in White" (as Love Unlimited Orchestra) | 63 | 48 | - | |
| "Satin Soul" (as Love Unlimited Orchestra) | 1975 | 22 | 23 | - |
| "I Belong To You" | 27 | 1 | - | |
| "Share a Little Love in Your Heart" | - | 21 | - | |
| "If You Want Me, Say It" | 1980 | - | 71 | - |
| "I'm So Glad That I'm A Woman" | 1980 | - | 96 | - |
| Title | Release date |
U.S. singles peak | U.S. R&B peak | U.S. Club play peak | U.K. singles peak |
|---|---|---|---|---|---|
| "I'm Gonna Love You Just a Little More Baby" | 1973 | 3 | 1 | - | 23 |
| "I've Got So Much to Give" | 32 | 5 | - | - | |
| "Never, Never Gonna Give You Up" | 1974 | 7 | 2 | - | 14 |
| "Honey Please, Can't Ya See" | 44 | 6 | - | - | |
| "Can't Get Enough of Your Love, Babe" | 1 | 1 | - | 8 | |
| "You're the First, the Last, My Everything" | 2 | 1 | 1 | 1 | |
| "What Am I Gonna Do With You" | 1975 | 8 | 1 | 2 | 5 |
| "I'll Do for You Anything You Want Me To" | 40 | 4 | 2 | 20 | |
| "Let the Music Play" | 1976 | 32 | 4 | 15 | 9 |
| "You See the Trouble with Me" | - | 14 | - | 2 | |
| "Baby, We Better Try to Get It Together" | 92 | 29 | - | 15 | |
| "Don't Make Me Wait Too Long" | 105 | 20 | - | 17 | |
| "I'm Qualified to Satisfy You" | 1977 | - | 25 | 30 | 37 |
| "It's Ecstasy When You Lay Down Next to Me" | 4 | 1 | 5 | 40 | |
| "Just the Way You Are" | 1978 | 102 | 45 | - | 12 |
| "Oh What a Night for Dancing" | 24 | 13 | - | - | |
| "Playing Your Game, Baby" | 101 | 8 | - | - | |
| "Your Sweetness Is My Weakness" | 60 | 2 | 16 | - | |
| "Sha La La Means I Love You" | 1979 | - | - | - | 55 |
| "Love Makin' Music" | 1980 | - | 25 | - | - |
| "Change" | 1982 | - | 12 | - | - |
| "Sho' You Right" | 1987 | - | 17 | - | 14 |
| "Never, Never Gonna Give You Up" (re-release) | - | - | - | 63 | |
| "For Your Love (I'll Do Most Anything)" | - | 27 | - | 94 | |
| "Super Lover" | 1989 | - | 34 | - | - |
| "The Secret Garden (Sweet Seduction Suite)" (Quincy Jones with Al B. Sure!, James Ingram, El DeBarge and Barry White) |
1990 | 31 | 1 | - | 67 |
| "I Wanna Do It Good to Ya" | - | 26 | - | - | |
| "When Will I See You Again" | - | 32 | - | - | |
| "Put Me in Your Mix" | 1991 | - | 2 | - | - |
| "All Around the World" (Lisa Stansfield and Barry White) (Released in UK as B-Side of Lisa Stansfield Single "Time to Make You Mine") |
1992 | - | - | - | 14 |
| "Dark and Lovely" (with Isaac Hayes) | - | 29 | - | - | |
| "Practice What You Preach" | 1994 | 18 | 1 | - | - |
| "Love Is the Icon" / "Practice What You Preach" (Double 'A'-Side) | 1995 | - | - | - | 20 |
| "I Only Want to Be With You" | - | - | - | 36 | |
| "Come On" | 87 | 12 | - | - | |
| "Slow Jams" (Quincy Jones featuring Babyface, Tamia, Portrait and Barry White) | 1996 | 68 | 19 | - | - |
| "In Your Wildest Dreams" (with Tina Turner) | 101 | 34 | 38 | 32 | |
| "Staying Power" | 1999 | - | 45 | - | - |
| "Let the Music Play 2000" | 2000 | - | - | - | 45 |