Zot!
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Zot! is a comic book created by Scott McCloud in 1984 and published by Eclipse Comics until 1990 as a lighthearted alternative to the darker and more violent comics that predominated the industry during that period[1]. There were a total of 36 issues, with the first ten in color and the remainder in black and white. McCloud credited Astro Boy creator and "God of Manga" Osamu Tezuka as a major influence on the book, making it one of the first manga-inspired American comic books.
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[edit] Heroes
- Zachary T. Paleozogt, popularly known as Zot, a blond haired, blue eyed teenage hero from an alternate Earth who flies via rocket boots and fights villains with a ten-shooter laser gun and boundless optimism.
- Jenny Weaver, a sensitive teenage girl from our world and the reader's point-of-view character throughout the series.
- Jenny's older brother Butch, a typical blustering bully who, after a mishap early in the series, is transformed into a talking chimpanzee whenever he is on Zot's world.
- Zot's Uncle Max, an eccentric inventor, artist and surrogate parent whose gadgets help Zot fight crime.
- Peabody, Zot's robot butler/guardian.
[edit] Villains
Zot and his friends faced a number of enemies, including:
- 9-Jack-9, assassin for hire who can travel through any electrical signal.
- Dekko (Arthur Dekker), Max's friend turned madman who slowly replaced his cancer-ridden body with robotic parts.
- The Devoes, a cult of humans who believe that coming out of the trees was a bad idea, hence the name de-evolutionaries.
[edit] Zot's Earth
Using a portal created by Uncle Max, a link is created from contemporary Earth to the alternate reality of Zot. It is a retro-futuristic technological utopia, reminiscent of imagery from Golden Age SF. flying cars, robots and interplanetary travel are common and nearly all of its inhabitants benefit from peace, prosperity and a marked lack of conventional social ills. There also seem to be subtle differences in the essential nature of the two Earths, as on Zot's world events naturally favor the "good guys" in any conflict. Still, there are several commonalities between Zot's world and the "real" Earth, such as the careers of several popular musicians.
In Zot's utopian Earth, years seem to not pass by as it is permanently stuck in 1965. The inhabitants of Zot's world are unable to notice this fact, but Jenny and her friends from our Earth realise.
The true nature of Zot's world is never truly explained in the comic, and is left as a loose end.
[edit] Publication history
Although the comic has been out of print, it was reprinted in several volumes: Book One (ISBN 0-87816-427-8), which collected issues 1–10; Book 2 (ISBN 0-87816-428-6), which collected issues 11–15 and 17–18; and Book 3 (ISBN 0-87816-429-4) which collected issues 16 and 21–27. Book 4, collecting the "real world arc" of issues 28–36, was to have been published by Kitchen Sink Press but was a casualty of that company's turmoil.
In 2000, ten years after the last print issue appeared, McCloud brought the series back in webcomic format with a story called Hearts And Minds which comprised 440 panels spread out over 16 weekly installments.
It's been announced that HarperCollins will publish the complete black and white issues of the series (11-36) in one volume in July 2008. This edition will include substantial never-before-seen material and commentary by McCloud.
In addition, HarperCollins will publish a limited, signed collector's edition of this collection in November 2008.
[edit] Plot summary
[edit] Issues 1 - 10: Key To The Door
Jenny Weaver, a normal lonely girl recently relocated to a new town, stumbles across Zot, a superhero from an alternate world who is chasing a troop of robots in pursuit of a key that will open a door hanging out in space. Jenny returns with Zot and her brother Butch to his world. They retrieve the key and take it to the authorities, but it is stolen again. Eventually their pursuit leads them to Sirius 4, a drab theocratic planet, home of the key. Whilst there they uncover a plot to use the key, and the subsequent door opening, as an excuse to lead a holy war against Earth. To foil the plot Zot and Jenny take themselves through the door where they converse with the spirit of Sirius 4. Once out again they lead the revolt against the acting leader of planet who is tricked into goading his subjects on live television. Zot defeats the tyrant, but refuses to lead the planet, stating that they must learn to look after themselves.
[edit] Issues 11 - 27
The next sequence features a series of super villains, each of which Zot must defeat in turn.
- Ignatius Rumboult Bellows was his planet's foremost scientist, pioneering the Industrial Revolution, but all his work is made obsolete when more sophisticated worlds share their technology. Bellow's responds by determining that he will wipe out the technocrats of Earth.
- Zybox was a huge supercomputer, chanelling most of North and South America's communication. When his creator is let go by the government, Zybox escapes to our world, plotting to kill everyone simultaneously and steal a soul for himself in an attempt to fully understand the human condition.
- A cult of de-evolutionaries who believe that coming down from the trees was a bad idea turn the lead cast into monkeys, before Zot manages to save the day.
- Dekko, a villain previously seen in the Key arc, engineers his release from a mental institution and turns up to Zot's birthday party. He is apparently determined to destroy the universe and recreate it with his own sense of order, but instead ends up delving further into his own psychosis.
- Getting to 99 is the only story not drawn by McCloud and features Zot flying deep into the bowels of an underground city (to the 99th floor) just in time to prevent it from being accidentally blown up.
- The Blotch was a gangster with a purple splotch for a head.
- 9-Jack-9, who also featured in the Key to the Door arc, was an electronically transmitted assassin hired to finish off a royal family on a distant planet. Zot tracks him down to his base and kills the man operating him, but Jack, the programme, survives independently.
- Following a poll in which Zot! readers could vote for a character to be hit by a pie in the face, a special New Year's party is held in which all the villains and friends of Zot turn up, with said pie making many forays into the air, until finally hitting one of the assembled cast. This may be a reference to the famous issue of Batman where the American comic-reading public were asked to vote in a poll as to whether or not Robin should survive an explosion which had happened in that issue. At the end of this story Zot is stranded on Earth.
[edit] Issues 28 - 36
These stories are usually referred to as the "Earth stories" as they feature Zot being stranded on (normal) Earth. They are more character driven than the earlier stories and focus on Jenny's band of misfit friends. The final culmination of the arc is a cliff hanger in which the whole ensemble leaves to go to Zot's world, though not permanently. The arc also contained an entire issue with Zot and Jenny talking about sex, and an issue dealing with the lesbianism of Jenny's friend Terry.
[edit] Issues 10 1/2 and 14 1/2
Matt Feazell usually drew a non-canonical stick figure back-up strip to Zot! in which the characters from the main story were featured in absurd or surreal situations, as well as having crossovers with Feazell's work and other Eclipse books, but for two issues Feazell took the helm and produced these stories, set in "dimension 10 1/2".
[edit] Themes
Throughout Zot!'s run the principal theme is the contrast between Zot's utopian world and our own (Jenny's), flawed version[2]. The two lead characters find each other's worlds fascinating: Jenny desiring the tranquility of the parallel world and Zot embracing the challenges of Earth.
McCloud uses Zot to juxtapose his own naivety against the bigotry and abuses of our own world. Whilst on Earth Zot is less successful as a hero, representing the fact that our own world does not conform to the same rules as his. Later on, teenage sexuality, bigotry, homosexuality and a sense of not belonging are all explored in a sensitive way, displaying Zot (and by association his world) as socially liberal.
The series is notable for its Golden Age influence, its metafictional underpinning, and its energetic visual design.
[edit] Awards
Jack Kirby Award for Best New Series in 1985.
Four nominations for the 1988 Eisner Awards. Two nominations for the 1991 Harvey Awards.
The first trade paperback, published by Kitchen Sink, was a top vote getter for the Comics Buyer's Guide Fan Award for Favorite Reprint Graphic Album for 1998.
